Browsing Tag

Alt Rap

Kilabear created a sonic sanctuary for the disillusioned with his dark trap stormer, leave me alone

Kilabear

In leave me alone, the alt-rap pioneer, Kilabear, stakes his claim as the dark sovereign of trap, invoking a prelude reminiscent of Sisters of Mercy, only to shatter the gothic serenity with a bass-heavy beat that propels us into his world of brooding introspection. The track is a raw confluence where the polished production of pop and the grit of trap music coalesce into an evocative vignette of how desperation for isolation can swarm the psyche.

Kilabear’s verses, laden with a poignant candour, penetrate relatable melancholy deep into the mix; his words don’t just hit close to the bone, they soak into the marrow as you’re confronted with unfeigned vulnerability, which acts as an olive branch to connect through one of life’s most solitary experiences. If you’ve ever wanted to withdraw into the recesses of your own spirit through disillusionment and scorn, consider leave me alone you’re new sonic sanctuary.

With his music, Kilabear addresses themes of heartbreak, substance abuse, and the everyday struggles that often go unspoken. leave me alone is a testament to his fearlessness in exposing unvarnished truth.

leave me alone will be available to stream on all major platforms from October 9th; check out the single on Spotify and Apple Music.

Review by Amelia Vandergast

Salon is an icon of raw authenticity in his alt-rap hit, About Me, I’m Real

Salon’s latest single, About Me, I’m Real, is an unflinching testament to the power of raw, unfiltered self-expression in a world that often demands the opposite.

The heart-piercingly poignant single doesn’t just hit close to the bone, it’s enough to tear your soul in two through the choked-with-emotion vibrato in the vocals, the strident reflections of a frenetic soul through hyper-pop hooks, and the intimately intricate guitar layers which conjure elements of Midwest emo into this alt-rap hit, which serves as a visceral statement of intent from an artist determined true to himself, regardless of whether facades would serve him better.

Each lyric hammers intense emotion into your psyche, guiding you through a bittersweet lament of how authenticity can be your downfall. This track leaves no listener unscathed; its confessional nature, while pensive, invites you to embrace your own idiosyncrasies and reject incessant pressure to conform.

Since 2018, Salon has used music as therapy, transposing feelings into something tangible in the same vein as the late Chester Bennington, who left a sonic void of catharsis behind. Bennington is a big artist to live up to, but Salon, with his ability to turn vulnerability into salvation is succeeding on a profound level.

About Me, I’m Real was officially released on July 5th; stream the single on SoundCloud now.

Review by Amelia Vandergast

Vashaun set the alt-rap scene ablaze with ‘Lit Matches’, ft VHC

Few artists defy genre constraints with as much fire and fervour as Vashaun. At this stage in his career, his unflinchingly expressive discography, which focuses on visualising emotion, exploring phenomena, and welcoming listeners into his worldview and the streets that raised him, almost spans the entirety of the sonic spectrum.

From rock to emo to rap to Afrobeat to acoustic pop, it’s anyone’s guess where he will take his fans next. With his latest single, Lit Matches, the Chicago-born-and-raised artist collaborated with VHC to deliver one of his most expansively affecting singles to date.

Lit matches ignites with the grungy discordance of alt-90s indie before the first verse drifts into an organically melodic acoustic pop verse. But Vashaun doesn’t settle there; in the next progression, fans of Lil Peep and Juice Wrld will be able to get their emo rap fix, but Vashaun makes the style his own with the overdriven guitars, melodic Latin infusions and dualling rap verses that could rival ICP.

It’s a rarity to find a hit that gets better with every listen, but discernibly, we’ve stumbled on sonic gold with Lit Matches. Vashaun is a firebrand that will leave the alt-rap scene ablaze.

Lit Matches was officially released on May 24; stream the single on Spotify.

Review by Amelia Vandergast

 

7ELIX found a new depth in intimacy with his emo rap vignette,  ‘CALLMEWHENYOUGETBACK’

CALLMEWHENYOUGETBACK taken from 7ELIX’s seminal LP, emergency exit, pt.3: death of a memory, is the perfect introduction to the Asheville, NC-born artist’s music which is offered as a salve for the outcasted soul.

The songwriter, producer and audio engineer created the ultimate testament to his motivation to advocate for mental health and suicide awareness by orchestrating this confessionally evocative emo-rap vignette of vulnerability. By illustrating the power of candid expression and giving an outlet for jagged emotions that become scars if they’re harboured for too long, he gave a lesson in catharsis in CALLMEWHENYOUGETBACK.

The light production work on the intricately melodic track ensures that none of the visceral sincerity from the recording was stripped away. Painted in nocturnal light that depicts the intimacy of late-night thoughts cascading into vocalisation, CALLMEWHENYOUGETBACK captures 7ELIX at his most uninhibited as he attempts to hold onto a relationship that is precariously hanging in the balance despite his tight grip on the affections that bring warmth to the bittersweet release.

It’s a heart-wrenchingly authentic release which is a clear sign of even bigger things to come from 7ELIX. We can’t wait to hear what’s lingering in the prodigy’s timeline.

CALLMEWHENYOUGETBACK is available to stream on Spotify.

Review by Amelia Vandergast

JMP tore through the façade of fallacy with their latest rap track, Don’t Lie, featuring Zinc and Sofia Kafas

https://spotify.link/QgiVqnqW0Hb

JMP’s latest feat of genre-fluid alchemy, “Don’t Lie,” featuring Zinc and Sofia Kafas, seamlessly fuses trap beats into a melodiously mellow atmosphere. As the lush reverb ebbs and flows, it envelops the listener in a rhythmic embrace, guided by the unique chemistry each vocalist brings to the track.

Sofia Kafas’s soulful voice adds a layer of depth and emotion, contrasting with the grit of the grime-y bars. Their harmonies paint a vivid picture of the narrative at the heart of the song – the detriments of deception. What truly sets “Don’t Lie” apart is its cultural richness; the bilingual verses shatter the monocultural mould, adding an exotic twist to the RnB lyrical rhythms.

Don’t Lie was unveiled as one of JMP’s most dynamic releases to date. The trio of contributors, each with their distinct style, unite under the theme of sincerity and truth. The result is a compelling track that resonates on multiple levels and is a reminder of rap’s capacity for storytelling and emotional depth, making it a standout release in JMP’s repertoire.

Don’t Lie was officially released on February 26th; stream the single on Spotify.

Review by Amelia Vandergast

bleed moxie is the antithesis of Andrew Tate in his cinematically luxe alt-hip-hop track, women’s society

In a genre often marred by stereotypical portrayals, bleed moxie’s latest alt-hip-hop single, ‘women’s society’ is a refreshingly progressive deviation. Mitchel Paulson, under his latest persona, weaved a narrative that not only celebrates femininity but also challenges the listener to re-evaluate their perceptions and discriminations.

After an intro of 50s doo-wop and a touch of retro Hollywood glamour, the beat ushers into the dreamy-with-hazy-hues jazz-infused soundscape, which lays the perfect foundation for the emotionally charged rap bars. His verses are a poignant tribute to women, far removed from the objectifying rhetoric prevalent in much of contemporary hip-hop.

The track’s artfully nostalgic production juxtaposes sharply with its message, reminding us of a time when women were upheld with respect in society. This contrast is a sonically visualised commentary on the current socio-cultural climate, especially in the wake of incel movements led by figures like Andrew Tate. This track is not just vital; it’s a necessary step forward in the evolution of hip-hop.

bleed moxie, a chameleon in the music world, has evolved from the party-hard, emo-tinged innovator to the introspective, mature artist we hear today. His journey through various personas – from the Mox & J. Project to MJ FLAWS – has been a testament to his adaptability and depth as an artist.

women’s society was officially released on March 1st; stream the single on Spotify and SoundCloud.

Review by Amelia Vandergast

ArkAngel47 flowed into the heart of memory in his alt-hip-hop track, nostalgia

ArkAngel47’s latest single, nostalgia, crashed into the alt-rap scene like a rogue wave, unapologetically dismantling the boundaries of the genre on February 8th. The raw, unfiltered plunge into the depths of memory, wrapped in a soundscape that defies easy categorisation, is an unconventional fusion that grips you from the first beat.

Imagine grime’s gritty pulse, new wave’s introspective echo, and alt-hip-hop’s rebellious spirit colliding around lyricism that balances candour and volition. Hit play and feel the push and pull of time as North West London’s grittiest poet waxes lyrical with melancholic wisdom. Nostalgia is beyond reminiscence; it is the dissection of the essence of the psychological phenomenon; an exposition of its sweet allure and sharp bite.

Musically, the track is a beast of its own making. The beats morph and twist before flooding into a melodious flow and glitching like a dream half-remembered as the backing vocals resonate as ethereal whispers from bygone days, adding layers of haunting depth to the track.

Mixed and mastered with the sharp ear of Kult Eviction at Kabin Studios, nostalgia is a testament to ArkAngel47’s raw talent and vision. With plenty more genre-fluid releases locked, loaded, and ready to drop throughout 2024, ArkAngel47 is one to watch.

Watch the official music video for nostalgia on YouTube, or add the single to your Spotify playlists.

Review by Amelia Vandergast

Denacus delivered a trap metal manifesto of mental disquietness with ‘Dark Days’

‘Dark Days’ is the latest nefariously infectious trap metal track from the up-and-coming artist and enigma Denacus, who is set to snarl his way up from the underground with his darkly domineering edge. With a sound as scintillating as Wage War and $uicideboy$, Denacus emerges as a pioneer in the burgeoning trap metal genre, one capable of crafting a visceral, haunting experience that encapsulates the essence of raw emotional turmoil.

The artist, hailing from a humble farm near Moree, NSW, Australia, brings a unique blend of Ragecore and Horrorcore to the table, elevating the track beyond mere musical expression.

What sets Dark Days apart is its ability to resonate deeply with listeners who have experienced the suffocating grip of mental anguish. Denacus delves into the depths of his troubled past, marked by depression, bullying, and recurrent admissions to psychiatric wards. His journey from a struggling teenager to an experimental recording artist is palpable in every beat and lyric of the song.

The track is a short but intense journey through the darkest corridors of the human mind. It’s a macabre piece that clings to your consciousness long after the last note fades. The lyrics, focusing on themes like nihilism, vengeance, and existential dread, are not just words but a window into the artist’s soul.

Dark Days will be available to stream from January 3rd; stream it on SoundCloud.

Review by Amelia Vandergast

Post-hardcore meets hip hop in SEER SEEKER’s viscerally bruising standout release, GONE TOO LONG

Post-hardcore meets nu-metal and creates friction with hard-hitting hip-hop in the standout cinematic mash-up, GONE TOO LONG, from the hotly anticipated debut album TO THE CORE, from SEER SEEKER.

For the seminal track from the LP, SEER SEEKER took the foundation laid by Linkin Park and launched it into a brand-new scintillating atmosphere, which channels the same tumultuous visceralism as ground-breaking artists in the vein of Wage War, Polaris, and Fit for a King. While some artists are content getting up to speed with the contemporary curve, others are palpably determined to sit on a plateau above it. SEER SEEKER is definitively in the latter camp.

High-octane enigmatic energy courses through the electrifying release as SEER SEEKER uses every ounce of their volition to make the weight of the lyricism cascade with bruising and deeply affecting impact. Between the cross-appeal of the monolithic aesthetic and the up-and-coming artist’s maniacally larger-than-life charisma, you’d be hard-pressed to find a more promising breakthrough post-hardcore artist on the airwaves right now.

TO THE CORE was officially released on December 22. Stream it in full on Spotify.

Review by Amelia Vandergast

The Scottish communist wordsmith Jamão Dos Santos hit a home run with his genre-bending debut rap track, Tarzan

Jamão Dos Santos made a bold entrance into the music scene with his debut single Tarzan, an audacious piece that mirrors his self-proclaimed identity as a “Scottish communist wordsmith.” Right from the start, the single is a captivating blend of cultural sounds, with Dos Santos’ Scottish lyrical diction providing a gripping contrast to the rhythmic foundation of the track. It’s a fascinating juxtaposition that’s as striking as it is unexpected.

Musically, ‘Tarzan’ is a robust tapestry woven with exotic Eastern rhythms, giving it an almost mystical allure. Yet, it’s grounded by a decidedly garagey edge—a gritty, dub-heavy backbeat that anchors the song’s more ethereal elements. The single wouldn’t be out of place in a smoky underground club or a festival stage, appealing to a wide range of listeners with its genre-blending bravado.

There’s a clear stylistic flair shared with Lyran Dasz, hinting at a musical kinship that thrives on innovation and eclecticism. Dos Santos’ approach is fiery and distinctive, ensuring that Tarzan is not just a song but a statement. In an unexpected twist, ‘Tarzan’ also serves as an homage to the world of footballer worship. The lyrical narrative becomes a powerful metaphor for survival and triumph, resonating with the song’s primal energy and raw passion.

It’s an assertive first step for an artist unafraid to show his roots while simultaneously branching out into the rich soil of global musical influences. This track is not just heard; it’s felt as a resonating declaration of Dos Santos’ arrival on the music scene.

Stream Tarzan on Spotify and follow the artist on Instagram.

Review by Amelia Vandergast