Browsing Tag

classical

Stelios Kyriakidis created a passport to ‘Copenhagen’ in his seminal ambient classical guitar composition.

Stelios Kyriakidis staked his claim as one of the most evocative neo-classical guitar composers of his generation upon the unveiling of his debut album, 508 Days. The opening single, Copenhagen, pays a fitting ode to the titular destination; each note, a breath taken at the profoundly inspiring scenery, a moment stolen within the rich culture, a step taken through the enriching streets.

The serenity within the instrumental soundscape constructed by the London-based Greek guitarist and composer echoes his influence of neoclassical, folk and film music elements. If the soundtrack to the film Her made an ever-lasting impression on you, expect the very same affecting experience from Stelios’ intimately composed score which undoubtedly resounds as well in a live performance as it does on record. The connection he feels to the guitar in hand is comforting throughout, echoing his own familiar and fond acquaintance with the instrument he uses to make highly visual mirages from melodies.

Prior to the release of 508 days, Stelios Kyriakidis performed in prestigious venues globally and has been featured by BBC Radio London, The Music Dances When You Sleep, and the Minor7th. Since releasing Copenhagen, the single entered the iTunes Classical Charts at no.34. We can’t wait to see where he takes his sound next.

Visit Copenhagen via Spotify and explore the rest of Stelios Kyriakidis’ debut LP,

Review by Amelia Vandergast

Nick Pike has debuted a neo-classic composition of profound contemplation with the release of ‘Norastoria’

Nick Pike

Nick Pike’s instrumental neo-classical piece, Norastoria, is a composition of contemplation, capturing the tenderness of tentative new beginnings as vividly as the tumultuousness of reality which demands resilience to weather life’s relentless storms.

Each note is as accessible as the last in the endlessly inviting piece which keeps its finger on the evocative pulse. Words are surplus to requirement through Pike’s talent in depicting human narratives in humble neo-classic melodies. Pike’s ability to infuse each note with a sense of purpose and feeling is remarkable. The single is a journey through the highs and lows of the human experience, rendered with a sensitivity and depth that only a musician of Pike’s calibre can achieve.

As a London-based producer, multi-instrumentalist, and educator, Pike brings a unique blend of influences to Norastoria, the title single prised from his debut solo album, from the classical echoes of Beethoven and Debussy to the rhythmic intricacies of jazz and funk. The title single is a testament to Pike’s versatility and his ability to weave diverse musical threads into a cohesive and engaging narrative.

Norastoria will be available to stream and purchase on all major platforms from January 12th. Discover Nick Pike’s sound via his official website.

Review by Amelia Vandergast

Jisu Jung took her journey of self-discovery in the neo-classic jazz release, Who Am I

After honing her talents in some of the most prestigious music institutions including Dresden College of Music, Berklee College of Music in Boston, and the Manhattan School of Music, the pianist and composer, Jisu Jung’s technical skills transcended into an ability to forge evocative connections with her innovative compositions.

Her latest classical jazz piece, Who Am I, welcomes you into her expressive world, where cello strings visualise the darkness we all need to negate on the path of self-discovery and the piano keys embellish the score with flourishing syncopation to mimic the freedom of personal growth.

As the momentum builds towards the mid-way point in the instrumental release, euphoric zeal starts to underpin the orchestration, marking a radical shift from the ornate air in the prelude to the virtuosic control of chaotic time signatures. Even though the energy doesn’t sustain towards the outro, the innate liberation in the progression lingers before the abrupt silence allows you to take a breath that isn’t influenced by the momentum within the classical Tour De Force.

Who Am I was officially released on September 22; stream it on YouTube.

Review by Amelia Vandergast

Fabian Jeller took his listeners ‘From Zero to Infinity’ in his latest composition

The classically trained pianist, electronic music producer and composer, Fabian Jeller used every modicum of his training and talent honing to mark his evolution towards a more viscerally stylistic, organic, and colourful tonal palette in his most seminal single to date, From Zero to Infinity.

The synthesis of classical instruments in the electronic soundscape embodies the vivaciousness of a full symphony orchestra to take you on a journey of vibrant transcendence via the arrangement of the synths and strings, which work in absolute synergy to ensure you sonically arrive at the destination the Italian virtuoso intended.

Blissful, rejuvenating, and deeply evocative in inexplicable equal measure, From Zero to Infinity captures the momentum of life, and all the stratospherically colossal twists and turns it leaves us with no option to traverse. As Bill Hicks once famously said, it’s just a ride. Jeller proved the intrinsic beauty in that ride. Strap yourselves in and surrender yourself to it.

From Zero to Infinity arrived on the airwaves on September 16; stream it on SoundCloud.

Review by Amelia Vandergast

Michael Carson emulated the emotional connection of artistic expression with ‘Blades on Ice’

The classical music composer, Michael Carson takes inspiration from everything from the vastness of the universe to the majesty in the contortions of the human form; for one of his most captivatingly seminal scores, Blades on Ice, he took his fans on an audio-visual journey inspired by the grace of Olympian figure skaters.

To the accompaniment of his orchestral arrangement, the artistry and expression of the figure skaters are heightened to the nth degree. By soundtracking their defiance of physics, Carson amplified the tension within the dramatic routines, added to the melancholy of their sombre performances, and made melodic their spirited sequences. While some soundscapes cradle what it means to be human, others demonstrate the definition of extraordinary, Blades on Ice superlatively lies in the latter camp.

The official music video for Blades on Ice is available to stream on YouTube.

Review by Amelia Vandergast

Michael Carson emanated ephemeral grace in his classical score, The Elusive Ballerina

https://youtu.be/U9r0QzgCdEQ`

For his latest orchestral score and music video, the fan-revered and critically acclaimed composer Michael Carson captured the ephemeral grace of The Elusive Ballerina.

The evocative beauty of the masterpiece wouldn’t leave the score out of place in a performance of Swan Lake. With the pirouetting orchestral melodies which ebb and flow in mellifluous rhythm, your rhythmic pulses will be efficaciously awoken to the tune of Carson’s contemporary classical narrative that will capture your attention and flood catharsis into your senses.

On the basis of The Elusive Ballerina, and all of the pieces that have preceded it, it is only a matter of time before Carson’s name is one of the biggest in the classical realm.

Stream the music video for The Elusive Ballerina which premiered on August 12th via YouTube.

Review by Amelia Vandergast

Michael Carson sang the sun’s sonnet in his orchestral score, Solaris

The revered classical composer Michael Carson frequently looks to interstellar phenomena for inspiration for his compositions. His seminal score, Solaris, which would be more than fitting as a sonic pairing to a Brian Cox documentary, is no exception.

After day breaks via the orchestral melodies in the intro, sinister sci-fi elements start to weave their way into the grandeur of the piece to allude to the insurmountable nature of the sun, which is often forgotten about as we see it synonymous with temperateness.

His score efficaciously captures the explosively ravening nature of the hot ball of hydrogen before the orchestral strings bring you back to earth by sonically visualising the beauty of a sunset. Solaris may leave you feeling small once you contemplate the vast nature of the universe, but that is far from the only emotion evoked by his masterful maestro touch.

Stream the official music video for Solaris on YouTube.

Review by Amelia Vandergast

Michael Carson sonically visualised ‘A Starry Night’ in his classical composition.

If you have ever wondered what Van Gogh’s A Starry Night would sound like reimagined in a classical composition, wonder no more by going interstellar with the immersively seminal score from the world-class composer, Michael Carson.

With its evocative depth, hitting play is akin to an astronautical adventure; the gentle melodic flurrying keys and gracefully poised orchestral strings effortlessly glide to the arrestive crescendos and fleeting sinister motifs that allow A Starry Night to unravel as a progressively compelling soundscape that soundtracks the vastness of the universe.

Clearly, Carson’s Bachelors & Masters in Music Composition and doctorate in Musical Arts have served him well, as has his inclination to stay committed to perpetuating the timeless appeal of classical music in his invigorating work.

Explore the cosmos with the official music video for A Starry Night on YouTube.

Review by Amelia Vandergast

Malta’s Stanley Fenech shall summon our pool-splashed spirits with Summer Time

Showing us all that 50 is the new 20, Stanley Fenech is in a happy mood and guides us deep into a much more fulfilled place with the sun-soaked ray of sunshine that is his Summer Time.

Stanley Fenech is a Malta-born electronic music producer and multi-instrumentalist who grew up in the classical music world through his family and has constantly evolved throughout his career.

Summer Time from Malta-born electronic music producer Stanley Fenech is a calming single with minimal fuss. That’s the point it appears. This is for all the humans in the world who want to forget about their lives. Splashing around is the aim. Experimental you’d say. There’s something rather joyous about this song and it might even swap a frown into a smile.

In a dark time for humanity, perhaps this will ease the worries away into the bottom of the swimming pool.

Turn this up on Spotify.

Find out more on his IG.

Reviewed by Llewelyn Screen

Interview: Prithvi Prakash is the caring role model the world needs

Known best for beautiful releases such as Yarn and Balance, we sat down with Prithvi Prakash recently and had one of those genuine chats you just can’t make up. She flows so splendidly and gives the world those tender Butterfly kisses we all needed, on this massively insightful interview.

Hello there. We truly appreciate your time. Please tell us more about how you started in the music world and what fueled your passion.

I’ve been singing since the age of four or five. At the age of six, I started learning Indian classical music when I moved to India and through that I stayed connected with music for the next 10 years. But I think I realized that I wanted to pursue music full-time after I came to Berklee College of Music.

Tell us more about living in India and USA. Which country do you prefer and what are the differences in your opinion?

So I was born in the US and I was brought up in India. I’ve lived about 12 years in India and came back to the US for college. It’s hard for me to pick a favorite but I think I’m grateful for having experienced the culture of two different countries. Living in India had me exposed to a very different music scene. I was trained in Indian classical music and also grew up on a lot of Indian film music. Then I came to the US and I was exposed to the whole Indie scene in the US which is way bigger in the US than it is in India. With that came a whole bunch of genres including EDM, singer-songwriter, folk music and everything in between. I think my experiences of living in both these countries has helped me understand my sound as a musician and opened my mind up to so many different opportunities that I can access in both countries.

Please tell us about your most recent release and the creative process involved.

My most recent release is called Butterfly. The song is extremely special to me. The song is written from the perspective of my parents. One day during the pandemic I was just inspired and the first thought that crossed my mind was how it must feel for my parents to have me grow up and leave the house and go out there to make my own identity after having nurtured me and protected me for all these years. Butterfly is a metaphor for the metamorphosis of a butterfly from a caterpillar and is written from the lens of a mother or a parent watching that metamorphosis and the different emotions they experience while watching their child go through life.

How do you distinguish yourself from other artists?

I don’t think I have ever written a song or produced a track with the thought that I need to be different or I need to stand out from other artists because that really hinders the natural creative process. Having said that, I do bring in little elements of my culture and of my influences that I have grown up listening to into my music. These experiences are unique to me and by bringing them into my music I can only hope that I can create a signature for myself.

How have your experiences crafted your sound to what it is now?

Having trained in Indian classical music for over 15 years the way I think about melody is heavily influenced by that. Along with that I also listened to a lot of AR Rahman, Coldplay and Taylor Swift and this unique blend of such different influences helps me craft a sound that is unique to me.

Where is one venue or festival you’d love to play live?

I have never played a Sofar concert before and I would love to play a Sofar concert or any sort of intimate concert because I think my music is very emotionally intimate. The thought of being able to connect emotionally with all the people in a room through my music is far more exciting to me than playing a large festival with thousands of people in the audience – though, I am not complaining if it happens!

Last, what are your hopes and dreams for your career?

I just want to make good music, really high-quality music and reach new audiences to take my music where it deserves to be taken.

Turn this up on Spotify.

Interview by Llewelyn Screen