Browsing Tag

Alt Hip Hop

Ride the waves in Caleb X’s latest flood of experimentalism, Kick Start ft Zay-OH

Since blasting off his career with his 2019 debut single, Space, the Atlanta-born, Virginia-based rapper Caleb X has honed his sonic signature to become one of the most authentic names in the hip-hop domain. His latest single, Kick Start, featuring Zay-OH takes motivational hip-hop to the next inspirational level while epitomising his ethos to ensure his music is as versatile as his own identity. Sonically spitting in the face of conventional constraints, Kick Start is a declaration of his ability to transplant humanism within catchy distinction.

By grounding the lyrics and bars in realism and the relatability of ennui with the era we’re all enduring and allowing the kaleidoscopically spacy instrumentals to ebb and flow in trippy trap-esque waves, Kick Start is a cohesively convictive juxtaposition that exhibits Caleb X as a promising luminary who has exactly what it takes to become one of the biggest new urban experimentalists.

Kick Start was officially released on January 26th; stream the single on Spotify and follow Caleb X on Instagram.

Review by Amelia Vandergast

Kweku Bandit cinematically reimagined London’s streets in his urban tale of triumph, Nowhere

You may think you know London’s streets but once you see them from a different point of view in Kweku Bandit’s official music video for his latest rap hit, Nowhere, your perception of the cityscape will take a seismic shift after you acknowledge how they can be the breeding ground to success stories rather than just battlegrounds for class wars.

The conceptually compelling music video, which has already racked up over 24k streams since its debut on January 19, depicts Kweku Bandit on a rags-to-riches character arc. The orchestrally laced instrumentals bring a touch of film noir glamour to the track that sees Kweku Bandit bringing as much rhythm in his Dancehall-inspired bars as the snappy beats that heighten the energy of the hit that will give you all the inspiration you need to stay on your grind. The track is as essential as it is phenomenal; as Kweku Bandit exposits, the road to success often moves people out of your corner and in the rearview mirror. If fake friends fall by the wayside, you can always lock into the inspiration that pours from this seminal hit.

Despite the flashy iconography in the music video to depict an ascent through the economic ranks, nothing about Nowhere feels like a flex; the sense of soul that radiates from Kweku’s persona translates into an affirmation that anywhere can be the land of opportunity if you’re willing to reach for it and refuse to be a victim to circumstance.

Stream the official music video for Nowhere on YouTube now.

Review by Amelia Vandergast

dom ultra – DAYSINBOSTON: From the Streets to the Studio via the Boulevard of Soul

DAYSINBOSTON by the NYC luminary, dom ultra, is a masterful blend of soul and innovation, marking a significant moment in his musical journey, which is about to reach a major milestone with the drop of his upcoming debut project, PRESENTING: ROY HUNTER, which is due for release in March 2024.

The wavy, luxe production transports listeners from the gritty streets of Boston to the heart of his fervently hypnotic creativity. The use of ethereally distorted backing vocals adds an artful, gospel-esque layer to the track, creating a rich, multi-dimensional sound while dom ultra ensnares with the versatility in the lead vox, as he effortlessly shifts from a spoken word cadence to dancehall-ready vox.

The hypnotic distortion around the sample towards the outro amplifies the Bon Iver influence, a nod to dom ultra’s diverse musical inspirations. This element adds a textured, almost dreamlike quality to the track, blending seamlessly with the soulful undercurrents.

Since his early days with Oblivius Music, dom ultra has evolved into an artist who defies genre constraints. DAYSINBOSTON is proof that he’s still riding high on the fumes of his distinctively pioneering flare.

DAYSINBOSTON was officially released on January 19th; stream the single on Spotify.

Review by Amelia Vandergast

Orizon made his disconcertingly disquiet debut with his avant-garde genre-evasion, WORMNO.1

Orizon’s debut single ‘WORMNO.1’ is a bold, genre-defying escapade that challenges the very fabric of musical norms. This avant-garde piece is a manifesto of Orizon’s unbridled creativity and audacious vision. From the outset, ‘WORMNO.1’ captivates with a cascade of keys, reminiscent of the haunting tones of the ‘Clockwork Orange’ soundtrack. It’s a journey that begins in classical territory but quickly diverges into a realm where hip-hop beats and neo-classical elements coalesce into something entirely new. Orizon’s dark, mantra-like vocals serve as a grounding force amidst the chaos, offering a comforting anchor in this storm of sound.

Listening to ‘WORMNO.1’ is akin to imagining Glenn Branca’s ‘The Ascension’ reimagined with a hip-hop heartbeat. The track is a testament to Orizon’s ability to bend genres to his will, creating a soundscape that is as disquieting as it is mesmerising. The juxtaposition of classical serenity and hip-hop’s raw energy creates a disarming effect, reflecting the tumultuous nature of human emotions and relationships.

Orizon’s debut album, ‘RADIO (INPINK)’, promises to be a journey through love’s many stages, with ‘WORMNO.1’ setting the tone for this exploration through a blend of anarchy, sophistication, and a touch of synth supervillainy.

In ‘WORMNO.1’, Orizon laid down the gauntlet for the future of music. It’s a bold statement from an artist unafraid to venture into uncharted territories. As the final notes fade, one thing is clear: Orizon is not just here to play music; he’s here to change the game.

WORMNO.1 was officially released on the 2nd of January; stream the track on Spotify.

Review by Amelia Vandergast

King Apollo juxtaposed grit with glamour in his alt-hip-hop hit, Holliwould

King Apollo, hailing from Columbus, Ohio, is not just another name in the rap game; he’s a whirlwind of creativity reshaping the hip-hop domain. His latest single, ‘Holliwould‘, stands as a testament to this bold assertion. This track is a journey through a soundscape where jazz’s sophistication meets the raw energy of rap, creating an experience that’s as enigmatic as it is enthralling.

From the first note, ‘Holliwould’ envelops you in a world where the past and future collide. The instrumental arrangement is a masterclass in melody, weaving a tapestry that’s both spacy and wavy, with a jazzy undertone that feels like a nod to the classics. Yet, it’s undeniably forward-thinking, a fusion that feels both nostalgic and novel.

King Apollo’s bars are the centrepiece of this musical odyssey. His wordplay is not just clever; it’s a sly wink to the listener, as intricate and layered as the title suggests. The lyrics dance through the beats with a devilish charm, offering a glimpse into a mind that’s as sharp as it is creative. It’s this blend of wit and wisdom that sets King Apollo apart, ensuring that every line resonates long after the song ends.

By blending the glamour of film noir with the unvarnished truth of street life, contrasting elements coalesced with effortless grace and established this sense of duality as a mark of King Apollo’s artistry.

Stream Holliwould as part of the 2023 LP, OuterSpace, on Spotify now.

Review by Amelia Vandergast

Reality bites, but Sizway’s bars hit harder in his originated rap track, Paint

For his latest single and music video, Paint, which has now racked up almost 350k streams on YouTube, one of the biggest names to break through the rap scene, Sizway, collaborated with producer Josh Osbourne and director Dre Paiid and unleashed a gritty portrayal of life’s raw edges.

Born Zuri Ntlabati, Sizway’s Detroit roots and South African heritage have culminated in a sound that is as diverse as his background. Paint, set against a backdrop of hypnotic melodies and the sharp bite of 808s, is a testament to this.

The track opens with a mesmerising play of keys, setting a tone that is both introspective and assertive. As the trappy rattle of the 808s kicks in, Sizway takes the reins, delivering rap bars that pull you into his world. His lyrics are a vivid vignette of reality, unvarnished and unapologetic. There’s no room for hedonistic gloss here; Sizway’s narrative reflects the sharp teeth of reality that he has navigated.

As he continues to rise in the hip-hop dominion, Sizway stands as a trailblazer of originality, and Paint is a key to understanding a world he navigates with grace, edge, and grit.

Stream the official music video for Paint on YouTube now.

Review by Amelia Vandergast

Tha Blaqsmith crafted a monastery-esque mindscape with the lo-fi beats in his latest release, What is Meditation

The Last Day EP by Tha Blaqsmith

In the bustling sphere of modern music, Tha Blaqsmith, a California-Las Vegas based producer, crafted a unique auditory experience for their latest release, What Is Meditation, and invited his listeners on a voyage into the realms of inner peace and heightened consciousness, led by the guiding light of Edwin “Tha Blaqsmith” McCain’s innovative spirit.

From the outset, the mindfulness bells resonate, echoing the sacred sounds of a Tibetan singing bowl. This introduction is not just an opening but a ticket into a sanctuary of serenity. The bells set the stage, transporting the listener to the tranquil corridors of a Buddhist monastery, a setting where the mind finds solace and the soul, harmony.

As the journey unfolds, a crackling spoken word recording emerges, reminiscent of an old sage imparting wisdom on the essence of meditation. This element adds a layer of authenticity and warmth, bridging the gap between the ancient practice and the contemporary listener. The lo-fi beats then make their entrance, maintaining the tape recording crackles, a subtle nod to Tha Blaqsmith’s affinity for vinyl records and drum breaks. This fusion of the old and the new creates a soundscape that is both nostalgic and refreshingly novel.

The ambient elements that flow into the track further enhance this meditative experience. Tha Blaqsmith’s skill in blending these sounds demonstrates his unorthodox approach to music. With no formal background in composing, his natural inclination towards music shines through, offering a raw, yet refined essence to the hip-hop genre.

What is Meditation was officially released on December 31 in The Last Day EP; stream the EP in full on Bandcamp.

Review by Amelia Vandergast

Lose yourself in the videogame-esque aesthetic in Mew Kardo’s latest trap single, VODOLADY

On Christmas Day, the trap trailblazer, Mew Kardo, put his debut LP, GAMK VOL2:ALLNIGHTLONG, under everyone’s tree and allowed the genre to transcend its archetypes. The pop-hooked 8-bit adjacent standout single, VODOLADY, portrays Mew Kardo as an antihero you can’t help but warm to as the melodies meander beneath his distinctively infectious bars that flow with a killer cadence.

His work, a vibrant blend of trap’s raw energy and a digital, almost videogame-like aesthetic, marks an immersive evolution in the genre. Kardo, drawing inspiration from titans like Kanye West and Kendrick Lamar, infuses his music with a sense of boundless creativity, yet remains grounded in the gritty realism that trap music embodies.

Kardo’s skill in storytelling shines through as he navigates this complex landscape with a deft lyrical prowess reminiscent of Lil Wayne’s intricate wordplay and André 3000’s vivid narratives. The track is a journey through a world where the beats are as pulsating as the pixels on a screen, creating an immersive experience that is both familiar and refreshingly novel.

VODOLADY speaks of a future where genres are fluid, and artists like him are the architects of this new musical landscape. His ability to filter reality through a digital lens while staying true to the roots of trap is nothing short of remarkable. This release is a testament to his potential, hinting at a career that will be as impactful as it is innovative.

Stream VODOLADY on Spotify now.

Follow Mew Kardo on Instagram.

Review by Amelia Vandergast

Tahj McQueen broke boundaries with the bass-swathed beats and breaks in his trailblazing alt-hip-hop track, BMMY

Tahj McQueen’s seminal track, BMMY, from his eagerly awaited debut album, Bumm3P, is a striking showcase of his experimental flair and a cutting testament to his avant-garde edge which is set to carve out his legacy in the landscape of alt-hip-hop.

Between the Eastern-inspired rhythms, the 8-Bit Adjacent beats and the glitchy matrixes within the melodies, there’s an artfully pioneering propensity to BMMY, one that any fans of hip-hop which breaks boundaries will appreciate. In the midst of the instrumental chaos, McQueen keeps his flow mesmerisingly steady, allowing his bars to become the eye of a distorted storm.

Exotic yet familiar, nostalgic in the digital textures yet innovative enough to push revolutionary tides through the airwaves, McQueen’s dynamic and high-energy production is a paradox that will leave you at the edge of your proverbial seat as the exhilaration grips you.

McQueen, a young talent from Greensboro, NC, draws inspiration from experimental hip-hop and electronic music and his drumline experience. This diverse background is evident in BMMY, where the bass-heavy and flashy production reflects his bold and energetic style. Currently a student at UNCG and working alongside the 506 creative team, McQueen is not just a musician but a visionary.

Stream BMMY as part of Tahj MacQueen’s debut album, Bumm3P, via Spotify.

Review by Amelia Vandergast

Bedfordshire’s Jeron Ross started a riot of rap innovation in his sophomore release, Possession

After making his debut with his East Coast-flavoured inaugural release, Write of Passage, featuring A Alchemy, the Bedfordshire rapper, Jeron Ross turned experimentalism into exhilaration by exploring the depths of alt-rap and showcasing his ability to blend storytelling with the unpredictability of freestyle in his sophomore release, Possession.

Hit play and find yourself in the uninhibited corridors of Ross’ mind, where each verse and switch in tempo leads you deeper down the rabbit hole and confronted by a mosaic of musical ideas, where each distinct part is part of a larger, mesmerising portrait of possession.

Ross’ versatility shines as he transitions from harmonised choruses to zany bars, each switch in style and tone adding layers to the track’s rich texture. His vocal performances are a rollercoaster of emotions, exuding a sense of impassioned and cagey urgency that grips the listener from start to finish.

The track’s structure, with more curveballs than cohesion, might seem unconventional at first. However, this apparent disarray is Ross’ genius at play. It reflects the chaos of a mind in constant motion, thoughts and emotions colliding and coalescing into something profoundly expressive.

Ross’ background in freestyle rapping, honed since his teenage years, is evident in the fluidity and spontaneity of Possession. His wicked punchlines and vivid imagery are a sure sign of even bigger things to come.

Possession was officially released on December 26; stream it on Spotify.

Review by Amelia Vandergast