Browsing Tag

blues

Saint Senara are harbingers of chaos in their Southern Gothic Blues Folk vignette,  There’s a Storm Coming

Saint Senara invoked a tempest in their latest single, ‘There’s a Storm Coming’. Following a hauntingly hymnal opening, this slice of American Gothic Folk Blues allows a surge of melody to break through the sonic overcast.

Imagine a soundtrack to a gritty southern drama, where each note and lyric wrestles rhythmically with the heavy, discordance-spilling guitars that pour over bluesy percussion, and you’ll get an idea of what Saint Senara delivered here as a departure from their celebrated debut and the well-received ‘Under My Skin EP’,

Teaming up with the innovative producer Lex Raymond at White Noise Studios in Weston-super-Mare, the band ventured into darker, moodier territories with There’s a Storm Coming, which repurposes whips and chains as percussion and projects spectral vocal lines which oscillate through the mix, underpinned by Andrew Bate’s Gretschy guitar alchemy.

This neo-noir blues release is a declaration of the band’s readiness to take on higher echelons of the music industry. Be a part of their ascent by immersing yourself in the panorama of tempestuous yet melodious chaos.

There’s a Storm Coming was officially released on November 15; stream the single on Spotify now.

Review by Amelia Vandergast

Henry Bitzer’s ‘25th Hour’ Radiates Rapturous Soul and Swagger

Henry Bitzer’s standout single, 25th Hour, from his debut LP Skydive, delivers some of the swankiest sounds of 2024. The track is a testament to the solo artist’s knack for nostalgically leaning songwriting chops, which remain sharp even when held up against his musical heroes.

Any attempt to resist the euphoric energy of 25th Hour is futile; the rapturous euphony he coaxes from the keys showcases his comfort and charisma in crafting soulful soundscapes that simultaneously nod to the past and stride confidently into the future.

Blending blues, 70s pop rock, and a smattering of jazz, Bitzer conjures a unique sonic synthesis that defies easy categorisation. The seamless fusion of styles creates a distinctive sound that harks back to the golden era of rock without feeling stuck in the past. His ability to weave eclectic influences into a seamless tour de rapturous force ensures that his legacy is already carving itself a place in the annals of contemporary alternative music. It’s only a matter of time before major labels are vying for his signature.

At just 19, the Minnesota native has been compared to the likes of Elton John and Billy Joel for his magnetic stage presence and infectious melodies. Now a second-year student at Belmont University in Nashville, Bitzer has spent the last four years performing live across the U.S., honing his craft and building a loyal following.

Stream Henry Bitzer’s debut LP, Skydive, on Spotify now.

Review by Amelia Vandergast

Harmonising Modern Blues and Boundless Creativity: An Exclusive Interview with Jay Lee 

https://www.youtube.com/watch?v=vsShw7qsXoM

Step into the world of Jay Lee, where blues gets a fierce modern makeover. In this exclusive interview with A&R Factory, Jay Lee cuts through the noise to reveal the core of his musical innovation. From his early days in a military band to sharing stages with top artists, he unpacks the discipline and raw passion driving his sound. Lee gives us a candid look at how he fuses diverse influences into his tracks, pushing the boundaries of traditional blues into uncharted territories. Get ready for a deep dive into the creative force of Jay Lee’s music. 

Jay Lee, welcome to A&R Factory! Thanks for the opportunity to solve the riddle behind your enigmatic persona. Before we dig into your storied history which has been written since your creative origin story, for your new fans, how would you define the quintessential components of the Jay Lee sound? 

I’d like to define it as modern blues. Since I love blues and have been greatly influenced by it, I try to infuse a touch of that blues feel into whatever I play.

What is typically running through your mind when you are penning and producing new music? 

When I decide to create new music, I try to be as honest with my emotions as possible. I base my melodies and chords on those feelings and thoughts, thinking about how to naturally express my story. This often leads me to reflect a lot on the past and future.

From serving in the military band to performing with world-renowned artists, your path is anything but conventional. How did your time in the military influence your discipline and versatility as a musician?

Having spent two years with over 30 musicians, working together 24/7, I’ve learned and felt so much. I’ve gained insights on how to communicate with other musicians, and how to improvise when unexpected situations arise during performances, and I’ve received valuable feedback on my playing from various artists. These experiences have been a foundation for my growth as a musician. Communication is incredibly important for a musician, and I’ve been positively influenced in that area.

Which artist has left the most pronounced influence on your sound and why? 

I’m heavily influenced by blues and rock, especially by guitarists like Joe Bonamassa, Philip Sayce, Eric Gales, and Gary Moore. Their techniques and tones are impressive, but it’s their unique styles that truly captivate me. I believe that while having good technique and tone is essential for a musician, establishing your own style is equally important.

With your extensive background in both classical and contemporary music, how do you see the future of genre-blending in your own compositions? 

Looking at the music I’ve created so far, it’s quite far from classical, and I think it will likely remain that way in the future. However, I always believe in trying out different things, and I’d love to create music that blends classical and contemporary styles.

How has your sonic signature evolved throughout your career?

Initially, I was just a “Blues Kid,” completely immersed in B.B. King. But after playing with various people and genres, including performing in a military band where I had to play all kinds of music, I developed the ability to play cleanly. Now, I can choose the tones and techniques that I want to use.

Do you prefer to be a solo creator or a collaborator? 

I aspire to become a great guitarist, but I know I need the support of excellent musicians to achieve that. In today’s music scene, while achieving solo success is important, collaborating with other musicians is equally vital. It’s challenging, but I want to be both an outstanding solo artist and a great collaborator.

Which project or achievement has brought the most amount of pride and sense of accomplishment? 

The sense of achievement I felt after successfully preparing for and performing in a military band over three months was immense. While it’s not always the case, I think the longer the preparation period, the greater the sense of accomplishment. Another memorable moment was when keyboardist Cory Henry held a masterclass at Berklee, and I played with my band for him. Even though the preparation time wasn’t long, when the audience cheered, I felt that’s when a musician is truly happiest.

Your career has been marked by a constant push for growth and exploration. If you could give advice to your younger self just starting out on this journey, what would it be, and why?

Before starting music, take some time to sincerely reflect on what music means to you. Even if it’s not about music, understanding what you want to do and why is crucial. Being honest with yourself and deciding what you want to pursue is important—then, enjoy it while working hard. Music is meant to be enjoyed.

After working on a project with the K-pop powerhouse, One Pact, working as a worship guitarist, experiencing culturally diverse landscapes as an artist, and honing your craft in conservatories, how do you reconcile all these contrasting worlds in your music? 

I believe musicians shouldn’t discriminate between genres. While you might have preferences, you should be able to play any genre—whether it’s worship, rock, or jazz. The more you play a variety of music, the more you develop a sense of identity within each genre. I want to explore diverse music, and I’m still striving to be able to play any random genre someone requests.


Stream Jay Lee’s standout single, PERIOD, created in collaboration with ONE PACT on YouTube.

Follow Jay Lee on Instagram.

Interview by Amelia Vandergast

Ross Flora – Santa Ana Wind: A Whiskey-Soaked Country Blues Rock Ode to a Femme Fatale

If you’re looking for a track that anchors itself in the quintessence of bluesy country rock, look no further than Ross Flora’s latest single, ‘Santa Ana Wind’, which speaks rhythmic volumes of the singer-songwriter’s seasoned artistry as a fret veteran.

With the sublimity of the single manifesting through the gravelly timbre of whiskey-soaked vocal lines that caustically cut across the winding, sustained guitar notes, it is destined to become a sonic sanctuary for anyone who feels at home in the Nashville sound.

Ross Flora, with a guitar in hand, Flora becomes a conduit of hypnotism, weaving an alchemic spell that prompts you to ponder just when his visage will grace the halls of rock n’ roll fame. His cultivated ability to wrap an aura of seductive soul around his virtuosity is a testament to his rightful place in the annals of music legends.

Raised in the shadow of the Blue Ridge Mountains of Virginia, Ross’s origin story was written early after exposure to a tapestry of R&B and Bluegrass influences. From harmonising in church pews under his father’s tutelage to shredding Van Halen tracks in his youth, his path has always been marked by intrepid sonic exploration, which continued when he put down roots in Nashville and amassed a legion of fans with his unique ability to paint panoramic portraits through sound and soul.

With ‘Santa Ana Wind’, Ross Flora ensnares the listener in a narrative wrought from his rural roots and life’s meanderings, underscored by his literary acumen and deep respect for his musical forebears like Gregg Allman and Chris Cornell.  It’s impossible to reach the last note without finding equal amounts of room in your heart and on your music radar for Ross Flora.

Santa Ana Wind was officially released on September 6th; stream it on all major platforms via this link.

Review by Amelia Vandergast

Honkytonk echoes the unspoken in The Stone Hill All-Stars’ seminal single, What I Left Unsaid

If their latest standout release, What I Left Unsaid, is anything to go by, The Stone Hill All-Stars more than live up to their moniker. The band may have borrowed from the blues in their honkytonk country folk-rock track, but the aural escapade is anything but mournful; the track exhilarates as it pulses with a liveliness that’s downright infectious, supported by the band’s unmistakable charisma.

Hailing from Baltimore’s music scene, the members of The Stone Hill All-Stars originally played with notable groups such as Two Legs, Mambo Combo, and The Polkats. Together, as a powerhouse, they traverse a smorgasbord of genres, adding depth, vigour and devil-may-care soul wherever they see fit.

With the production quality throwing back to the timbres of college radio rock nostalgia, image-evoking folk tales running through the lyrics and the confluence of crying harmonicas, blazing horns, fiddles flaring and guitars amplified through old tube amps, the band constructed a solid sonic foundation that celebrates musical roots while forging new expressive pathways.

Through their craft, The Stone Hill All-Stars pay homage to their diverse influences while offering and distinct take on what modern folk-rock can be.

What I Left Unsaid is now available to stream with the Wednesday in Winter LP on Spotify.

Review by Amelia Vandergast

Swirling Smoke and String Mastery in Peter Trappen’s ‘Cottonmouth Blues’

https://soundcloud.com/pete-trappen/cottonmouth-blues

Peter Trappen, with his four decades of experience and a Grammy nod under his belt, became a blues mesmerist with his latest single, Cottonmouth Blues.

The atmosphere of a blues bar unfurls through the release as Trappen’s textured Jim Morrison and Jimmy Buffet-esque croons drape over the guitar progressions which testify to his intuitive connection with his fretboard and his ability to materialise seductive echoes of alchemy with his notes.

Reminiscent of Eric Clapton’s and Mark Knopfler’s deft grooves, the guitars are an aphrodisiac to the rhythmic pulses as they introduce the sound and soul of a man who has soaked in the flavours of Motown, Memphis Soul, and Chicago Blues. The Epiphone Les Paul through a cranked Fender Blues Jr. ensures every note is a reverent whisper to blues’ storied past and a bold statement in its ongoing evolution.

The backing instrumentation, featuring stalwarts like Paul Hirsh on keys and Martin Ditcham on drums, complements Trappen’s work perfectly, making every moment of the track resonate with bluesy purity.

Stream Cottonmouth Blues on SoundCloud now and follow Peter Trappen on Facebook.

Review by Amelia Vandergast

Subterranean Deadbeats debauched Melbourne’s Garage Rock Scene with ‘Hang Me Out’

Spewing Voodoo by Subterranean Deadbeats

Subterranean Deadbeats AKA Melbourne’s answer to the Rolling Stones, with their latest single, Hang Me Out, captured the defiant swagger of 70s garage rock while also tapping into the raw, unfiltered energy of their bluesy, swamp-infused, and wickedly pornographic sound.

Frontman Chris Taranto, alongside his bandmates, has swiftly carved out a niche with their rhythmic revolt to the superficial banality that is choking the music industry; with their scorching guitars and Taranto’s versatile vocal delivery that oscillates between a piercing drawl and a melancholic lament, they’ve delivered what the rock scene has been crying out for.  After filtering through a debauched kaleidoscope of psychedelic grit and haze, their music seeps into the listener’s bones like a sonic contagion that refuses to be cleansed.

With two fingers up to polished pop and TikTok trends, the prodigal pack of renegades is instigating a garage rock insurrection.  Hang Me Out is an audacious call to arms, a dirty, delicious slice of rock that dares you to remain unmoved. With guitar solos that reach the heights of glorious filth and harmonies sweet enough to temper the raucous backbone of their tracks, Subterranean Deadbeats aren’t merely reviving the soul of rock and roll—they are imbuing it with sacrilegious vitality.

For anyone yearning for the days when music was a revolutionary act, not just background noise, Hang Me Out proves that the spirit of rock isn’t just alive; it’s kicking, screaming, and ready to convert the uninitiated. Listen, but be warned: the Subterranean Deadbeats might just make a believer out of you.

Stream and download Hang Me Out on Bandcamp now.

Review by Amelia Vandergast

NYC’s MG & the Orbs delivered a remedy for self-pity with their timelessly swanky jazz blues alchemy in HELP is What You’re Needin’

With Maria Giorgio at the helm, MG & the Orbs is a peerless ensemble, revered throughout the Big Apple and beyond for their soul-imbued brand of jazz blues. Their latest single, HELP is What You’re Needin’ is enough to make you want to turn back time to add them to your radar earlier.

The resolute rejection of an invitation to a pity party is the ultimate remedy for anyone who finds themselves perpetually employed to do other people’s emotional labour. The soulful defiance in the blues shuffle which Giorgio penned after a writer on a movie set she was working on started to sing his own relationship blues. After instantly finding the inspiration in the exchange, Giorgio enlisted her cultivated collective to breathe life into the upliftingly unreckonable single that proves just how dangerous it can be to bring out the hellcat in a conduit of soul.

MG & the Orbs don’t just believe in music as a healing force, they deliver the cure in their timelessly swanky jazz blues alchemy.

HELP is What You’re Needin’ was officially released on May 24; stream the single on YouTube.

Review by Amelia Vandergast

Sebas De Varona Opened a Portal to the Psychedelic Soul of the 70s with ‘Preachers’

The gospel in Sebas De Varona’s latest single, Preachers, opens a portal to the psychedelic soul of the 70s; it’s a doorway into the mind of a visionary artist you’ll never want to close. As an architect of melodies you instantly melt into and a lyricist that captures your mind as much as your soul, there are few artists of this generation as affecting as Sebas De Varona,

Thankfully, with the impending release of his new EP, Dynamics in the Fourth Dimension, you’ll have plenty more opportunities to trip with Varona’s dynamically electric vocal timbre that rests easy in the rooted-in-emotion synthesis of genres which illustrates the singer, songwriter, instrumentalist and producer’s expansive bedrock of influences. Primed to soak fans of Tame Impala and Pink Floyd alike in celestial euphony, the EP will easily be one of the most cultivated releases of the year.

After hearing the Hendrix-esque fret wizardry which blazes through a divine connection to the soul of blues in Preachers you’ll want to flock to the Floridian artist’s live performances like a moth to an arcane flame.

Preachers was officially released on May 15; stream the single on Spotify.

Review by Amelia Vandergast

NYC’s Summer Fling put the soul in funk-rock with ‘Blissful Haze’

NYC’s Summer Fling broke their two-year spell of silence by conjuring an elemental force of feel-good furore in their single, Blissful Haze, which delivers exactly what it says on the titular tin.

Using high-energy funk-rock as the stylistic bedrock of the release and finding room to inject soul, blues, pop, and jazz, the seven-piece powerhouse ensured Blissful Haze transcends sound to visualise a state of mind you can enter simply by hitting play on the single which filters nostalgia through a modern indie pop lens.

Few vocalists could match the electrifying energy of the dynamic instrumental arrangement that layers shimmering organs over funk rhythms and hard-hitting horns, but Eddie Kam, an indomitable emissary of charisma, went supernova on the infectiously zealous soul.

With each member of Summer Fling a recently graduated jazz musician, you can rest assured that you’re in rhythmically safe hands as you get taken through the helter-skelter ride of rapture.

Blissful Haze was officially released on May 10th; stream the single on Spotify.

Review by Amelia Vandergast