Browsing Tag

alt rock

faSade – Freedom to Carry (Is Not Free): A Dark Cabaret Plea For An End to The Right to Bear Arms

In the Avant Garde production of faSade’s dark cabaret rock single, Freedom to Carry (Is Not Free), the artist plunges deep into the heart of one of America’s most polarising debates. The jazz-imbued track, saturated with theatrical verve, doesn’t shy from voicing the harrowing price paid by innocence in the face of the nation’s gun culture.

With each lyric, faSade delivers visceral blows, but none as sharp as the one imparted through the strikingly sombre line, “Your freedom to carry is not free when I have to carry my child to the cemetery”.

The fierce outcry against the so-called freedom of gun ownership accounts for the loss of the cost of children’s lives while delivering an anthem mourning those lost to the bullets of mentally ill assailants and a rebuke of society’s complacency.

With America on the brink of electing a new leader, the timing of the track couldn’t be more poignant. faSade holds a mirror to the grim realities of a society that chooses the profits of the gun industry over the safety of its youth as the artist condemns the political powers that perpetuate this cycle of violence for electoral gains, and the societal indifference that allows domestic abusers and despondent individuals access to firearms.

Through Freedom to Carry (Is Not Free), faSade implores listeners to awaken from their idle states as mere legislative changes could preserve countless futures.

The official video for Freedom to Carry (Is Not Free) premiered on October 18th; stream the video on YouTube now.

Review by Amelia Vandergast

Feeding the Frenzy: Buddy Pease Strikes with the melodic rock resonance in ‘Vampires at the Door’

Baltimore-based artist Buddy Pease dives evocatively deep with his latest single, ‘Vampires at the Door’, introducing a glimpse into a visceral intersection where classic rock riffs meet soul-stirring existential angst.

Opening with steady, euphonic guitar chords, the song ramps up with soaring Slash-reminiscent guitar work that electrifies the production, priming listeners for a soundscape laced with the gritty intensity fans of Soundgarden will instantly recognise.

Pease’s imploringly raw vocal lines add a striking edge to the track, reaching into the psyche as he exposes the shadowy figures of human existence—the ones that lurk like parasites on the fringes of everyday life.

Through each evocative twist in the melodies, ‘Vampires at the Door’ becomes more a revelation of Pease’s ability to capture the unease and silent struggles many of us contend with.

With his new album slated for release in the next few weeks, Pease signals he’s more than just a fledgling in the scene; he’s one to save space for on your radar as he sonically visualises the raw, universal undercurrents of human experience.

The official music video for Vampires at the Door premiered on October 16; stream the horror-esque video on YouTube now.

Review by Amelia Vandergast

Lia Juno exhibited the pain of raw rumination in her alt-indie tour de force, Sight

Lia Juno

Ethereal alt-indie pop vocals meet cavernous guitar lines in Lia Juno’s intimately melancholic single, ‘Sight’, which deconstructs familiar tonality, tearing it down to the aural rubble before rebuilding a sonic landscape where sanctuary for the disillusioned resides.

Since unveiling her debut single, Fevering, earlier this year, the LA-based independent artist has made all the right waves; with her latest single she puts herself in the same league as Wolf Alice and Big Thief with the cerebral thematic nature of the manifesto of mournful rumination.

Building up from Pixies-esque artfully dramatic motifs to a blisteringly grungy crescendo of distorted guitars clashing in oscillation with the rhythm section, Sight ensures that if you have any pent-up emotions when you hit play, they’ll be obliterated by the impact of the track’s climax which you’ll want to feel the force of time after time.

Sight will be available to stream on all major platforms, including Spotify and SoundCloud, from October 30th.

Review by Amelia Vandergast

Thee Spicy Leviathan cut through the ‘Noise’ with their latest alt-rock juggernaut

The latest stoner rock-adjacent single, Noise, from Manchester’s freshly formed outfit, Thee Spicy Leviathan, borrows a few salacious leaves from Deftones’ sonic playbook, scrawling their sonic signature across the pages. Once lured by the seductive rhythmic pulse of the single, subversion sinks in as the euphonic deadpan vocals transition from crooning to screamo snarls, unveiling a vicious sense of duality in the production that mirrors the hypersonic drama reminiscent of Muse. It’s practically the stoner rock equivalent of a horror film jump scare, heightening the immersion in the technically cultivated, tumultuously ingenious track.

It’s been a while since I’ve been able to say that Manchester harbours a new, truly prodigious outfit, but no one can deny the powerhouse is cutting through the nostalgic banality of the scene, blazing a similar trail to Dirty Laces, Deja Vega, and The Virginmarys.

As they gear up for their debut album launch later this year, Thee Spicy Leviathan is poised to ignite the alt-rock genre with their explosive, primal energy.

The official music video for Noise premiered on October 2nd; stream it on YouTube now.

Review by Amelia Vandergast

Loudness Wars unleashed heavy scuzz rock artillery with ‘Withered Flower’

Withered Flower by Loudness Wars

Loudness Wars made no apologies for turning up the decibels with their latest single, “Withered Flower.” The seasoned and striped alt-rock outfit plunges listeners into a sludged-up vortex where the textured growl of Deftones meets the cerebral drama of Muse, with a hint of Smashing Pumpkins’ melancholy woven through.

The innovative declaration in the guise of an alt-rock anthem sees Jerome, the Sri Lankan-born lead on guitars and vocals, crafting a soundscape where each strum feels like a pulse of raw emotional electricity. His voice, an artful contortion, sinks into the distortion that bleeds from the angular, cutting guitars. The anthemic hooks that ensue are nothing short of adrenaline for the soul, crafting a track that’s as unnerving as it is entrancing.

Rich, a guitarist turned bassist, brings a grounded ferocity to the mix. His transition from guitar to bass underpins the track with a depth that only a rhythmic savant could provide. Completing this trio, Ian, a lifelong drummer whose rhythmic instincts are as inherent as breathing, injects Withered Flower with a relentless beat that binds the track’s explosive components. His chemistry with Rich, rooted in their shared upbringing in Chesham, fuels the rhythmic backbone of this record with precision and wild abandon.

Together, they transform “Withered Flower”—a poignant meditation on decay—into a pulse-throbbing hit. The charismatically maniacal presence of Jerome’s vocals incites a riotous revival of alt-rock, proving that the outfit has heavy artillery to attack the senses and leave them cathartically affected.

Stream Withered Flower on Bandcamp now.

Review by Amelia Vandergast

ManiSol stood at the vanguard at dusk as desert rock pioneers in ‘Last Pursuit at Sundown’

ManiSol

ManiSol, the Austrian duo known for their always-in-flux soundprint, have returned with Last Pursuit at Sundown, a dusky desert rock vignette which invites the airwaves to approach the Western Front at twilight. As you sink into the throes of the scriptless saga, your imagination will meet the minds of the relentless innovators.

As post-rock Titans who continually redefine their sound, this latest entry is true to immersive form; by dripping psychedelia into the dynamic fusion, a vivid auditory landscape unfurls through which ManiSol builds a Western panorama where riffs replace pistols at dawn.

The track commences with a quiet stir of bass notes, escalating into a crescendo of clashing brashy chords which reverberate through the dusky hues of sundown in the sprawling sonic scene. Winding back down from the aural apex, each note is crafted to prolong the moment, allowing the music to slither through the emotionally charged atmosphere and inviting the listener to partake in a sublime encounter with instrumental introspection.

ManiSol’s ability to reinvent themselves remains evident as they don instruments like psychedelic rock armour; each release from the duo showcases their relentless pursuit of creative expression and ability to challenge expectations with each note.

Last Pursuit at Sundown will hit all major streaming platforms, including Bandcamp, Spotify & Tidal, on October 17.

Review by Amelia Vandergast

Conversations in Sound: An Interview with Insomnia on their Artistic Evolution and Ethos

Joining us at A&R Factory today is the band Insomnia, known for their introspective exploration of profound themes through a unique sonic palette. As they continue to expand their influence beyond San Diego, the band share the essence of their sound, marked by a dynamic range and the integration of deeply personal and universal lyrical content. Their approach invites listeners into a reflective auditory experience, resonating with themes of isolation, grief, and morality. This discussion sheds light on how their music serves as a narrative conduit for both the personal and the collective.

Insomnia, welcome to A&R Factory! It’s a pleasure to sit down with you to discuss the ethos and pathos that pulse at the heart of your music and performances. What kind of reputation have you amassed in San Diego and beyond?

Insomnia feels we have ascertained a dependable and influential reputation due to our ability to push boundaries with both our lyrical styling and entertaining performances. Venturing outside of our hometown has brought us success in the form of new audiences that are now excited to see us and Rat Pope take the stage whenever possible.

What’s an essential component of the Insomnia sound?

An essential component of the current iteration of the Insomnia sound would have to be our use of a loud-quiet dynamic to convey the tone of our storytelling within a song.

How has your sound evolved since your debut and what has inspired these shifts? 

Over time, our sound has been able to evolve greatly thanks to the ability to get comfortable performing our music in front of audiences. Their reaction delivers great feedback letting us know what works for them. To coincide with this, their reactions also allow us to understand what boundaries we can push in order to keep things interesting for all.

The lyrical themes in your music scratch far beyond the surface; what do you hope to achieve by exploring introspective avenues in the vein of isolation, grief and morality? 

Insomnia loves to explore what many consider to be “heavier” topics in a way that is accessible and relatable in order to not beat listeners and audience members over the head with it.

In some instances, we’re able to use our instrumentation to covey tone while in other cases we can make those more unsavory topics digestible by using metaphors and/or accompanying them with poppier sounding musical backing as a means to almost desensitize listeners so they’re able to take in the depth and complexity of our lyrics.

How have your personal experiences shaped your lyrical style?

As the lead songwriter of Insomnia, Noah employs many aspects of his personal experiences when creating lyrics for the band’s music. Topics such as fear of death and distaste with overbearing societal expectation are often found within Insomnia’s lyrics as these are struggles that he has had to tackle in his life. Aside from this, Noah loves to base songs around small bits of poetry and/or short stories he has written almost giving them a new life in the form of song. At the end of the day, Insomnia’s songwriting is meant to be almost ambiguous as the group prefers listeners attach their own personal meaning rather than professing their own defined message.

How do you balance personal vulnerability with universal relatability in your songwriting?

In order to make Insomnia’s songs retain their personal vulnerability while also remaining universally relatable, the band makes use of metaphors and double entendre statements as a way to allow the listeners to search for the “true” meaning.

Can you elaborate on the genesis of the rat pope and what the mascot represents in the context of your music?

The Rat Pope was never meant to be a physical being represented at our shows, but rather an idea based on a disdain for religious hypocrisy. The album art for Easter Sunday showcases an animated form of the figurehead which was then adapted to a live mascot of sorts parading around the stage at shows in order to draw relation for the audience between the message and the song itself.

You are known for your intense and emotionally charged live shows. How do you prepare for these performances, and what do you hope your audience takes away from these experiences?

We don’t do much in the vein of preparing for shows. We prefer to approach every show as if it is our last, leaving all the energy we have on the stage showing the audience and other bands sharing the night with us that it is okay to dive head first and have fun. As far as what we hope the audience takes away from the night, we aspire to be memorable and for the audience that night along with our streaming listeners to follow along with our evolution.

What does an idealistic future look like for Insomnia? 

An idealistic future for Insomnia entails the band being able to expand their audience reach beyond their home state. The band aims to test the limits of how the people could categorize Insomnia and evolve their sound and performances to be as impactful as possible.

Are there any new releases lingering in the pipeline?

Insomnia is deep in the works on a new single entitled Garbage Day perhaps hinting at a future larger release. Suffice to say, it’s not so much for us to say what lies ahead, it’s simply for the audience to stick around and find out.

Stream Insomnia’s discography on Spotify.

Connect with the band on Instagram.

Interview by Amelia Vandergast

MINERVA SYSTEM synthesised an installation of stylistic sublimity with their alt-rock/trip-hop hybrid, Undermind

MINERVA SYSTEM is a fractured yet symbiotically tight collective, threading their diverse life strands into the dense fabric of their latest single, ‘Undermind’. With members scattered from London to Devon, from St. Petersburg to the indeterminate coordinates of their drummer, the online outfit crafts sonic installations that are as expansive as their geographical spread.

‘Undermind’ is a descent into the ethereal, echoing the otherworldly aura of Bjork with an execution that plays havoc with rhythmic pulses. MINERVA SYSTEM manipulates time signatures with trip-hop precision while maintaining a mellifluous melodicism that binds the chaos into coherence. Discernibly, few artists know how to create equilibriums of sonic serenity and visceral intensity as adeptly as MINERVA SYSTEM with their skill in soaking sounds with raw emotion.

As the track progresses, it metamorphoses; midway, it shifts gears into a 90s-alt-rock-tinged crescendo that wouldn’t be amiss in a Garbage tracklist. This crescendo is a stark, gritty counterpoint to the track’s smoother beginnings, illustrating the band’s versatile command over their sound palette.

If they continue to produce hits in the same vein as Undermind, their rise from the underground is inevitable. They’ve clearly mastered the dark art of sonic scintilaltion; watch this space.

Stream Undermind on SoundCloud now.

Review by Amelia Vandergast

Kickstart your rhythmic pulses with Scott Cook’s alt-rock kaleidoscope of poetic innovation, The Author

With ‘The Author’, Montreal’s Scott Cook served an electrifying synthesis of gritty guitar riffs reminiscent of the Manic Street Preachers and the ethereal synth overlays akin to Suicide’s ‘Dream Baby Dream’. In the cacophony of the saturated with banality modern music scene, the single is a rare slice of accordance.

Cook’s voice, an instrument in its own right, weaves through the tight instrumental arrangement, anchoring and elevating the melodies with his poetic lyricality which is just as sharp as his guitar hooks in the track which filters the colour of psych pop-rock harmonics into the alchemic cocktail which invites you to lose yourself in its euphonic bliss.

The arrangement’s dynamism is palpable, with ebbs and flows that create eager anticipation for the next burst of momentum and the catharsis it bestows.

Scott Cook proves with ‘The Author’ that his musical evolution is not just ongoing but accelerating. Drawing on an eclectic palette that spans genres and eras, he reflects on contemporary life with a candour that Morrissey would struggle to match. If he released this hit in the 90s, he’d be at the top of the charts.

The Author was officially released on September 23rd, stream the single on all major platforms, including Spotify.

Review by Amelia Vandergast

The Simpletone is back with vengeance in their darkly kinetic alt-rock anthem, Circles

The Simpletone

After amassing renown for the intensity of their live performances following their 2010 inception, releasing three critically acclaimed LPs, gaining a cult following, winning the Cambridge Band Competition, joining New Model Army on tour and being revered by Classic Rock Magazine, The Simpletone broke their fair share of hearts when they split in 2017.

After a six-year hiatus, The Simpletone sound is sharper than ever; their comeback track, Circles, which teases what’s to come in their upcoming fourth LP, The Eternal Now, dares you to imagine the veins of blues rock running through a sonic love child conceived between Sisters of Mercy and Queens of the Stone Age.

The shadowy rock licks bring the arcane atmosphere as the rhythm section intravenously injects kinetic energy into the anthem, which proves that The Simpletone weren’t down and out in 2017; they were priming for one of the most scintillating artistic reinventions the UK alt-rock scene has seen in the past decade.

Circles will be available to stream on all major platforms from October 4th. Hear the single on YouTube and follow The Simpletone on Instagram and Facebook to stay up to date with all future releases.

Review by Amelia Vandergast