Browsing Tag

alt rock

The renegades of shoegaze revolution, interail, emerged as an unreckonable outfit in their debut single, red

Posted on 3 October 2024

With their debut single, red, the independent alt-rock outfit interail went beyond dropping the first track in their repertoire. The Northwest UK-hailing four-piece collective established themselves as the renegades of rock’s impending revolution, impending under their juggernautical volution.

Undercurrents of grungy shoegaze permeate the artfully chaotic tour de force, guaranteeing that getting swept up in the tides of red is non-optional as piercingly tumultuous percussion punctuates the laments of the distorted guitars beneath the vox, which oscillate between emulating everyone from Julian Casablancas to Thom Yorke to Orlando Weeks before heightening the evocative sting of the unique inflexions as the track gears towards its viscerally intense hardcore-tinged outro.

Not one moment of red allows you to feel comfortable within the progressions; the dynamic chameleon shifts in pace and tone are enough to leave your nerves frayed and your rhythmic pulses in knots.

The bar couldn’t have been set higher with their debut track; if you’re sick of assimilation-driven shoegaze, prepare to be adrenalised by the walls of sound in red.

Stream red on Spotify now.

Review by Amelia Vandergast

The Worry People stripped bare with their visceral alt-indie anthem, Naked

Posted on 2 October 2024

The anxiously anthemic alt-indie duo, The Worry People, sharpened their hooks for their latest single and music video, Naked, while redefining what it means to wear your heart on your sleeve.

Sam Stewart and Ryan Dodd have made light work of trailblazing through the indie rock scene with their viscerally raw vulnerability since their debut release. This time, the cinematic production heightens the emotion to the nth degree, while the angular guitars slice through the moody, iridescent soundscape creating a sonic palette that only The Worry People could paint.

The track hammers home its message with each punch of percussion, pulling you into the thematic underpinnings which paint a vignette of the masochism love drives us to. As the duo lays bare the intricacies of intimacy, you’re left to confront the emotional bruises that come with leaving your soul exposed.

With their forte in crafting memorable memories infused with introspective depth, you’d be hard-pressed to find a more affecting up-and-coming indie artist in the UK scene in 2024.

Having recently graced the stage at the Belladrum Tartan Heart Festival and preparing for an upcoming BBC Radio Kent session, The Worry People are carving out a space that’s not only distinct but vital. With Naked, they’ve not just added to their repertoire—they’ve electrified it.

The official music video for Naked premiered on September 20; stream it on YouTube now.

Review by Amelia Vandergast

The Reckless brought ‘Sexy Back’ in their unadulterated and augmented cover

Posted on 1 October 2024

It used to be that few could rival Justin Timberlake when it came to sex appeal, but The Reckless hit it out of the aphrodisiacal park with their seductively frenetic cover of “SexyBack” that will leave the airwaves hot under its proverbial collar. If you thought “Closer” by NIN was hot, you’ll meet your match with this rendition.

With the unpredictably wild furore of Rage Against the Machine, crooning rock vocals that make Eddie Vedder and Chris Cornell sound atonal, and climaxes of guitar solos which are straight-up pornography, this cover is so much more than a tribute—it’s an unholy, X-rated, fuzzed up revolution in sound.

I’m surprised orgies don’t happen on the spot when The Reckless play Sexy Back live.

Sexy Back is available to stream on all major streaming platforms, including Spotify.

Review by Amelia Vandergast

Confront the introspective abyss with Locian’s kinetic darkwave art-rock release, Shadow on the Wall

Posted on 25 September 2024

Dance with the darkness within to the tempo of Locian’s most affectingly kinetic electronic art-rock release yet, Shadow on the Wall. The rhythmically augmented earworm from Australia’s most introspective solo artist is so much more than just a sonic drop into the oversaturated airwaves. It intensifies the anticipation for Locian’s forthcoming LP, Fears, Reflections & Shades of Time, as the solo artist continues to define his distinctive electronic rock style, weaving his signature synthesis into the rhythmically charged compositions of philosophical reckoning.

Emotionally charged revelations about facing the hidden aspects of one’s identity diaphanously drift through the installation of dark etherealism as the track’s pulsating synths and sharply defined guitar lines inject a vibrant, high-energy feel into the release which offers a scintillating study in contrasts. It juxtaposes the vulnerability inherent in introspection with the robust instrumental forces that symbolise the tumultuous battle against inner demons.

Originally envisioned as two separate pieces, Shadow on the Wall evolved into a unified narrative that advocates the importance of acknowledging and embracing one’s darker sides. After winning audiences across Sydney and Melbourne over with the single, the core message is set to enlighten the darkwave domain while setting a high bar for cerebral lyricism.

Shadow on the Wall was officially released on September 13; stream the single on all major platforms, including SoundCloud.

Review by Amelia Vandergast

Swim in the alt-rock riptide of Sharpened.Lives’ latest single, drifter

Posted on 25 September 2024

Groningen founded, Mainz based most cutting trio, Sharpened.Lives, continue to sell sanctuary to the disenchanted through their introspectively iron-wrought, expansively influenced alt-rock single, drifter.

The track resonates with the seductive depth of Deftones and carries the visceral punch of post-hardcore giants like Alexisonfire, all while infusing the intricate time signatures reminiscent of InME and the cutting-edge aesthetics of Highly Suspect.

The backbone of ‘drifter’ is its gnarled basslines that churn beneath chameleonic vocals, which oscillate between tender harmonies and guttural outpours. The guitar work is nothing short of incisive, crafting hooks that are as magnetic as they are sharp, ensuring that once you’re pulled in, there is no getting out unaffected.

Drifter presents a rare sonic experience that engulfs you by being far more than the sum of all its cultivated parts; it demands total surrender to its raw, emotional pull. The track’s glitchy, tumultuous breakdowns are potent enough to sideline even the most revered BMTH records, making a clear statement about the band’s intent to redefine the boundaries of heaviness and emotional depth in music.

For anyone who has felt adrift in the often chaotic current of reality, don’t hesitate to dig in. Their upcoming EP, ‘st//tches’, promises to be a continuation of this powerful dialogue with their listeners.

drifter was officially released on September 6th; stream the single on Spotify now.

Review by Amelia Vandergast

Razor Hooks and Synth Strokes: Unreal’s ‘Dirty Blue’ Cuts Deep

Posted on 23 September 2024

Taken from the debut eponymous LP which hit the airwaves on September 11, the seminal single, Dirty Blue, is an undeniable attestation to how the Portland powerhouse Unreal isn’t just here to play, they’re here to rip the monotony from the contemporary music scene with their razor-sharp hooks and convention-defying sonic signature.

Pairing 80s synth lines with angular indie jangle pop guitar lines and the caustic timbre of emo-adjacent vox, Unreal lived up to their moniker with their potent, alchemic cocktail that few other artists would think to pour, let alone pull it off in such an anthemically infectious way.

Imagine a synthesis of the riled angst of Taking Back Sunday, the glittery synths of a-ha, and the guitar licks of the Replacements and you’ll get an idea of the sheer innovation that courses through Dirty Blue which transcends the usual try-hard aesthetics of genre-fusion; every element serves to add more depth to the high-octane currents of emotion that courses throughout the earworm.

Stream the debut LP from Unreal on Spotify.

Review by Amelia Vanderga

Caught in the Sonic Undertow of  Dan Morgan’s Post-Rock Riptide, ‘Brace Yourself’

Posted on 22 September 2024
In The Wake Of A Dying Sun by Dan Morgan

After intense anticipation, Dan Morgan’s debut LP, In the Wake of a Dying Sun, released by Throwing Shapes, is finally upon us. After the opening salvo, the first of the seminal singles, Brace Yourself, offers listeners a potent foretaste of the album’s virtuosic versatility. Brace Yourself is not only a harbinger of Morgan’s diverse exploration but a forceful narrative in its own right, positioning itself steadfastly within the post-rock genre.

In this track, traditional rock instrumentation grooves against cutting-edge and vintage analogue synths, lending an air of retro-futurism to the production which allows the poetic whispers of lyricality to resonate beyond the confines of the release as the verses work their way into the reverberations of your mind.

The complex time signatures woven throughout Brace Yourself are the ultimate attestations of Morgan’s ability to melodically manipulate controlled chaos. This rhythmic complexity adds a palpable intensity to the track which delivers post-rock as you’ve never heard it before.

You’ll be caught between adoration of how cohesively all the elements of the track pulled together and the intensity of emotions evoked by the sonic escapade. Because once you hit play, you’re powerless to resist the momentum. Like getting caught up in a riptide at sea, all you can do is succumb to the higher power as it carries you.

As the first glimpse of what ‘In the Wake of a Dying Sun’ promises, ‘Brace Yourself’ sets a high bar. It is an earnest reflection of Morgan’s last few years of dedication in the studio, wrestling with a spectrum of sounds and influences that culminate in a collection of tracks that are set to seal his fate as one of the most promising UK alt-rock artists of 2024.

In the Wake of a Dying Sun was released on September 12 stream the LP in full on Bandcamp.

Review by Amelia Vandergast

Nostalgic Smells shredded through reality with the distortion in his latest single, Unfounded

Posted on 21 September 2024

Nostalgic Smells ventured deeper into shoegaze territory with Unfounded, by constructing oscillating walls of sound that hit with the same force as My Bloody Valentine’s heavier tracks. The distortion pulls you into the undercurrent like a relentless tide as the solo artist’s signature distinctive vocals rise above the chaos, offering clarity through the rancorous sonic storm.

The middle eight introduces a twist of fate for the single, proving Nostalgic Smells can riff with the best of them. The searing guitar solos slice through with white-hot precision, adding new alchemic waves to the tide of this immersive installation of ingenuity which draws influences from Cave In and Mastodon while combining ferocious energy with cultivated songwriting, weaving themes of alienation and displacement into every progression.

Lyrically, the chorus hits a bittersweet note, urging listeners to hold on to life’s fleeting moments – a sentiment that cuts through the digital distractions and empty noise of today, giving the track an edge of sonic and philosophical reckoning.

Stream Unfounded on Spotify now.

Review by Amelia Vandergast

Reservations at 8 – Come Around: A Visceral Anthem of Disparate Desolation

Posted on 20 September 2024
Come Around / Not So Easy St by Reservations at 8

Reservations at 8 unleashed a formidable force in their double A-Side release, “Come Around / Not So Easy St.” This sophomore installation from the Massachusetts-based trio drenches listeners in a sea of distorted melodies that gnaw deep into the soul.

The hybridic beast of a synthesis of grunge, no-wave and pop punk in Come Around created the ultimate anthem of disparate desolation which thrives on visceral hooks that intertwine seamlessly with Peter Tuohy’s vocal onslaught.

The single encapsulates the agony of clinging to the ephemeral, with guitar solos that mourn like the final throes of a resigning hopeless romantic. If you’re all too familiar with the tumult of fading futures and the strife of holding onto the slipping threads of hope, find swathes of resonant consolation in this antagonised earworm.

Since forming in 2019, Reservations at 8 has evolved from covering bands like Green Day and Nirvana to defining their unique sound—a cagey cocktail of power rock and pop imbued with their idols’ spirit. Now entrenched in the local Massachusetts music scene, the trio aims to transcend the preference for covers in bars and make an indelible mark with their original material. With several tours and a growing following, they stand at the cusp of their creative zenith

Stream and Purchase Come Around on Bandcamp now.

Review by Amelia Vandergast

Wagner Gracciano became the definition of emotional depth in ‘I’m Here’

Posted on 17 September 2024

Wagner Gracciano’s single, I’m Here, from his sophomore album, The History of Mark Beck, is a veritable smorgasbord of stylistic influence and innovative substance which will transport rock fans back to an era when Chris Isaak dominated the airwaves.

With soul-drenched production, sensual RnB touches weave through a tight mesh of rock guitar lines, classic pop harmonies, and the shimmer of organ keys, creating a unique gospel of pop rock. As diverse as the track is, the seamless cohesion pulls everything together in a sublime display of genre fluidity.

‘I’m Here’ makes a bold statement of passion and dedication, showing that romance isn’t as dead as we perceive it to be as Gracciano exhibits his forte in transcending the confines of genre labels and creating utopias of euphonia with his songwriting. With each listen, there’s a deepened appreciation for the superlative arrangement and emotive depth that defines the track.

As a multi-talented guitarist, composer, and producer, Wagner Gracciano has spent over 25 years mastering his craft across genres such as progressive rock, blues rock, jazz, fusion, RnB, and heavy metal. The History of Mark Beck (2024) showcases his affectingly immersive lyricism and Grammy-worthy compositions, with guest appearances from Cleveland P. Jones, Carlos Zema, and Rachael Da Silva. Supported by world-class musicians such as Charles Judge, Michael Webb, and Adair Daufembach’s pristine production, Wagner’s vision is undeniably realised.

I’m Here is now available to stream with Wagner Gracciano’s sophomore LP, The History of Mark Beck on Spotify and all major platforms.

Review by Amelia Vandergast