Browsing Tag

Black Sabbath

The overdriven alchemy in Three Mile Island’s Ride Your Luck unleashes sonic spirits.

With elements of dreamy indie and classic rock n roll as the cornerstones of their sonic signature in their latest seminal single, Ride Your Luck, the West Midland’s prodigal sons of innovation, Three Mile Island, found plenty of room between the stylistic pillars of influence to inject their own over-driven, time-defying, alchemy.

The haunting chorus, which incidentally replicates what Black Sabbath’s single Changes does to the soul, fused with vocals that are as locked and loaded with visceral dynamite as Chris Cornell’s, Rolling Stones-reminiscent lead guitar work and an underpinning aura of Primal Scream’s iconic release, Give Out But Don’t Give Up, culminates in a single that doesn’t only allow you to imagine what is possible when the intersections of rock are explored, it grips you with a soulful intensity that leaves an inexplicable mark.

If this is the future of rock, the genre is about to make one hell of a mainstream comeback.

Stream Ride Your Luck on Spotify now.

Review by Amelia Vandergast

The prodigal sons of hard rock n roll SuperZero delivered outlaw poetry in motion with their latest single, You & Me

SuperZero’s latest single, You & Me, is a gasoline-soaked tribute to the raw, unbridled spirit of rock and roll. This four-man ensemble, hailing from the heart of Southeast England, crafted a siren call to all those yearning for the golden days of hard rock rancour; hit play and erase the past four decades.

From the very first note, You & Me grabs you by the collar and thrusts you into its world where the basslines growl with primal energy and Neil Abnett’s incendiary guitar work sends jolts of white-hot electricity through the progressions as The Cheesman’s drumming becomes a relentless force that drives the track forward with electrifying momentum.

At the forefront, Brandon Keenen’s vocals are a perfect blend of grit and melody, embodying the spirit of rock legends while carving out his own unique identity. Bex’s bass is the undercurrent, a dark and brooding presence that adds depth and complexity to the track.

You & Me is more than just a nod to the pioneers of rock; it’s a statement of intent from SuperZero. They’re not just following in the footsteps of giants like AC/DC and Black Sabbath; they’re blazing their own trail, fuelled by a passion for the genre and a desire to push it into new territories.

Lyrically, the track is poetry in lawless motion, the fervid lyricism feeds into the escapism of the release, which delivers a reminder of why we fell in love with rock in the first place – its ability to make us feel alive, to transport us away from the mundane and into a world of pure, unadulterated energy.

You & Me dropped on December 25th; stream it on Spotify.

Review by Amelia Vandergast

Love Bug Junkie delivered an alchemic masterclass in vintage tonality with ‘Voodoo Woman’

Voodoo Woman, the latest single by North Carolina’s own Love Bug Junkie, is a bluesy rock revelation steeped in the allure of authentic Americana. As the track opens, listeners are immediately transported to a dimly lit juke joint, where the air is thick with the scent of smouldering incense and the promise of enchantment. The band, known for their emotionally charged and robust sound, has managed to bottle the alchemy of a voodoo priestess’ charm and pour it generously into their music.

The song is a masterclass in vintage tonality, with guitar riffs that cry out with the wisdom of the old spirits and a rhythm section that thumps in time with the heartbeat of the bayou. Love Bug Junkie’s vocal prowess is on full display, finding a haunting middle ground between the Prince of Darkness, Ozzy Osbourne, and the soul-penetrating timbre of Chris Cornell. It’s this unique blend that also conjures vibes reminiscent of My Morning Jacket during their It Still Moves era, yet the band infuses their own distinct essence into the mix.

Voodoo Woman is a sensory experience which taps into a raw, almost primal energy that is both captivating and inspiring. Their performance, whether live or recorded, showcases a love for music that transcends genre and era. With their eyes set on leaving an indelible mark on the music industry, Voodoo Woman serves as a powerful statement of intent from Love Bug Junkie. This band unites their audience in the shared space of rhythm and blues, with the promise of uniting people through the undeniable power of rock music.

Stream Voodoo Woman on Spotify.

Review by Amelia Vandergast

From Vinyl Dreams to Metal Realities: A Conversation with IMMORTALIZER, the Master of One-Man Heavy Metal

Today, we have the privilege of sitting down with the musical powerhouse behind IMMORTALIZER, a one-man heavy metal force that has been turning heads with his classic heavy metal sound and relentless dedication. From early vinyl inspirations to a DIY recording journey, IMMORTALIZER’s story is one of passion, perseverance, and a steadfast commitment to the art of music, lets dive in!

You credit your father’s Rock & Metal vinyl collection as a catalyst for your musical journey. Could you share a few of those iconic artists that left a lasting impression on you as a musician?

When I heard Black Sabbath’s Paranoid for the first time at 7 years old it truly changed my life. I was immediately drawn in and learned a great deal from Black Sabbath records. Alice Cooper was another artist that greatly influenced me. Same with Van Halen. I was mesmerized by Eddie Van Halen’s guitar playing in particular. Some of the others early on were Deep Purple, Nazareth, Pink Floyd and Led Zeppelin. I spent countless hours playing those records over and over. I knew without a doubt that music was going to be my path in life.

Your journey began with a modest drum kit, and now you handle guitar, bass, drums, keyboards, and vocals. How did you master these diverse instruments, and what drove you to become a one-person powerhouse?

Immortalizer | I was very driven as a young kid and I wanted more than anything to become a professional musician and tour the world. I was determined to make it happen. I got my first drum kit for my 9th birthday and played that thing into the ground. I would play until my hands blistered and bled. I’d stop to bandage my hands up and then I’d continue playing haha. I just couldn’t get enough. I was so obsessed with music that I wanted to learn other instruments as well, so I started learning guitar on my father’s old acoustic guitar. My parents had an upright piano downstairs, so I would mess around on that as well. I learned to play everything by ear. I played along to my favourite records and started writing my own songs. Over the course of 28 years I slowly developed each instrument by practicing all of them as much as I could. I never took music lessons but I learned lots of tips and tricks from family and friends. A big shift was my journey into recording. Home recording started being more affordable when I was a teenager, so multi-track recording was a total game changer for me.

My solo career was a bit unexpected. My best friend Jay and I started our first band when I was 9 and we went on to form 13 bands together. We both loved music and practiced in his parents basement every single day after school and even more on weekends. They were so nice to let us jam full volume during our formative years. It was considerably raw at first and always very loud. A few years later we started performing all over our home city and outside it as well. It’s not an easy business however, and after years of effort Jay decided to return to school. I couldn’t picture myself doing anything other than music however, so I decided to continue solo. I had already begun recording full demos at that point, so I just dedicated all my time and energy to my new project Immortalizer. 

Creating a DIY recording setup in your basement is a testament to your determination. Could you elaborate on the challenges and rewards of producing your music independently?

 I have improvised quite a bit in my home studio. For example, my vocal booth is made of a foam mattress wrapped in moving blankets and propped up with fence posts. It doesn’t get much more DIY than that haha. Though funny enough it does work quite well. I couldn’t properly record acoustic drums with the gear and space I had, so I decided to go with electric drums instead. I’ve spent the last 28 years slowly beefing up my studio and equipment, trying to get a decent set up for each instrument.

I think the main advantage is creative control over my work. I can create exactly what I hear in my mind and what I envision for the song. I also feel you can’t rush creativity, so I enjoy being able to decide when an album or song is ready. However doing everything myself means a lot more pressure and a lot more time. The biggest disadvantage of all is not being able to perform, tour and write with other musicians. That’s why I’m planning to find full time band members to be able to bring Immortalizer to the stage and tour around the world.   

How did you develop your signature sound, and what were some of the influences that guided you?

When I started Immortalizer I envisioned fusing classic style Heavy Metal with contemporary Metal. I thought it would be fun to create something a little different. I only realized after my first tracks that I had pulled from other sources as well like Thrash, Prog Metal, Heavy Rock etc. I also realized that I wouldn’t really fit into any one category which complicated things a bit, but my focus has always been to just make the best music I can.

I’ve been greatly influenced by those first bands like Black Sabbath and Alice Cooper and many others along the way. Ozzy’s solo records were incredibly impactful on me since childhood. Another life altering band for me was Megadeth. I found out about them when I was about 12. I bought Countdown To Extinction and it completely blew my mind. Metallica, Pantera, Kiss, Symphony X and Black Label Society were all big influences as well. A year or so later I learned of bands from the New Wave Of British Heavy Metal like Motörhead, Judas Priest, Saxon and Iron Maiden and once again my life was forever changed! German Metal was an equally impactful influence on my evolution as an artist. Specifically Primal Fear and Helloween. I was blown away by their talent, powerful melodies, incredible performances and production quality. I began digging into more German and European Metal bands and found so many new favourites like Yngwie Malmsteen, Accept and Michael Schenker.     

Collaborating with Ralf Scheepers of Primal Fear sounds like a dream come true. Could you share how this partnership came about and what it meant to have his involvement?

Absolutely! I’ve been a huge fan of Ralf’s and Primal Fear since I was a teenager. I consider Ralf to be one of the greatest Metal vocalists out there. I first reached out to him for help to further develop my vocal abilities and recording knowledge. I’d been singing for over 20 years but had no formal training of any kind. I felt I had hit a wall and wanted to expand my vocal range and learn from someone I greatly admire. We both live for music and got along really well, so we started becoming friends. Ralf has been very supportive and helped me in so many ways. He graciously created my new vocal sound, helped me with gear and shared all kinds of info and advice. Ralf kindly offered to mix and master one of my first singles (I’m Gone) and afterwards we began working on the entire album together. When I showed him We Were Born For Metal he really liked the song and volunteered to do some guest vocals on it. I was beyond thrilled! He did such an incredible job on the single and the album production. It’s especially impressive when you consider that he was working from home recordings. It’s been such an honour to become friends and work directly with one of my heroes. I’ll forever be grateful to him.

As an indie artist, gaining recognition and building a fan base can be a challenge. How has the response been to your music, and how do you feel about the support you’ve received from your fans?

The response from critics and fans so far has been incredibly positive! It’s been very encouraging and humbling to see so many people enjoying my music. I’ve received a lot of kind messages from fans. Their support has been really great as well, people from all over the world have reached out for CD’s, vinyls and merchandise. Digital downloads and streams being the most significant. I’m extremely grateful to all Immortalizer fans for their support! It’s definitely a challenge for indie artists though. I’ve tried to keep costs as low as possible for fans but the manufacturing and shipping costs have gotten so high that it’s hard to get albums pressed and released independently. 

Finally, your dedication to music for nearly three decades is truly remarkable. If you could send a message to your younger self, just starting out on this journey, what advice would you give based on your experiences?

That’s a very good question. I think I’d say: never give up on yourself or your dream. Incredible things can happen when you work hard and stay true to yourself. Don’t let other people’s negativity discourage you and never stop reaching beyond your grasp.

Check out this fine new single on YouTube.

See more of this journey on IG.

Interviewed by Stefan Toren

AXiS got elemental for their latest razor-sharp slice of reinvented 70s rock, Firewater

The Serbian/Romanian power trio, AXiS, ensured the 70s rock n roll era made a monolithic return to the airwaves in 2023 with their elementally overdriven reinvention, Firewater.

Taking the iconic sounds from Black Sabbath, Hendrix, and Led Zeppelin and channelling a modern twist into the high gain guitars, the rock-reverent originators slathered Firewater with swagger and burning hot riffs that will turn your speakers into smoke machines.

After forming in 2012, the trio has shared its fair share of success as a touring band and in the studio. After their sophomore album left them pigeonholed as a blues rock band, they’ve proven with Firewater that their raw live sound is a million miles away from those roots. It’s straight-up sleazenik rock n roll that you will want to line up and drink warm beer for.

Firewater was officially released on April 1st. Stream it on Spotify.

Review by Amelia Vandergast

‘Judgement Day’ is upon us in Danny Vash’s seminal rock hit.

Danny Vash

With enough filth in his guitar licks and enough vitriol in his vocal lines, the US rock artist, Danny Vash has exactly what it takes to draw in fans of Black Sabbath, Led Zeppelin and Metallica with his standout single, Judgement Day.

The multi-award-winning single delivers exactly the kind of life-affirming vindication that rock and metal fans can only ascertain through sonic means. Yet, this is no average vintage rock revival. Danny Vash’s signature intellectual lyrics instantly broadside you with their resonance as they reflect on the inescapable nature of our mortal coil, which will inevitably lead us all to judgement day. We may scrutinise ourselves every day, giving little thought to our capacity for redemption, but if any track can empower you through your own free will while you still have sand to spare, it’s Judgement Day.

Judgement Day is now available to stream via Reverb Nation.

Review by Amelia Vandergast

Mainline introduce us to ‘The Unholy Idol’ through the barbarous furore in their debut album.

On October 1st, 2021, the New York-hailing four-piece Mainline delivered the psyched up classic rock revival album of the year, The Unholy Idol. Right from the first single, Sanctum, the vintage tones pull you into the grip of their unassimilated anthemic rock prowess.

You will soon see how they came about their moniker with their ability to make you feel like you’ve just mainlined adrenaline through track two, Out of the Shadows. The 10-track album is almost wall to wall with anthems, but they still found space to exhibit their dynamism as alt-rock alchemists. Standout singles include the grunge influenced title-single, The Unholy Idol, and the bitter-sweet serenade, A Distant Memory. The concluding single, No Warnings, No Signs, is where Mainline prove that they can rip through solos just as well as any of the accoladed guitar heroes and seal a place in your memory.

Any fans of Metallica, Iron Maiden, White Snake and Black Sabbath won’t want to sleep on this release. Classic rock revivals are in no short supply on either side of the pond, but when we say that Mainline are reminiscent of Metallica, that extends beyond sonic appeal and runs through to their ability to leave you enlivened. With Mainline, you get the sense that creating energising anthems that can easily become party rock hits comes naturally.

The Unholy Idol is now available to stream on Spotify.

Review by Amelia Vandergast

One Man Electrical Band amped up the voltage with their politically-charged hard rock single ‘Sign of the Times’

One Man Electrical Band

One Man Electrical Band® (OMEB®) has been taking the Cincinnati music scene by storm since 2003 with his futuristic spin on classic hard rock. With his latest single ‘Sign of the Times’, he hooked up with rock royalty, Vinny Appice (drums) and Steve Stratton (bass) to create an eye-opening juggernaut of a single.

We all know those snobby rock musos, don’t we? The ones who will disagree with any rock made in the 21st-century, Sign of the Times puts those pretentiously-formed opinions to shame.

With an old school Sabbath touch to the vocals, layers of atmosphere akin to what you’d hear in a Ministry track and politically-charged awakening lyrics, Sign of the Times hits the spot in every way possible. One Man Electrical Band’s talent easily parallels the collaborative artist’s, given that Vinny Appice drummed for DIO and Sabbath, it’s no surprise that One Man Electrical Band has shared stages with Journey, Motley Crue and KISS.

On the basis of the guitar solo, Sign of the Times should probably come with an X-rating along with a 5-star rating.

You can check out the official lyric video via Facebook.

Review by Amelia Vandergast

Washington Rock powerhouse Birch Riley address the fragile state of your existence with ‘One Life to Live’

https://birchriley.bandcamp.com/track/one-life-to-live

Birch Riley gave us a taste of their highly-anticipated album with the monster of an Alt Rock hit “One Life to Live”. If you need frequent reminders that the sands of time are always slipping, this sonically electrifying hit from the Washington-based powerhouse will gladly hammer home the temporary state of your existence.

Despite the ferocity, there’s plenty of soul to be found in this viscerally enticing hit which was made for radio. With the vocals soaring as high as the guitar solos in the chorus, you can expect to be as adrenalized as the soundscape when you hit play.

There may be some Classic Rock touches to the single, but indisputably, there’s enough distinction and nuance in the deftly crafted track to assure you that Birch Riley are as authentic as Rock acts get in 2020.

You can check out Birch Riley’s single One Live to Live along with the rest of their interstellar album Fragments of Space and Time via Bandcamp.

Review by Amelia Vandergast

Torn Away are set to make a serenely melodic debut with their album “As We Rise”

Torn Away

Sink into the succinct melodicism in Torn Away’s standout single ‘The Viscera Enigma’ which features on their debut album release ‘As We Rise’ and enjoy the tonally indulgent hooks and grooves orchestrated by the Flint, Michigan Alt Rock trailblazers.

Their tones offer finesse to a sound akin to the likes of Pink Floyd, Alice in Chains and Acid Bath. As their standout track runs through, it is almost as though the breezing and purposefully meandering notes leave an imprint on your psyche and compel you to delve into the progressive hit time after time.

Torn Away offer an incredible energy, I have no doubt that this isn’t the last we hear from them. Get them on your radar.

You’ll have to wait a little bit longer before you can check out As We Rise which will be released by Misanthropik Records. In the meantime, head over to the artist’s Facebook page and give them a follow on Bandcamp.

Review by Amelia Vandergast