Browsing Tag

Alt-Pop

Molly Ferrill unclipped her wings in her emboldening sonic rebellion, Born to Fly

Molly Ferrill’s debut single, ‘Born to Fly‘, is a clarion call to unshackle the spirit. The potent blend of rock ‘n’ roll fervour and pop sensibility echoes the raw energy of Joan Jett and the unapologetic boldness of Courtney Love. But the real earworm appeal lies in how the National Geographic Explorer turned musician infused the single with a sense of unbridled freedom, mirroring her own life’s journey across the globe.

Recorded in Mexico and produced in the U.K., Born to Fly is a testament to her multifaceted creativity, seamlessly blending visuals and sounds that resonate with her deep connection to the natural world. The accompanying music video, set against the rugged backdrop of Tlayacapan, Mexico, features a Harris’s hawk, symbolising the song’s core message of liberation and empowerment.

The track itself is a masterful reinvention of 90s nostalgia for the modern alt-rock scene. Ferrill’s vocals oscillate between the soulful pop tones reminiscent of Texas and the gritty edge of the Riot Grrrl era. The guitar licks may pay homage to the classic rock era, but they are distinctly contemporary in their execution.

Ferrill’s message in Born to Fly is clear: liberation is not just a dream, but a tangible reality, attainable through the sheer force of will and the joy of living.

As Ferrill continues to traverse diverse creative landscapes, from the streets of Mexico City to the urban sprawl of Bangkok and New York City, Born to Fly is a strikingly catchy elucidation of her artistic vision – fearless, unbound, and relentlessly uplifting.

Check out the official music video for Born to Fly on YouTube.

Review by Amelia Vandergast

Marilyn Joy conjured affectionate innocence in her sticky-sweet synth-pop score. HeartSchool

HeartSchool by Marilyn Joy

Marilyn Joy’s latest single, ‘HeartSchool’, is a sticky-sweet journey back to the innocence of first loves and schoolyard romances. This London-based artist, known for her alternative pop/rock flair, has once again captured our hearts with her quintessentially quirky style.

The lo-fi polyphonic pop vignette is a sweet, nostalgic trip down memory lane, guided by tender melodies which evoke the simplicity of young love, untouched by the complexities of adult relationships. Marilyn’s playful vocal timbres weave through the melody like a gentle reminder of days gone by while bearing reminiscence to the uninhibitedly expressive air of the Legendary Pink Dots.

Marilyn’s influence in the London music scene is evident in her live performances, described as ‘exciting’ and ‘unpredictable’. The track is a testament to her ability to blend genres and influences, from Blondie to Starsailor, into her distinctive sound.

With her previous releases, including ‘Crystal D’Arke‘ and ‘Killjoy Was Here’, she has consistently demonstrated skill in crafting songs that resonate with a wide audience. ‘HeartSchool’ continues this trend, solidifying her place as a significant voice in the alternative pop/rock genre.

HeartSchool is now available to stream and purchase on Bandcamp.

Review by Amelia Vandergast

frekld cloud sang a lyrical lullaby in ‘Peter Pan’ ft Jxsie Beats

frekld cloud’s latest single, Peter Pan, featuring Jxsie Beats, is a mesmerising journey through a dreamscape where the boundaries of consciousness blur. This single, a harmonious blend of ambient, videogame-inspired instrumentals and delicate pop vocals, invites listeners into a world where music and the inner trappings of a melancholy mind meld seamlessly.

At 19, frekld cloud has already shown a profound depth in his music by intertwining sound with heartfelt emotion. The lyrical lullaby is a vivid illustration of his journey, evolving from a young artist sharing his creations on YouTube and SoundCloud to an emerging voice on the global stage. His commitment to exploring mental health through music, born from a childhood where expression was a challenge, shines through in Peter Pan’s ambient, videogame-like instrumentals, which cradle the narrative of a reflective mind.

Frekld Cloud’s vocals, both soft and resonant, glide over the dreamscape, painting a picture of emotion and introspection. The lyrics, forthright and poignant, draw listeners into the artist’s psyche, exploring themes of freedom, self-awareness, and the complexities of mental health. We can’t wait to join flekld cloud on his next ethereal journey.

Peter Pan is available to stream on Spotify.

Review by Amelia Vandergast

Spotlight Feature: Madam Who? Has riotously returned with her pop-hooked and rock-licked electro-clash earworm, Peter Meter

Electro-pop-rock meets hip-hop in the latest single, Peter Meter, by the indomitable visionary, who always favours the bold and rejects the mundane to empower others through the electricity in her eccentric expressionism, Madam Who? In her rap verses, the trailblazing sonic mould-breaker gives all the ensnaring electro-clash energy of Peaches before the track descends into a Garbage-esque alt-90s earworm in the choruses to deliver the ultimate liberating anthem.

The larger-than-life vignette of how her Grandma Rita used to absolve her of her boy troubles took Madam Who? 20 years to write, but now it has arrived, complete with a fully characterised music video and a quirkiness akin to the B-52s, we can all drink in the sage wisdom, which you may not want to follow to the T, but one thing is definitive about this track, it will riotously shake every ounce of ennui out of you.

After overcoming brain cancer, Madam Who? Has remained relentless on her mission to defy expectations and verse for the underdogs. In 2023, her debut EP, Reclaim Your Power, caught the attention of Good Morning America, and her story aired to 1.7 million viewers. Now that Peter Meter is on the airwaves, the Maryland-residing singer-songwriter is set to spill more serotonin and uplift countless people from their minor and major tribulations.

The official music video for Peter Meter premiered on January 19th; stream it on YouTube.

Review by Amelia Vandergast

Heather McDowall visualised a digital delirium in her infectiously disorientated alt-indie pop hit, Truman Show

In 1998, The Truman Show exhibited the exploitative tendencies of media and how it damages self-perception; Heather McDowall spun that narrative a little further through the lens of a Gen Z raconteur of alt-indie pop with her latest single, Truman Show.

The Midlands-residing singer-songwriter burst through the delicate and twee indie pop bubble to deliver a funk-distilled, rock-licked earworm which transcends the candidly confessional and conversational style of Kate Nash.

The delirium of living in a reality marred by digital ties and afflictions is pervasive throughout the single; a nod to the unorthodox yet exhilarant production style, which allowed Heather McDowall to efficaciously visualise her disorientating experience with reality. It’s safe to say that she spoke for us all in yet another stellar feat of ‘multi-dimensional’ music orchestrating.

Since she made her 2019 debut on the airwaves following the success of her YouTube channel, McDowall has made several appearances on BBC Introducing, Live at the Basement Amazing Radio, and Totally Music. After bearing witness to the evolution of her style and the tangible resonance in Truman Show, McDowall is by far one of the most promising artists in the UK right now. For your own sake, dig in.

Truman Show aired on the airwaves on January 5th; stream the single on Spotify.

Review by Amelia Vandergast

Arden – I Don’t Sleep: A Poignant Alt-Pop Symphony of an Exposed Heart and Soul

The London-based alt-pop pioneer, Arden, found the inspiration for his latest single, I Don’t Sleep, through the fear that once you have laid your soul bare, there’s no covering it up to the ones you exposed your vulnerability to.

There’s sweetness in the sentiment “there will always be a part of me that’s yours” but the bitterness of that part of you becoming redundant in the wake of a breakup is a cutting juxtaposition. Lyrically, it is powerful enough to make you view relationships through a brand-new cautious lens. Still, within the blossoming swells in the piano melodies and the orchestrally carved crescendos, there’s a scintillating atmosphere, full of spirited passion – stirring enough to make you want to take the dive into inevitable pain.

I Don’t Sleep is a testament to Arden’s ability to blend poignant lyrics with lush musical arrangements. The song achieves a cinematic quality, panoramic enough to be part of a blockbuster soundtrack, yet intimate enough to tug at the heartstrings with every note. Arden’s cultivated songwriting, reminiscent of Owl City, shines through in I Don’t Sleep. His soulful vocal performance, memorable melodies, and sophisticated production showcase a maturity beyond his years.

As he opens 2024 with this energised and refined sound, Arden solidifies his place as an artist to watch, captivating audiences with his honest and witty songwriting.

I Don’t Sleep will hit the airwaves on January 5th; stream it on SoundCloud.

Review by Amelia Vandergast

Leah Nawy has unleashed her iconic indie pop rock playlist staple, Friend of Mine

We’ve been obsessed with the NYC pop rock pioneer Leah Nawy ever since sinking into her lusciously groove-pocketed debut single, NUISANCE, which has racked up over 46k streams on Spotify alone since its release in 2023. In the opening verses of her sophomore single, Friend of Mine, the singer-songwriter, producer, and multi-instrumentalist exhibited a softer and more vulnerable side in her confessional release which alludes to how opening yourself up to people is only priming for the scars that will be left when you inevitably part ways.

When there’s little to separate realism and pessimism after life experiences have taught you that optimism is the outlook of the naïve, sentiments which unravel with the same pensive sting as the lyrics in Friend of Mine are inevitable. Yet, by the time the track reaches the midway mark, it transcends into a soulful power ballad before metamorphosising into an indie rock anthem for the disenfranchised but tenacious despite the bruises masses.

By bursting the bubblegum pop bubble with spikes of cultivated indie rock, the melancholy within Friend of Mine adopted a brand-new ferocity as an attestation to how you can reflect on your shortcomings without falling into a trap of self-pity. With a voice as indomitable as Lady Gaga fused with a cutting-edge indie pop rock signature sound, she’s a rare artist whose work merits her being referred to as an icon. We can’t wait to hear what follows.

Friend of Mine was officially released on December 22. Stream it on Spotify.

Review by Amelia Vandergast

Areeyedee’s latest single Insomnia is a waking industrial trap pop nightmare

With a sound as dark as the mise en scene from The Machinist, Areeyedee’s industrial trap pop single, Insomnia, conjures the disjointing and reality-warping nature of the depression symptom which creates 48-hour days where we’re left to replay twisted thoughts on a loop.

By capturing the nature of the beast and refusing to downplay the psychological downfall of the rabbit holes insomnia can take us down, the Kansas-born and raised, Darmstadt, Germany-based artist created a razor-sharp cutting exposition of mental disquietude in his lyrics and his aptly maniacal vocal delivery. With every line, he washes away the stigma while the branding of his sonic signature glows red hot through the release.

After fronting a rock band in the ’90s and landing the role of a hip-hop artist in a feature film, which made him fall in love with the genre, Areeyedee effortlessly melds the alternative with urban aesthetics in his discography, which includes tracks created with the multi-platinum producer, Freek Van Workum (21 Savage, Tech N9ne).

Insomnia will drop on January 1st; stream the single on SoundCloud.

Review by Amelia Vandergast

Embrace the retro-future with The Exotic Ices Project’s seminal track, Disciple

Stepping out from the shadows of their former band, Ruby Jones and Patrick Spillane of The Exotic Ices Project ignited a fuse on a synth-pop explosion with their seminal single Disciples. The standout from their debut album, Sunshine Desserts, is a vibrant testament to their musical evolution and a bold statement in the world of new wave synth-pop.

Opening with a cascade of twinkling synths, reminiscent of stardust spanning the entire colour spectrum, the auditory spectacle sets the stage for a journey through a soundscape that is both familiar and refreshingly, chaotically, novel.

After capturing the essence of the 80s and propelling it into the modern era, the track takes an unexpected turn as choppy, staccato guitars enter, bolstering the composition with a raw, electrifying energy. This shift creates a synthscape driven by the tumultuousness of unchained emotion.

While Disciples may not align with everyone’s musical palette, it is a treasure for those who revel in the brighter, more intense shades of retro synth-pop. The track encapsulates the fervid dedication of its namesake, transcending into a realm of electro-rock fervour. It’s a daring composition, one that challenges the listener while remaining undeniably captivating.

With their bold colours and explorative sonic universes, Ruby and Patrick are not just riding the wave of synth-pop; they are redefining it.

The official music video for Disciple is now available to stream on YouTube.

Review by Amelia Vandergast

Berto served an exotic elixir for the soul with his debut single, papi guapi

Berto’s debut single papi guapi is a striking entry into the synth-pop landscape, marking him as a promising new talent to watch in 2024. Hailing from the vibrant locales of Los Angeles and Orange County, Berto brings a refreshing and eclectic sound to the table, one that defies the constraints of a single genre.

The track stands out for its seamless blend of bilingual Spanish and English vocals, which Berto croons with a captivating finesse. His voice, an evocative elixir, gracefully flows over the new wave instrumentals which break free from the monocultural mould. The production is richly layered, featuring reverb-drenched motifs that infuse the track with an exotic 80s-tinged flair.

The track possesses an almost magnetic quality, seducing listeners into a dreamy haze reminiscent of the era’s best synth-pop offerings. Yet, it remains distinctly modern, thanks to Berto’s innovative approach to music production and his skill in blending traditional and contemporary elements. As the final track of Berto’s debut album Relampago Romantico, papi guapi holds a special place in the album’s narrative arc.

Papi guapi is now available to stream on Spotify.

Review by Amelia Vandergast