Browsing Tag

Arcade Fire

IST IST dominated the Manchester post-punk pantheon with their latest single, Repercussions

IST IST

Look at Manchester as a landscape and you’ll be confused by the claim that we do things differently here; the proverb only materialises through the mettle of sonic architects in the same trailblazing vein as IST IST.

Since their debut single, IST IST has been an unreckonable authentic force that has easily earned its place in the post-punk pantheon. With their latest single, Repercussions, taken from their fourth LP, Light a Bigger Fire, they emerge once again as an unextinguishable paragon of eminence.

From the first angular note that leads you into a neon-lit hedonic tour de force, you’re hooked into an exhilarant earworm that delivers scintillation and kinetic rhythmic propulsion by the smorgasbord.

By extrapolating the brooding vocal presence of Sisters of Mercy, the cerebral intensity of Magazine, the coruscating synths of Arcade Fire, and the menacingly pulse-pounding beats of Depeche Mode, and synthesising them into a cocktail that could only be stirred by their own hand, IST IST delivered a broodingly expansive testament to their cultivated fortitude.

Producer Joe Cross (Courteeners, Hurts) ensured that the single, which unravels as an exposition of how insidious thoughts can spill from the psyche into reality, becomes an invitation to liberate yourself from your introspective vexation – if only for the duration of the emancipating hit that surpasses ear candy and becomes an elixir for oppressive reflections.

Stream Repercussions on all major platforms, including Spotify, from June 6th.

Follow the band on Facebook, X, and Instagram.

Review by Amelia Vandergast

The Doolallys augmented the tribulations of banality in the indie rock anthem of the year, How Long Will This Go On?

Imagine how affecting a synthesis of the most stirring elements of Editors, Audioslave, and Arcade Fire would be, amplify the infectious appeal of that amalgam to the nth degree, then you will get an idea of what awaits you when you hit play on the single, How Long Will This Go On? From The Doolallys.

If any guitar-based outfit with deadpan lyricism deserves to reach the same heights of success as The Reytons, it is this Brighton-based trio, which is already making all the right waves in the industry.

After winning over BBC Introducing in 2018 and snagging a live radio slot in 2019 before honing their sound into a cultivated augmented with anthemics sonic signature, The Doolallys got to work on their upcoming debut EP; months after wrapping up the recording, the band suffered the tragic loss of their founding member and bassist Connor Kilbane in October 2022. After a hiatus, the band decided to honour Connor by moving ahead with the EP; if How Long Will This Go On, is a taste of things to come, it won’t just be a part of the band’s legacy, but UK indie’s legacy. Between the aching relatability in the lyrics which speak of relentlessly monotonous banality and the kinetic chemistry that cuts through the release, How Long Will This Go On deserves a perpetual place in the indie charts.

How Long Will This Go On is now available to stream on Spotify.

Review by Amelia Vandergast

San Ílios delivered retro-indie nostalgia as you’ve never known it before in ‘Wanderlust’

For their sophomore single, the up-and-coming alt-indie duo San Ílios explored a phenomenon that everyone can relate to; Wanderlust unfurls with sonic visualisations of freedom flowing throughout the indie-folk-pop production which cuts through various avenues of retro-indie nostalgia. Imagine an evocative synthesis of Radiohead, Modest Mouse and Coldplay, and you’ll get an idea of what kind of soundscape you will escape into when you hit play.

The vocal harmonies are as light and airy as the instrumentals that meld strident horn stabs with the steady ring of acoustic guitar strings, piano pop melodies and scintillatingly artful effects that allow Wanderlust to veer into art rock territory. By drawing influence from Keane, Arcade Fire, and U2, the UK-residing up-and-coming outfit gave their growing fanbase a taste of the familiar before feeding them swathes of ingenuity that will undoubtedly see them go far after the launch of their debut album.

Wanderlust was officially released on February 4th; stream the single on Spotify.

Review by Amelia Vandergast

The Spheres packed their alt indie synth-pop debut, The City of Lights, with evocative kryptonite

If it’s been a while since a debut single has left you utterly obsessed, delve into The Spheres’ alternatively inclined amalgam of 80s synth pop, indie-rock, and dance, The City of Lights. From the suburbs of Toronto, the duo lit up the airwaves with their infectiously hook-rife account of the frontman’s complicated relationship with his city of birth, Karachi, Pakistan. “In the city of lights, you die just for dreaming”, is cuttingly efficacious in alluding to the toll it took on the singer-songwriter and producer Reza Habib.

With the vibrato in the vocals spilling evocative kryptonite across the catchy synth-pop melodies, The City of Lights will blind you with its luminous soul before the solid riffs and punchier vocals conclude the track on a raucous high that will leave you itching for more. Thankfully, that itch will be scratched as more singles from the debut album will drop before its full release in Spring 2023.

Stick The City of Lights to your synapses by heading over to Spotify.

Review by Amelia Vandergast

Conor Latcham gets into the insidious underbelly of manipulationships with his self-deprecating disco track, Running

The Cardiff-based luminary, Conor Latcham has crooned his way back onto the airwaves with his latest spacey, synthy indie-disco pop track, RUNNING. The single was remotely recorded during lockdown with Marc Hughes (Lewis Capaldi, Tom Odell) on drums and Barry Grint (Beatles, Madonna, Prince) behind the mastering desk.

With the surfy angular guitar motifs around the mash of cosmic pop 80s nostalgia paired with Conor Latcham’s cooler than Alex Cameron vibe and the Arcade Fire-style catchy hooks, Running is infectious from the first hit. Despite the euphoria that effortlessly bleeds from Running, the essence of the single is far darker as it delves into the insidious underbelly of one-sided relationships. It is a masterclass in how to use your wit for closure. Grab a notepad and hit play.

You can feel the self-deprecating disco love for yourselves by heading over to Spotify.

Review by Amelia Vandergast

 

Ger Lane indoctrinates us in ‘The New Revolution in Love’ in his stadium-worthy alt-rock track

Irish-born, London-based Avant Rock artist Ger Lane’s seminal single, The New Revolution in Love, carries enough soul to remind you that you’ve got one of your very own. While the lyrics prise affection, the instrumentals submerge you in a sonorous pool of psych-tinged, shoegazey alt-rock.

The sultry psychotropic track is an obsession-worthy nostalgia trip that will instantly transfix any alt 90s fans. Right from the intro, Zane Scott’s drums arrest your rhythmic pulses with the caustic hits that create visceral friction against the effect-laden angular guitars. With vocals as captivating in their stridency as Chris Cornell’s, abject apathy isn’t an option once you hit play, which may sound hyperbolic in our age of ennui, but if anyone can deliver aural salvation; it is Ger Lane.

As for Tim Bazell’s production, Kevin Shields couldn’t have pulled The New Revolution in Love together better. It should be a paradox for a single soundscape to unravel as visceral and hypnotic simultaneously, but the stadium-ready hit did just that and plenty more. It is enough to make Arcade Fire sound flat and pedestrian.

Check out The New Revolution in Love, featuring the London Brazilian Choir for yourselves by heading over to SoundCloud.

Review by Amelia Vandergast

 

Divisions vent their ‘Quiet Frustrations’ on post-truth politics and social division

Divisions by Divisions

If UK alt-rock five-piece Divisions had scripted 2020, they still couldn’t have come up with a more appropriate time to release their eponymous second album (due out March 12th). In preparation, they lead in with this, the opening single from the ten-track album, available via Bandcamp and with an accompanying ‘lockdown-special’ video on YouTube.

‘Quiet Frustrations’ is a powerful track, a statement around social division, post-truth politics, the frustrations of pandemic-stricken Britain, and that horrible over-arching ennui and exhaustion that’s seemed to blanket us all for the last couple of years. It’s a great song, potent, intelligent, thoughtful, and unusual yet with enough commercial nous to appeal to a wider audience; think Thirty Seconds To Mars with a little more introspection and inner-city tower-block feel, and you’re pretty much on the money.

See the lock-down video for ‘Quiet Frustrations’ on YouTube. Buy ‘Quiet Frustrations’, and pre-order ‘Divisions’, from Bandcamp.

Litters has unleashed the ultimate Indie feel-good hit with the sonically ensnaring single ‘Diamond Eyes’

Brisbane-based singer-songwriter, Litters, has unleashed their fiery New Wave Indie track ‘Diamond Eyes’. If you could imagine what it would sound like if Arcade Fire and Jack Johnson collaborated, you’ll get an idea of how Litters pulled off the perfect balance of sonic energy and tender intricacy.

With an enticing rhythmic command complete with angularly hypnotic guitar, a smorgasbord of influences stylistically banded together and a significant serving of authentic aural ingenuity, Diamond Eyes is about as efficacious as a blackhole when it comes to pulling you in.

Diamond Eyes isn’t just radio-ready, it should be topping the Indie charts.

You can check out Diamond Eyes for yourselves by heading over to SoundCloud.

Review by Amelia Vandergast

Headphone release speaker-knocking new track ‘Something Like A Love Song’

San Diego based indie-rockers Headphone have released new single ‘Something Like A Love Song’. 

The alternative three-piece’s latest track is a fun, powerful and poppy ride. A sparkly, keyed intro sets a hopeful pace and tone for frontman Morgan McRae to hook you in with a chorus that doesn’t seem too overwritten or overdrone in its enjoyability. The track’s self-awareness takes you to a fun place and shows a lot of the hallmarks of what this kind of indie-anthem needs to really grab a listener, and It does it well.

‘Something Like A Love Song’ shows the band’s strong sensibilities in writing upbeat, danceable pop that feels contemporary but without any dragging pretense. There’s little to not like here for fans of, and it’s well worth checking out if danceable indie pop – with a splash of 80s style melancholia – is your thing, 

You can listen to Headphone’s ‘Something Like A Love Song’ on their Spotiffy page here.

Flight Brigade – Housefire: Paced to Perfection

The notes throughout Flight Brigade’s latest track Housefire flow with the sweetest resonance, each melody, each verse pulls you in to the discord. The immersive progression of the band is no doubt a reaction from the chemistry orchestrated by each of the 7 band members that make up the talented collective of Flight Brigade. For me, the real stand out instrumentalist had to be the inexplicably gifted guitarist who pertained with an upbeat jangle, throwing in the occasional awe-inspiring riff to create the ultimate anthem with this track.

The bands narrative tracks unwind and unfurl into gripping stories in which they don’t have to tell you the story, you feel it through their enigmatic lustre. I can only imagine how powerful a live performance from the Flight Brigade would be with their hauntingly orchestral melody, infringed by the roaring jangle of the guitar. Of course, the mixed sex band have been compared to the likes of Arcade Fire & Of Monsters & Men, but that comparison doesn’t encapsulate the raw power that Flight Brigade have created through this track.

Check out the mesmerising official music video to Housefire on YouTube via the link below:

https://www.youtube.com/watch?v=-alXHjN4JI8

-Amelia Vandergast.