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Baroque Rock

Anni is a symphonic rock siren in her single, The Vortex is Closing

https://soundcloud.com/johnlistermusic/the-closing-vortex-by-anni?in=johnlistermusic/sets/anni-symphonic-rock

Taking me right back to when Apocalyptia deservedly reigned the alternative scene, the symphonic rock artist, Anni, left me nostalgically arrested by her single, The Vortex is Closing, which closed curtains on sanity with elevated ethereal grace.

By choosing the same sonic palette as a wind-up music box as a prelude before bringing in the artfully gothic atmosphere, which wouldn’t be out of place in a Cradle of Filth intro, the humanism creeps in through Anni’s seamlessly cutting vocal lines that compel you to lean into compassion for a protagonist who is fighting a losing battle with inertia and mania.

With enough raw power in her vocal lines they could be used as a natural energy source around the airy interludes, Anni is gorgeously vulnerable and unfuckwithable in the same harmonically pitched breath. We officially can’t wait to hear her debut album, The Revealing, which promises to pull prog rock in around her symphonic rock beguile.

The Vortex is Closing is now available to stream on SoundCloud.

Review by Amelia Vandergast

Lethia’s Natorium has made her baroque goth rock debut with ‘Lullaby’

‘Lullaby’ is the debut single from the singer-songwriter Lethia’s Natorium (Pena Hughes-John), who has adopted many guises in her career as a steampunk-inclined artist. Under her new moniker, she’s embracing her inner goth edge, and notably, she’s in perfect tune with the dramatic flair of it.

She’s thrown away her faithful ukulele for arresting symphonic orchestral scores, leaden with cutting classical strings and tempestuously off-kilter production. Now that Emilie Autumn isn’t as prolific as she used to be, Lethia’s Natorium has exactly what it takes to fill those baroque boots.

Lullaby was just a teaser of what is to come in Lethia’s Natorium’s debut album, which is currently in production. It is now available to stream via Spotify.

Review by Amelia Vandergast

PH Mazza looks beyond avocado tropes to tap into the misery of Millennial life with Millennial’s Song.

For their latest single, Millennial’s Song, alt-rock artist, PH Mazza, turned the reality of millennial life into a theatrically sinister feat of baroque post-punk complete with symphonic scores, Elton John on acid vibes and filthy Crampsy garage rock licks.

PH Mazza succeeded in creating a brief reprieve from the crushing existentialism that comes with our avocados and inability to get on the housing market. If that wasn’t enough, the pioneer threw in just as much psychedelic experimentalism as the Legendary Pink Dots. If anyone has what it takes to dethrone Nick Cave, it is PH Mazza.

The official music video is available to stream on YouTube, or you can add Millennial’s Song to your Spotify playlists.

Review by Amelia Vandergast