Browsing Tag

Alto Sax

Shadowed Heights: Ikechi Onyenaka Unpacks the Solitude of Success in his Neo-Trap Single, ‘Eclipse’

Ikechi Onyenaka’s latest single, ‘Eclipse,’ delivers an avant-garde blend of saxophone-laden jazz and sharp trap rhythms, underpinned by the emotional richness of neo-soul. This intrinsically authentic release evolves with each soulful progression, compelling listeners to groove along with Onyenaka’s reflective journey. Through ‘Eclipse,’ he explores the seldom-discussed loneliness accompanying success, challenging the enviable facade often associated with prosperity.

In ‘Eclipse,’ Onyenaka’s artistic versatility shines as he oscillates between rap verses and neo-soul vocal spills, each dripping with unfiltered emotion. The heavy bass and ambient synths create a nostalgic backdrop reminiscent of 90’s neo-soul, while the alto saxophone commands attention, weaving through the composition with soul-stirring authority.

By portraying the stark reality of success through the upbeat, genre-melding soundscape of neo-trap, Onyenaka not only rips up the clichéd narrative of an effortless life at the top but also emphasises the fundamental human need for connection.

Eclipse hit the airwaves on May 3rd, stream the single here now.

Review by Amelia Vandergast

Alex Nekrasov – Miss Grey: Sax-Led Ambient New Age Jazz Rock

Soundscapes don’t come much more amorously arrestive than Denver-based saxophonist and producer Alex Nekrasov’s latest instrumental single “Miss Grey”.

In the captivating layers of Miss Grey, you’ll find futuristic electronic Pop beats under the sensuously hypnotic alto sax and guitar solos which unravel with a fair serving of theatrically expressive magnetism.

Miss Grey may fall into the realm of Ambient New Age Jazz Rock, but once you’ve hit play on Alex Nekrasov’s latest release, you can expect the entirety of your consciousness to be consumed by this euphorically elevating single.

You can check out the official music video to Miss Grey which premiered on March 20th via YouTube.

Review by Amelia Vandergast