Browsing Tag

Bedroom Pop

Go Go Gadget Pink Packet shakes it up in his intimate alt-indie hit, Sno Globe

Taken from his sophomore album, Unfinished Art, Go Go Gadget Pink Packet’s standout single, Sno Globe, is an emotion-driven hit of alt-indie, which throws back to the 00s while simultaneously embracing autonomously expressive melodic innovation.

Starting with an almost outtake-y prelude, the zealous lo-fi indie single breathes bedroom pop intimacy, with an extra flavour of sticky-sweet power-pop in the overdriven guitars, which carry as much emotion as the raw yet sugared vocal harmonies.

In his own words, the Sherrill, NY-based solo artist, writes common man blues records, perfectly encapsulating the immediate resonance you find in the dejection.

Sno Globe is now available to stream on Spotify.

Review by Amelia Vandergast

Spotlight Feature: Denim Blue ventures into the unknown with his optimistic indie-pop lament, Brand New

Norway-hailing singer-songwriter Denim Blue mastered every genre he poured into his latest single, Brand New. His ability to pull you into the dissonance of heartbreak and make it a pleasurable trip is something no one will be quick to forget.

While the guitars exude the angular mesmerism of Interpol’s earlier work, the hooky melodies veer into a poppier territory, and vocally, the genre-fluid visionary transcends archetypes and tropes to deliver pure vulnerable expression. It gives you all the intimacy of bedroom pop, and none of the lo-fi muddiness that has become synonymous with it.

For anyone that resents the plastic feel-good summer tracks released by artists desperate for a brag-worthy chart position, Brand New has all the makings of a realism-soaked playlist staple. The juxtaposition between optimism and soul-tearing sadness is undoubtedly one of the sweetest things I’ve heard this year. That is until the release of his EP, Vacation Blues, on August 26th.

In his own words, here is what Denim Blue said about his release

“Brand New is a bittersweet song; happy and pleasant, yet sad and reminiscent of the past. I wanted it to be perplexing; like the emotions that come to fruition when reminded of the past. I created a soundscape of summer, bright and melodic, with a sadder yet playful undertone in the lyrics, which are about struggling to let go – even if it is for the better. I recorded it about two years ago and kept returning to it with a good feeling. I hope others will get a good feeling from it too.”

Brand New is now available to stream on Spotify.

Connect with Denim Blue on Instagram.

Review by Amelia Vandergast

Glitchy art rock meets alt urban pop in Jacobi.e’s latest single, Rcv

Since his 2020 debut, experimentalism has been at the forefront of Jacobi.e’s alt bedroom pop sound. With his aptly dark, melodically off-kilter and tumultuously glitchy first single of 2022, Rcv, the Jamaican American artist and producer, currently residing in LA, fused his rock background with contemporary flavours of the originators, Dominic Fike, Kanye and Yeek.

While some artists manage to make exploring alternative sounds a contrived act of pretension, Jacobi.e instantly affirms that the alchemy came organically through his affinity for a plethora of genres. Pulling all of the contrasting textures together, his vocals are a sticky-sweet vocal point in the wavy track that stands as a testament to his flair as a producer that continues to amass gravitas.

RCV is now available to stream on Spotify.

Review by Amelia Vandergast

Mark Earnest – Just a Dog: his beats aren’t as bad as his bite

For his latest single, Just a Dog, the Ireland-born, Tokyo-based artist Mark Earnest served a stellar slice of lush RnB pop. You can’t help but drift away with the mellow funky grooves, the soulfully resonant vocals that are pinched by melancholy instead of overarched with it, and the mellow guitar-centric rhythms.

With the bedroom artist’s greatest motivation centred on bringing catharsis and compassion, he gave his soul free reign over Just a Dog, which lyrically sees him changing species to allude to his need for simplicity. If you aren’t on board with that sentiment, have you even been alive for the past few years?!

Just a Dog will officially release on July 1st. You can check it out for yourselves by heading over to SoundCloud.

Review by Amelia Vandergast

Demure dream-pop royalty, speakeazie has released her debut album, Prohibition Hippie

The Minneapolis-based alt dream-pop artist that is never short of mesmeric material, speakeazie, has released her highly anticipated debut album, Prohibition Hippie, featuring the standout single, Disintegrate, which spins an engrossing narrative tale of a young girl losing control. Anyone that has ever felt their mask of sanity slip will undoubtedly want to delve into this compassionately orchestrated single.

Disintegrate shares a tonal palette with Echo and the Bunnymen’s earlier material. But with the instrumentals distorted via the wobbly tape delay effect, the bedroom pop single takes an authentically demure form.

speakeazie’s vocals parallel the evocative power of Florence Welch while keeping in line with the contemporary moody indie-pop vocal trend. By that we mean they are alchemic leagues ahead. Also written into Disintegrate’s mix is speakeazie’s influence of dreamy retro aesthetics and the 1920s. It is inarguably one of the most distinctive releases that we have heard so far this year.

speakeazie’s debut album is now available to stream on Spotify. Or you can check out the video on YouTube. 

Review by Amelia Vandergast

Charlotte Ooi delves into the unknown with her intimately sultry RnB single, Never Know

Charlotte Ooi proved how sultry bedroom pop always could be with her debut single, Never Know, which was released on December 3rd. If any artist warrants coining the genre ‘boudoir pop’ for, it is this London-based intimately evocative RnB pop artist.

Breathy vocals can be hit or miss, but Charlotte Ooi’s light vocal timbre is right on the money in her emotionally vulnerable release that delves into the unknown. In her own eloquent words, this is what Never Know lyrically encompasses:

“My new single shines on topics about vulnerability, hope and the essential need to embrace all types of emotions. I’ve personally struggled with a lot of anxiety moving a lot throughout my life and it has also become quite common in our society, so this song seeks an emotional intimacy with the audience.”

Check out Never Know for yourselves by heading over to Spotify.

Review by Amelia Vandergast

The Fountains of Paradise has made an interstellar indie space pop debut with Forgotten Man.

With their if-they-got-enough-exposure-they-would-probably-start-a-cult-and-it-would-be-the-best-thing-ever vibe, it is safe to say that we instantly warmed to The Fountains of Paradise through their single, Forgotten Man, which features on their debut album, Let the People.

The Yorkshire-born, Buckinghamshire-based singer-songwriter’s spacey indie bedroom pop track starts with uplifting ABBA-Esque chords before the sonic palette transitions into an avant-garde arrangement of orchestral strings pulling against the electro-pop instrumentals. Plenty of the accordance in the single comes from the singer-songwriter’s elegantly gentle vocals that tenderly relay the playfully melancholic lyrics.

Forgotten Man does little in the way of subverting reality; it becomes escapism music all the same for the way it leaves you caught up in the witty attack on nihilism and mortality redundancy. For four minutes, blackened souls will feel right at home.

You can add Forgotten Man to your playlists on Spotify, or you can check out the official music video on YouTube.

Review by Amelia Vandergast

Find the silver lining in A-Mar’s bluesy indie single, Raining in New Orleans.

Even though using the weather as a parable for complex emotions isn’t exactly novel, independent bedroom pop artist A-Mar’s single, Raining in New Orleans, proves there’s still plenty of poignant poetry to be pulled from our stormy, unpredictable weather systems.

Vocally, there is plenty of reminiscence to the likes of Jack Johnson, but it is in the instrumentals where A-Mar truly comes into his own. His soulful infusion of indie, blues and jazz in the cathartically laidback single sets him leagues apart from his contemporaries and icons alike. If this is what he can achieve alone in his bedroom, we’re all too eager to hear where the future takes him and his tender, instantly magnetic expression.

Raining in New Orleans is now available to stream along with the artist’s debut album, Around El Mundo, via Spotify.

Review by Amelia Vandergast

Nick Rannikko gives us ‘More’ than we bargained for in his latest single.

Nick Rannikko

‘More’ is the latest intimately sweet indie single from the alternative artist Nick Rannikko, which dropped onto the airwaves on July 7th, bringing with it bags of catharsis and consolation as it flirts with elements of pop, rock, RnB and trap in true cloud rap/indie-pop trip-hop style.

After a prelude of tape deck static and ambient waves of shimmering reverb, the smooth melodies come to the surface to serve as the perfect platform for Nick Rannikko’s vulnerably compassionate vocals that candidly contend with raw and intimate thought. When kicking 808s come into play, there’s a surge of energy in the release that you just can’t help getting caught up in.

Check out More on Spotify.

Review by Amelia Vandergast

Fox Evades – soaring, spacious dreampop with ‘Someday’

Fox Evades is the solo project of Manchester-born singer songwriter and producer Jordan Mae. Following up the success of debut single ‘The Heart That Drowned’ and follow-up ‘Bira’, both of which garnered interest from BBC Introducing’s Hannah Fletcher, comes third single ‘Someday’.

A soaring, spacious three minutes of echoey dream-pop, reminiscent of Desperate Journalist, Belly, Slowdive, or The Cure, ‘Someday’ is deliciously gentle and atmospheric, tangibly breakable and ethereal, with a picked repeating guitar line that could have come straight from Three Imaginary Boys or Seventeen Seconds, and Mae’s haunting, delicate voice evocative of Tanya Donelly or Toni Halliday on vocal duties.

It’s truly excellent, and a beautiful, ephemeral taster for Fox Evades’ debut EP due out later this year. You can hear Someday on Spotify; follow Fox Evades on Facebook and Instagram.

Review by Alex Holmes