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Beastie Boys

The Artistic Evolution: Embracing Change in Music

Evolution

In the ever-evolving landscape of music, change is not just inevitable but essential. The journey of an artist is marked by an incessant quest for creativity and innovation. As we delve into the stories of bands like PJ Harvey, Radiohead, Beastie Boys, Nine Inch Nails, Depeche Mode, and Fleetwood Mac, we uncover a shared narrative of transformation. These artists, once confined to their original sounds, dared to venture into uncharted territories, thereby cementing their places in the annals of music history.

The concept of ‘selling out’ is often debated in the music industry. When artists deviate from their original sound, they are often accused of abandoning their roots for commercial success. While it may be the case that record labels push artists in different directions to maximise the profits banked by the oligarchs, it is ludicrous that independent and up-and-coming artists are also greeted by the same accusation. Especially if they have complete creative freedom over what they innovate and orchestrate.

Any real music fan will be aware of how difficult it can be for independent artists to create a comfortable living without seeking other means of income. Just take a recent interview with Pigs Pigs Pigs Pigs Pigs Pigs Pigs in the Guardian on how their fans are amazed to hear that they are back in the office after playing shows and they have been fired for taking time off for touring. It is time for music fans to gain perspective and view transformations as acts of autonomous expression, where independent artists exercise their creative freedom to explore and grow, rather than conforming to external expectations.

If you have been caught between feeling compelled to replicate your earlier material and daring to metamorph your sonic signature for your next releases, this article, which demonstrates the detrimental nature of assimilating your older material out of obligation, may give you a clearer view of which avenue to take your future releases.

Loyalty vs Innovation

The music industry often presents a dichotomy: remain loyal to your original sound or innovate and risk alienating your fan base. This dilemma is particularly poignant in the cases of bands like Radiohead and Fleetwood Mac, who dramatically altered their musical directions. Radiohead’s shift from the grunge-inspired “Pablo Honey” to the experimental sounds of “Kid A” and Fleetwood Mac’s evolution from blues-rock to the pop-rock anthems of “Rumours” are testaments to the rewards of embracing change. Their success stories challenge the notion that loyalty to one’s original sound is the only path to enduring relevance.

The Adage “If It Isn’t Broken, Don’t Fix It” Doesn’t Apply to Art

In the realm of art and music, stagnation is akin to regression. The musical journeys of PJ Harvey and Depeche Mode provide inexplicable examples. Harvey’s transition from bluesy punk-rock to a more accessible indie-rock style, and Depeche Mode’s evolution from upbeat synth-pop to a darker, more atmospheric sound, demonstrate the artistic necessity of breaking free from the ‘if it isn’t broken, don’t fix it’ mindset. Their willingness to reinvent themselves not only kept their music relevant but also allowed them to explore new depths of their artistic potential.

The Muse Isn’t Always Found in Chartered Territory

Exploration beyond familiar boundaries often leads to the discovery of a muse that redefines an artist’s work. The Beastie Boys’ transformation from a hardcore punk band to hip-hop icons and Nine Inch Nails’ journey from synthpop to industrial music highlight the importance of seeking inspiration beyond the comfort zone. These shifts not only revolutionized their respective genres but also opened up new avenues for creative expression.

New Material Doesn’t Obsolete the Old

A common fear among artists is that their new work might overshadow or invalidate their previous creations. However, the evolution of these bands shows that new material can coexist with and even enhance the appreciation of their earlier works. The new sounds do not erase the old; instead, they add layers to the artists’ narratives, enriching their musical legacies. You may receive backlash from your fans who find a sense of pride in saying that they have been following you from the start and have grown accustomed to a certain style, but you can’t please everyone’s subjective view, attempting to do so will only serve as an inhibitor to your creativity. That’s the same creativity that drew them to you in the first place.

How Fans Can Decree Music Is ‘Terrible’ When It Is Made with the Same Talent That Produced the Art They Fawn Over

The reaction of fans to an artist’s evolution can be complex. While some embrace the change, others may be quick to criticise, forgetting that the talent and creativity that endeared them to the artist in the first place are still at play. It’s crucial to recognise that the same spark of genius that created the beloved early works is driving these new explorations, even if they take a different form.

Conclusion

The stories of these iconic bands serve as a powerful reminder to musicians and artists everywhere: the pursuit of creative evolution is not just a right, but a responsibility. Embracing change, exploring new horizons, and challenging the status quo are what keep the flames of creativity burning. As artists and fans alike, we should celebrate this journey of evolution, for it is in these changes that the true essence of art is found.

If you have a brand-new sound you want to showcase, submit your music today to see your music featured on our top 10 UK music blog.

Article by Amelia Vandergast

Othenic borrowed from the Beastie Boys while tracking the warp speed of the human experience with ‘Last’

If you chiselled an indie pop edge into the legacy of a discography belonging to the Beastie Boys, you’d be left with a sonic sculpture bearing a striking reminiscence to Othenic’s latest single, Last.

With a touch of Crazy Town’s Butterfly written into the alternative mix of indie, pop, and hip-hop, the alt-90s nostalgia within Last is arrestingly potent. While the angular staccato guitars lend themselves to melodic mesmerism, Othenic reflects on how the human experience moves at a warp speed and leaves us questioning how the innocence of youth slips us by and catapults us into the monotony of corporate reality.

“Life’s too short, you might as well make it last” may seem like a simple lyric, but lean into it deeper within the context of the track and you’ll see a testament to the Kentucky-Cincinnati-based artist’s proficiency with wordplay.

Last was officially released on October 19; stream the single on Spotify and follow Othenic on Instagram.

Review by Amelia Vandergast

It’s all about the instrumental and mental breakdowns in Jeff from Work’s shoegazey grunge rap hit, Stand Up

Imagine the Beastie Boys augmenting their sound with the anthemics of Nirvana and accentuating the intricacies of the melodies with elements of post-punk, and you’ll almost envision the snarky sharp alchemy which bursts through every (instrumental and mental) breakdown in Jeff from Work’s seminal single, Stand Up, which also forcefully feeds nuances of the Smashing Pumpkins and Joy Division.

Taken from their concept LP, Overtime, which chronicles the oddities of the human experience through the eyes of Jeff, a ready-to-break slave to the rat race, the single is an exhilarant manifestation of rage, corporate disdain, shoegaze etherealism, and pure juggernautical experimentalism.

Their schtick starts to make all the more sense upon learning that the band formed after meeting at an LA ad agency and discovering they had more in common than their workplace angst. It’s an unlikely aural antihero story, but we’re here from it. They have exactly what it takes to become one of the biggest icons of the alternative scene in 2024.

Stream Overtime with the rest of the debut LP which dropped on October 5th on SoundCloud and Spotify.

Review by Amelia Vandergast

 

The hypersonic hip hop heavyweight, Chaz Matador, is back on his throne with ‘Bone Cage’

If you could imagine what it would sound like if Gary Numan veered into the arena of hypersonic EDM hip hop, you may get an idea of what is in store when you hit play on Chaz Matador’s latest single, Bone Cage.

The full-frontal production isn’t for the faint-hearted; the Albuquerque-born, Portland-based artist is one of the few bold enough to comfort the disturbed and disturb the comfortable. Forget giving Beastie Boys a run for their money; he challenges them to a sprint across the length of a futuristically warped stratosphere and holds them to ransom.

In his own words, he’s a “botched love spell eternally pregnant with imagination”, and his music channels perpetual dissatisfaction with nothing and everything into a mosaic of mediums typical of the attention-span obliterated millennial. We officially love him.

You can watch the official music video for Bone Cage on YouTube. Although, we’d probably advise against it if you’re epileptic. That probably goes for the soundscape itself.

Review by Amelia Vandergast

New Plague Radio went baroque with their folky hip hop hit, Devil Come, Devil Go

Fusion and hybrid sounds are pretty much the standard for new artists in 2022, but in a sonic shift that no one anticipated, bluegrass folk meets hip hop in New Plague Radio’s latest single, Devil Come, Devil Go.

With AJJ-style folk paired with the hypnotic structure of the rapid-fire deadpan rapped vocals, the experimental US outfit well and truly went baroque. Especially with the harmonic crooned deliverances of lyrics such as “a little dizzy all the time” (it’s not just me!!!).

After hearing their hook-filled Beastie Boys-inspired 2020 track, Methamphetamine Dance, in 2020, we were stoked to discover an artist so bold in their experimentalism. Methamphetamine Dance was the ultimate high-octane 90s-rock-tinged urban earworm, but Devil Come, Devil Go definitively proves that New Plague Radio doesn’t have authenticity at their disposal; artful gravitas is also in their arsenal. We couldn’t be more excited by the potential of New Plague Radio.

The official video for Devil Come, Devil Go is now available to stream on YouTube. Or, you can add the track to your Spotify playlists.

Review by Amelia Vandergast

Tremantis – Better Think 2wice: Angsty Electronic Alt-Rock

Any fans of Fidlar’s angstily playful garage indie rock style will want to get acquainted with Tremantis’ electronic alt-rock track, ‘Better Think 2wice’.

With elements of Beastie Boys-style hip-hop-infused into the mix along with Mindless Self Indulgence-Esque synth-driven breakdowns and 8-bit chiptune influences, Better Think 2wice is for anyone who wants to hear nothing but unadulterated expression in their alt-rock tracks.

The LA-based powerhouse formed in 2017; since then, they’ve racked up 400k streams on their most popular bluesy indie track, ‘Hey Me’, and there’s plenty more in the pipeline. Tremantis will be releasing a new track every month throughout 2021 and something tells me that you’ll want them on your radar for their live dates.

Better Think 2wice is now available to stream via Spotify.

Review by Amelia Vandergast

New Plague Radio’s single, ‘Methamphetamine Dance’, from their debut EP, ‘The Beeswax’.

If any hip hop track has the force to throw you right back to the 90s, it’s New Plague Radio’s single, ‘Methamphetamine Dance’, from their debut EP, ‘The Beeswax’.

By mashing up Beastie Boys-style rap vocals with cutting guitars that would be right at home in an Incubus track, it’s a riotous amalgamation of 80s – 00s culture. If New Plague Radio were the first band that came to mind when nu-metal and rap-rock genres were mentioned, the genre would get plenty more respect.

With the dynamic energy deftly carved by the chaos in the instrumentals combined with smooth rock vocals and existential rap aggression, if you don’t feel your heart rate quicken as New Plague Radio’s single unravels, you might want to check for a pulse.

New Plague Radio’s debut EP is now available to stream via Spotify.

You can check out the official music video for Methamphetamine Dance that was funded by their (well-invested) stimulus money via YouTube.

Review by Amelia Vandergast