Browsing Tag

Baroque Folk

An Avant-Garde Echo of Isolation: Lena Lovelace – The Lonely Doll Song

Lena Lovelace unexpectedly returned with her new single, The Lonely Doll Song, an audacious exploration into the depths of isolation and faded glory. Contrary to her announcement of a musical hiatus earlier this year, Lovelace’s latest orchestration plunges into the melancholic reality faced by child stars past their ephemeral peak of fame.

Inspired by the narrative of Björn Andrésen, whose youthful foray in the spotlight dwindled as portrayed in the documentary The Most Beautiful Boy in the World, Lovelace crafts a soundscape that mirrors this descent. The minimalist yet profound single, consisting of little more than ethereally haunting vocal layers paired with the sparse, resonant notes of an electric piano, becomes a raw, unfiltered reflection of neglect and obscurity.

Lovelace’s approach in The Lonely Doll Song eschews mainstream appeal to embrace a spectral quality; the melody and composition invoke a sense of disquiet, perfectly aligning with the theme of the piece which also exhibits the singer-songwriter’s awe-inspiring refusal to conform.

The Lonely Doll Song is now available to stream on SoundCloud.

Review by Amelia Vandergast

Chamber strings go pop in Philadelphia String Quartet’s latest score, Oh My God

Living by their motto, ‘Think Outside the Bach’s’, the classically trained artists of which the Philadelphia String Quartet comprises know no bounds when scoring their pieces and comply to even fewer.

Their recently released piece, Oh My God, is a baroque folk fantasyscape, which wouldn’t be out of place in the prelude in a progressive folk metal track, in the OST of lore lore-filled series akin to The Witcher, or any other setting that calls for the romanticism of chamber strings pulling together in complete coalescent quintessence.

Since forming in 2009, the quartet has been immensely in demand as a wedding band; the performers even go as far as to curate custom playlists for couples. If Oh My God is anything to go by, the airwaves should be equally as inclined to champion the quartet’s quasi-classic spin on pop.

Stream Oh My God on Spotify, and follow the four-piece to ensure you’re the first to know when their live-recorded upcoming album drops!

Review by Amelia Vandergast

Emily Manuel is beautifully baroque in her indie chamber single, Live Forever

World-class singer-songwriter and composer Emily Manuel is beautifully baroque in her latest orchestral single, Live Forever. The chamber strings lend themselves effortlessly to the artfully timeless timbre of her silkily demure vocal lines as they explore the theme of perpetual legacy.

After Paul Simon revealed the power of lyricism to Manuel, the Denver-based artist orchestrated her distinctive indie chamber sonic signature, which carries the influence of classical scores, the deconstructed expression of jazz and a touch of Eastern flavour.

So far in her career, Manuel has spilt her sound into theatres, olive groves, and taverns. Her live performance highlight was sharing the stage with the icon Jamie Cullen. Although, evidently, he wouldn’t have been the only icon on stage that night.

Live Forever was officially released on February 3rd. Hear it on Spotify.

Review by Amelia Vandergast