Browsing Tag

blues

Witness the resurrection of old-school soul in Shaun Finn’s plea for salvation, Mrs. Doctor

There’s no aural cocktail for the soul as alchemically potent as the opening soul rock salvo, Mrs. Doctor, from Shaun Finn’s debut EP, Oak & King.

The conduit for the soul of old-school soul and blues used euphonic melodic cadences to filter raw and confronting lyricism through, ensuring the vintage timbres of the track hit with maximum dualistic impact. The urgency within the pleas for medicinal salvation matches the sincerity of the delivery, which is sure to strike a chord of empathy with anyone who isn’t a long way down the sociopathic spectrum.

Just when you thought that Shaun Finn couldn’t possibly impress anymore, the smoky laidback arcane air slips away to make room for one of the most paralysing blues-rock guitar solos carved on this side of the millennium.

The Vancouver-based artist’s ability to reach out directly to you while immersing yourself in his emotional expression is one thing. The talent exhibited in this vignette of a soul searching for a cure is another. Why his name isn’t in lights across international stadiums is honestly beyond me.

Stream Shaun Finn’s debut EP, Oak & King on Spotify or stream the official music video on YouTube.

Review by Amelia Vandergast

JD Kucharik rekindled the soul of blues rock with ‘Leavin After Midnight’

JD Kucharik deserves to be placed on the same pedestal as Santana after releasing his INCEPTION EP, featuring the standout single, Leavin After Midnight, which delivers a sound rich in vintage blues rock reverence.

Hit play and encounter a deft evocation of classic blues rock soul that JD Kucharik has meticulously honed over decades. The release is the epitome of aural alchemy; the otherworldly presence comes as a result of the arcane electricity of its instrumental arrangement with Kucharik’s commandingly charismatic vocal presence. The narrative woven through the tune—a story of a fugitive seeking transient solace—adds a compelling lyrical depth to the rich instrumental backdrop.

With a career spanning over 50 years, Kucharik’s roots in blues and rock are evident as he plays the B3 Hammond, piano, guitar, or drums. His approach to music remains steadfastly organic, eschewing auto-tune and computer-driven edits for real-time, hard-earned sound craftsmanship. His dedication to traditional recording methods ensures that each release, whether from his extensive archives or fresh from the studio, resonates with authenticity and passion.

Leavin After Midnight was released as part of JD Kucharik’s EP, INCEPTION, on April 20; stream the release on Spotify.

Review by Amelia Vandergast

Bruce Mack is at the vanguard of fusionism’s new frontier with ‘Silent Witness’

Bruce Mack, a stalwart of the New York music scene, obliterated the boundaries of sound with his latest fusionist Tour-De-Soulful-Force, Silent Witness, which epitomises his flair in blending genres into a seamless sonic soul-stirrer.

Silent Witness is served with soul-infused grooves, blues-laced interstellar melodies, and hip-hop with funk-infused rhythms, and unravels as a revelation in fusionism which entwines elements of the past to forge new innovative sonic trajectories. Every progression in the song is a lesson in avant-garde experimentalism, yet it’s the cohesive, melodious nature of this multi-faceted hit that ensnares the listener. The lyrics which compel the listener to lean deeper into the nuances of the world’s vibrations also signify the artist’s relevance and value in an era that is becoming increasingly out of kilter with our inherent nature.

Mack’s journey in music is as diverse as the sounds he creates. From his early days with doo-wop aspirations to his expansive work with various ensembles and collaborations with artists like Vernon Reid and Melvin Van Peebles, his creative evolution is evident in every note of Silent Witness. His tenure with Greg Tate’s Burnt Sugar the Arkestra Chamber has further honed his skills in creating music that’s not just heard but felt.

Silent Witness will be available to stream on all major platforms from March 1st. Stream the single on SoundCloud.

Review by Amelia Vandergast

Fox 2 warped the lineage of rock n roll to define its future with their debut LP, Sidewinder

Sidewinder by Fox 2

Fox 2’s debut LP, Sidewinder, is a seismic shift in the rock landscape, a thrilling fusion of reverence and revolution. From the streets of Portland, Oregon, this dynamic duo – ex-fighter pilot Paul Shamy and drumming maestro Jason Van Abrams – have unleashed a debut that doesn’t just walk the tightrope between homage and innovation; it riffs right across it.

Imagine the raw, gritty essence of grunge, the soulful depth of blues, and the rebellious spirit of punk, all colliding in a supernova of sound. That’s Sidewinder. Each track is a masterstroke of musical alchemy, where classic rock sensibilities are not just revisited but reinvented. The album is a kaleidoscope of eras and styles, yet it remains unmistakably Fox 2.

Shamy’s vocals are a revelation. He’s a powerhouse of emotion that can whisper in one breath and roar in the next. His guitar riffs are incendiary, igniting each track with a white-hot intensity. And then there’s Van Abrams, a rhythmic juggernaut whose drumming is both a foundation and a force of nature, driving the music forward with unstoppable momentum.

From the haunting melodies of The Grey to the frenetic energy of Phila, each song is a journey in itself. But it’s in tracks like Fly where Fox 2’s genius truly shines, blending bluesy undertones with garage rock grit to create something entirely new yet timelessly familiar.

Following the release of Sidewinder, the outfit is expanding their sound by strapping in bassist Pierce Guderskiand and is set to release swathes of hits in Summer 2024. Ensure Fox 2 is on your flight radar for the drop.

Stream and download Sidewinder on Bandcamp and Spotify. Follow Fox 2 on Instagram to stay up to date with their latest releases.

Review by Amelia Vandergast

Gabe Kuchan got into the groove of gratitude with his euphoric riot of funk rock, When You’re Around

With contributions from Cooper Swartzentruber, Harold Cui, and Ben Fremin, the latest single, When You’re Around, by Gabe Kuchan is a riot of swanky and sun-soaked funk rock euphoria. The dazzling funk-rock masterpiece delivers a soulful essence reminiscent of Bill Withers, encapsulated in deep, groove-filled pockets constructed by the Chicago-born, Berklee College of Music-educated artist.

Driven by dynamic guitar work and the robust flair of tight rock riffs, the refreshingly nostalgic offering is a rich multi-layered soul-sating experience which sees the wild sax solos as one of the standout features around the vocal zeal as they inject an infectious energy that elevates the track to new heights.

Kuchan, frontman of Gabe Kuchan and the Funky Doctors, brings his extensive experience in funk, rock, and blues to the forefront in When You’re Around. His skill as a guitarist and vocalist, honed through years of busking and playing in various ensembles, shines through in this single. The influence of artists like Cory Wong and The Yellowjackets is evident, yet Kuchan’s unique style and interpretation make the song distinctly his own.

When You’re Not Around was officially released on November 18 stream it on Spotify.

Review by Amelia Vandergast

Ross Flora grappled with the melancholy of unfulfilled potential in ‘As the Crow Flies’

Ross Flora

Ross Flora’s EP, As the Crow Flies, is a poignant and reflective journey through the heart of country folk. Hailing from the Blue Ridge Mountains of Virginia, Flora’s upbringing in a milieu rich with R&B and Bluegrass influences is palpably reflected in the acoustically adorned, stripped-back title single. His gruff, resonant timbres weave through the wistful yearning harmonies, creating a tapestry of sound that resonates deeply with anyone who has ever grappled with the melancholy of unfulfilled potential.

The lyrical tempo of As the Crow Flies is akin to a melodied spoken word sermon, imbued with regretful poetry. Flora’s background as an English major shines through in his lyrical craftsmanship, as he skilfully interweaves themes reminiscent of literary greats like Dickinson, Thoreau, and Whitman. The result is a narrative that is both deeply personal and universally relatable; Someone hand him a Grammy for the line “I’d be half the man I’d ought to be less than half the time”.

Ross Flora’s journey from the family farm to Nashville, performing over 4,000 shows and collaborating with acts like “Johnny T” Band and “Smoke n’ Guns,” has clearly honed his ability to capture the essence of southern rock and outlaw country. If you want to hear a heart poured out in melody, hit play on As the Crow Flies.

Stream the As the Crow Flies EP, which debuted on October 27 on Spotify.

Review by Amelia Vandergast

Susan Ritchie lit a beacon of tranquillity and wisdom in ‘It’s High Time’

Susan Ritchie, whose name has become synonymous with authentic artistry on the Central CA Coast, lit a beacon of tranquillity and wisdom in the standout single, It’s High Time, taken from her debut album, Life is for the Living. So much more than solely a musical score, it’s a journey into the heart of what it means to find peace and meaning amidst the chaos of modernity.

Ritchie gave the adage ‘live and let live’ brand-new potency within It’s High Time by speaking chapter and verse on how it takes nothing to accept trans men and women who are just looking to align their minds with their appearance. Her ability to weave everyday experiences into her songwriting, while giving a nod to the universal experiences we all share, is on full display here. The song is a reminder to pause, reflect, and embrace the moment, a message that resonates now more than ever when it is too easy to be consumed by the insanity which breeds on every corner of the internet.

The influence of her early inspirations, from James Taylor’s finger-picking to the sweet yet sassy blues of Bonnie Raitt, is evident in the song’s composition. Yet, It’s High Time is unmistakably a Susan Ritchie creation. It’s a song that showcases her evolution as an artist, blending soul, blues, rock, and folk into a seamless and captivating experience.

Regardless of how many people find comfort in Susan Ritchie’s soulfully sonorous sound, she speaks directly to you through the intimacy of her lyrics and the magnetically powerful delivery of her gilded-in-introspective-gold lines.

Stream It’s High Time on Spotify now.

Review by Amelia Vandergast

Pump Action gave soul a potent shot of style in their alt-rock single, Blood Thinner

For their latest release, Blood Thinner, Nashville’s most dynamic alt-rock outfit, Pump Action, synthesised a cultivated-in-emotional-resonance soul-infused blend of rock, funk, and blues.

By anchoring the track in the traditions of songwriting, following the grooves into evocative territory and juxtaposing their old-school song crafting with freshly envisioned sonic style, the quartet, which came to be in the practice rooms of the University of Miami’s Frost School of Music established itself as one to watch.

After a stripped-back intro which gives the John Mayer-esque vocals plenty of room to breathe, the instrumental layers start to intricately interweave to deliver a progressively compelling testament to their naturally rhythmic talents. By never letting the introspective poetry within the ode of unfaltering passion become overshadowed by the tight driving force in the rhythm section, Pump Action became unequivocally worthy of placement on your playlists next to Allen Stone, Fleet Foxes, and Polyphia

Blood Thinner was officially released on November 10th; stream it on Spotify.

Review by Amelia Vandergast

Drift away with the fiercely dreamy ardour within Mums Favourite’s latest single, Loveboat

https://drive.google.com/file/d/1HRGRsjJ-PFGiLuYZlktjnxIQyKkcLNbm/view?usp=sharing

Carrying the atmosphere and attitude of Honeyblood, The Breeders and Throwing Muses, the indie rock nostalgists Mums Favourite gave vintage bluesy soul an injection of punk visceralism with their latest single, Loveboat.

After lulling you into a false sense of dreamy and lofty ambient security, rancour starts to rile in the riotously clever production, which lyricist and lead vocalist Sasha Theunissen always keeps command of with her dynamically captivating vocal range.

After taking their sound which stands at the vanguard of alt-indie ingenuity around the world since their 2017 inception, the Adelaide-hailing quintet has established itself as an outfit for anyone who harnesses a proclivity for aural curveballs. Executing an archetypal track to this superlative level would be an achievement, but with the experimentalism it contains, it is clear to see that the trailblazing outfit has a career which reaches the pinnacle of promising.

Loveboat was officially released on November 8th; stream it on Spotify.

Review by Amelia Vandergast

Josh Rosenblum Band rhythmically prised listeners from the purgatory of self-scrutiny with ‘Wandering Heart’

Though he has enjoyed spates of success, amassed a loyal fanbase, and become a trailblazing troubadour across the Central Coast, the Cali-hailing singer-songwriter & multi-instrumentalist Josh Rosenblum remains one of the most criminally underrated artists of our time.

His latest album, Love Letter, is yet another testament to his honed ability to echo the old soul of pop, rock, and blues in a way that greets you with familiarity and accommodates you with melodiously reimagined cross-generational sensibilities to prove that there’s no such thing as a sonic bygone era. The door is always left open by artists masterful enough to reignite the same spark ignited by artists whose entry into the hall of fame will never be ephemeral.

His ability to rip a blues riff like it’s nobody’s business is one thing. His talent in delivering consolation through his song crafting, which makes the human experience an infinitely less alienating one, is another entirely.

Take the standout single Wandering Heart as the prime example. By encompassing our universal tendency to self-scrutinise until we’re torn up inside and delivering eloquently rhythmic redemption along with the affirmation we all owe ourselves forgiveness, the sanctity which resounds in the rich harmonic vocal timbre meeting the percussive fingerpicked guitar notes is almost ironically unholy.

With lyricism that gets more profound with every repeat listen for the way the metaphors recontextualise the preceding lines to prise more poetry out of the confessionalism and melodies that never lose their timeless beguile, the single deserves to be equally as revered as the hits in John Mayer and Gary Clark Jr’s discography.

In a time when pressure is building around everyone to be the perfect model citizen, Josh Rosenblum debuted an arrestive vignette attesting to the infallibility of us all. Even if you screamed your virtues from the rooftops, it wouldn’t come close to the arrestive credibleness of Wandering Heart.

If you need a pick-me-up following that profound aural experience, tune into the intoxicating zeal of Crazy as Me, which celebrates the celestial experience of falling in love with someone who doesn’t make you want to conceal your idiosyncrasies. The organ-decorated, riff-soaked blues-pop-rock synthesis is a riot of exhilaratingly sweetened romanticism. The euphoria of uninhibited connection and belonging lingers in every sequence of syncopation, crescendo, and soaring vocal note to almost take you as high as the plateau of unconditional love itself.

Stream the latest LP from Josh Rosenblum via Spotify.

Review by Amelia Vandergast