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country rock

Spotlight Feature: Country luminary, Colt Graves, released the ultimate anthem for positive defiance with ‘Dirt on Me’

Colt Graves

Much like imposter syndrome, people coming out of the woodwork to attempt to drag you down to their depressive imbittered depths is a sign you’re on the right path; Colt Graves’ latest single, Dirt on Me, is for anyone who traverses this mortal coil with nothing but compassion, positivity, ambition, and autonomy fuelling their world-weary souls.

It is one thing to speak to the haters; it is another entirely to vindicate the people on their own paths with a country rock anthem that can easily define the future of the genre. Just as his grandfather, Josh Graves, got inducted into the Bluegrass Hall of Fame after introducing the resonator guitar to the genre, Colt Graves is making innovative waves of his own – which is easier said than done in 2023!

Dirt on Me is an adrenalized amalgam of Southern rock in the vein of Shinedown, Lil Nas X hip hop elements, vicious pop hooks, and modern beats, all tied together with country instruments and the depth and class of Steve Earl.

The genre fluidity within Dirt on Me may be bang on trend, but clearly, Colt Graves will never be one to sell his soul at the expense of his veracity, which makes the superlative hit one of the most visceral anthems the Country genre has ever contained.

“Have you ever felt like no matter what you do, it just isn’t good enough for some people?

Dirt On Me is for the people living true to themselves and trying to do the right thing, regardless of what anyone else has to say about it. It’s a ‘fed up of the bullshit’ anthem and a call to confident and more prideful arms; you can’t please everyone; the harder you try, the worse you will end up.

People are always going to ‘Throw Dirt On You’ and try to drag you down, but positivity always wins, and the best thing we can do is ignore the noise and keep moving forward.”

Stream Dirt on Me on all major platforms from May 11 via this link.

Follow Colt Graves on Facebook, Instagram and TikTok.

Review by Amelia Vandergast

Interview: Dan Slyker shows us what feel-good new country music sounds like

We sat down with Dan Slyker recently and had a hugely entertaining interview to read a few times. He shows us through country life, inspired by his childhood and rock aspirations, to lead us into a worthwhile read which might get many loving the 808s and Fishin Lakes vibes.

Firstly, welcome to A&R Factory as we appreciate you sitting down with us for a chat. First, what kind of music are you personally into?

Thank you for taking the time. I loved country as a kid. Country Bear Jamboree at Disney World is my first musical memory along with a TV show called Hee Haw. I listened to Kenny Rogers, Eddie Rabbit, Charlie Daniels and The Oak Ridge Boys until I found my parents’ Beatles records… Then I became a rock kid but I always kept a country torch burning. Every style has good and bad songs. I don’t care what genre it’s under, I just love a well-written song. If you want a more committal answer, I think 70s rock has the highest hit rate of great songs.

How does Linda Ronstadt’s music inspire you?

She, along with the other pioneers of that California country rock sound (The Flying Burrito Brothers, Eagles, etc.) made music that was the perfect blend of my country childhood and rock aspirations. All her hits were covers but she applied her flavor and it made it sound like they were all written by the same person.

Your dad was in the Coast Guard. Please tell us some stories and experiences from this time.

We moved every 1.5 to 3 years. It was hard saying goodbye to friends but it allowed me to see a lot of cool places and meet different kinds of people. The best place was Puerto Rico where there was no TV in English so I had to play outside and get into other hobbies. This is where I first became serious about being a musician.

Please tell us more about your most recent music released through 808s and Fishin Lakes.

It started with 1 song that was a mix of old-time, storytelling, Country Bear lyrics, some rock drums guitar and modern 808 hip hop drums. I was only hearing serious country music on the radio so I thought this style could stand out. I hope it does.

In 2020 something happened. Please tell us more about when you started to create music.

I had been writing music for years but in 2020, I was having a dream set in a tropical location and there was a song playing in the background. I woke up with the entire chorus melody and 3 of the 4 lyric lines already written. It was during quarantine so I had plenty to complete my first song on the album, Mexico.

Why do you think music is so serious now?

I really don’t know but can we get a better balance of fun and serious, please? Slow songs can be great, sad songs can be too, but that’s 80% of what I’m hearing now in country.

Last, are there any particular festivals or venues you’d like to perform at?

I’m just starting out so honestly, I’d be happy to play any venue. Gonna book some small rooms this summer to spread the word about my album and we’ll see where it goes from there.

Listen up fully on Spotify.

Interview by Llewelyn Screen

The country rock renegade Brandon Bing is back in the saddle in his roughneck hit, Don’t Bring Your Car to a Rodeo

Before you head to your first rodeo, learn the ropes from the Floridian traditional country rock raconteur Brandon Bing. Taken from his latest whisky-soaked album, Huckleberry, his seminal single, Don’t Bring Your Car to a Rodeo, is an enlivening invitation into the roughneck culture of rodeos.

The foot-stompin’ rhythms drive good vibes right through the upbeat hit while the folky strings bring the gravitas that Brandon Bing is renowned for in the country music scenes far beyond his own turf. Off the back of his 2021 EP, Dyin’ Breed, he received accolades from the International Singer-Songwriters Association, and he’s toured his sound across the states with appearances at Live Oak in Nashville and at the BMI Songwriters Festival in Florida.

Don’t Bring Your Car to a Rodeo video is is now available on YouTube and you can also stream it on Spotify

Review by Amelia Vandergast

Hodges Country stand and deliver raucous country rock euphoria in ‘Country’s Kicking’

https://soundcloud.com/steve-and-sheri-music/countrys-kicking-2

The country rock raconteurs behind Hodges Country are primed and ready to take you down the ramshackled county line in their latest upbeat single, Country’s Kicking, which has been picking up plenty of steam on the airwaves since its July 2022 debut.

With over 128k streams on SoundCloud alone, the father and son duo led by American singer-songwriter Steve Hodges paid a stunning ode to his late wife, who was the co-creator and muse behind many of his greatest hits; her legacy is in a blaze of glory on the basis of Country’s Kicking alone. How the wake and tragedy can translate into such euphoric country rock raucousness is the epitome of beauty in my book.

Delve into the bluegrass righteousness for yourselves by heading over to SoundCloud.

Review by Amelia Vandergast

Nicki Shakes shares a relatable thirst in her single, I Need a Drink

Country singer-songwriter-sensation Nicki Shakes shared a relatable thirst in the standout single, I Need a Drink, from her debut album, Rise. For everyone that has ever wanted to evade the nefariousness of their consciousness, the bluesy swagger of the melodically upbeat Country pop rock single has all the makings of a playlist staple.

Her eclectically matured sound may sonically take you to a dive bar in Tennessee, but the accomplished UK-residing artist tours her soulful tales of heartbreak and woe across Essex and London. What comes as much less of a surprise is the international airplay Nicki Shakes has garnered with her energy that epitomises artistic dynamism.

I Need a Drink is now available to stream on Spotify.

Review by Amelia Vandergast

Brandon Bing – Dyin’ Breed: Rapturously Raucous Country Rock

Singer-songwriter Brandon Bing is keeping modern country rock alive and breathing, ironically, with tracks such as ‘Dyin’ Breed’. The southern sun-kissed single plants itself firmly within the roots of country and resounds through the massive radio-ready rock production.

It’s a track that rhythmically commands you to move and lyrically compels you to see the beauty in the world in the same way the Florida & Nashville- based artist does. You almost don’t need the artist’s bio to know that he lives between Florida and Nashville, the gloss and grit delivered in Dyin’ Breed is a telling sign and just one of the reasons why Brandon Bing stands out so easily from the rest.

His rapturously raucous lyricism paired with their gritty southern twang will do infinitely more for your outlook on life than pawing your way through a mountain of self-help books. The energy from the stomping rhythms paired with the rich resonant vocals won’t fail to crawl under your ribs as you listen to the hook-filled feat of honkytonk.

Dyin’ Breed is now available to stream via YouTube.

Review by Amelia Vandergast

Get lost in the dreamy Americana Rock tones in Colm O’Mahony & The Hot Touches’ single “Preacher’s Daughter”

https://soundcloud.com/colmandthehottouches/03-colm-omahony-preachers-daughter-new-master

Sail away with the nostalgically lush tones in the standout release, “Preacher’s Daughter”, from Killarney, Ireland-based artist Colm O’Mahony & The Hot Touches.

Preacher’s Daughter is just one of the singles which features on the band’s debut album which borrows some stylistic elements from across the pond while keeping the folkish tones of Ireland still ringing in the euphoric aural pipe dream. The dreamy hazy melodicism combined with the soul-awakening vocal vibrato proves to be a powerful combination which will be a hit with any fans of Springsteen and the Heart Breakers.

You can check out Preacher’s Daughter for yourselves by heading over to SoundCloud.

Review by Amelia Vandergast

Lindzey Autumn kicks up country roots in her stylistic debut single “Bad Influence”

There’s a fairly cast-iron archetype for female voices in Country, Lindzey Autumn tore it apart with her empoweringly fierce debut single “Bad Influence”.

No, she doesn’t try to play the hedonistic miscreant herself, enlightenedly, harmoniously she tears down the pretence of the people who carry themselves with a devious air, the ones who think it makes up for a lack of personality.

The contemporary styling of the roots-deep sound and the amount of convictive within it will undoubtedly see Lindzey Autumn rising up from the underground in no time at all. Get her on your radar. You won’t want to miss her debut EP which is currently in the pipeline.

You can check out Lindzey Autumn’s single Bad Influence for yourselves by heading over to Spotify.

Review by Amelia Vandergast

The Charlie Kulis Band “Come and Getcha Some” is the first track of six from their debut EP, titled “Twisted”, which is out now.

https://soundcloud.com/charlie-kulis-472480550/01-come-and-getcha-some

The Charlie Kulis Band – Come and Getcha Some Country-rock with hints of indie throughout, “Come and Getcha Some” by The Charlie Kulis Band sure is a feel-good tune. The upbeat sound will have you grooving away whilst Charlie Kulis sings the lyrics which paint a brilliant day where the sun is shining and you’re out having a good time.

Positivity in country music is always great to hear but the indie-rock elements mix up the track so much so that it makes it unique and interesting. There are also instrumental breaks throughout which allows the band to impress, with urban elements and earthy guitar chords. “Come and Getcha Some” is the first track of six from their debut EP, titled “Twisted”, which is out now.

Listen now on Soundcloud: https://soundcloud.com/charlie-kulis-472480550/01-come-and-getcha-some

Desert Shade: “All For Nothing” – Classic Americana of the very best kind

Bringing the Classic Rock all the way from Annapolis, Maryland, comes Desert Shade. Describing themselves as ‘born out of necessity in the fall of 2019 to fulfil a headlining slot’, the band came from a scrabbled first headline set to a show that landed them on the Baltimore Soundstage just a few months later. Now, following a couple of early singles, they’re bringing their brand of Americana-influenced classic rock via this, from their forthcoming self-titled debut EP.

Awash of laid-back harmonica and tweedy Fender twang, meandering bass, and graced by a beautiful heavily wah-and-distorted lead-line from Nick M, ‘All For Nothing’ is a cigarette-lighters-at-the-ready burner in the style of ‘Someday Never Comes’ of ‘Forever Young’.

Quietly forceful and evocative without being schmalzy, ‘All For Nothing’ smoulders like the best of laid-back Neil Young, the Allman Brothers, Tom Petty, or the Grateful Dead.

You can check it out here.

Review by Alex Holmes