Browsing Tag

Alt Indie

Lock horns with ‘The Devil’s Daughter’ in Doug Burton’s Latest Installation of Indie

Posted on 11 August 2023
Good Music by Doug Burton

With a touch of college radio rock in a R.E.M.-esque vein fused with the same sense of lyrical conviction you would find in a New Model Army release, the seminal single, The Devil’s Daughter, by Doug Burton is a quaintly visceral experience that couldn’t have been penned by any other hand.

The folky tendencies are inexplicably balanced by the rock reverence and the pop hooks, enabling the Williamsburg, Virginia-based solo artist and producer to establish himself as an originator in the contemporary music landscape. He’s been cutting his teeth since he first started playing in high school bands in ’85; it is safe to say that at this stage in the game, he more than knows his way around a sticky-sweet melody.

Stream and Purchase The Devil’s Daughter on Bandcamp, or order the Good Music LP while the limited-edition vinyl copies last.

Review by Amelia Vandergast

Sean Grant & The Wolfgang synthesised dystopia in AI (Nothing Rests Everything Moves)

Posted on 3 August 2023

The age of the artist is playing its swan song, and it hums to the tune of the latest single, AI (Nothing Rests Everything Moves), by Sean Grant & The Wolfgang.

The diaphanous vocal lines cascading into the cinematically dystopic darkwave atmosphere constructed by clamorous industrial tones created an evocative juxtaposition that paints the vulnerability of sentience in contrast to the inexorable existential threat of artificial intelligence.

Sean Grant & The Wolfgang have metamorphosed a myriad of times since they introduced themselves on the airwaves with their critically acclaimed EP, 7 Deadly 7, in 2016; each evolution in their always sonorously synthesised sound lends itself effortlessly well to the discontent in the collective psyche.

As a complete antithesis to Grimes’ latest single, I Wanna Be Software, through which she willingly volunteers herself to a dark future of transhumanism, which still probably isn’t as cold as getting into bed with Elon Musk, this latest installation of transcendently discordant soul taps into the powerlessness of the average human as exponential technological progression threatens to tear away our purpose and replace it with inadequacy.

Admittedly, Sean Grant & The Wolfgang didn’t appear on my radar until I saw they were venturing into Manchester to perform with The Battery Farm and SOURDOUGH; all it took was one hit of AI to convince me to grab a ticket and get down the front for the live rendition of the obsession-worthy single released via their label, Vandalism Begins at Home.

May be an image of text that says "Vandalism Begins At Home Presents WOLFS SEAN GRANT THE WOLFGANG PEACHSTONE DOUBLE A Vandalism Begins At Home Presents SEAN GRANT & THE WOLFGANG THE BATTERY FARM SOURDOUGH Stags Head Hoxton, London August 5th Doors 7pm The Castle Hotel Manchester August 11th Doors 8pm £7 Advance (plus booking fee) £9 On The Door VBCH f5Advance (plus booking fee) On The Door VBCH"

Stream the latest single from Sean Grant & The Wolfgang on Spotify and give them a follow on Instagram and Facebook.

Review by Amelia Vandergast

Peach Giraffe is dejectedly wayward bound in their dissonantly sweet indie single, Take Me Home

Posted on 21 July 2023

Finding the wavy lo-fi middle ground between Nirvana and Elliott Smith, the latest single, Take Me Home, from the DIY indie originator, Peach Giraffe, is a soporifically sweet visualisation of the desire to be enveloped in the irreplicable comfort of home.

In spite of the succinctness of the instrumental arrangement, led by the definitively 90s indie guitars, the single is underpinned by a precariously resonant state of unease that anyone who has a proclivity towards detachment and disassociation will find themselves connecting to.

After this installation of enticing artfulness and expressive candour from Peach Giraffe, our breath is bated for the next authentically raw hit from the artist who holds little loyalty to genres in his fluid discography, constructed by their desire to create whatever comes to mind with minimal inhibition.

Take Me Home was officially released on July 7th; hear it on Spotify.

Review by Amelia Vandergast

Jake Embers mainlined pure genre-fluid experimentalism into his latest single, YOU

Posted on 5 July 2023

Washington D.C.’s freshest trailblazer, Jake Embers, laid it all down on the evocative line with his latest single, YOU, which lures you in with a lo-fi bedroom pop sequence scored by his ethereal falsetto vocal lines and minimalist instrumentals before bursting into a crescendo of alt-rock. Further into the self-produced single, elements of trap, RnB, and post-rock work their way into the fearlessly blended sonic landscape until there were no more boundaries left to push.

When you experience a track in this vein, which mainlines pure genre-fluid experimentalism to evoke visceral emotion, you realise just how safe other alternative artists play it. YOU stratospherically transcends the archetypal and the Avant-Garde alike to invite you into a vortex of originated alchemy.

Follow Jake Embers on Instagram.

Review by Amelia Vandergast

JW Paris Leave It Alone Video Premiere

Posted on 30 June 2023

Teaming up with the video director and director of photography, Alex Estrella, the prodigal spawn of alt-indie, JW Paris, visually captured the same superlative swagger of their distorted to-the-nines sound in their latest single and music video, Leave It Alone.

JW Paris was hardly painting at the kids’ table with their former releases. But the exhibition of a freshly honed sound in Leave It Alone, ahead of the release of their upcoming sophomore EP, marks a fierce new frontier for the powerhouse who never lyrically play with their cards close to their chest.

With Glasvegas-esque choruses that raise the roof so high they leave the brickwork on another plateau, Leave It Alone is metaphysically mind-melting in its ability to balance anthemic transcendence with hauntingly grunged up rancour that adds oceanic depth to the melodies.

Lyrically, Leave It Alone peers into the human proclivity to question reality and look for redemption for past mistakes. In JW Paris’ own words:

“Leave It Alone is a deeply personal song that reflects our own inner journey of self-discovery and acceptance. It invites the listeners on an introspective exploration of identity and longing for inner peace. It is a heartfelt track that encapsulates the struggles and triumphs of self-discovery, reminding us to embrace our imperfections and find solace within ourselves.”

Splicing two facets of the iconic 90s epoch has seen the London-based three-piece comprising Gemma Clarke, Daniel Collins, and Aaron Forde establish themselves as a peerless outfit you will want to try out for size and never take off.

Their two seminal 2022 singles, Electric Candle Light and Runaway received extensive airplay from BBC Radio 1, BBC Introducing, Absolute Radio, and Amazing Radio. JW Paris also deservedly worked their way into the main playlist on Radio X, and numerous curated indie playlists.

Leave It Alone will be released via Blaggers Records on the 30th of June after being recorded at Buffalo Studios, produced by JB Pilon and mastered by the 2023 award-winning engineer at Air Studios, Cicely Balston.

Stream it on Spotify or watch the official music video on YouTube. 

Follow JW Paris on Facebook, Instagram, and Twitter.

Review by Amelia Vandergast

 

Lapdog ripped up the indie songwriting script with their psychedelically mellow single, Yellow Belly

Posted on 21 June 2023

Someone let the raconteurs of indie psych experimentalism, Lapdog, off the leash and into the studio to record their double A-side single, Yellow Belly / Buy & Sell, and the airwaves are infinitely sweeter for it.

Despite the complex time signatures which rip up the indie songwriting script, the melodies in Yellow Belly reach the pinnacle of mellow melodiousness before the single slips into Grandaddy-esque synthy obscurity, bringing it right back to the wobbly with saturation tones from the prelude.

With vocal lines which take cloud-like form as they drift through the intricately layered yet mesmerically smooth soundscape, The Salt Lake City conduits of soul-kissed innovation hit it out of the dog park with Yellow Belly. Feel good tracks have never felt so good.

Yellow Belly / Buy & Sell is now available to stream on Spotify.

Review by Amelia Vandergast

Visit the haunted ‘Park of Endless Dreams II’ in Frances Cleave’s ethereally alchemic single

Posted on 20 June 2023

After beguiling us with her Southern Gothic sophomore single, Freedom vs. Loneliness, the Charleston singer-songwriter Frances Cleave perceptibly sharpened her magnetic songwriting chops for her third single, Park of Endless Dreams II.

The deeply confessional single gives an intimate view into Cleave’s relatable haunted psyche while bringing her audience’s emotions to the surface to taste the catharsis in the hazy Lynchian soundscape.

Traversing the pleasure-pain dichotomy through ethereal vocal lines, which sink into the eerie tones split by the minimalist synth lines, Park of Endless Dreams II is yet another testament to Cleave’s alchemic relationship to music. With her lyricality always pertaining to a sense of duality, Cleave is a rare artist who shows you both sides of the coin with her poetic works.

Park of Endless Dreams II was officially released on June 9th. Stream it on Spotify. 

Review by Amelia Vandergast

Number One Babe Team delivered spiritual salvation in their alt-indie single, The Final Hallelujah

Posted on 18 June 2023

With subversive references to While My Guitar Gently Weeps in the lyrics and a touch of Neil Young to the lightly timbered sentimentality in the vocals, the standout single, The Final Hallelujah, from Number One Babe Team’s debut LP, See You Later, is a euphonic reverie of nostalgia, which more than has its place on contemporary airwaves.

As alluded to by the indie band’s moniker, Number One Babe Team doesn’t take itself too seriously, making their soundscapes, which also incorporate shoegaze-y guitars and touches of Elliott Smith in the songwriting, infinitely sweeter.

If Neutral Milk Hotel honeyed their soundscapes to the nth degree but still maintained the quaint humility, the result wouldn’t be too far removed from the sonic signature scribed by the Salt Lake City premier act, which has become an integral part of the touring circuit since their 2022 debut.

Stream the full LP, which hit the airwaves on June 9, via Spotify.

Review by Amelia Vandergast

Ride the indie surf rock waves in Louis Janus Thomas’ latest single, Auspicious Momentum

Posted on 14 June 2023

The North Wales-hailing one-man powerhouse of indie surf rock innovation, Louis Janus Thomas, has made a riptide-roaring return to the airwaves after his 2020 EP with his frenetically clever single, Auspicious Momentum.

With the vox and tinges of the melodic work throwing us back to the glory days of Razorlight and the heat of the Cali surf energy emanating the same zany appeal as Heavy Salad, Auspicious Momentum stands as a testament to how much Louis Janus Thomas has refined his sound since he last rode the crux of the airwaves. It’s only a matter of time before he’s on the A-lists of BBC Radio 6 DJs. The single can easily be read as one of the most innovative evolutions from the garagey indie sound pioneered by the Strokes.

Auspicious Momentum was officially released on June 2nd; check it out on Spotify and YouTube.

Review by Amelia Vandergast

The Immaculate Crows held a mirror to human-derived harrow in their psychedelic alt-indie single, Dolly

Posted on 10 June 2023

The Immaculate Crows never fail to strike all the right chords with their sympathetic sensitivity and superfluous arrangements; their single, Dolly, was no exception to the rule. With a Southern country folk twist to psychedelic new wave indie, they orchestrated the ultimate soundscape for profound reflection.

A tale of torment-driven suicide and domestic violence could have easily sat heavily on the soul, but with the rich tapestry of psych, folk, indie, pop and country rock, The Immaculate Crows efficaciously advocate for a reality that gravitates around compassion and kindness.

The sonic olive branch may be small, but sometimes, all it can take is one push in a more positive direction to create a ripple effect of change, and therein lies the beauty of The Immaculate Crows’ discography. It holds a mirror to human-derived harrow before melodiously illustrating the capacity for tenderness, which lies in us all.

Stream Dolly on Spotify now.

Review by Amelia Vandergast