Browsing Tag

Alt Indie

Manchester’s Dakota Avenue cry out for sanctity in their indie anthem, Slap Me Silly

No feeling can compare to hearing a sentiment that you’ve only ever heard reverberating around the most private corners of your mind versed through compassionately honeyed vocals. And that is exactly what the Manchester-based outfit, Dakota Avenue, delivers through their latest single, Slap Me Silly. Far from a masochistic howl into the void, Slap Me Silly claws into the soul-biting issue of needing someone that knows you enough to offer a firm guiding hand to pull you back into a state of sanctity.

It is about time Manchester’s music scene stopped being defined by nostalgia and started to revolve around the contemporary crafted resonance delivered by acts as energizingly profound as Dakota Avenue. Their indie jangle-pop melodies, cataclysmic crescendos and 80s-inspired synths are a hotbed of evocatively charged stylised alchemy.

But Dakota Avenue certainly hasn’t failed to gain traction; they’ve garnered radio play from Amazing Radio and XS Manchester, performed live sessions for BBC Introducing and played to thousands at festivals, and garnered critical acclaim from across the board. As a fellow Mancunian, I wouldn’t hesitate to sell Dakota Avenue as one of the hottest acts this side of the Mersey.

Slap Me Silly is due for official release on June 3rd; check it out for yourselves here.

Review by Amelia Vandergast

Mustard Mountain Moving Company lament societal idiosyncracy in their Avant-Garde debut, Make it Stop?

For anyone that can relate to the sentiment ‘stop the world I want to get off’, the debut single, Make it Stop? from Mustard Mountain Moving Company should be considered unmissable.

Far from another lockdown lament, the track has been 18-years in the making from the Pittsburgh scene veterans, proving that ennui-blackened frustration has been viable for almost two decades. Yet, notably, it was a devilishly timely release from the lo-fi Avant-Garde artist, who will enamour fans of Elliott Smith and Nick Cave and the Bad Seeds alike.

While the lyrics put the idiosyncrasies of our modern existence in the spotlight, the playful synths ensure that the light of day isn’t all too harsh. You couldn’t ask for sweeter sugar for the pill of reality. Do yourselves a favour, affix them to your radar.

You can hear Mustard Mountain Moving Company’s debut single for yourselves by heading over to Spotify.

Review by Amelia Vandergast

Jessie Dipper spoke for her frustrated generation in her grunge-folk feat of candour, Where Do I Go

The folk-grunge maverick and award-winning singer-songwriter, Jessie Dipper, has stayed true to her sincerely originalist style with her latest single, Where Do I Go, taken from her coming of age second album.

However many times you’ve taken a trip around the sun before hearing this fiery yet soulfully flawless single, you’re sure to find the resonance in the frustration that easily stems from the uncertainty that confounds around our mental maps of the future. She didn’t just speak for her generation; she spoke for all of them.

With guitar licks that would serenade any Springsteen fan, the stridently distinctive vocals and Ben Folds-Esque pianos, the Cardiff-based singer-songwriter orchestrated a matchless hit that is going to put her on an even bigger map than the one that has seen her picking up awards, lauded by the BBC and touring across the globe.

Where Do I Go was officially released on May 20th. You can catch it for yourselves by heading over to Spotify.

Review by Amelia Vandergast

Post-punk goes guitar pop in Furrowed Brow’s latest feat of sonic theatre, I Threw The Bathwater Out

We ‘witnessed’ a Furrowed Brow gig in Manchester the other week, and we say ‘witnessed’ because we felt like an accessory to some kind of strange event, like sneaking into an ‘Eyes Wide Shut’ type cult affair without the correct passwords.

These Manchester typ(k)es saw us slightly affronted by the spectacle of a ‘Drummer in a Kaftan’ (sung to the tune of ‘Vicar in a Tutu’?) who smashed the tom and snare (no kick drum) like he was Bobby Gillespie circa 1985 in JAMC. All fronted by a snarky/sarcy singer that reminded us of Richey Manic snogging the Divine David and three awesome artists (guitar, bass, keys) that frankly held that shit together like their lives depended on it.

Think Earl Brutus meets Felt in a Britpop toilet cubicle whilst Jarvis Cocker takes bad coke with Morrissey in the next cubby.  I think you get the drift.

The new single ‘I Threw The Bathwater Out’ is classic c86 style guitar pop echoes, sort of David Gedge fronting ‘Fire’ era Pulp. But it’s really just the tip of the iceberg that sunk the Titanic because the live show is a must-see riotous affair with early Fall style energy mixing wit and irony with the ultimate broadside of a spot-on cover of Johnathan Richman’s 50-year-old Modern Lovers’ classic ‘I’m Straight’.

Not only was it funnier than the original, but it suddenly makes more sense in these gender-fluid times. Instead of singing about ‘Hippy Johnny’ and his stoned antics, the narrator’s declaration of ‘I’m Straight’ now has much more meaningful cultural resonance with ‘Hipster Johnny’ and his ‘paedophile moustache’ completely trumping the original antagonists’ comparatively lame crimes of basically liking to smoke weed.

I guess what we’re saying is, buy the single and go to the next live show. YOU WILL NOT REGRET IT.

Artist Links: Facebook, Spotify, YouTube, Bandcamp, Instagram.

Review by James Cook

Glass Image reached the pinnacle of evocative riff-driven alt-indie alchemy with their latest single, Again

On the basis of their latest single, Again, Glass Image is the entire pensively intellectual alt-rock package. With the artfully evocative gravitas of Radiohead, the monolithically melodic guitars and the raw yet honeyed indie alt-rock vocals, it’s enough to aurally lull you into an emotionally heightened state of intense appreciation of their candour and signature brand of riff-heavy alchemy.

After forming in 2018, the NY-hailing outfit got to work on their debut 2019 EP, which stood as a testament to their proclivity to always weave a meaningful narrative around melodic riffs. Following the release of Again, they are set to release their debut LP in 2022. Notably, they’re one to watch.

Again is now available to stream on Spotify.

Review by Amelia Vandergast

Spotlight Feature: Tim Jackson reached the pinnacle of tender tenacity in his alt-indie single, An Unusual Time

With his standout single, An Unusual Time, taken from his sophomore album, Litter in the Park, the London-based singer-songwriter Tim Jackson, proved that the most consoling tracks don’t evade the grittiest facets of our existence, they encompass them and deliver us from them with pure transcendent panache.

An Unusual Time is so soothing it’s practically medicinal for the way Jackson contends with the unrelenting uncertainty in all of our lives with infectious ease. Sure, there’s been no short supply on exports of lockdown-inspired singles, but Jackson’s Elliott Smith-Esque vocals and tender tenacity are something to behold time and time again. There is as much nuance in the endlessly unravelling lyricism as in the mellifluous complex time signatures that bring an organic dynamic to the indie alt-rock meets jazz sanctum of a soundscape.

Here’s what Tim Jackson had to say about An Unusual Time

“This song is something we can all relate to after several years of once in a lifetime events; it speaks to the sense of bewilderment I was feeling when I wrote it. The title is both lyrically straightforward and cheeky, given the odd 5/8-time signature.”

Litter in the Park is now available to stream in full via Spotify.

Keep up to date with the latest releases from Tim Jackson via Facebook.

Review by Amelia Vandergast

 

Welsh singer-songwriter M’ Donwaite is an artful aural vision in his indie-folk single, Watering Can

Watering Can by M' Donwaite

Welsh singer-songwriter M’ Donwaite has released his achingly beautiful, orchestrally-scored indie folk pop single Watering Can. Its delicate intensity creates a beguiling paradox which may as well be pandora’s box for the way Watering Can unpredictably unravels.

With the naturalistic elements brought up against M’ Donwaite’s Tenor vocal notes and the contrastingly lamenting finger-picked guitar strings that bring a little lo-fi intimacy to the release, it is an artful triumph. Yet, it never dares to come close to the same air of pretension often affixed to the neo-classic Avant-Garde. To say M’ Donwaite is the most exciting act from Wales since the Anchoress wouldn’t be an exaggeration.

Watering Can officially released on April 17th; it is now available to stream and purchase on Bandcamp.

Review by Amelia Vandergast

Pulse Park went sub-zero in their off-kilter new wave indie single, Sine Wave

Phonac Music by Pulse Park

Canadian alt-indie newcomers, Pulse Park, have sent us right back to the golden age of new wave indie with their latest release, Sine Wave. I’ve long been fascinated with the bleak tales of Shackleton and other Arctic explorers exposed to bitterly cold untold misery. To stumble on a three-piece that first met during an arctic expedition in Canada and started to learn their instruments under the unrelentingly dark skies, was nothing short of serendipitous bliss.

All of Pulse Park’s music is an effigy to the less than temperate expedition that led to the development of their morosely arresting take on off-kilter new wave indie rock. The sweeter than sweet vocals are just as melt worthy as the vocal timbre from Tiger Army, The Smiths and Slowdive while the instrumentals kick up a hypersonic storm around the emotion-driven harmonised vocals. As far as we are considered, Sine Wave is the epitome of the indie earworm.

You can check out Sine Wave for yourselves by heading over to Bandcamp.

Review by Amelia Vandergast

Runner and Bobby has released his surfy and psych-tinged indie release, For Marcy

‘For Marcy’ is the latest sweet, surfy, and psych-tinged indie single from the Chicago hailing independent artist Runner and Bobby. The choral and blissfully sun-bleached single allows you to imagine what Pavement would have sounded like if they amped up the dreamy melodicism in their sound and met Velvet Revolver halfway.

After a mellow tape-saturated intro, the 100% DIY artist breezes in with his bright yet tinged with artistic and romantic existentialism vocal timbre. Butter wouldn’t melt on his harmonies against the uplifting chord progressions that carry you through the affectionally unforgettable release.

For Marcy is now available to stream via YouTube

Review by Amelia Vandergast

Doruk Doyran ambiently nods to celestial awe in his latest indie composition, Your Love Is Holy

Doruk Doyran’s latest ambient composition, Your Love is Holy, starts akin to a binaural masterpiece before eerie melodies bleed through the lush shimmering reverb that hums across the expanse of the soundscape.

At the 3-minute mark, desert rock, shoegaze, and fiery blues-rock start to artfully collide in the release through searing hot riffs and cavernous echoes before Doruk Doyran begins to build a hypnotic lead guitar rhythm that guides you through the spiritual outro.

I’ve heard my fair share of ambient soundscapes in recent years, none of which had the same gravitas-rich grip as Your Love is Holy. The title certainly isn’t the only nod to celestial awe.

Your Love is Holy is now available to stream via Spotify.

Review by Amelia Vandergast