Browsing Tag

Britpop

Andrew Bradley advocated for unity in the infectious grooves of his latest single, Everybody’s Welcome Here

Posted on 30 July 2023

Hot on the heels of his debut LP, All Things Considered, songwriter, multi-instrumentalist and producer Andrew Bradley is set to unveil his unifying funk-dripping pop-rock hit, Everybody’s Welcome Here.

After an 80s funk hop reminiscent intro, the single unravels as a kaleidoscopically groovy hit that will leave you itching to hit a dancefloor and move to the intrinsically rhythmic magnetism. With the attitude of Britpop and a perfect pinch of Beatles-esque 60s psych-pop, Everybody’s Welcome Here is a compellingly textured sonic TARDIS of a release that couldn’t be better timed.

In such a divisive era when it feels like the pot is being perpetually shaken to breed antagonism in the atmosphere, Andrew Bradley served an all too welcome reminder that acceptance is one of the highest virtues we should all find a little more time for.

Prior to releasing Everybody’s Welcome Here, Andrew Bradley has gained experience in the industry as an artist and producer. From The Sound Emporium Studios in Nashville to Abbey Road Studios, his multi-faceted talents have graced plenty of the bucket list studios.

Check out Andrew Bradley on Spotify.

Review by Amelia Vandergast

djamesk13- She Rides in Secret: grungily Lynchian psychedelic Britpop

Posted on 27 July 2023

For his latest single, She Rides in Secret, the alt-rock artist, djamesk13, orchestrated a scintillating installation of grungily Lynchian psychedelic Britpop.

Finding the middle ground between Pixies, Stone Roses, the Psychedelic Furs, and the pioneers of darkly dissonant post-punk, She Rides in Secret is a hypnotic aural effigy to authenticity, inexplicably carved by one of the boldest experimentalists that we have had the pleasure of putting on our radars in recent years.

The moodily sludgy lo-fi propensities of She Rides in Secret may not be anyone’s cup of tea, but if you’d prefer to lose yourself in a sonic storm in a teacup, delve right into the seductive soundscape that will caress you with its succinct melodies and wistful romanticism.

She Rides in Secret was officially released on July 17th; hear it on SoundCloud.

Review by Amelia Vandergast

Gratitude triumphs over self-doubt in The Kaves’s seminal cinematic indie rock ballad, Soul

Posted on 7 July 2023
The Kaves

Starting with swathes of 80s nostalgia in the momentary prelude before fast-forwarding to the next era in the first verse by emanating shoegazey Britpop and cinematic rock in the same rhythmically arrestive breath, the latest single, Soul, from The Kaves puts them in the same league as their memorably emotive Glaswegian idols.

The porous vocal lines which allow soul to pour through them as they soar as high as the guitar solos against the driving backbeat in the ballad ensured the listening experience is as visceral as sentimental.

So many ballads centre around the acquisition or loss of love; never ones to peddle pedestrian tropes, with Soul, The Kaves, narrated the cynicism which amasses around low self-esteem after unconditional affection is put on the table by someone who loves you in spite of your idiosyncrasies. In its superlatively authentic essence, Soul is a reminder that when it comes to love, gratitude is always the better option over pessimistic over-analysis.

If anyone has what it takes to prevent indie rock from fading into further obscurity and show Alex Turner what stellar indie should sound like in 2023, it is The Kaves.

Soul will be available to stream from July 7. Hear it on Spotify.

Review by Amelia Vandergast

JW Paris Leave It Alone Video Premiere

Posted on 30 June 2023

Teaming up with the video director and director of photography, Alex Estrella, the prodigal spawn of alt-indie, JW Paris, visually captured the same superlative swagger of their distorted to-the-nines sound in their latest single and music video, Leave It Alone.

JW Paris was hardly painting at the kids’ table with their former releases. But the exhibition of a freshly honed sound in Leave It Alone, ahead of the release of their upcoming sophomore EP, marks a fierce new frontier for the powerhouse who never lyrically play with their cards close to their chest.

With Glasvegas-esque choruses that raise the roof so high they leave the brickwork on another plateau, Leave It Alone is metaphysically mind-melting in its ability to balance anthemic transcendence with hauntingly grunged up rancour that adds oceanic depth to the melodies.

Lyrically, Leave It Alone peers into the human proclivity to question reality and look for redemption for past mistakes. In JW Paris’ own words:

“Leave It Alone is a deeply personal song that reflects our own inner journey of self-discovery and acceptance. It invites the listeners on an introspective exploration of identity and longing for inner peace. It is a heartfelt track that encapsulates the struggles and triumphs of self-discovery, reminding us to embrace our imperfections and find solace within ourselves.”

Splicing two facets of the iconic 90s epoch has seen the London-based three-piece comprising Gemma Clarke, Daniel Collins, and Aaron Forde establish themselves as a peerless outfit you will want to try out for size and never take off.

Their two seminal 2022 singles, Electric Candle Light and Runaway received extensive airplay from BBC Radio 1, BBC Introducing, Absolute Radio, and Amazing Radio. JW Paris also deservedly worked their way into the main playlist on Radio X, and numerous curated indie playlists.

Leave It Alone will be released via Blaggers Records on the 30th of June after being recorded at Buffalo Studios, produced by JB Pilon and mastered by the 2023 award-winning engineer at Air Studios, Cicely Balston.

Stream it on Spotify or watch the official music video on YouTube. 

Follow JW Paris on Facebook, Instagram, and Twitter.

Review by Amelia Vandergast

 

Tom Seth Johnson projected adoration through indie rock anthemics in Anywhere in the World Right Now

Posted on 19 April 2023

If indie rock n roll has a soul, it resounds in the magnetic sincerity of the latest single, Anywhere in the World Right Now, from Oxford’s prodigal son, Tom Seth Johnson.

With only an edge of 90s Britpop, there’s plenty of room for an Americana tinge that poured in the same foot-stompin’ vein as The Black Keys. So many postcards get sent to Britpop, but Johnson put his own swaggering stamp on his. Especially, through the sweeter-than-sugar line, “I’ve finally found a reason to play my guitar, ‘cos usually I’m down in Dixies midnight bar”. I legitimately shed a tear.

The rock n roll lifestyle is subject to prolific glamourisation; Johnson put that toxicity to bed and wrapped it up in soulful anthemics to prove all the vacuous sex and drugs in the world can’t parallel the high of coming home when it is a person that defines home instead of four walls.

Anywhere in the World Right Now is now available to stream on Spotify.

Review by Amelia Vandergast

The Q-Days – Underboard: Alt-90s Nostalgia Has Never Been Kaleidoscopically Sweeter

Posted on 7 April 2023

The Brighton-based alt-rock outfit, The Q-Days, is driving nostalgia into the next generation of British guitar music with their dreamy kaleidoscopic 90s Britpop-kicked tones and cathartically honeyed vocal lines. Their latest single, Underboard, is sweeter than Sally Cinnamon under the duress of the choral progressions that lick anthemic soul into every honed note.

With escapism, freedom of expression and euphoria as their triadic ethos, they stand for everything we should be giving an ovation to in the UK right now. It’s the pits, but one thing is for sure, our polluted waters are the perfect breeding ground for prodigal sons of rock n roll that salvation seekers will want to flock to.

After spending their foundling days developing their craft before it reached the airwaves and live stages, The Q-Days were always going to be primed to make a killer debut. So far, they’ve opened for Youth Killed It, The Rifles, and Bilk, but if any breakthrough act is definitively headliner material, it’s The Q-Days.

Underboard will officially release on April 7th. Check it out on SoundCloud.

Review by Amelia Vandergast

Versonic twisted the melons of 90s Britpop with Come On (Up for Air)

Posted on 19 February 2023
Come On (Up for Air) by VERSONIC

The acclaimed indie rock act, Versonic, has twisted the melons of early 90s Britpop yet again with the anthemic angular melodicism in their bitter-sweet latest single, Come On (Up for Air).

With a bassline that will make any Pixies fans palpitate over and the opening lyric, “how does it feel to be suffocating on your own again”, which grabs your attention by the throat, it’s safe to say Stephen Connor’s award-winning writing skills are as sharp as ever.

How he managed to pull the euphoria from “cos no one’s gonna save you, no one’s looking for you and no one’s gonna make it alright (for you)” was nothing short of genius. The painfully honest yet lyrically liberating nature of Come On is just one of the reasons to delve into the artful reinvention of the 90s Britpop wheel.

Come On (Up for Air) was officially released on February 17th. Hear it on Bandcamp.

Review by Amelia Vandergast

 

Frakard – Slate: Play It Loud, See It Live

Posted on 11 November 2022
Frakard

Cardiff’s loudest and tightest alt-rock trio Frakard went into frenetic overdrive with their latest single, Slate. With their respective influences counting Architects, Soundgarden and Steely Dan, Slate is a melting pot of familiarity fed through stylistic raucous swagger.

Sonic appeal aside, Slate truly comes into its own through its witty questioning of our relationship with nostalgia, the nihilism that comes with age and the ever-pervasive climate change fear. If you’re anything like me and you’re sick of lyricists that scrape the bottom of the IQ barrel when penning their lyrical hooks, you will be a Frakard fanatic by the time this anthemic juggernaut of a release that comes with an arsenal of razor-sharp lyrical lines hits the outro.

Slate will officially release on November 11th. Check it out on Spotify and scope out Frakard on their official website.

Review by Amelia Vandergast

The transatlantic duo Post Suitcase unpack heartbreak in their debut single, Under This Hood

Posted on 30 September 2022

The debut single, Under This Hood, from the British/American indie-rockers Post Suitcase, euphonically bridges the transatlantic sonic gap. With blisters of Britpop bursting between the American overtones in the post-breakup track, it’s impossible not to get entwined in the narrative, which explores the tendency of others to put the token effort in when it comes to consoling and checking in on the recently heartbroken.

We’ve all been there, although notably, we’re not all capable of forging lyrical gold, “I’ll walk where the grass still grows, where my friends still smile but they really don’t know that, under this hood, is a lot of dead wood.” With the momentum ebbing and crescendoing through the release, which comes with the meditatively artful ease of the trumpet glossing over the angular indie guitars, Under This Hood is as cathartic as it is heartbreaking.

Debut releases don’t get much more promising than this. We’re hoping that Post Suitcase has more emotional intimacy and intellect to unpack in future releases.

Under This Hood will officially release on September 30th; catch it on SoundCloud.

Review by Amelia Vandergast

Whatever the question, the affable indie-rocker, Sam Scherdel, has ‘The Answer’

Posted on 17 June 2022

As stunning as The Manics’ Gold Against the Soul album, as cinematic as the Hollywood sign, the latest single from the Britpop-inspired UK singer-songwriter, Sam Scherdel, is a slice of celestial sonic bliss.

‘The Answer’ is a humbling admission of human nature, the inability to know everything, carry intellect on every subject and find absolutes at every turn. With weary yet romantically honeyed vocals atop the orchestrally decorated indie-rock score that grips with the same gravitas as Ben Folds, I think I felt every emotion on the human spectrum on the first listen (and the 5th; it just keeps giving. I might be addicted).

With exactly the same vein of magnetism as Billy Idol’s Baby Put Your Clothes Back On, hitting play on The Answer is a surefire way of giving Scherdel permanent space in your psyche. It’s beyond an earworm; it’s an ear unicorn.

The Answer will officially release on June 17th, check it out for yourselves via Spotify. 

Check out Sam Scherdel on Facebook and Instagram.

Review by Amelia Vandergast