Browsing Tag

americana

Kentucky penned a patriotic rock-licked love letter with ‘America, The Beautiful’

Posted on 21 April 2024

Kentucky’s latest single, America, The Beautiful, is a soul-imbued tribute to the multifaceted allure of the United States, delivered with a rock ‘n’ roll heart that pulses with a distinct Americana twang.

The love letter captures the sweeping landscapes and rich cultural tapestry of the USA, offering listeners a sonic road trip across its vast expanse with pop culture pitstops along the way. With an approach that will resonate with fans of Bruce Springsteen and Guns n Roses alike, Kentucky weaves a narrative rich with patriotic pride, crafting a soundtrack that is both a celebration and a reflection.

The production melds classic rock influences with a nuanced Americana style, making it an essential addition for those who adorn their playlists with heartland rock. Despite the stripped and simplistic instrumental arrangement, there is no lack of depth. Each acoustic guitar-led progression strikes a resonant chord, echoing with rich, cathartic timbres under Kentucky’s gravelly vocal delivery that resonates with an aura of sincerity.

America, The Beautiful invites listeners to feel the pride and beauty of the American spirit. Its release, which stirred enough emotion to briefly face a ban on TikTok, underscores its impactful message and the poignant exploration of American identity that Kentucky so masterfully encapsulates in this acoustic rock anthem.

America, The Beautiful was officially released on April 1st; stream the single on SoundCloud.

Review by Amelia Vandergast

Nick Cody and the Heartache – Covering These Tracks Vol II: An Americana Tribute to the Art of Song Interpretation

Posted on 19 April 2024
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Nick Cody and the Heartache’s latest album, “Covering These Tracks Vol II,” is a masterful reinterpretation of eight beloved singles through an Americana folk rock lens. This Leeds-based artist, along with his band has created a collection that resonates with warmth and soul.

The album features a diverse range of covers, including Bruce Springsteen’s “Atlantic City,” Nick Cave’s “Nobody’s Baby Now,” and Ray Wylie Hubbard’s “Name Droppin’.” Each track is meticulously reworked, maintaining the original’s spirit while infusing it with a unique folk-rock essence. The result is a cohesive collection that showcases the band’s ability to blend different musical styles seamlessly.

What sets this album apart is the way Nick Cody and his band have deconstructed these classics, stripping them down to their core before rebuilding them with his band’s distinctive sound. The quivering violin strings, the acoustic guitar’s steady timbres, and the spells of vocal alchemy, especially Towse’s crystalline harmonies, create an enchanting experience.

“Covering These Tracks Vol II” is more than a cover album, it is a tribute to the art of song interpretation. This album is a testament to their musical prowess and a gift to fans of Americana folk. It’s a journey through familiar melodies, reborn and revitalised, proving that great music can always find new life in the hands of talented artists.

Stream Covering These Tracks Vol II on SoundCloud from April 19th.

Review by Amelia Vandergast

Brian Berggoetz gave hopeless romantics hope in his pop-rock serenade, More Than You’ll Ever Know

Posted on 13 April 2024

Sweet enough to give hopeless romantics hope, the standout single, More Than You’ll Ever Know, from singer-songwriter Brian Berggoetz is a melodious ode to a true love that can be alluded to in words but never fully captured.

Springsteen may have been born to run, but Berggoetz was born to bring warmth and depth to the pop-rock scene; More Than You’ll Ever Know is the ultimate attestation to his legacy. With vocals that caress as tenderly as the simple yet profoundly affecting instrumental arrangement, the single unravels as the dreamiest earworm you’ll hear this year.

With the stunning serenade, Brian Berggoetz emanated the aura that resounds through the soul in inexplicable throws of unflinching affection and passion. Lock into the blissful-bordering-on-arcane melodies, and tune into the affirmation that Berggoetz is a superlatively eloquent conduit of soul.

Between the folk strings, the twang of alt-country, the rugged roots of rock and the hallmarks of singer-songwriter pop lies a synergy which has become synonymous with the Tuscon, Arizona-hailing artist who finds influence in a diverse confluence of styles and genres.

More Than You’ll Ever Know is available to stream on Spotify with the latest LP from Brian Berggoetz, Magical Times.

Review by Amelia Vandergast

Weather the storm with Chris Chism’s indie Americana folk exposition of introspection, When It Rains Down on School Street

Posted on 9 April 2024

Chris Chism’s single ‘When It Rains Down on School Street’ is a folk offering steeped in Americana and visceral emotion, reminiscent of a melancholic gaze through a rain-glazed window. This consolingly evocative release spills into the soul, embodying the essence of introspective folk music.

The gentle, finger-picked guitars in the track carry an alt-country flair, intricately woven and effortlessly carrying Chism’s vocal notes. His voice, a shot to the heart, resonates in the celestially timbered vein of Jack Johnson, Ben Harper, and Ray LaMontagne. It’s this combination of delicate guitar work and soul-stirring vocals that elevates the single to the epitome of pensive solace.

‘When It Rains Down on School Street’ aches for both literal and metaphorical brighter days; Chism’s ability to capture this longing, coupled with a sense of cynicism that often accompanies life’s storms, makes the track a poignant reflection of the human condition.

Raised on a diet of bluegrass and classic country, Chism’s roots are evident in his music. His journey from metal and punk to the folk and country scenes has culminated in a sound that will see him go far. Now a fixture in North Carolina’s folk scene, his music reflects the stories and struggles of working-class people, infused with raw honesty and deep personal connections.

When It Rains Down on School Street was officially released on March 25; stream the single on YouTube.

Review by Amelia Vandergast

Sarah McCulloch painted a mountainous vignette with her honkytonk hit, Back In Them Hills

Posted on 25 March 2024
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Sarah McCulloch’s single Back In Them Hills is a vivid portrayal of the landscape her soul calls home, offering listeners a sanctuary in its upbeat honkytonk rhythms. The track goes beyond a mere tribute to country folk’s roots; McCulloch becomes a conduit for the genre’s enduring spirit. Her vocal lines which spill over with soul are as panoramic as the landscapes she paints with her lyrics.

McCulloch, a renowned folk singer-songwriter and country artist from Florida, is known for her exceptional storytelling and poignant lyrics. Her ability to weave captivating stories through her music has earned her a loyal fan base and critical acclaim, with Americana-UK and Lonesome Highway praising her previous works for her modern yet traditional sound.

McCulloch’s upcoming full-length acoustic album, Driving Me Home, produced by Jim Bickerstaff and featuring Florida musicians like Raiford Starke and Jeanie Fitchen, is an inspiring collection of aural stories which reflect themes of triumph over adversity and the courage to embrace vulnerability. Born in Miami and raised near the Big Cypress Seminole Reservation, McCulloch’s music, recognised by the State of Florida’s Division of Arts and Culture, draws inspiration from her unique upbringing.

Back in Them Hills was officially released on March 22nd; stream the single on SoundCloud.

Review by Amelia Vandergast

As Was sold indie alt-country sanctuary in his latest single, Borrowed, featuring Joshua McBride

Posted on 24 March 2024

Off the back of his successful sophomore LP, Open Container, the LA native singer-songwriter As Was (AKA Kosta Stanisavljevic) collaborated with Joshua McBride on his latest single, Borrowed, and exhibited his freshly honed alt-country meets indie sonic signature.

Following the gentle finger-picked notes of the guitar strings, ethereal with melancholy vocals drift into the simple yet stirringly profound production as the lyrics unravel as a narrative of ennui from someone who only finds comfort in isolation.

Haunting enough to rival Tom Odell and Elliott Smith, arcane enough in its alt-country atmosphere to stir in the same vein as Kurt Vile and San Ilios, As Was effortlessly succeeded in sonically visualising the aching emotions which inspired Borrowed, which explores the anxiety-fraught sensation of feeling like you’re living on borrowed time, relentlessly seeking reasons to keep hanging on.

Part of the affecting intimacy of As Was can be attributed to his stint away from listening to other artists as he was cutting his teeth as a singer-songwriter. He felt the influence of other artists diminished his own ability to achieve sincerity at a time when he truly tried to find himself. Now he’s a well-established artist, he continues to ground himself deeper in his distinction, and his discography is all the more deeply felt for it.

Borrowed was officially released on February 29th; stream the single on Spotify.

Review by Amelia Vandergast

Little Jane and the Pistol Whips – Montana Can’t You See: A Heartfelt Homage to Americana

Posted on 12 March 2024

Little Jane and the Pistol Whips‘ single, ‘Montana Can’t You See’, from their 2023 LP ‘Long Road Ahead’, is a vibrant tribute to the heart and soul of Americana. The aural entryway into the nostalgic realm of Honkytonk is wrapped in the beauty of Montana’s landscapes.

The panoramic vignette of Montana’s magnetic trappings envelops you from the first verse as the upbeat country folk arrangement, including folk strings, ensures that a flood of feel-good momentum courses through the sepia-tinged ravines of the single that, despite the polished production, could have been released in any era.

Ashly ‘Little Jane’ Holland’s dynamic voice is the centrepiece of this musical masterpiece. Her ability to infuse serotonin into the souls of her listeners is unparalleled, bringing a sunny disposition that’s infectious. Her vocal style, reminiscent of legends like Loretta Lynn, adds a vintage country feel to the song, yet across her expansive discography, her range allows her to traverse from haunting ballads to up-tempo cowgirl romps with ease.

No true Americana fan would be able to resist the temptation of the rest of her repertoire after hearing Montana Can’t You See.

Montana Can’t You See is now available to stream on Spotify.

Review by Amelia Vandergast

Bristol’s Most Strident Troubador, Alex Comaish, Augmented the Ultimate Indie-Folk Anthem with ‘Brother’

Posted on 7 March 2024

Alex Comaish’s latest single ‘Brother‘ is a poignant narrative wrapped in an augmented fusionist production that splices jangly indie pop with warm echoes of Americana, transmits the essence of college radio rock, and throws back to the 90s Britpop era while following in Billy Bragg’s footsteps. The crisp and unpretentious production allows the song’s emotional core and Comaish’s raw talent to shine through and illuminate the airwaves with affectionate fervour.

This Bristol-based troubadour brings a fresh sincerity to the genre as he elucidates that brotherly bonds may not always tie you to the perfect person, but those connections are worth their weight in gold. His strident vocal performance is an energetically affecting testament to the unspoken love and unbreakable ties between siblings.

The vignette behind the song is as compelling as the track itself. Comaish’s lyrics, penned in the throes of adventure, are imbued with genuine gratitude and affection that’s often left unsaid in the hustle of daily life.

As the first of a series of releases planned for the year, ‘Brother’ sets a high bar. It’s a track that not only showcases Comaish’s songwriting prowess but also his ability to connect with his audience on a deeply personal level.

Brother was officially released on March 1st; stream the single on Spotify.

Review by Amelia Vandergast

Ami Leigh darkened Americana’s Door with the Luxe Beguile in Her Ground-breaking Single, Foretold ft Neil Gibson

Posted on 3 March 2024

Ami Leigh, hailing from County Durham, UK, has long been an aurally beguiling chameleon. Her latest single, Foretold, marks a striking foray into country rock, infused with the essence of Portishead and the chill of rock-licked post-punk.

Foretold is a poignant narrative of doomed love regaled through Leigh’s crystalline vocal lines. Her voice, imbued with soulful clarity, weaves through the hauntingly reimagined Americana soundscape, creating a contrast that is both striking and harmonious. The cold, instrumental chill she introduces strips the genre of its traditional warmth, yet the ensuing guitar solos ignite a familiar country rock fire. This juxtaposition is Leigh’s genius, offering a fresh, yet respectful nod to her influences, ranging from The Cure to Pink Floyd.

Neil Gibson’s contribution cannot be overlooked. His guitar work echoes the emotional turbulence of the song’s narrative while elevating the release and adding layers of complexity and familiarity, ensuring Americana aficionados won’t feel lost in the artfully arcane textures. Foretold doesn’t just belong to the country rock genre; it expands it.

If you have ever endured a relationship fated to meet an ugly demise and come out the other side imbittered by your own naivety, expect Foretold to hit hard as the guitars shimmer and the harmonies bring you to rapture.

Watch the official music video for Ami Leigh’s latest single on YouTube, add it to your Spotify playlists, or purchase the track on Apple Music.

Review by Amelia Vandergast

Pauline Andres poured folk through a smoky Southern Gothic Lens with ‘Til the End of the World’

Posted on 25 February 2024

In a world teetering on the edge of uncertainty, Pauline Andres’ standout single, ‘Til the End of The World’, is an introspective goldmine of solace and melancholy. Born in France, the coal miner’s daughter has woven her diverse heritage and life’s tumultuous tapestry into a sound that pours folk through the sepia-tinged filter of Southern Gothic Americana.

Her voice regales through an amalgamation of sweet and smoky timbres while carrying the weight of an old soul, one that has seen the world in shades of grey while her life reads like a novel, rich with characters and experiences which bleed into her songwriting, inspired by everything from the candour of 3am drunks to Lovecraft.

With the end of days perpetually on our minds, there has never been a better time to tune into this stunningly rendered release which proves just how much beauty lies in humanity. We may not all be as superlatively talented as this highly-accoladed singer-songwriter, but within all of us lies a tender capacity for beauty; however that may manifest.

Turn away from your Patti Smith records and be consumed by Pauline Andres. Even if she was singing Acapella, she could send the airwaves out of kilter with the evocative gravity in this release.

Stream the Live in Studio version of Til the End of the World on YouTube.

Review by Amelia Vandergast