Browsing Tag

art folk

Organic Art Folk Serenity Unravels through Matt John Henderson’s ‘Gethsemane’

With his latest single, Gethsemane, the Ambient Avant-Gardist Matt John Henderson nestled into the niche of sonic expressionists with the ability to render catharsis into your rhythmic pulses while intellectually stimulating your mind.

The cinematically quiescent piece uses organic textures and tones to imbue the production in folksy seraphic warmth; his equally as honeyed and honed hushed vocal tones effortlessly complement the minimalist yet intricately eloquent instrumental stylings which pair jazz nuances with artfully delicate motifs that wouldn’t be out of place in Thom Yorke’s remit.

As a precursor to the critically acclaimed artist’s eagerly anticipated album, Lapse in Stillness, Gethsemane is an introspectively entrancing teaser of the serenity which is set to soon follow. The artist’s ability to invite his audience to lose themselves and live between the layers of his sound is second to none; it’s only a matter of time before his name becomes a staple on every editorial ambient playlist on Spotify.

Gethsemane was officially released on November 1st; stream the single on Spotify now.

Review by Amelia Vandergast

Broghan – The Calm Before the Storm: Southern Gothic Glaswegian Alt-Indie Folk

The Glaswegian alt-indie-folk singer-songwriter Broghan has come a long way from busking in Glasgow and Edinburgh at 14 years old. Her latest single, The Calm Before the Storm, which sees the haunting aesthetics of Southern Gothic Folk meet Scottish Art Folk, is set to push her to even greater heights. I wouldn’t be surprised if roles were reversed in the near future and Lewis Capaldi opens for her in front of a 12k cap capacity crowd!

The ethereally Avant-Garde score builds from a minimalistic instrumental piece into an arcane tour de force, with a series of filmically thematic transgressions pulling you through the shadowed corridors of the single which exhibits how Broghan has mastered the art of tonality and spatial effect.

The anticipation before the crescendo will leave your rhythmic pulses on the brink; the angular notes that haunt the soundscape following the first climatic build testify to how immersive this visceral ride through the singer-songwriter’s talent truly is. She’s a phenomenon in her own right, and it is only a matter of time before she’s showered with plaudits and songwriting awards.

The Calm Before the Storm reached the airwaves on November 1st; stream the single on all major platforms, including Spotify, now.

Review by Amelia Vandergast

 

Timothy Jaromir tuned into transience in his art-folk installation, Liminal

Timothy Jaromir

Tuning into his latest artfully melodic musing, Liminal, isn’t the first time we’ve been hypnotised by the Zurich singer-songwriter Timothy Jaromir and his command as a conjurer of caressive sonic consolation, and we’re sure it won’t be the last.

Liminal spaces often possess atmospheres of eerie abandonment, but subversively, Jamir filled the threshold of the soul with a tenderly heartfelt touch. In Liminal, the listener is suspended in time to contemplate the beauty of connection and how ‘shadows feed the light’. The sanctity of true love resounds throughout the kaleidoscopic panorama which envelops the underpinned vulnerability of a diehard romantic, unarmed and unfeigned.

When the jazzy crescendo breezes into the organically spaced production which unfolds around you when you lock into the diaphanous rhythms, a rush of seraphic intensity takes hold of the release which will feature on the artist’s highly anticipated album, Man Atlas.

Liminal will be available to stream on all major platforms from September 6th. Discover ways to listen and connect with Timothy Jamir via his official website.

Review by Amelia Vandergast

Igloo Hearts exhibited a new installation of art-folk in their ornately rendered vignette, Watering Can

Igloo Hearts’ latest offering, ‘Watering Can‘, is a masterful blend of folk sensibilities with a touch of baroque elegance. This single, emerging from the heart of Wrexham, positions the married duo as a folk force to be reckoned with while echoing the artistry of legends like Tori Amos, Kate Bush, and Mitski.

Katie Macgregor’s soprano vocals are the centrefold of the art-folk piece. Her haunting and ethereal timbres, cascade over the keys, enveloping the listener in a cocoon of timeless yet contemporary flair. The emotion conveyed through her performance is palpable, resonating with a depth that speaks to the soul.

Watering Can is an arresting showcase of their captivating sound, marked by classical piano, mesmerising chord progressions, and flawless harmonies, influenced by Jesca Hoop, Radiohead, and Kate Bush. The duo’s refined musicianship has earned them recognition as runners-up in the Purbeck Folk Rising Competition and Radio Wigwam’s Awards along with numerous BBC Introducing radio plays. Their live performances, held at esteemed venues like the Liverpool Philharmonic and Llangollen International Eisteddfod have received critical praise from across the board.

As they continue to gain acclaim, including an upcoming feature on the Channel 4 series ‘The Piano’, any self-respecting folk fan will want Igloo Hearts on their radar.

Watering Can was officially released on February 16. Stream the single on all major platforms via this link.

Review by Amelia Vandergast

Matangi Devi euphonised Vedic astrology in her single, Saraswati Mantra 12 Names of Saraswati

Ancient Indian folk, contemporary art folk, and Vedic astrology converged in the divinity of the debut album, Shakti Ma, from the up-and-coming New Age singer-songwriter, Matangi Devi. The mantra-focused seminal single, Saraswati Mantra 12 Names of Saraswati, is a beguiling exhibition of her deep sense of spirituality, effortlessly projected through her ever-ascending vocal lines and instrumentals which amalgamate to offer a transcendental experience your soul won’t be quick to forget.

To prepare for the album, the Australian composer and performer spent 17 years as a hatha yoga teacher and studied the Sanskrit language with the world-famous teacher, Dr. Lekhmani Tripathi. After acknowledging the profound positive impact of the vibrations of mantras, including how they awake cosmic energy that lingers within us all, she set out to share the divine nature of our universe and enable others to reach enlightenment as a soul-affirming songstress whose music could salve the sickness that this modern age has imparted.

Stream Shakti Ma in full on Spotify.

Review by Amelia Vandergast

Bay Bryan’s debut LP is a reverie of ubiquitous art-folk revelation

Life often imitates art, but LPs which emphasise realism and naturalism to such a vivid degree that you find yourself open to the purity and vastness of reality on this 1,000-mph spinning rock are a little harder to find, making the debut album, The Meadow, from Bay Bryan a ubiquitous revelation.

With vocals as diaphanous as the quiescent folk motifs, the omnipresent grace of the 10-track release becomes a paradox in its freeing yet arrestive proclivities. With sounds of the forestland flourishing in the same vein as Cosmo Sheldrake’s nature-sampled work in the opening singles before the LP embraces some folk traditionalism and elevates it through tantalisingly minimalist guile, The Meadow unravels as a release you should consume whole so that the euphonic album can return the favour.

There may be a lot to lament in this Anthropocene. Yet, as euphonically alluded by the Colorado-born, Manchester, UK-based artist, beauty still exists in the totality of our existence. Allowing the release to spill the solace of resonance; around the brushstrokes of pure rapture are conjurings of pensiveness, which give the LP as much soul as the euphoric dream-like layers.

The concept album may portray the tale of a protagonist trapped in an endless daydream, but with the infectious flower child celestiality, you may just find the inspiration to forego reality too, if only for the duration of The Meadow.

The singer-songwriter is often gratifyingly guilty of bringing their theatre-making talents into their imaginatively cinematic soundscapes, which have garnered rave reviews and airplay from BBC Radio 3. In an era when there is so much hate and fear, artists able to implant us in the sanctity of a daydream away from the waking terror are worth their weight in gold; Bay Bryan may just be the richest artist in the UK.

“I want you to stop. I want you to breathe. And for the next 30min I hope that you let yourself go —immerse yourself in world of the meadow —and get lost with me in it’s golden hue. The adventure is yours for the taking.” ~ Bay Bryan

Stream The Meadow via Spotify

Review by Amelia Vandergast

BREGN inspired cognizance in the ethereal art-rock world of his latest single, Dopamine Mind

The Danish 100% DIY artist, BREGN, explored neurobiology within his ethereal indie art-folk single, Dopamine Mind, to inspire mindfulness around one of the most toxically prolific habits imparted by the 21st century.

Anyone with a smartphone will know the subconscious compulsion to gaze into its black mirror. What is less understood is the key driver behind the habit that is tearing away at our ability to connect with the real world, as opposed to the divisive world depicted across social media.

While the euphonious melodies work to quell you into a state of quiescent meditative calm through the angular guitars against the quasi-jazzy keys, the lyrics allude to the entrapment of our dopamine reward system. With each new notification bringing a validation-soaked dopamine rush, breaking the habit is hard. But it’s a necessary step towards a more enlightened existence, unblighted by the platforms that profit from and exploit our mindlessness.

“It is so easy to get distracted and addicted to those distractions, which are now more instantly accessible than ever. The protagonist in Dopamine Mind thinks it is the phone’s fault, but he reveals that the root of the addiction is elsewhere.

He sets out to reset his mind and restart life, focused on things of meaningful deep value, away from artificial dialogue and small talk.”

Stream DOPAMINE MIND on Spotify and SoundCloud.

Review by Amelia Vandergast

From tragic inevitability, hauntingly filmic beauty is born in Rico Friebe’s single, This Day

Folk singer-songwriter, Rico Friebe, has unveiled the hauntingly filmic second single from his upcoming debut album, Word Value. Born from tragedy and hope, the vividly redolent single, This Day, explores the inevitability of the days we fear the most, alluding to our inability to avert discourses we are compelled to run from.

There is a profound grace in the alchemic vocal layering that spills soul across the stabbing minor piano keys that torridly flurry through the soundscape to reflect the phenomena we have to accept we can’t overcome. In concept and execution alike, This Day is a masterful piece that has left us with plenty of anticipation over the debut album.

Listen to This Day on Spotify from December 23rd. Await the alchemy in the debut album, which is primed for release in early 2023.

Review by Amelia Vandergast

Emma Hunter contested the heteronormative hegemony in her latest single, Love is Not a Choice

With the hypnotic grace of medieval mystic, Oxford’s Emma Hunter demonstrated that there’s nothing unnaturalistic about deviating from the heteronormative hegemony with her latest single, Love is Not a Choice.

Queerness may seem like a modern phenomenon, especially in the vision of those desperate to stand on the neck of progression, equality, and acceptance. Yet, even the most bigoted view is bound to widen to the tune of Hunter’s signature flamenco guitar loops, art-rock percussion and arcane vocal layering.

The musicality that takes you on an intercontinental sonic trip runs at the same celestial level as the intrinsic sense of spirituality in the rhythmically arrestive production. Which once again sees Emma Hunter resisting the contemporary constraints of genre.

The official video for Love is Not a Choice, directed by Matt Trevor-Roper, premiered on July 8th. Check it out via YouTube.

Review by Amelia Vandergast

Welsh singer-songwriter M’ Donwaite is an artful aural vision in his indie-folk single, Watering Can

Watering Can by M' Donwaite

Welsh singer-songwriter M’ Donwaite has released his achingly beautiful, orchestrally-scored indie folk pop single Watering Can. Its delicate intensity creates a beguiling paradox which may as well be pandora’s box for the way Watering Can unpredictably unravels.

With the naturalistic elements brought up against M’ Donwaite’s Tenor vocal notes and the contrastingly lamenting finger-picked guitar strings that bring a little lo-fi intimacy to the release, it is an artful triumph. Yet, it never dares to come close to the same air of pretension often affixed to the neo-classic Avant-Garde. To say M’ Donwaite is the most exciting act from Wales since the Anchoress wouldn’t be an exaggeration.

Watering Can officially released on April 17th; it is now available to stream and purchase on Bandcamp.

Review by Amelia Vandergast