Browsing Tag

Alt Electronica

Spyndycyt took synth-pop to visceral new heights with his introspection-fuelled hit, Change Me from the Inside

Posted on 29 July 2024

The electronica avant-gardist, Spyndycyt, has struck again with the release of his sophomore synth-pop single, Change Me from the Inside. If Frank Zappa had lived long enough to experiment with 8-bit-adjacent production, he would have undoubtedly orchestrated something as ludicrously electrifying as this infectiously unhinged anthem, which almost registers as a lament from a painfully self-aware transhuman organism 100 years in the future.

Change Me from the Inside reverberates with all-too-relatable electro-pop insanity, echoing New Order in its kinetic rhythms which pulsate through the chaos stirred by synthesising a raw emotional undercurrent into tides of merciless electronica which shimmer into distortion with every crescendo.

Each beat and melody reflect a different facet of self-discovery and confrontation from an artist who fearlessly never filters his expression to become an advocate of introspective candour and to perfectly encapsulate his message that lifting the veil on your own psyche is never a comfortable process.

The spontaneously materialised lyrics efficaciously testify to how wrestling with your own autonomy will leave you battle scared; the teeth of self-remonstration and loathing will always sink in, yet, chances are you’ll also meet your own indomitable spirit and come out stronger after the encounter.

Change Me From the Inside was officially released on July 21; stream the single on SoundCloud now.

Review by Amelia Vandergast

Bitvert – Deletist: A Techno-Punk Invocation of Resistance

Posted on 9 July 2024

Bitvert’s latest release, Deletist, is an off-kilter slice of pulse-pounding experimental electronica, crafted in the heart of East London’s artist quarter—where creativity thrives despite economic and political adversity.

The encapsulation of the struggle against a dysfunctional government and parasitic leaders embodies the spirit of liberation and defiance; the punk ethos charges the sequence of nocturnal electro, born through an amalgamation of spectral electronica, 4/4 techno beats and kinetic sub-bass frequencies.

The single’s release coincided with the new government’s election, yet it remains timely all the same, given the sense of nihilism and despair that remains pervasive in the UK’s collective psyche. Deletist serves as a bass-drenched techno resistance, a sonic uprising against the subjugation that has eroded hope and fuelled a belief in our epoch’s irreversible regression.

With punk’s spirit relegated to the shadows of the music industry, Bitvert ensures its essence endures through his frenetic rhythms that testify to the times, call for unity and vindicate through volition.

Deletist was released on the 4th of July via We Are Not Content; stream the single on SoundCloud now.

Review by Amelia Vandergast

Batka – Ałive: An Electronic Odyssey Between Serenity and Storm

Posted on 7 July 2024

BaŁka went down a cinematic storm in their latest release, Ałive, featuring PRESPHNE. The seductively progressive hit opens on a note of ethereal transcendence with the intricate instrumental layers efficaciously complementing the quiescent harmonic whispers, but it isn’t long before the intensity builds within the momentum of the tour de force of seamlessly chameleonic shifts in tone and tempo.

The head-spinning hits of Drum ‘n’ bass contort Ałive into a pulsative juggernaut of an anthem; the industrial rock aesthetics which follow act as further attestations to BaŁka’s ability to move sonic mountains with virtuosic melodic manipulations.

From the exponentially expansive crescendos to the transient installations of nature-infused cathartic tranquillity which follows like serenity after a storm purges the atmosphere, Ałive is definitive proof that few artists are as capable as BaŁka in depicting the duality between the brutality and ferocity of the human experience.

The inspiration for his powerful sound design is so much more than just an abstract concept. The thematic essence of his work hits you as hard as the beats, which goes a fair way in explaining how in six months within the industry, he’s already had an official release on MONTA Records, been signed by the LA-based music group, Cage Riot, and garnered over 30k streams.

Stream Ałive on all major platforms, including Spotify, now.

Review by Amelia Vandergast

António Sá – Partition_Monolog: An Ambient Immersion into Digital Reflection

Posted on 4 July 2024

António Sá’s debut LP, CACHE 01, presents Partition_Monolog, a track that immerses listeners in subtle cerebral reflections, a tonality of transcendence and syncopated spectres of futurism.

The soundscape within the concept LP, which explores how memories are increasingly digitised, subdues the listener into a profound state of catharsis while pondering what it means to be human when our autonomy is increasingly enmeshed with the artificial artifices of technology.

António Sá, an artist, producer, and sound engineer, efficaciously utilised spatial effect within his diaphanously lush downtempo progressions which are shrouded in an aura of deep reticent thought. Partition_Monolog invites you to lose yourself in its sonic world, invite ambience into your psyche, and join the visionary as he follows his muse through unchartered territory.

The CACHE 01 album, released under Diffuse Reality Records, brings a fresh perspective to the electronic music scene. It speaks volumes of the Portuguese-based originator’s talents and ability to awaken the imagination within his evocatively euphonic scores.

Partition_Monolog is now available to stream on Spotify with the rest of António Sá’s debut LP.

Review by Amelia Vandergast

The Primary Phase Principle has unveiled their cerebral post-industrial fable, The Subdued Mechanist

Posted on 12 June 2024

Taken from the debut EP, Echoes of the Mechatronic Age, the standout post-industrial electronica score, The Subdued Mechanist, from the Winnipeg-hailing solo artist, The Primary Phase Principle, paradoxically pacifies the senses while heightening emotions to such a visceral extent, it is almost primal.

The concept EP implants listeners in a fictional civilisation which depends on a universal mechanism they can no longer fully understand to deliver the ultimate parable of the AI-dominated future we are sleepwalking into.

The atmospherically filmic ambience of The Subdued Mechanist cerebrally alludes to Orson Welles’ belief that there is no confidence equal to sheer ignorance; it’s a liberating, quasi-Stoic score that holds a mirror to humanity and its willingness to evolve beyond its own comprehension.

By pouring influence of NIN, How to Destroy Angels and Tangerine Dream through a science fiction lens, The Primary Phase Principle unlocked the narrative power of post-industrial. He has a superlative gift in his ability to chronicle immersive fables simply through juxtapositions of harsh mechanical synthetics and crystalline flashes of enlightenment. His EP is so much more than just another addition to the airwaves, it’s a beacon of higher consciousness.

Stream The Subdued Mechanist on Spotify.

Review by Amelia Vandergast

R34L dawned a fresh era of alt-electronica with ‘NEW WAYS’

Posted on 18 May 2024

Trippy, transcendent, and rhythmically compulsive, the latest artfully orchestrated installation of alt-electronica, NEW WAYS, from the producer duo, R34L, comprising Sarah Hartman and Cason Trager is a cultivated vessel to spiritual ascension, wrapped in the aura of Lynchian reverie.

Hartman’s vocal lines harmonise with the divine high above the leftfield mix of electronica that will heighten any Portishead and Caroline Polachek-orientated playlists. The sense of soul that Hartman brings to the release in synergy with the lighter textures of the luxe track allows tides of catharsis to wash over you as the strong glitchy backbeat juxtaposes the lush layers with a sense of gravity that you’ll want to anchor yourself to time after time.

Whether you find your body beat to it or use it to slip into a sense of serenity by following the dreamlike progressions as they exit material reality, NEW WAYS defies ambivalence with its potent alchemy, which is likely to be extended through R34L’s upcoming 13-track LP, Falling in Place, which promises to place the listener in the unchartered middle-ground of indie-pop & club music.

NEW WAYS was officially released on May 10th; stream the single on all major platforms via this link.

Review by Amelia Vandergast

Policy Orchestrated the Ultimate Shadowed Symphony of Alt-Electronica with Lunella in ‘Lights Out’

Posted on 7 May 2024
Policy

With his latest single, Lights Out, the award-winning producer, multi-instrumentalist and recording engineer, Policy, exhibited how his three decades in the industry have culminated through his heart-wrenching cinematic soundscape which paralyses with power from the first ominously reverberant synth stroke.

The dark and stormy instrumentals feed delicious disquietness until the dawn of the single breaks with Euro House nostalgic euphoria. Through it all, Lunella’s vocals keep an even heart-breaking keel, channelling ephemeral grace in the same vein as Bjork. Her voice, steady yet heartrending, navigates the complexities of quasi-heartbreak with a finesse that mirrors the track’s richly layered instrumentals. The refrain, “You only love me with the lights out,” acts as a raw nerve, exposing the pain of love that lingers in the shadows, never fully revealed.

Policy’s synthesis of trip-hop, house, and dystopic avant-garde synth-pop will leave you ensnared in the beautifully crafted chaos of heartbreak. Every note and lyric is meticulously woven to explore themes of love, rejection, and the introspective shadows of the human experience. For fans and new listeners alike, Lights Out promises a sonic experience that captivates and haunts in equal measure.

Lights Out will be available to stream on all major platforms, including Spotify, from May 7th.

Review by Amelia Vandergast

Mild Horses unleashed avant-garde chaos in his genre-defying electronica release, Eye of the Behemoth

Posted on 25 April 2024
Eye Of The Behemoth by Mild Horses

Mild Horses, the experimental brainchild of Matthew Leuw, previously known for his roles in various underground bands, including Norwich’s Crest and Brighton’s Coin-op, has returned with ‘Eye of the Behemoth’.

The single seizes the listener with its lo-fi synth melodies grounded on a solid backbeat, before erupting into a drum n bass rhythmic firestorm. Not merely content to rest here, it pushes the boundaries further with sharp horn stabs, marking a bold foray into avant-garde territory. As the track progresses, the intense energy momentarily retreats into more subdued, jazzy grooves that infuse the piece with psychedelic tranquillity, setting the stage for a climactic resurgence. The finale of this instrumental odyssey is a masterclass in musical composition—returning full circle with a powerful beat that perfectly encapsulates the track’s dynamic range.

‘Eye of the Behemoth’ is not just another experimental track; it is a statement of artistic integrity from Mild Horses. This single does exactly what it promises—immersing its audience in an artfully crafted storm of sound that resonates long after the last note fades. It’s an assertive piece that boldly declares Mild Horses’ niche in the eclectic landscape of contemporary music. For fans of genre-defying soundscapes, this release is an essential experience, offering both challenge and reward in its complex layers.

Stream and purchase Eye of the Behemoth ahead of its official release date of May 10th on Bandcamp.

Review by Amelia Vandergast

FCF’s U AND I is a dynamically exhilarant dancefloor catalyst

Posted on 21 April 2024

“U AND I” by FCF is a revolutionary dancefloor catalyst that ignited the sphere of alt-electronica and added intense anticipation around the producer’s upcoming LP.

The track launches with a tender progressive house pop prelude, where deep reverberating basslines and soulfully intoxicating vocal lines set the stage for the impending infectious aural oblivion to come. As the mix escalates, it transitions into a hypersonic entrancing hit that promises not just to bring listeners to the brink of euphoria but to climax with them through an exhilarating fusion of psytrance electronic layers and Spanish guitars. But don’t think the peak is reached here; before long, FCF introduces adrenalizing rap bars that evoke raw tribal energy, seamlessly interwoven with reprising female vocal harmonies. This blend is not just innovative; it’s evolutionary; while some artists are content with constructing floor fillers, FCF went one step further by dropping a track that could start a riot on even the most subdued dancefloor.

FCF, hailing from Lisbon and inspired by artists like Rosália and Travis Scott, has a proven track record of breaking boundaries in electronic music. His eclectic influence—ranging from techno and house to hip-hop and reggaeton—allows him to craft tracks that challenge the conventional frameworks of music production.

“U AND I” exemplifies FCF’s unparalleled ability to fuse fire, fervour, soul, and rhythmic magnetism into a coherent whole that resonates across diverse audiences.

U AND I was officially released on March 2nd; stream the single on Spotify.

Review by Amelia Vandergast

Brikcs shattered boundaries and entered innovation’s nirvana with ‘King’

Posted on 17 April 2024

Brikcs, a visionary from the ethereal edges of music’s evolving landscape, delivered a profound auditory experience in his latest single, King. With a foundation laid by a Mogwai-meets-Portishead neo-classic intro of eloquent keys and phantasmically distorted vocal notes, the track boldly transitions into the dark territories of trap. If you went down the rabbit hole and instead of finding wonderland you entered innovation’s nirvana and met your demons, your trip would come a close visceral second to hitting play on King.

The artistic juxtaposition in King — between harsh, ensnaring bars and the enduring non-lexical harmonies that echo the transcendent terrain of Sigur Rós — crafts a captivating portal to an aural realm defined by authenticity. The single thrives on a blend of ornate classical notes and reverberating electronic effects, creating an installation of unparalleled emotional intensity.

The lyrical assertion of autonomy challenges listeners to disintegrate preconceived labels with every bar dropped. Acting as a nod to how the world attempts to shape us into archetypes, Brikcs resists them all, violently shaking them into the ether of this masterpiece.

Brikcs, an Icelandic multi-instrumentalist now based in Copenhagen, eschews easy classification, melding the raw energy of underground clubs with the refined grandeur of opera houses. King encapsulates his complex musical journey through haunting pianos, ethereal vocals, cerebral rap, and an electro-orchestral crescendo.

Accompanied by an experimental short film, directed by Vasco Alexandre and shot at ARKEN Museum of Modern Art, the track is not only a music release but a cinematic event, currently making waves in film festivals worldwide.

King was officially released on March 22nd; stream the single on Spotify.

Review by Amelia Vandergast