Browsing Tag

Alt-Pop

Red Lips and Chanel Armour: Ches Barrow’s “Parisian Chic” Unveils the Femme Fatale Mystique

Ches Barrow

More Parisian than wearing a red lip and Chanel No. 5, Ches Barrow’s latest single, Parisian Chic, reaches the pinnacle of suave sophistication. With lively piano melodies bubbling beneath Barrow’s demure harmonies, the cabaret pop hit encapsulates a femme fatale’s power and mystique with a striking style befitting the track title.

This single, which sees Barrow return with the Schimmel piano she has composed on since she was 8, exhibits her as an artist who is as style-conscious in fashion as she is in music. Known for her success in the fashion world, collaborating with the likes of Dior and Manolo Blahnik, Barrow fuses her aesthetic with her sonic identity; the results are nothing short of alchemic.

The melody, which remains poised before descending into chaotic beauty in the second verse, mirrors the emotional depth of her lyrics – where glamour masks a world of internal turmoil. Much like her previous hit, Wild, this single is a reflection of Barrow’s talent for capturing complex emotions and translating them into art that scratches far beyond the surface.

With her love of dark, introspective themes clashing against a backdrop of superficial perfection, Parisian Chic sees Barrow at her most raw and empowered. If any single can elevate her status in the alt-pop world, it’s this.

Parisian Chic was officially released on October 9th; stream the single on all major platforms, including SoundCloud.

Review by Amelia Vandergast

Get your synth-pop serotonin fix with Skinny G Radio’s Sophomore LP, Skinny Mini Opus

Skinny G Radio’s sound always kicks straight into the soul. His latest project, his Skinny Mini Opus LP, delivers everything we have come to love about the Connecticut-born and raised singer, songwriter and performer while exhibiting the extent of his artistic evolution since his debut single in 2016.

The cheeky, cerebral and cleverly cultivated standout single, Unravel Me, is a rapturous riot of unfeigned euphoria. With all the grandeur of a synth-rock opera, all the grit of an 80s rock anthem and more pop hooks than your average earworm can carry, the single subverts pop tropes to unravel as an explosion of high-vibe energy.

Between the horn stabs, sticky-sweet synth lines and vocals, which buzz with eccentrically infectious charisma, there are plenty of ways to get your sonically intravenous serotonin fix with this hit which pays tribute to classic pop-rock songwriting while playing all of the melodic wild cards.

Skinny Mini Opus was officially released on September 20; stream the album in full on Spotify.

Review by Amelia Vandergast

Lauren Presley lost the past to history in her empowering rock-licked EDM pop anthem, H-I-N-T

https://on.soundcloud.com/XqdqHcpudoAN7A7Z9

Texas’ freshest pop icon-in-the-making Lauren Presley shunted Taylor Momsen and Hayley Williams to the wayside when she dropped, H-I-N-T, her latest dark pop anthem, which uses the augmentation of rock to add even more electricity to the head-spinningly hot EDM pop choruses.

The only thing bigger than the sound in H-I-N-T is the cross-over appeal of this high-octane earworm which sends pulsating surges of adrenaline to your rhythmic pulses as Lauren Presley harmonises over the distortion-slicked hyper-sonic guitars which caustically cut their way through the Grammy-worthy production.

The energy in H-I-N-T gives the recently romantically scorned all the empowerment they could possibly harness to walk away from a toxic dynamic. With this hit on your playlists, you will be unreckonable.

Presley may have gone viral since her debut single, A Little Longer,  after garnering 1 million streams on Spotify and 5.6 million views on YouTube. Yet, she remains committed to delivering unpretentious pop with universally relatable lyrics. Even if she reached the same heights as Chappell Roan, there’s a sense that Presley would never be out of touch.

H-I-N-T will drop on September 27; stream the single on all major platforms, including SoundCloud.

Review by Amelia Vandergast

Emerge from your naval daze with Phantom Electric’s acoustic rock symphony, ‘Hope So’

The quasi-psychedelic indie singer-songwriter Phantom Electric may have innovation running deep in the veins that connect to the heart he wears on his guitar strings, but his latest single, Hope So, revisits classic song crafting, allowing the thematic underpinnings of the release to draw you into the artful gravity of the single.

Hope So is a haunting intersection between the atmospherically nostalgic air of Chris Isaak and the soul of Bryan Adams; the Adams influence tempers the dark melancholic chill of the lyrics which are slick with existential yearning.

Hope So unfurls as an artful reflection on how easy it is to succumb to navel-gazing and forget to care about anything but yourself—a theme all too relevant in our era of rampant individualism. With spectrally arcane melodies that tear through the soul, Phantom Electric produced one of his most affecting singles to date by looking to the darkest side of the human condition and showing a better way to be.

Hope So will be available to stream on all major platforms from September 27; stream the single on SoundCloud first and head over to Phantom Electric’s official website for more ways to listen.

Review by Amelia Vandergast

Kimi Nickerson – Boundaries: The Ultimate Dark-Pop Anthem for Self-Reclamation

Kimi Nickerson

For anyone who has felt the desperation to shed the facades worn to appease others and unapologetically don their own unfeigned guise, Kimi Nickerson’s latest alt-pop tour de force is the ultimate anthem for self-reclamation.

Boundaries is an artfully moody electronic pop ballad that quickly breaks away from convention with its dark reverberant synth-driven melodies and bass-punched syncopated beats. As Nickerson layers her vocals to create a one-woman choir, the track takes on an arcane atmosphere that is guaranteed to spill from the soundwaves into your soul.

The production paints a scene of gritty defiance with its cinematic instrumentation and delicate high-end frequencies that purposefully carry the vocal narration. It is a haunting exploration of reclaiming personal power, and if you’ve ever shrunk into yourself to please someone else, Boundaries will scratch far beyond the surface.

Drawing inspiration from NF, Jon Bellion, and BANKS, Kimi fused electronic synths with modern trap and drill drums to create a genre-defying synthesis to platform her raw, thought-provoking lyrics and memorable alternative melodies.

The track is a paradoxical cocktail of soulful spirituality and dark, domineering aesthetics. It’s a juxtaposition that not only underscores the thematic power of the track but also elevates it as a defining moment in Nickerson’s discography.

Boundaries will be available to stream on all major platforms, including Spotify, from September 26th.

Review by Amelia Vandergast

Syd Taylor became the new iconic alt-pop siren with her debut single, Love of Your Life

After breaking away from the twin duo, Stereo Jane, the indie alt-pop siren, Syd Taylor, came into her own with her paradox of a self-produced debut single, Love of Your Life, which haunts with its vintage tones as much as it uplifts and empowers through euphoric pop hooks.

The symbiosis between the brashy, saturated-in-delay lo-fi intimacy and the sleeker aesthetics in the single enabled Taylor to cut away from the monotonous fray of polished with superficiality pop and establish herself as a singer-songwriter and producer in the same league as Angel Olsen and Adrianne Lenker. If you’ve ever known the red flag fear of being the subject of obsessive attraction, Love of Your Life is the ultimate reparation.

As a signifier of how much of a phenomenon Syd Taylor is destined to become, the launch party for Love of Your Life happened between the unhallowed walls of the Viper Room on September 20th. With her debut LP in the pipeline, she’s the definition of one to watch as she works her way into the alt-pop pantheon.

Stream the single on all major platforms via this link.

Review by Amelia Vandergast

Goodfellow delivered the antidote for obsessive rumination with his alt-pop hit, Think 2 Much

Goodfellow, accompanied by the honeyed harmonies of female vocalist seleen, dropped a genre-defying single that seizes the RnB Trap Pop scene with an undeniable groove. ‘Think 2 Much‘ hit the epicentre of the contemporary genre-fluid zeitgeist by weaving pop elements reminiscent of Maroon 5’s chart-dominating era with ‘Payphone’ into a foundation of trappy beats.

In ‘Think 2 Much’, the lyrics paint a chaotic whirlwind of thoughts induced by an overwhelming crush, offering listeners a sticky-sweet vignette of emotional turmoil. This perennial earworm doesn’t just narrate; it plunges you into the heart of melodious obsession where there’s no escaping the razor-sharp hooks which are embedded within the quintessential soul of RnB.

The slick production ensures that the beat remains too addictive for just one listen, and the same goes for Goodfellow’s cheeky, hedonistic charm that permeates the track, resonating through augmented summer-vibe melodies that promise to outlive the season.

For those entangled in the messy throes of romance, here’s your anthem.

Think 2 Much is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

DanFromUpstairs & Luke Matthews shifted the tides of alt-pop with ‘Love’

With his boy-next-door moniker which fully synergises with his genre-fluid sonic identity, DanFromUpstairs is easy to adore. The Brighton-based artist’s latest single, Love, featuring Luke Matthews is a veritable exposition of how much of a forte orchestrating authentic alt-pop earworms is to him. I can safely guarantee you won’t find a more deadpan love song on the airwaves, and that is just scratching the surface of the ingenuity in Love.

As the pseudo-hip-hop beat slaps, the pop melodies stroke with their lush 90s-tinged aesthetic creating an expansive contrast with the intersections of scuzzy synths and raw indie rock guitars which rough the smooth edges of the polished production that you’ll need a serious concussion to forget.

As a true conduit of sonic experimentation who knows exactly which textures, tones and stylistic elements to synthesise into his narratives to ensure innovation doesn’t deviate into obscurity and veers towards commercial potential instead, DanFromUpstairs is standing at the vanguard of the modern genre-bending trend.

The official music video for Love will premiere on September 13; stream it on YouTube.

To connect with DanFromUpstairs and keep up to date with news of his forthcoming debut album, Hopeless Fables, which promises to deliver a continuous fever dream as the track grooves between electronica, funk, hip-hop, jungle and rock, follow the artist on Instagram.

Review by Amelia Vandergast

Mars Playground carried an arsenal of earworm potential in his alt-pop hit, ‘S.O.S.’

Mars Playground, helmed by Chris Dixon, embarked on a bitter-sweet alt-pop exploration of angst and existential rumination with his latest track, “S.O.S.” The South Florida native melded the nostalgic beats of mid-2000s hip-hop with the crisp innovation of modern bedroom pop, set to the pace of hyper-pop while touching the raw nerve of pop-punk to craft a boldly original sonic profile worthy of drawing comparisons to the likes of Dominic Fike and Post Malone.

The icon of genre fusion synthesised trap’s rhythmic dynamism and indie’s subtle introspection to create a masterpiece of modern sound which oozes commercial potential. After initiating with percussive breaks that nod to the likes of Alexisonfire, the song subverts expectations with its euphonic pop aesthetics which envelop an emotional upheaval wrapped in a veneer of sticky-sweet melodies that cling relentlessly to memory.

As Mars Playground continues to chart a course towards critical acclaim, S.O.S. is yet another testament to the resonance of his boldly candid sound. The universal plea for solace amidst chaos sends a lifeline, woven with the threads of his vibrant, varied influences and the unvarnished truths of his journey.

S.O.S. hit the airwaves on August 28th; stream the single on Spotify now.

Review by Amelia Vandergast

Spotlight Feature: Bradley Peck extolled the virtue of living in the moment in the vibe-driven jangle pop-punk earworm, the most of tonight

Bradley Peck

Bradley Peck has once again proven his versatility and flair for tapping into the zeitgeist with his latest single, the most of tonight. Shifting gears from his earlier stylings, the Southend-On-Sea solo artist ventured over unchartered pop-punk territory to deliver an irresistibly infectious synthesis of euphoria and introspection.

In collaboration with Roman Styx, who mixed and mastered the track, Peck balanced genre-bending innovation with catchy quintessential pop-punk energy to strike the ultimate equilibrium. The earworm pulls you into its upbeat, vibe-driven universe with the jangle-pop guitar melodies which give the track an indie edge while the pop-punk undercurrent pulsates energy into the meticulously adrenalizing summer anthem.

Peck’s vocals, which never come close to slipping away from harmonised euphony, even in the sharp Blink-182 reminiscent cadences in the verses, become the ultimate vessel for advocation of seizing the day as they simultaneously evoke nostalgia for hedonistic days gone by and allow you to look through the rose-tinted glasses of youthful abandon.

Whether single transports you to the carefree days of youth or a recent memory worth holding onto, there’s no escaping the feel-good momentum perpetuated in the release that is all hooks and no breaks.

Bradley Peck Said

“I wanted to make a chill summer track that makes the listener feel young again; something everyone can relate to and feel some nostalgia with. The idea came to me after sinking a few, sitting back, looking at the night sky, and thinking how lucky we are to exist in this epoch. I wanted to convey that living in the moment is what life is all about; when the track started pulling together, I found myself experimenting with a brand-new genre for me. I’m so excited for this song to hit the airwaves!” 

the most of tonight will be available to stream on all major platforms from September 6th. Find your preferred way to listen and connect with Bradley Peck via this link.

Review by Amelia Vandergast