Browsing Tag

Alt 90s

The Q-Days – Underboard: Alt-90s Nostalgia Has Never Been Kaleidoscopically Sweeter

The Brighton-based alt-rock outfit, The Q-Days, is driving nostalgia into the next generation of British guitar music with their dreamy kaleidoscopic 90s Britpop-kicked tones and cathartically honeyed vocal lines. Their latest single, Underboard, is sweeter than Sally Cinnamon under the duress of the choral progressions that lick anthemic soul into every honed note.

With escapism, freedom of expression and euphoria as their triadic ethos, they stand for everything we should be giving an ovation to in the UK right now. It’s the pits, but one thing is for sure, our polluted waters are the perfect breeding ground for prodigal sons of rock n roll that salvation seekers will want to flock to.

After spending their foundling days developing their craft before it reached the airwaves and live stages, The Q-Days were always going to be primed to make a killer debut. So far, they’ve opened for Youth Killed It, The Rifles, and Bilk, but if any breakthrough act is definitively headliner material, it’s The Q-Days.

Underboard will officially release on April 7th. Check it out on SoundCloud.

Review by Amelia Vandergast

The Empty Page delivered us dejection-guilt with the art rock indolence in ‘Level Sedentary’

Sloth may be the seventh deadly sin in the eyes fixated on the demonisation of the human condition, but here to absolve us of our indolent transgressions is the ever-relatable Manchester outfit, The Empty Page, with their latest single, Level Sedentary. The second single from the forthcoming sophomore LP, released on March 3rd, is an art rock masterpiece for its mid-way descent into maniacal obscurity.

Breaking from the melodic destigmatisation of idle introversion, the ties that bind dejection to depression conceptually sprawl through the middle eight, pulling you into the murky depths of discord before your cognitions collide with the reminder that some of the greatest creative minds maintained a proclivity towards inertia.

The producer, Morton Kong, evidently knew just how to pull The Empty Page into their elevated experimental own with Level Sedentary. In a time when it is impossible to fully disconnect from the chaos of the external world, the ability to revel in it under the duress of a compassionately candid duo is worth more than words could ever convey.

Check out Level Sedentary on Spotify, Bandcamp & YouTube.

Follow The Empty Page on Facebook & Instagram.

Review by Amelia Vandergast

Boston Meets Britpop in djamesk13’s Alt-90s International Convergence, You Said.

https://soundcloud.com/djkemp13/you-said

London’s David Kemp has slid back under his djamesk13 moniker once again to release yet another feat of evocative lo-fi alternative alchemy by the grace of his 8-track recorder. You Said carries the raw lyricality of Disco 2000 while the instrumentals look far beyond 90s Britpop for their grit and sludge.

With no-wave-y motifs and crunchy guitars that bite in the same vein as Pixies, You Said is a riotous smorgasbord of Alt-90s nostalgia. Judging by the streaming stats on this release shortly after it grunged up the airwaves, clearly, plenty have an appetite for djamesk13’s seemingly effortless ingenuity.

You Said is now available to Stream on SoundCloud.

Review by Amelia Vandergast

Niky Pasolini has unleashed her illuminating indie dream-pop single, Light On

Alt-Indie singer-songwriter, Niky Pasolini, will release her debut album, Update, on January 20th. We were lucky enough to get a sneak preview of the standout dream-pop single, Light On; from the first ring of the alt-90s guitars and bleeding Shoegazey vocals, we were hooked into the vulnerably delicate self-produced hit. With engrossing reminiscence to Sixpence None the Richer in the guitars and the sense of sentimentality Light On is as illuminating as the title alludes.

The London-based artist wrote, created and recorded the entirety of the album in a makeshift studio in her basement to provide a refreshing antithesis to the extensively produced plastic pop that does little more than scratch at the superficial surface lyrically.

Light On will be available to stream with the rest of Niky Pasolini’s debut album, which documents her coming-of-age story, on January 20th via SoundCloud.

Review by Amelia Vandergast

Robots! Attack! break free through a bitter-sweet epiphany in their melodic rock hit, Tangled

Robots! Attack! by Robots! Attack!

Taken from their debut eponymous LP, the standout single, Tangled, from the Memphis-based fourpiece, Robots! Attack! is a reverently evocative rhythmic trip back to the alt-90s.

The breeze of the midwestern melodies is brought down to earth by southern grit in the grungy amalgam of punk, rock and harder-to-pin-down alternative inclinations that allow the outfit to carry fleeting reminiscences to Incubus and Deftones in their magnetically imploring vocal harmonies and the softly angular guitar lines that are never all too far away from an off-kilter breakdown.

While the lyrics allude to our tendency to fictionalise the characters in our own stories and give them far greater roles than they were destined for, the accordance-soaked instrumentals abstract any bitterness from the bitter-sweet epiphany of realising that time with some protagonists is always finite.

Tangled is available to stream and purchase via Bandcamp.

Review by Amelia Vandergast

Square Pyramid sang the post-punk blues in their grungy hit, Run Down Dirty Soul

Taken from the eponymous debut album from Square Pyramid, the standout single, Run Down Dirty Soul, is a progressively exhilarating mash of era-spanning alternative culture. From post-punk to blues to grunge, it’s all on the table in this enlivening intrinsically originated hit that has what it takes to unite music scenes once and for all.

With atmospheric hints to Echo and the Bunnymen in the chorally cold rings of the guitars in the intro along with bluesy harmonica blasts before the track slams into a grungy revival of off-kilter alt-90s and college radio rock tones, clearly, each of the three members of Square Pyramid came to the outfit with their own influences and inclinations. And therein lies the blisteringly experimental alchemy within Run Down Dirty Soul. It is a sonic amalgamation that no other outfit has brought to the table.

There’s nothing quite like allowing multiple parts of your personality to meet each other in the space of one song, and that’s exactly what Run Down Dirty Soul achieved for me.

Check out Run Down Dirty Soul on Apple Music and YouTube.

Review by Amelia Vandergast

Bleach Bath – Branches: The Only Sludge Pop Debut You Need To Year This Year

With the rhythm section dripping as much sex appeal as the most aphrodisiacal tracks on the Deftones’ White Pony album, the alt-90s oozing from the droning walls of shoegaze guitars that have been distorted out-of-kilter and the killer sludgy pop hooks, the debut single, Branches, from the Tennessee-based artist, Bleach Bath, is beyond promising.

The tinges of emo to the lyricism, which runs through the insecurities that every girl will have battled with at some age, ensured Bleach Bath came out with all vulnerable guns blazing. It is impossible not to get on a level with the singer-songwriter and band frontwoman who has been tearing up stages across Tennessee, priming herself to make an unforgettable debut.

Any fans of Honeyblood, Wolf Alice, Ex Hex, Hole and My Bloody Valentine won’t want to skip this grungy kaleidoscopic dream of uninhibited angst and relatable uncertainty.

Branches was officially released on December 2nd. Check it out on Spotify.

Review by Amelia Vandergast

Mike Power – I Like You: prepossessingly pure alt-rock

Fuelling the intimate feels of Elliott Smith with the swanky proto-punk zeal of the Kinks and the melodic colour of the Beatles, the latest single from Mike Power which carries eccentric echoes of Pavement, Courtney Barnett and Decemberists, is a soul-rendered alt-rock riot.

The tight instrumental framework of I Like You allows the affably sweet sentiments in the uninhibited declaration of passion to hit that little bit harder as you lose yourself in the blossoming soul that heightens the winding alt-90s influenced rhythms to the nth degree. It doesn’t quite drop the L word, but I think we can all agree that the ‘like’ phase in a foundling relationship when we’re enamoured by every idiosyncrasy is just as prepossessing.

I Like You is just one of the singles to feature on the increasingly popular sophomore album, Compulsions, from the NYC-formed Mike Power band. We wholly recommend making time to appreciate the dynamism of it in its entirety.

I Like You is now available to stream on Spotify.

Review by Amelia Vandergast

 

Steve Twinley – Time Has Always Been a Friend of Mine: Hear the Latest Collision in Indie Electroclash

Sunsneezer (2022 album) by Steve Twinley

Taken from his 2022 album, Sunsneezer, Steve Twinley’s standout single, Time Has Always Been a Friend of Mine, is an indie electroclash earworm awash with 90s nostalgia. With a beat that pulsates with the same ferocity of Emerge by Fischerspooner paired with melodic choral increments that allow you to appreciate Twinley’s softer side, his seminal single inspires you to delve into it time and time again to re-appreciate the seamless shifts in tone and emotion.

The DIY Alt-Rock singer-songwriter hails from the South Coast of the UK and takes his influence from the alt-90s greats, including Weezer, Radiohead, Green Day, Eels and Feeder, but clearly, their inspiration was just a fraction of the creativity of the single that concludes on a psytrance-Esque outro in the same vein of Infected Mushroom.

Stream and purchase Steve Twinley’s single, Time Has Always Been a Friend of Mine, on Bandcamp.

Review by Amelia Vandergast

 

The Alt-90s Cinematically Lives and Breathes Through Agent Envy’s Grungy Industrial Rock Single, No Friend

San Diego artist and producer Agent Envy is fresh from the release of her sultrily fierce single, No Friend, which cinematically amalgamates trip-hop, industrial rock, grunge and metal. Under the wide-spanning influence of acts including NIN, Tool, Massive Attack and Deftones, Agent Envy found her own striking sonic aesthetic that is nothing short of iconic in itself.

Any fans of Warpaint and Wolf Alice will want to sink their teeth into this demurely powerful protest against life’s prolific protagonists who guise their usury entitlement as friendship to take what they can, and guilt trip you when they’ve bled you dry of your empathy but still haven’t quite had their fill.

“No Friend is about finally saying, “enough is enough,” and captures the triumph and catharsis of setting a boundary. The track explores a powerful side of my vocal range not previously featured in my earlier songs, along with the deep, sultry vocals that my audience is familiar with.”

No Friend will be available to stream and purchase on all major platforms from December 9th. Catch in on Spotify & YouTube.

Review by Amelia Vandergast