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Cali Singer Songwriter

Emmett McGrath revisited 70s folk-pop with visual lyricism and achingly panoramic sonics in ‘Outlaw’

Cali singer-songwriter Emmett McGrath is a testament to the power of lyrical storytelling in his latest single, Outlaw. The orchestrally embellished 70s folk pop vignette is driven by Elton John-esque piano keys which let you feel the heart in every note and enlightened by McGrath’s intensely evocative harmonies that put him in the same league as Cat Stevens.

With lyrics as poignantly poetic as Paul Simon and Bob Dylan, it’s impossible not to feel like you’ve found a diamond in the rough with Outlaw; the way it sweeps you up in the tenderly orchestrated panorama as it traces the steps of a woman on the run towards refuge is a cinematic triumph.

Between his visual lyricism, ability to pay homage to the greats while staying true to his sonic blueprint and the lush reverberations of his sepia-tinged compositions, there’s no denying that Emmett McGrath has one of the most impactful voices in modern folk-pop.

Outlaw was officially released on November 2nd and is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

Josh Rosenblum Band rhythmically prised listeners from the purgatory of self-scrutiny with ‘Wandering Heart’

Though he has enjoyed spates of success, amassed a loyal fanbase, and become a trailblazing troubadour across the Central Coast, the Cali-hailing singer-songwriter & multi-instrumentalist Josh Rosenblum remains one of the most criminally underrated artists of our time.

His latest album, Love Letter, is yet another testament to his honed ability to echo the old soul of pop, rock, and blues in a way that greets you with familiarity and accommodates you with melodiously reimagined cross-generational sensibilities to prove that there’s no such thing as a sonic bygone era. The door is always left open by artists masterful enough to reignite the same spark ignited by artists whose entry into the hall of fame will never be ephemeral.

His ability to rip a blues riff like it’s nobody’s business is one thing. His talent in delivering consolation through his song crafting, which makes the human experience an infinitely less alienating one, is another entirely.

Take the standout single Wandering Heart as the prime example. By encompassing our universal tendency to self-scrutinise until we’re torn up inside and delivering eloquently rhythmic redemption along with the affirmation we all owe ourselves forgiveness, the sanctity which resounds in the rich harmonic vocal timbre meeting the percussive fingerpicked guitar notes is almost ironically unholy.

With lyricism that gets more profound with every repeat listen for the way the metaphors recontextualise the preceding lines to prise more poetry out of the confessionalism and melodies that never lose their timeless beguile, the single deserves to be equally as revered as the hits in John Mayer and Gary Clark Jr’s discography.

In a time when pressure is building around everyone to be the perfect model citizen, Josh Rosenblum debuted an arrestive vignette attesting to the infallibility of us all. Even if you screamed your virtues from the rooftops, it wouldn’t come close to the arrestive credibleness of Wandering Heart.

If you need a pick-me-up following that profound aural experience, tune into the intoxicating zeal of Crazy as Me, which celebrates the celestial experience of falling in love with someone who doesn’t make you want to conceal your idiosyncrasies. The organ-decorated, riff-soaked blues-pop-rock synthesis is a riot of exhilaratingly sweetened romanticism. The euphoria of uninhibited connection and belonging lingers in every sequence of syncopation, crescendo, and soaring vocal note to almost take you as high as the plateau of unconditional love itself.

Stream the latest LP from Josh Rosenblum via Spotify.

Review by Amelia Vandergast