Browsing Tag

Cinematic Pop

Angie Hakeem clutches the sands of time in her cinematic pop ballad, Too Soon to Die

Too Soon to Die is the latest classically cut pop single from Ohio’s sincerest singer-songwriter Angie Hakeem, who stretched her glassily dynamic vocals back through the decades to remind us of how sweet our perspectives on love and life used to be.

The real beauty within Too Soon to Die is the lyrical ambiguity that allows you to implant your own experiences with loss, grief, and fear of losing into the cinematic ballad. It certainly wouldn’t be out of place in the Disney music genre with its orchestral arrangement, swoon-worthy crescendos and vocal highs that tempt the floodgates to open.

Too Soon to Die will officially release on July 8th. You can stream it for yourselves by heading over to SoundCloud.

Review by Amelia Vandergast

UK indie pop duo ISYLA has unveiled their consciousness-driven cinematic single, Pretty Lies

The UK’s most promising pop duo, ISYLA (Lizzie Freeborn & Woodburn) has further staked their claim with the release of their latest dynamically cinematic single, Pretty Lies.

There is a touch of Nadine Shah’s Kitchen Sink to the jazz-tinged prelude, but ISYLA soon breezed into their ethereal own through the breathy vocals, flamenco guitars and arresting lyricism. “I live and let live but what if a choice takes a life” may just be the most perfect lyric I’ll hear this year. Yet, that’s just a splinter of the refreshing consciousness carried by the duo that formed in 2020 as a musical response to the climate crisis.

Since making their debut, they have featured on BBC Introducing, Music Declares Emergency, and the Consciousness Festival. Their selfless sense of holistic interconnectedness makes every soundscape they touch resound with a rare sense soul that is enough to make everything else on the airwaves feel superficial.

Pretty Lies is now available to stream on Spotify.

Review by Amelia Vandergast

Astroblue Express invite you to let love in through their cinematic dream pop single, Welcome.

We are stoked to see the return of the New York-residing duo Astroblue Express after their trippy ethereal tones in Cotton Candy Dreams gave us a potent dopamine fix earlier this year.

Their latest single, Welcome, is an artfully composed feat of cinematic dream pop that weaves a conceptual narrative of optimism through the pulsating downtempo electronica beats. Welcome is for anyone who has scolded themselves for being naïve in the past and find themselves unable to trust in the present through fear of future pain. In its essence, Welcome is an invitation to let love in again. After being exposed to the gently layered vocals, soft transcendent crescendos and lyrics that pull you into a brighter perspective, how could you possibly refuse?

Welcome is due for release on November 5th. You can check it out for yourselves by heading over to Soundcloud.

Review by Amelia Vandergast

Sciarra has released her hauntingly profound cinematic single, Dancing in the Dark.

Dancing in the Dark is the latest cinematic pop single from Sciarra, an artist quickly becoming renowned for her velvet soft vocals, ethereal melodies and dramatic art-pop edge.

Her love for a cinematic sonic palette transpired from her time writing TV and Film music. Her experience truly shines through in Dancing in the Dark, which pulls you in by the sheer artistry and her ability to pull on your heartstrings until they’re as raw as the sentiments explored in her deeply conceptual tracks.

Dancing in the Dark was written post-lockdown, shortly after she lost her mum to cancer and she was diagnosed with skin cancer. After overcoming it, she was left to contend with her grief; music became an avenue of reprieve and Dancing in the Dark was born. The airwaves are infinitely richer for it. We can only hope that there are plenty more emotionally iron-wrought singles in the pipeline.

All proceeds from the single will be donated to the American Cancer Society.

Dancing in the Dark is now available to stream on SoundCloud.

Review by Amelia Vandergast

Start your infatuation with Cherry Makes Waves’ latest avant-garde cine-pop single, Bisket Full.

Amsterdam’s Avant-Garde cine-pop artist Cherry Makes Waves has released her latest artfully sultry earworm, Bisket Full. With her ability to hit high notes with ethereal ease, your infatuation with her authenticity will ensue before the first verse runs through.

Any Kate Bush comparisons that you are tempted to make will quickly slip away while the down-tuned guitars and snappy electronic percussion remind you of the time when Skinny Puppy reigned supreme in the electronica scene.

The playful pop track explores our proclivity to make ridiculous decisions when we are hyped up on lust; considering that you’ll start to feel your inhibitions slip away while embracing the daringly single, Cherry Makes Waves makes a compelling case.

Bisket Full is now available to stream via Spotify.

Review by Amelia Vandergast

Aisyah sets the pace with her RnB pop single, Slow Down (Remix), featuring Pisces Kid and Zalelo.

For her latest release Bruneian singer-songwriter and producer Aisyah reworked her absorbing contemporary RnB pop track, ‘Slow Down’; in doing so, she ironically made us fall even more in love with the single.

The original release was a stunning feat of RnB pop which showcased Aisyah’s harmonic vocals against Pisces Kid’s irresistibly smooth vocal timbre as the two vocalists contended with romantic hesitancy. The remix introduces female vocalist, Zalelo, who acts as the proverbial devil on the shoulder, leading the narrative into one which mimics the conflict that is often fought when making romantic decisions.

While many artists use their tracks to boast how head over heels in love they are, Aisyah takes a more meditative approach to affection. Her hesitancy draws realism into the release but it never detracts from the affection.

It’s a stunning track that has left us assured that big things await Aisyah as she takes a step back from the film music industry, where she worked for Netflix, Marvel and Disney and became the first Bruneian to break into the American film industry.

Slow Down (Remix) officially released on April 30th. You will be able to check it out for yourselves via Spotify.

Keep up to new releases from Aisyah via Facebook and Instagram.

Review by Amelia Vandergast

pb – Atlantis: progressively ambient art-rock

It’s always refreshing to hear a new approach to ambience, with their captivatingly cinematic production style, LA artist, pb, offered just that with his latest album, ‘In Parallels’.

Part progressive art-rock, part avant-garde electronica, part retro indie-pop, the first single, ‘Atlantis’ is the perfect introduction to the artist’s talent when it comes to blending textures to build what has never been constructed before. The best part? The catharsis contained in Atlantis is unhindered by pb’s tendency to let their experimentalism run rampant through their intricate grooves.

Evocatively, Atlantis is just as intense as Porcupine Tree’s acclaimed album ‘Fear of a Blank Planet’. Which feels strange to say about such a low-tempo mellifluous soundscape, but the sentiment still stands.

pb’s 2021 album is now available to stream via Spotify.

Review by Amelia Vandergast

Colleen Orender – The Company of Older Men: Cinematically Captivating Pop

Even before I hit play on Colleen Orender’s recently release single “The Company of Older Men” I knew I was going to greet the track with adoration.

Not many Pop artists are unashamedly bold enough to tackle the not so glamorous subject of sugar daddies. But Colleen Orender managed to do it whilst simultaneously creating a cinematic track which wouldn’t be out of place in a Bond soundtrack.

Every single aspect of the production is phenomenal. It’s full of edge-of-your-seat tension, half-heartedly listening to The Company of Older Men is simply not an option. Colleen Orender’s vocals are up there with the most arrestive we’ve heard this year, and that’s very unlikely to change.

You can blow your own mind with jazz-infused orchestrally-layered epic soundscape for yourselves by heading over to Spotify.

Review by Amelia Vandergast