Browsing Tag

Alternative

Thee Spicy Leviathan cut through the ‘Noise’ with their latest alt-rock juggernaut

The latest stoner rock-adjacent single, Noise, from Manchester’s freshly formed outfit, Thee Spicy Leviathan, borrows a few salacious leaves from Deftones’ sonic playbook, scrawling their sonic signature across the pages. Once lured by the seductive rhythmic pulse of the single, subversion sinks in as the euphonic deadpan vocals transition from crooning to screamo snarls, unveiling a vicious sense of duality in the production that mirrors the hypersonic drama reminiscent of Muse. It’s practically the stoner rock equivalent of a horror film jump scare, heightening the immersion in the technically cultivated, tumultuously ingenious track.

It’s been a while since I’ve been able to say that Manchester harbours a new, truly prodigious outfit, but no one can deny the powerhouse is cutting through the nostalgic banality of the scene, blazing a similar trail to Dirty Laces, Deja Vega, and The Virginmarys.

As they gear up for their debut album launch later this year, Thee Spicy Leviathan is poised to ignite the alt-rock genre with their explosive, primal energy.

The official music video for Noise premiered on October 2nd; stream it on YouTube now.

Review by Amelia Vandergast

Seductive Synths and Industrial Grit: Silverlake Digs Deep with ‘X (I Should Be Digging)’

Silverlake

Synthesising the demure magnetism of Garbage, the arcane aura of Bjork, and a visceral indietronica pulse, Silverlake electrifies the senses with strobing synths lighting up the polished production in their latest seminal single, X (I Should Be Digging), taken from their third LP, Exotic Metals Ltd.

There’s a seductive power in every second, with sharper-than-razorwire hooks, luxe guitar licks, and siren-esque vocal lines courtesy of Sally-Ann Parker, whose performance is nothing less than hypnotic.

The track’s descent into pure leftfield chaos, guided by oscillating synths and pummelling bass, leaves a lasting impression, securing Silverlake’s place as one of the most scintillating indie-pop outfits on the UK underground circuit.

Drawing on their West Midlands roots, ‘X’ reflects their unique ability to fuse industrial influences with ethereal sublimity. Industrial electronica doesn’t frequently veer into the remit of otherworldly tonality, but as X proves, when it does, the result is nothing short of alchemic and starkly cinematic.

X (I Should Be Digging) was officially released on September 20; stream the single on SoundCloud and Bandcamp now.

Review by Amelia Vandergast

The Knottie Boys are on unhallowed ground with their horror punk hit, Monster Man

The Knottie Boys came through just in time for Halloween with their horror punk LP, The Weeping of Los Alamos, featuring the ferocious sonic juggernaut, Monster Man.

With The Creepshow-esque vocals, odes to The Misfits’ iconically infectious sonic signature and ska-reminiscent brass for good measure, Knottie Boys haunted the middle ground between psychobilly and horror punk with a tumultuous anthem that sweeps you up in its adrenalised riptide of frenetic energy.

As the third album from the Long Island-hailing alt-punk powerhouse who borrow influences from all across the punk spectrum, The Weeping of Los Alamos is set to skyrocket The Knottie Boys to even greater heights. Their ability to ensure their influences never outshine their ingenuity is on full display in the 15-part installation of cultivated chaos.

The Stream Knottie Boys’ LP, The Weeping of Los Alamos in full via Spotify.

Review by Amelia Vandergast

ManiSol stood at the vanguard at dusk as desert rock pioneers in ‘Last Pursuit at Sundown’

ManiSol

ManiSol, the Austrian duo known for their always-in-flux soundprint, have returned with Last Pursuit at Sundown, a dusky desert rock vignette which invites the airwaves to approach the Western Front at twilight. As you sink into the throes of the scriptless saga, your imagination will meet the minds of the relentless innovators.

As post-rock Titans who continually redefine their sound, this latest entry is true to immersive form; by dripping psychedelia into the dynamic fusion, a vivid auditory landscape unfurls through which ManiSol builds a Western panorama where riffs replace pistols at dawn.

The track commences with a quiet stir of bass notes, escalating into a crescendo of clashing brashy chords which reverberate through the dusky hues of sundown in the sprawling sonic scene. Winding back down from the aural apex, each note is crafted to prolong the moment, allowing the music to slither through the emotionally charged atmosphere and inviting the listener to partake in a sublime encounter with instrumental introspection.

ManiSol’s ability to reinvent themselves remains evident as they don instruments like psychedelic rock armour; each release from the duo showcases their relentless pursuit of creative expression and ability to challenge expectations with each note.

Last Pursuit at Sundown will hit all major streaming platforms, including Bandcamp, Spotify & Tidal, on October 17.

Review by Amelia Vandergast

Conversations in Sound: An Interview with Insomnia on their Artistic Evolution and Ethos

Joining us at A&R Factory today is the band Insomnia, known for their introspective exploration of profound themes through a unique sonic palette. As they continue to expand their influence beyond San Diego, the band share the essence of their sound, marked by a dynamic range and the integration of deeply personal and universal lyrical content. Their approach invites listeners into a reflective auditory experience, resonating with themes of isolation, grief, and morality. This discussion sheds light on how their music serves as a narrative conduit for both the personal and the collective.

Insomnia, welcome to A&R Factory! It’s a pleasure to sit down with you to discuss the ethos and pathos that pulse at the heart of your music and performances. What kind of reputation have you amassed in San Diego and beyond?

Insomnia feels we have ascertained a dependable and influential reputation due to our ability to push boundaries with both our lyrical styling and entertaining performances. Venturing outside of our hometown has brought us success in the form of new audiences that are now excited to see us and Rat Pope take the stage whenever possible.

What’s an essential component of the Insomnia sound?

An essential component of the current iteration of the Insomnia sound would have to be our use of a loud-quiet dynamic to convey the tone of our storytelling within a song.

How has your sound evolved since your debut and what has inspired these shifts? 

Over time, our sound has been able to evolve greatly thanks to the ability to get comfortable performing our music in front of audiences. Their reaction delivers great feedback letting us know what works for them. To coincide with this, their reactions also allow us to understand what boundaries we can push in order to keep things interesting for all.

The lyrical themes in your music scratch far beyond the surface; what do you hope to achieve by exploring introspective avenues in the vein of isolation, grief and morality? 

Insomnia loves to explore what many consider to be “heavier” topics in a way that is accessible and relatable in order to not beat listeners and audience members over the head with it.

In some instances, we’re able to use our instrumentation to covey tone while in other cases we can make those more unsavory topics digestible by using metaphors and/or accompanying them with poppier sounding musical backing as a means to almost desensitize listeners so they’re able to take in the depth and complexity of our lyrics.

How have your personal experiences shaped your lyrical style?

As the lead songwriter of Insomnia, Noah employs many aspects of his personal experiences when creating lyrics for the band’s music. Topics such as fear of death and distaste with overbearing societal expectation are often found within Insomnia’s lyrics as these are struggles that he has had to tackle in his life. Aside from this, Noah loves to base songs around small bits of poetry and/or short stories he has written almost giving them a new life in the form of song. At the end of the day, Insomnia’s songwriting is meant to be almost ambiguous as the group prefers listeners attach their own personal meaning rather than professing their own defined message.

How do you balance personal vulnerability with universal relatability in your songwriting?

In order to make Insomnia’s songs retain their personal vulnerability while also remaining universally relatable, the band makes use of metaphors and double entendre statements as a way to allow the listeners to search for the “true” meaning.

Can you elaborate on the genesis of the rat pope and what the mascot represents in the context of your music?

The Rat Pope was never meant to be a physical being represented at our shows, but rather an idea based on a disdain for religious hypocrisy. The album art for Easter Sunday showcases an animated form of the figurehead which was then adapted to a live mascot of sorts parading around the stage at shows in order to draw relation for the audience between the message and the song itself.

You are known for your intense and emotionally charged live shows. How do you prepare for these performances, and what do you hope your audience takes away from these experiences?

We don’t do much in the vein of preparing for shows. We prefer to approach every show as if it is our last, leaving all the energy we have on the stage showing the audience and other bands sharing the night with us that it is okay to dive head first and have fun. As far as what we hope the audience takes away from the night, we aspire to be memorable and for the audience that night along with our streaming listeners to follow along with our evolution.

What does an idealistic future look like for Insomnia? 

An idealistic future for Insomnia entails the band being able to expand their audience reach beyond their home state. The band aims to test the limits of how the people could categorize Insomnia and evolve their sound and performances to be as impactful as possible.

Are there any new releases lingering in the pipeline?

Insomnia is deep in the works on a new single entitled Garbage Day perhaps hinting at a future larger release. Suffice to say, it’s not so much for us to say what lies ahead, it’s simply for the audience to stick around and find out.

Stream Insomnia’s discography on Spotify.

Connect with the band on Instagram.

Interview by Amelia Vandergast

Tom Waits Meets Ricky Martin in THE Astrolabe’s pop mood elevator,  Lovers

THE Astrolabe became the superlative king of cosmic pop sex appeal with his latest single, Lovers. If you thought Ricky Martin’s Livin la vida loca was sonically seductive, brace yourself for the affectingly aphrodisiacal energy of Lovers, which alchemises Latino rhythms with Bowie-esque space dust and jazzy grooves, creating a genre-fluid tour de force that sweeps through the soul with maximum volition.

Following a prelude that nods to Kraftwerk, the Athens-hailing innovator’s vocals croon into the mix, allowing you to imagine how Waits’ discography would have unfolded if he was just as adept at wrapping his gruff timbres around pop hooks. In the choruses, the peerless singer-songwriter proves he’s equally comfortable in a more harmonic register as his vocal notes soar with the brass section.

We are officially obsessed with THE Astrolabe and his endlessly uplifting cultivated sound that goes beyond setting a tone; his ability to command your entire mood is second to none. For your own sake, get him on your radar.

Lovers started serenading the airwaves on October 3rd; get hot under the collar with it by heading over to Spotify.

Review by Amelia Vandergast

Spyndycyt existentially unravelled over a four-to-the-floor Avant-Garde beat in ‘I Don’t Wanna Do This Anymore’

Spyndycyt’s latest single, ‘I Don’t Wanna Do This Anymore,’ amps up the sonic signature scribed through his prior releases, giving the electrifying track a pulse of EBM while keeping true to his erratically eccentric vocal style as he unravels over a narrative of existentialism and frayed with chaos strobing synth lines.

As quirky and kinetically rhythmic as Neuroticfish and The Gothsicles, as experimental as, well, it’s pretty hard to draw a comparison in that domain, this latest single from Spyndycyt proves how succinctly he can command a four-to-the-floor beat that injects symphonic elements of the 90s rave scene.

It’s a broadsiding tour de force that is undoubtedly as effective at altering your brain chemistry as electroshock therapy. Bite down on this exploration of mistrust, betrayal, and the crushing, ever-growing suspicion that all your deepest and unspoken fears are true.

Contrasting the dark thematic undercurrents of being a terminal disappointment, the solo artist ensures that I Don’t Wanna Do This Anymore oscillates through euphorically rhythmic hedonism to sugar the pill you will want to swallow time and time again.

I Don’t Wanna Do This Anymore is now available to stream on SoundCloud.

Review by Amelia Vandergast

MINERVA SYSTEM synthesised an installation of stylistic sublimity with their alt-rock/trip-hop hybrid, Undermind

MINERVA SYSTEM is a fractured yet symbiotically tight collective, threading their diverse life strands into the dense fabric of their latest single, ‘Undermind’. With members scattered from London to Devon, from St. Petersburg to the indeterminate coordinates of their drummer, the online outfit crafts sonic installations that are as expansive as their geographical spread.

‘Undermind’ is a descent into the ethereal, echoing the otherworldly aura of Bjork with an execution that plays havoc with rhythmic pulses. MINERVA SYSTEM manipulates time signatures with trip-hop precision while maintaining a mellifluous melodicism that binds the chaos into coherence. Discernibly, few artists know how to create equilibriums of sonic serenity and visceral intensity as adeptly as MINERVA SYSTEM with their skill in soaking sounds with raw emotion.

As the track progresses, it metamorphoses; midway, it shifts gears into a 90s-alt-rock-tinged crescendo that wouldn’t be amiss in a Garbage tracklist. This crescendo is a stark, gritty counterpoint to the track’s smoother beginnings, illustrating the band’s versatile command over their sound palette.

If they continue to produce hits in the same vein as Undermind, their rise from the underground is inevitable. They’ve clearly mastered the dark art of sonic scintilaltion; watch this space.

Stream Undermind on SoundCloud now.

Review by Amelia Vandergast

Kilabear created a sonic sanctuary for the disillusioned with his dark trap stormer, leave me alone

Kilabear

In leave me alone, the alt-rap pioneer, Kilabear, stakes his claim as the dark sovereign of trap, invoking a prelude reminiscent of Sisters of Mercy, only to shatter the gothic serenity with a bass-heavy beat that propels us into his world of brooding introspection. The track is a raw confluence where the polished production of pop and the grit of trap music coalesce into an evocative vignette of how desperation for isolation can swarm the psyche.

Kilabear’s verses, laden with a poignant candour, penetrate relatable melancholy deep into the mix; his words don’t just hit close to the bone, they soak into the marrow as you’re confronted with unfeigned vulnerability, which acts as an olive branch to connect through one of life’s most solitary experiences. If you’ve ever wanted to withdraw into the recesses of your own spirit through disillusionment and scorn, consider leave me alone you’re new sonic sanctuary.

With his music, Kilabear addresses themes of heartbreak, substance abuse, and the everyday struggles that often go unspoken. leave me alone is a testament to his fearlessness in exposing unvarnished truth.

leave me alone will be available to stream on all major platforms from October 9th; check out the single on Spotify and Apple Music.

Review by Amelia Vandergast

Kickstart your rhythmic pulses with Scott Cook’s alt-rock kaleidoscope of poetic innovation, The Author

With ‘The Author’, Montreal’s Scott Cook served an electrifying synthesis of gritty guitar riffs reminiscent of the Manic Street Preachers and the ethereal synth overlays akin to Suicide’s ‘Dream Baby Dream’. In the cacophony of the saturated with banality modern music scene, the single is a rare slice of accordance.

Cook’s voice, an instrument in its own right, weaves through the tight instrumental arrangement, anchoring and elevating the melodies with his poetic lyricality which is just as sharp as his guitar hooks in the track which filters the colour of psych pop-rock harmonics into the alchemic cocktail which invites you to lose yourself in its euphonic bliss.

The arrangement’s dynamism is palpable, with ebbs and flows that create eager anticipation for the next burst of momentum and the catharsis it bestows.

Scott Cook proves with ‘The Author’ that his musical evolution is not just ongoing but accelerating. Drawing on an eclectic palette that spans genres and eras, he reflects on contemporary life with a candour that Morrissey would struggle to match. If he released this hit in the 90s, he’d be at the top of the charts.

The Author was officially released on September 23rd, stream the single on all major platforms, including Spotify.

Review by Amelia Vandergast