Browsing Tag

Alt-Pop

Bari Mcknight synthed away the pain of ephemeral affection in ‘SUMMER THINGS’

Posted on 28 August 2024

Two things are guaranteed every summer: swathes of stellar summer pop hits and the inevitable ashes of quick-to-burn romances. In his latest single, SUMMER THINGS, the independent artist, Bari Mcknight, brought one of the former and consoled casualties of the latter by fusing echoes of Afrobeat with catchy pop hooks, the soul of stylistically synth-driven RnB and a trappy beat, resulting in an irresistible earworm which is weighted in evocative realism, contrasting the dreamy etherealism of the track.

If the lingering sting of ephemeral affection is making the onslaught of autumn feel that much colder, SUMMER THINGS is the ultimate source of salvation. The echoes of The Weeknd’s aesthetic coursing through the neon-lit, synaesthesia-inducing production leaves enough room for Mcknight’s sonic signature which is scribing his legacy – one hit at a time.

It’s rare to find a pop track with the potential to dominate the charts while resonating with the sincerity of a diary entry, but that’s exactly what the New Jersey-residing independent artist achieved in SUMMER THINGS, which features on his latest album, Summer of Love; a curated anthology of laidback melodies and relatable narratives.

SUMMER THINGS dropped on August 2nd; stream the single on Spotify.

Review by Amelia Vandergast

Cincinnati icon of chameleonic pop, Catlea, has struck again with the affecting anthem, Crumbling

Posted on 26 August 2024

Cincinnati singer-songwriter and multi-instrumentalist Catlea is unreckonable in their mission to become one of the biggest pop sensations of their generation.

Their latest single, Crumbling, instantly arrests with emotionally weighted minor piano chords cradling the haunting with luminescence vocal lines before the single unravels as a synth-driven hit which sheds its dreamy etherealism to establish itself as an anthemic perennial pop earworm.

The lyrical exploration of the inevitability of not living up to unrealistic expectations in relationships where we only exist as an abstract idea and are expected to play out a role without being given a script is the ultimate consolation for anyone who has faced rejection after refusing to alter their autonomy.

The versatility in this track alone is enough to leave you in awe of Catlea’s ability to confidently command a myriad of genres and vocally match the sonic textures with unflinching ease; the rest of their discography is a larger attestation to their chameleonic cultivated skill.

As a precursor to the upcoming LP, Language Barrier, Crumbling, which was produced by Claudia Mills and features pianist Nick Tsang (Ed Sheeran, The Script, Lewis Capaldi), couldn’t set the anticipation any higher.

Crumbling euphonically cascaded onto the airwaves on August 2nd. Stream the single on Spotify now.

Review by Amelia Vandergast

Jazz underpins electro-pop in NxC’s comeback track, Can’t Get You Out of My Head

Posted on 23 August 2024

From the province of Laguna, NxC, a dynamic pop duo, has re-emerged in the limelight with a comeback that dares to share a title with Kylie Minogue’s famed hit, Can’t Get You Out of My Head. It was a bold titular choice, but that’s nothing compared to the endlessly evolving innovation caged within the progressive anthem.

Nikki Culing and Cedric Patangan, who first harmonised in their high school choir and later in various local bands, entered uncharted territory with Can’t Get You Out of My Head which amalgamates the nostalgia of disco pop with the edge of synth sequences and the spontaneity of jazz, presenting a track as layered as their musical background.

After a brief hiatus after their initial single, Peach Fizz, NxC’s sound is more honed than ever. Their comeback initiates with a tease of classic house pop, swiftly morphing through a spectrum of sounds that defy simple categorisation. With Nikki’s euphorically infectious vocals and guitar alongside Cedric’s multifaceted mastery of keys and bass, the duo navigates through hyper-pop highs and rap-infused rhythms, making each transition a head-spinning hit of serotonin.

Every beat of Can’t Get You Out of My Head promises an adrenaline rush of sonic surprises – brace yourself before you hit play.

Can’t Get You Out of My Head hit the airwaves on August 10th; stream the single on Spotify.

Review by Amelia Vandergast

Spotlight Feature: Embrace the Chaos with the Visceral Visualisation of Emotional Discord in Dilly Dally Alley’s Electro Jazz Pop Attack, This Just In

Posted on 23 August 2024
Dilly Dally Alley

Fresh off the heels of their last single, Find Out, Minneapolis Indie-Pop jazz-adjacent collective, Dilly Dally Alley, led by the magnetic emissary of soul Sophia Spiegel, has unleashed their second single of the summer, This Just In.

Feeling deeply can often feel like a curse, yet, a proclivity towards heightened emotion only serves to sweeten the resonance in this incitement of an indie art pop riot, which feeds an abrasive electro pulse through John Carpenter-reminiscent synths, deliciously delirious reverb and distorted jazz-punk sax riffs capable of driving you to the brink of euphoria and beyond to experience a cathartic release from emotional turmoil.

The opening lyrics – “there was a sharpness in the land, sharpness in the beat, sharpness in your eyes, made me feel complete” – reflect the conflation of emotions and conflicts, perfectly matched by the avant-garde instrumentals that create a vivid, visceral, whirlwind of an experience which transcends sound.

You couldn’t ask for a more accurate mirror of the mental discordance that accompanies emotional dichotomies or for more blissful salvation from them.

This Just In will be available to stream on all major platforms, including Spotify, from August 23rd, ahead of Dilly Dally Alley’s sophomore LP, which will permeate the airwaves in January 2025.

Stay up to date with the latest releases from Dilly Dally Alley on Facebook and Instagram.

Review by Amelia Vandergast

From Ghosting to Growth: Trisha Reclaimed Her Self-Regard in Her Trend-Ascending Pop Hit, MVP

Posted on 9 August 2024
https://soundcloud.com/trisha-singss/mvp-demo/s-2IJES7EaZOj?si=17f8d53e4f534e9ea93eb535153ea798&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

The airwaves are saturated in laments on romantic rejection, yet few artists are vulnerable enough in their candour to meditate on the disintegration of friendships; the magnetically daring, hypnotic chill pop artist, Trisha, threw down the gauntlet on unchartered vulnerable ground with her latest single, MVP.

The empowering advocation to always treat yourself as the MPV (Most Valuable Player) marks the 15-year-old singer-songwriter as one of the most fearless lyricists on the airwaves. The transformational power of the release belies its chill-pop serenity; therein lies the beauty of the coming-of-age artist who has already mastered the art of emotional maturity and intelligence which filters into her raw-with-resonance releases.

Echoes of 90s pop breathe through the intricately melodic production which paradoxically cuts across and beyond contemporary trends, affirming that if any emerging artist has what it takes to make it to the top of the pop charts in 2024, it is Trisha.

Trisha Said:

“I wrote “MVP” about trying to regain my self-esteem when I found myself frequently ignored by my closest friend. Our relationship had deteriorated into one of apathy and I found myself constantly making excuses for her. Writing this song really helped me reinstate my sense of self-worth, establishing that I am the MVP in this equation.”

MVP will be available to stream on all major platforms from August 9th; stream the single on SoundCloud first.

Review by Amelia Vandergast

Urban Café Crew cruised through 80s nostalgia and became sonic heartthrobs in their latest single, Movin’ Down I39

Posted on 24 July 2024

It’s all gas and no brakes in Urban Café Crew’s latest single, ‘Movin’ Down I39’, which exudes a striking blend of 80s Hollywood glamour and heart-throb vocals that make the driving anthem impossible not to groove with.

With the opening sounds of engines revving against strident piano chords that are augmented by Blockbuster nostalgia, you’re instantly susceptible to the lyrics that compel you to seize the moment while the rhythmically magnetic progressions seize your pulses and evoke panoramic images of a guy driving to get the girl. The propulsion of the pulsating beats transcends auditory ingenuity to craft a visual masterpiece that you’ll never get tired of revisiting.

We didn’t need any more evidence of the Australian-based collective’s cultivated songwriting stripes after hearing their Christmas earworm and the eternally endearing single, Hey There Boomer, It’s Not OK. Yet, now that Movin’ Down I39 is here, it only cements their ability to produce hits that sweep you up in their infectiously soulful intensity; it’s the most syncable single I’ve heard this year.

Movin’ Down I39 was officially released on July 17; stream the single on SoundCloud now.

Review by Amelia Vandergast

Caitlin Lavagna prescribed an artfully amplified pop punk antidepressant with her latest single, Pretty Alright

Posted on 20 July 2024

As you crank up the volume in Caitlin Lavagna’s latest synthesis of art-pop and pop punk, Pretty Alright, the absolution amplifies to the nth degree as the singer-songwriter and multi-instrumentalist fervently strives to let loose the black dog and awaken her listener’s inner power.

The infectiously fiery reprise of “It will take time to feel pretty alright” in the electrifying riff-raw anthem attests to how patience is the ultimate virtue in the process of healing, yet everyone has an active role to play in the reclamation of their serotonin and self-esteem.

With a vocal presence that could rival any of the chart toppers, there’s no denying Caitlin Lavagna’s charisma which acts as a catalyst of resolution and salvation in Pretty Alright.

You just can’t help but succumb to enamourment when your senses are being stirred by her larger-than-material-reality energy and her songwriting stripes which are sliced with more hooks than a butcher’s shop.

Pretty Alright was officially released on July 11; stream the single on Spotify now.

Review by Amelia Vandergast

khokkosh. incited an industrial art-pop riot with ‘pelicaning’

Posted on 16 July 2024

Exhibiting the artistic freedom of a mind that knows no creative constraint, the 20-year-old dark electro-pop producer and visual artist khokkosh. used her seminal single, ‘pelicaning’, prised from her sophomore two-track release, ‘pelicaning./a duck, a bear, and I.’ to conjure a macabrely avant-garde aural installation that haunts the middle ground of Poppy and Billie Eilish.

By mainlining the harsh elements of industrial into a hypnotically warped earworm which sonically mimics the effects of a trance spiral, the Indian artist found her place at the vanguard of the art pop revolution.  The self-written, produced, mixed, and mastered computer-adjacent, thematically visceral synthesis of caustic beats and scathing synths explores the self-invented phenomenon of pelicaning; the act of caging words inside you until they are forced to erupt.

With this two-track release feeding into khokkosh.’s merciless agenda of piercing through the veil of inhibition, regardless of how ugly we may appear to others we expose our true unfettered autonomy, the revolutionary isn’t just one to watch, her fearless authenticity makes her an artist to admire and emulate.

Stream the official music video for pelicaning, which premiered on July 8th on YouTube now.

Review by Amelia Vandergast

London’s introspective indie pop icon, Gemma Felicity, struck again in ‘10 Million Dates’

Posted on 13 July 2024

Our adoration for Gemma Felicity remains unflinching after the release of her intimate indie pop single, 10 Million Dates. With her latest right-on-the-euphonic money release, the London-hailing singer-songwriter captured the collective frustration within the modern dating scene, detrimented by the illusion of endless choice.

The sense of disillusion in the lack of real, raw, and pure connection resounds throughout the artistically profound, poetically bitter-sweet lament which acts as the ultimate consolation to anyone who is losing the motivation to keep searching.

By delicately touching on themes of people pleasing, loneliness, fear of the future, emotional baggage, and the ennui which follows pinning hopes on a transient character in our lives before they disappear within the folky dream pop reverie of the polished production, Gemma Felicity delivered one of the most affecting singles of 2024.

As the introspectively candid icon gears towards the release of her 5-track EP, Baggage, there’s no doubt that she’s inching towards the zenith of her career.

10 Million Dates was officially released on July 5th; stream the single on Spotify now.

Review by Amelia Vandergas

Marc Ambrosia aurally embodied queer pride with his alt-pop anthem, You Can Tell Me

Posted on 12 July 2024

Pride month may be over, but the perpetual appeal in Marc Ambrosia’s queer pop anthem, You Can Tell Me, is infinite.

The luminously iridescent outpouring of euphoric emotion, inspired by a coming-out story which tore down a barrier in a friendship, explodes as a riotous affirmation that there are few things sweeter than tearing off a façade and tuning into the liberating freedom of living openly and proudly.

The tinged-country pop-rock hit is enveloped by the exhilarating joy that comes as a consequence of acceptance and self-expression while LGBTQ+ allies are celebrated for their profound ability to change worlds simply through understanding and accepting.

Whether the single acts as an inspiration to take that candid leap or you adopt Ambrosia as a confidant while you prepare to write your own coming-out story, there’s no denying that Ambrosia is well on his way to being crowned as a queer pop icon who will be impossible to usurp if the ecstasy in You Can Tell Me is a sign of what is to come.

With his fourth studio LP, Gay & Proud, due for release on August 30th, he’s a visionary you want on your sonic radar.

You Can Tell Me was officially released on July 5th; stream the single on SoundCloud now.

Review by Amelia Vandergast