Browsing Tag

Cabaret Pop

Francesca Pichierri painted an Avant-Garde pop prism of the absurdity of reality in ‘Io Sto Bene’

After a beguiling fusion of style, soul and spirituality in her sophomore single, Francesca Pichierri has evolved into an alt-pop Avant-Gardist with her third single, Io Sto Bene. The infectiously obscure piano-driven earworm inches cabaret pop further into the mainstream with the playful panache in Pichierri’s vocals bringing equal amounts of energy as the upbeat staccato piano notes before the mid-way mark hits and sinks the listener into a kaleidoscope of baroque pop experimentalism.

Io Sto Bene pulls you into a rabbit hole of mental disquietness, efficaciously depicting how it feels to try and find stability while everything in your external and internal world feels off-kilter.  Like a rush of acceptance, the outro is a luminous visualisation of ephemeral transcendence away from the tumult of turmoil.

The independent singer-songwriter penned Io Sto Bene inspired by a bitter-sweet memory of her mother waking up from her first ovarian cancer treatment to reassure the family that ‘everything is fine’, and the epiphany of how paradoxical it is to be determined to appear fine in the midst of chaos. This is so much more than art imitating life; the single is a painful prism of the absurdity of reality.

Io Sto Bene was officially released on November 29th; stream the single on Spotify now.

Review by Amelia Vandergast

Red Lips and Chanel Armour: Ches Barrow’s “Parisian Chic” Unveils the Femme Fatale Mystique

Ches Barrow

More Parisian than wearing a red lip and Chanel No. 5, Ches Barrow’s latest single, Parisian Chic, reaches the pinnacle of suave sophistication. With lively piano melodies bubbling beneath Barrow’s demure harmonies, the cabaret pop hit encapsulates a femme fatale’s power and mystique with a striking style befitting the track title.

This single, which sees Barrow return with the Schimmel piano she has composed on since she was 8, exhibits her as an artist who is as style-conscious in fashion as she is in music. Known for her success in the fashion world, collaborating with the likes of Dior and Manolo Blahnik, Barrow fuses her aesthetic with her sonic identity; the results are nothing short of alchemic.

The melody, which remains poised before descending into chaotic beauty in the second verse, mirrors the emotional depth of her lyrics – where glamour masks a world of internal turmoil. Much like her previous hit, Wild, this single is a reflection of Barrow’s talent for capturing complex emotions and translating them into art that scratches far beyond the surface.

With her love of dark, introspective themes clashing against a backdrop of superficial perfection, Parisian Chic sees Barrow at her most raw and empowered. If any single can elevate her status in the alt-pop world, it’s this.

Parisian Chic was officially released on October 9th; stream the single on all major platforms, including SoundCloud.

Review by Amelia Vandergast

Jessamine Barham melodised marionette melancholy in her compelling vignette, Puppet Girl

Every time the dark indie folk singer-songwriter Jessamine Barham turns her creativity to the composition of a new baroquely imaginative piano score, complete immersion in her archaic vignettes is non-optional.

In her seminal avant-garde single, Puppet Girl, the San Diego-hailing artist melodied marionette melancholy by inviting you into a world of powerlessness, subjugation, and betrayal.

Taking the single at face value, you will enjoy a jaunty Evelyn Evelyn-esque cabaret tune; look a little deeper at what is written between the lines, and you will lock into an exposition on the limitations life can find a way of imposing on us. No matter how free we think we are, we all come with strings attached, making Puppet Girl a resonantly dark reflection of reality.

Puppet Girl is now available to stream on YouTube.

Review by Amelia Vandergast