In this interview, we sit down with finger-style guitarist Samaël to discuss his upcoming LP, Cascadia, set for release on September 5th. Samaël shares the mind-bending concept behind the album, which tells the tale of a lost ancient civilization and its lingering entity which lurks through the modern ages.
We also explore his unique creative process, the challenges of being a solo instrumentalist, and how he’s evolved as a musician since his debut album, Shadow. Samaël reflects on the balance between technical skill and emotional storytelling, offering insights into the future of his music career.
Samaël, welcome to A&R Factory! Thanks for sitting down with us to discuss your upcoming sophomore LP, CASCADIA, which is due for release on September 5th. What’s the concept of the LP, and what kind of sonic world does the album open up to listeners?
The concept of the LP Cascadia is the storyline of an ancient civilization that we lost a long time ago. I’m not saying that’s a true story. I’m just saying that’s a story that inspired me a lot to write this album; the only remnants left of that civilization is an Entity that roams the earth to this day, trapping modern souls in his grip.
This is the storyline that you’ll be able to see in the music video trilogy; part one came out in July. Part two, The Mask, will come out on August 30. So, basically, this new album is a contemporary solo acoustic album which blends minimalism and metal into a fingerpick style.
Can you walk us through the creative process of composing the pieces?
Sure, so basically, I took a drastically different approach to the last album. I composed on software without the guitar in my hand because I felt at that time that my compositions were getting predictable and that I was starting to be stuck in a mould if you will and I didn’t feel like I had my sound yet.
So, I composed something that was purely off of my ears and I was not limited by what I could do or not do technically on the guitar and so that was a creatively rewarding process. However, the problem is that you have to learn the pieces and the more you get ambitious during the composition phase the harder it is to learn and perform them because they become so weird technically for the physical movements of how to play them if that makes sense
Does being a solo instrumentalist feel isolating at times?
No, not at all, I played in a band for 10 years in Montreal before embarking fully on my finger-full project. There are positives and negatives of being in a band and being a solo musician but what I specifically love about being a solo artist is the independence, autonomy, and full control I have over the creative process. However, solo projects can often feel like a mountain of work that I have to scale alone, but apart from that, I like it, I like his approach.
What other challenges does being a solo artist present?
I think for me the biggest challenge is what I just hinted at. It’s trying to manage the musical project as a label would as best you can. I compose the music, learn the pieces and practice them to perform live – it can be a lot! I also promote the shows, run marketing campaigns, manage my social media pages, and reach out to publications, so it’s difficult to make sure I don’t forget anything and I am giving myself the best chance possible.
You’ve got an incredibly intricate guitar style, how immense is the pressure to execute each composition flawlessly while playing live?
Thank you. The pressure was at its highest when I started playing live solo shows. I have played in bands for years, but anyone who has played solo knows that playing in a band and playing by yourself is a whole different experience on stage and you feel you really feel naked. If you’re playing in a band and you make a small mistake on guitar often it does not show, it’s not obvious to the crowd because there are other instruments in the mix, but when I’m by myself, every little detail is heard and missed notes can’t be forgiven. That kind of pressure forces you to really up your game, but I have been doing this for several years at this point so I would say that I am reaching a point of confidence.
Who are your main influences as a guitarist and composer?
I have a lot to name, but the first artist that pops to mind is Erik; I will be getting the chance to play a concert this summer with him and Antoine Fool as a trio. His music made a huge impact on me years ago; he taught me that sometimes there’s a visual dimension to the music.
As a composer, it’s easy to get carried away with technical aspects, and I speak from personal experience. When I was younger, I often found myself focusing too much on the visual or technical side of things, rather than the core reason we create music—the sound, the emotion, and the story it conveys. I remember hearing a piece for the first time and realising that the musician wasn’t trying to show off his technical prowess, even though he was incredibly skilled. Instead, he was focused on communicating a story with deep emotion through his guitar. That had a profound impact on me. It taught me that sometimes the simplest actions, like playing just two notes, can be more powerful than any technical display. The key is not letting your ego interfere with your creative process.
Your debut album, Shadow, was released in 2018, how have you spent the years between your two LPs?
Well, Cask took a lot longer to finish than I had anticipated so that definitely took a lot of time but since 2018 a lot has happened since then, when I finished my master’s in musicology in Montreal, I moved back to where I come from in New Brunswick and started working at a music school there; that was my first real experience in the job market after being a full-time student. I also took a lot of time to try to own certain skills that I felt were lacking like, for example, music recording, video editing, and other skills which are really important for a self-employed musician.
What else does the future have in store for Samaël?
Well, I have several things in mind, I will see how things unfold but just to give you a little glimpse, there won’t be another solo finger-style album in the future. But as I mentioned earlier, I got carried away in the composition process, and when it came to time to learn those pieces it was clear that we needed to retreat to actually learn them because there’s so much going on in the music just for one person. Apart from that, I’d like to start another album with some other artists.
Stream the official video for Samaël’s latest single on YouTube.
Follow Samaël on Facebook, Instagram & TikTok.
Interview by Amelia Vandergast