Browsing Tag

Blink-182

Far Below Perfect brought Hawthorne to even greater heights with their pop-punk LP, I’ve Been to Hell Before…

After teaming up with Pop Punk Wolf Records, Hawtorne’s Far Below Perfect is set to unveil his LP, I’ve Been to Hell Before…, which is cataclysmic enough in its cultivation of pop-punk evolution that the genre may never be the same again.

Starting with a glimpse into the Far Below Perfect live experience, the LP shifts into the hit, Isn’t Life Grand?, which echoes the influence of Blink-182 and Bowling for Soup, while the pop-punk agent provocateur blasts through their frenetically fierce progressions at a dizzyingly fast tempo, which only slows to inject some existential humour.

In Where’s Your Hero Now? Far Below Perfect continues to give the thrash pioneers a run for their frantic energy while working in elements which hark back to the legacy of the Beastie Boys. In the following track, Far Below Perfect finds their groove in groove metal while never loosening their grip on iconic emo aesthetics until the track culminates in a rallying cry for anyone who would rather die than surrender.

If anything comes close to a ballad, it is track five, April’s Fool, which injects melodic hooks around the agonised with ennui vocal lines before the following single, Headaches, exhibits the artist’s ability to weave progressive ingenuity into their hits. To conclude the LP, Far Below Perfect channels the bite of punk into the infectious volition of future-forward pop-punk in Be Fri Or St End, and ends the LP on an augmented high with On My Own, which proves that loneliness might be a curse, but people with enough resilience to endure isolation can’t be reckoned with. It’s quite the statement for a one-man pop-punk powerhouse to make.

The I’ve Been to Hell Before… LP will hit the airwaves on April 26th; stream it on SoundCloud.

Review by Amelia Vandergast

NEET and Tidy wrapped their grungy pop-punk hooks around the afflictions of modernity in their LP, Is This Progress?

If any band can advocate for the LP format in an era when our attention spans are shorter than a boardwalk, it is NEET and Tidy with their aural corridor back to the alt-90s.

The sophomore album, Is This Progress? is an unflinchingly reflective exposition of the afflictions of modernity. The sludged-up hooks in Pillow Talk, which captures the bitter taste of a love turned sour, carry all the infectious rancour of Jawbreaker and NOFX, before Play Me launches a straight-up attack on how far the industry has fallen since the golden era of indie and alt-rock. Lyrics in the vein of, “your favourite pop star is the latest infection”, and “another NFT, another stupid dance”, paint a damning portrait of how twisted the industry has come through the contortions of capitalism and narcissism-driven content.

Another standout release within the LP is the evocative evolution of pop-punk into the chorally reverb-swathed remit of shoegaze. Snow (Okay) is a harbingering lament on how the music industry revolves around ableism when it isn’t bleeding vulnerable people dry. From start to finish, the sophomore release from NEET and Tidy asserts the Nashville-residing outfit as one of the most relatable and essential bands in 2024. If you’re always looking for artists with the ability to cut through the static of your ennui, you will find one when you delve into this seminal release.

Is This Progress will reach the airwaves on February 23rd; stream the LP on Spotify.

Review by Amelia Vandergast

Project Revise tended to the wounds of scene victims with their nettled with emo nostalgia single, Take the World

After we joined the Worcestershire, UK three-piece pop-punk powerhouse, Project Revise, in ‘Free Fall’ with their previous release, we’re stoked to announce that they’re back on the airwaves with their nettled with emo nostalgia latest single, Take the World.

Fans of Taking Back Sunday, Funeral for a Friend and New Found Glory will easily find a place on their playlists for the caustic cuts of the guitars, chugging basslines that leave you psyched for the gravity-defying choruses and adrenalizing infectious vocal lines which soar through the lyrics that run through the pitfalls of staying loyal to toxicity within a scene.

Project Revise’s tracks have previously been heard on BBC Introducing and seminal Spotify playlists, including New Punk Tracks, Pop Punk’s Not Dead, Skatepark Punks and Punk Unplugged. Given that Take the World is some of their viscerally viral-worthy work to date, we expect this rancorous hit to take them to the same heights as Hawthorne Heights.

Take the World will be released on October 20; stream it on SoundCloud.

Review by Amelia Vandergast

Ai Kittens showed us the future of neural network music ahead of his AI-generated album using Blink-182’s discography database.

Here to prove that Ai in the music industry doesn’t equate to the redundancy of human creativity, Ai Kittens gave us a view into the process of creating neural network music based on the discography databases of iconic artists. He’s rewired the sounds of everyone from RHCP to the Weeknd, and on November 18th, he’s unleashing his next album. Blink-182 fans might want to pay attention.

Ai Kittens, welcome back to A&R Factory! We loved getting stuck into your album arranged from Rage Against the Machine’s music last year; plenty of other people have, judging by your streaming stats! Clearly, there is an appetite for tech-driven original reformations of iconic music; would you say this is the future of music?

Undoubtedly, such tools will be available to more and more creative people every year, including well-known artists. Probably even now such tools are used in creative camps, but we don’t know about it. Some attempts are made by guys from Bored Apes, but there it seems AI art is just a cover to sell to a label. With my works, I want to show that by using neural networks everyone can be a creator and producer.

I would also like to point out that neural networks are an endless source of inspiration for the artist, the only question is if you can make maximum use of it.

You prepared 260 songs, and only 15 made the cut for the album; do you think the LP format is outdated in the age of AI music?

In fact, in order to get 260 tracks, 3,600 tracks were generated, from which I made this sample.

In my opinion, listening behavior doesn’t change much, and of course, no one will listen to all 200 songs because that is almost 5 hours and 30 minutes of music with no repetition. This music will have some kind of development; for example, it is possible to make an album with lyrics for a real band and perform it all at concerts. Of course, my dream would be if Blink182 would use it. But I spent that summer and part of the fall in LA and couldn’t meet the guys in the band.

It changes the approach to how the album is made, and how the hit song is searched for because you can listen to it before you do something yourself. You just have to listen to it and conclude whether you like the track.

Can you run us through the process of authentically arranging music via AI and what tools you use to create music from artist databases?

I use the Open Ai Jukebox neural network. Unfortunately, the company stopped further development because they found more profitable solutions with images. A server with video cards and the right settings is enough to get results. For the generation, I used two genres and text; the genre gene is punk, the artist gene is Blink 182, and I used four texts to randomize the results. I have 1 million 200 thousand songs of different genres and artists.

As a result, I get, with some probability, tracks that sound like I overheard them at a band rehearsal and recorded them on a tape recorder. And then the musician just plays that recording back at a rate of about 5 songs a day. So it only took us two months to do all 260 tracks.

If I worked with a real band, I think getting that many demos in that amount of time would be fantastic.
All that remains is to write the lyrics and sing them. (Although I have a separate project called Ai Lyrics for that). With him, I’ve already written about 50 pop songs in the style of Bruno Mars and Weeknd. You should also try to generate some lyrics in the style of your favorite artists. It’s a lot of fun.

What made you choose the Blink 182 back catalogue to generate an album from?

Last year I saw a newsletter from Kobalt, a music publisher where artists of all different levels submit requests to find songs for themselves; there I saw a request from Blink182. They were looking for a song with a different intro than their regular songs.

I decided to generate those songs for them. After I got the first generations, I wrote to Kobalt music, but no one answered me further than the secretary. I went to their office in L.A., but they kicked me out of there like I was crazy. Then I tried to meet John Feldman to show them the song demos, but that too ended in failure.

Blink182 is a great love from my childhood. It’s music I listened to as a teenager. Why not make more music like this if the musicians don’t make it themselves? But while I was putting it all together, the band was already going on a stadium tour in 2023. And they even seem to be alive and showing some activity.

What would you say to the AI sceptics who believe that embracing AI will make human creativity redundant?

AI will not replace humans. It will always be only a support for humans in the search for inspiration, to reduce the creative routine. After all, a living person needs money, a machine does not.

What can we expect from Ai Kittens next?

Next Friday, the blink182 album will drop. I’m trying to publish music every Friday; I have so many songs to release. You have no idea how much I want to show you what I have for Bruno Mars and the Weeknd.

But it’s so hard to communicate with them. I can’t catch Anderson Paak in LA in the next 2 months, but I caught him in Bali last week. Hope he will listen to my neuro stuff and maybe it will be the basis for the next 5 platinum albums…

Listen to Ai Kittens on Spotify. Follow his innovative career on Instagram.

Interview by Amelia Vandergast

Louie Dangerous has made his unforgettable pop-punk debut with My Whole Inside’s Gone.

The up and coming alt pop-punk trailblazer, Louie Dangerous, found a brand-new way to allude to the hollowness that can fill us in the absence of someone that became the centre of our gravity in his debut single, My Whole Inside’s Gone.

My Whole Inside’s Gone will take you back to the Angels and Airwaves days while keeping you galvanised through the sheer ingenuity of the robustly morose track. With choruses as infectious as they are exuberant, this stadium-ready single is set to take Louie Dangerous’ career to stratospheric heights. There’s enough nostalgia for accessibility, but discernibly, My Whole Inside’s Gone is packed with high-octane authenticity.

My Whole Inside’s Gone is now available to stream on Spotify.

Review by Amelia Vandergast

Darrian Gerard makes no apologies with her hook-laden pop-punk single, I’m Not Sorry.

Alt-rock solo artist, Darrian Gerard, has released her self-produced single, I’m Not Sorry; the defiant anthem throws you right back to the glory days of scuzzy pop-punk while encompassing an emboldening modern lyricism style.

Away from Paramore and Avril Lavigne reminisces, I’m Not Sorry is a stellar track in its own right, and despite the DIY production, the infectiously hyper choruses reel you in hook, line and sinker. There is enough energy in this earworm to animate a main stage festival crowd. We can’t wait to watch Darrian Gerard climb the alt-rock charts with I’m Not Sorry.

I’m Not Sorry will officially release on September 13th; you can check it out for yourselves by heading over to SoundCloud.

Review by Amelia Vandergast

#lameassdads take us to Nowhere, Ohio

Greetings from Nowhere, Ohio by #lameassdads

#lameassdads are the refreshing antithesis to every earnest rock outfit that fails to find humility while attempting to stay contemporary despite the consistent evolution and modernisation of the rock scene.

Their kids might hate it, but we quickly found a soft spot for their energetic pop-punk track, Nowhere, Ohio, to hit hard. Fans of Blink 182, Social Distortion, Green Day, Bad Religion and The Offspring will get a sweet nostalgia hit from this stellar Midwest Emo release. Despite their slightly self-deprecating humour, they’re a powerhouse of talent with the collective ability to create anthemic earworms that you won’t be desperate to lose.

Take yourself to Nowhere, Ohio, by heading over to Bandcamp.

Review by Amelia Vandergast

Daniel Henry blurs genre boundaries in his latest anthemic release, Circles.

Indie pop-rock earworms don’t get much juicer than Daniel Henry’s latest single, ‘Circles’, which completely blurs the line between contemporary alt hip hop and pop-punk.

The Oman, Middle East-born, Dallas-based artist evaded formal music education but has no problem formulating mind-bendingly infectious choruses and catchy hooks, such as the ones that will ensnare you in his latest up-vibe hit. Daniel Henry takes influence from the likes of Shinedown, Blink 182, Machine Gun Kelly and Post Malone, but nothing in Circles feels assimilative – despite the swathes of genre-bending music that has hit the airwaves in recent years.

The lyrics may be delivered with a stinging antagonistic tone, but the feel-good factor in this radio-ready single has been turned up to 11. So, if you’re looking to vent your frustration that comes through cyclical torment, hit play.

Circles is now available to stream via SoundCloud.

Review by Amelia Vandergast

The Last Second Save takes us back to the golden era of pop-punk with ‘I Remember’.

‘I Remember’ is the latest single to be released by The Last Second Save; an alt-pop artist that wears his pop-punk influences on his sleeve while marrying elements of hip hop and alt-rock.

After I Remember hit the airwaves, staying in the 21st-century became optional. Hit play, and you’ll be thrown back to the golden era of pop-punk; when Blink-182 were king and life seemed infinitely simpler.

The track may join a host of other urban singles which paint with the darker and colder end of the tonal spectrum; but with I Remember, the Maryland-based solo artist allowed his multifaceted personality to shine through, making it practically impossible not to become enamoured by his optimism – in spite of existentialism.

I Remember is now available to stream via Spotify.

Review by Amelia Vandergast

At Face Value – Lotr: Scathingly Sticky-Sweet Alt Pop Punk

If At Face Value has evaded your radar so far, it’s our pleasure to introduce you to the US artist’s rapturously colossal sound. The perfect introduction to their distinctive brand of Alt-Rock is their standout track ‘Lotr.

Whatever else is going on in your life, hit play and your consciousness will be consumed by the gorgeously evocative pull of the soundscape which pays ode to the 00s Pop Punk sound while drawing on their own signature sonic flair. Stylistically, Lotr is familiar while the sincerity and potency of the emotion are on another level.

More than anything, what I admire is At Face Value’s admission that their songs deal with common trials and tribulations. They don’t make their suffering the essence of their tracks. Instead, they use the recognition that listeners will find resonance in the tracks which are laced with punchy catchy melodies which are orchestrated to instil optimism.

It is bands like At Face Value which remind me how important music actually is. Not just as a part of our culture or personality or as a way to entertain ourselves. But for the beautiful fact that some artists are trying to make our lives which are often full of chaos and heartbreak a little easier.

You can check out Lotr along with the rest of At Face Value’s tracks by heading over to Spotify.

Review by Amelia Vandergast