Browsing Tag

Acoustic Rock

Tariq.B entered the melodic rock pantheon with his single, You Keep My World Alight

Posted on 12 October 2024

Tariq.B joined Eddie Vedder and Chris Cornell in the pantheon of rock evocateurs with his latest melodic rock emotional awakening, You Keep My World Alight, which will unearth feelings you didn’t know lingered in the sediment of your soul.

The song’s title cleverly underplays the vivid romanticism and raw pop-rock melodies that pulse at the heart of this panorama of raw, vulnerable passion which once and for all proves that romance isn’t dead in our era proliferated by strands of superficial connection.

You Keep My World Alight is an undeniable attestation to how the Pakistan-born, Southwest London-residing artist has mastered the art of acoustic sensitivity; every guitar chord hits a raw nerve as the progressions flow with cinematic sepia-tinged imagery and the warm glow of alt-90s tones.

Famed for his live performances across the UK, international airplay and plaudits from BBC Introducing, Tariq.B is well on his way to filling stadiums as wholly as he fuels souls with his sound. He’s a rare artist who instantly makes you feel at home in his honeyed and honed vocal timbre.

You Keep My World Alight is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

Emerge from your naval daze with Phantom Electric’s acoustic rock symphony, ‘Hope So’

Posted on 27 September 2024

The quasi-psychedelic indie singer-songwriter Phantom Electric may have innovation running deep in the veins that connect to the heart he wears on his guitar strings, but his latest single, Hope So, revisits classic song crafting, allowing the thematic underpinnings of the release to draw you into the artful gravity of the single.

Hope So is a haunting intersection between the atmospherically nostalgic air of Chris Isaak and the soul of Bryan Adams; the Adams influence tempers the dark melancholic chill of the lyrics which are slick with existential yearning.

Hope So unfurls as an artful reflection on how easy it is to succumb to navel-gazing and forget to care about anything but yourself—a theme all too relevant in our era of rampant individualism. With spectrally arcane melodies that tear through the soul, Phantom Electric produced one of his most affecting singles to date by looking to the darkest side of the human condition and showing a better way to be.

Hope So will be available to stream on all major platforms from September 27; stream the single on SoundCloud first and head over to Phantom Electric’s official website for more ways to listen.

Review by Amelia Vandergast

A New Jerusalem: Judas Goat & The Bellwether’s Arcane Anthem Against the Climate Crisis

Posted on 4 May 2024
There Is Always a Dawn by Judas Goat & the Bellwether

“There Is Always a Dawn” by Judas Goat & The Bellwether pours the ardour of the Neoclassical Romantic Era into a vessel of arcane folk-rock. In a similar vein as William Blake’s evocative poem, Jerusalem, which became an influential precipice for the duo to lyrically jump off, the duo’s aura reverberates around morality while keeping a finely tuned balance of rationality and emotion in the evocatively conjured performance which is a call to arms against the impending threat of ecological collapse, with religious iconography replacing the more direct climate-conscious conversations.

The power of the metaphor came into full force in this fiery protest of how we’ve put the noose around the neck of the environment all in the name of progress that will ultimately become our downfall. The duo, Sara Vian and Pete Vincent, crafted the ultimate clarion call to arms, wrapped in the trappings of folk reverence and light-handed production which corrodes none of the arcane performance. You can’t help but lose yourself in the existential introspection, which exemplifies why the duo have won accolades in The Climates Songwriting Competition.

There Is Always a Dawn hit Bandcamp on April 22 ahead of its release across all major platforms on May 8th.

Review by Amelia Vandergast

Kentucky penned a patriotic rock-licked love letter with ‘America, The Beautiful’

Posted on 21 April 2024

Kentucky’s latest single, America, The Beautiful, is a soul-imbued tribute to the multifaceted allure of the United States, delivered with a rock ‘n’ roll heart that pulses with a distinct Americana twang.

The love letter captures the sweeping landscapes and rich cultural tapestry of the USA, offering listeners a sonic road trip across its vast expanse with pop culture pitstops along the way. With an approach that will resonate with fans of Bruce Springsteen and Guns n Roses alike, Kentucky weaves a narrative rich with patriotic pride, crafting a soundtrack that is both a celebration and a reflection.

The production melds classic rock influences with a nuanced Americana style, making it an essential addition for those who adorn their playlists with heartland rock. Despite the stripped and simplistic instrumental arrangement, there is no lack of depth. Each acoustic guitar-led progression strikes a resonant chord, echoing with rich, cathartic timbres under Kentucky’s gravelly vocal delivery that resonates with an aura of sincerity.

America, The Beautiful invites listeners to feel the pride and beauty of the American spirit. Its release, which stirred enough emotion to briefly face a ban on TikTok, underscores its impactful message and the poignant exploration of American identity that Kentucky so masterfully encapsulates in this acoustic rock anthem.

America, The Beautiful was officially released on April 1st; stream the single on SoundCloud.

Review by Amelia Vandergast

Blomqvist & Mattjus borrowed a few tones from Dogs D’Amour for their acoustic rock triumph, Dangerous Curves

Posted on 10 June 2023

Any fans of bluesy rock in the same vein as Dogs D’Amour, Pretty Boy Floyd, and The Quireboys won’t want to hesitate to get the acoustic rock LP, Right on Time, from the devilishly reverent duo, Blomqvist & Mattjus, in rotation.

Track 6, Dangerous Curves, is the perfect introduction to the duo’s redefinition of the iconic rock tones that built the sonic landscape in the 70s, 80s and 90s. With vocals that could give Massive Wagons a run for their money and catchy choruses that would be best enjoyed while driving with the top down, this infectiously low-down and dirty acoustic anthem is far too irresistible for a solitary play. The celebration of sensuality veers just close enough to 80s sleaze to scintillate it with salaciousness, but the sense of bluesy soul quickly perturbed any sense of vulgarity.

Right on Time was officially released on May 23; get stuck into it on Spotify.

Review by Amelia Vandergast

WD-HAN evoke rock n roll nostalgia while paying an ode to the compassionate in ‘Good Man’

Posted on 13 April 2023

It has been a while since a track evoked tears and chills in me; WD-HAN did all that and more with their latest soulfully nostalgic rock n roll single, Good Man, which was officially released on April 7.

Somewhere between Buckley and Springsteen, the sentimentally humble single starts with an acoustic intro before the track builds into an orchestrally full-bodied rock rendezvous. Yet the same emotional intensity from the prelude runs right into the outro after the colossally arresting alt-rock crescendo.

Lyrically, it is such a bitter-sweet reminder of how this world chews up and spits out the most sensitive dreamers that traipse across the jagged teeth of their landscapes but the soulful optimistically bright vocal performance gives a potent shot of persuasion that you should stick to your compassionate guns. The conceptually layered single also touches on the paradox of the best of us being full of self-doubt and those proclaiming to be good is often a major red flag.

Stream Good Man on SoundCloud now.

Review by Amelia Vandergast

Beau James Wilding’s latest single, The Dove, spread its wings through artfully gritty folk-rock beguile

Posted on 10 March 2023

For his latest Waitsy roughneck folk-rock release, The Dove, the enigmatically captivating singer-songwriter Beau James Wilding collaborated with the violinist, David Stone, to create a gripping trip through unadulterated emotion.

With the folky strings bringing a touch of The Levellers to the single, the bluesy acoustic guitar tones and the devilishly innovative percussion, The Dove spread its wings through a fair amount of artful beguile while Wilding vocally riffed from his almost sermonic soul. The lyricality of the gritty release, which only lets the light in through the high timbres of Stone’s strings, is enough to make Nick Cave’s discography sound like Gospel.

Usually, Cali-hailing artists spill sun into their soundscapes; it is beyond refreshing to hear an artist resisting the atmosphere and perusing his affinity for dark Bukowski-ESQUE poetry.

The Dove is due for official release on March 10th. Hear it on YouTube.

Review by Amelia Vandergast

Joey Sherman sings the beatnik blues in his acoustic rock single, Moonlit Night

Posted on 18 January 2023

Moonlit Night is the seminal lo-fi acoustic rock single from the singer-songwriter, Joey Sherman, who needs little more than an acoustic guitar, his engrossingly assured vocal timbre and his beatnik lyrics that will easily appeal to any fans of Jack Kerouac and Bob Dylan.

As the ardent chords ring, Sherman transfuses Midwestern soul into the soundscape that may be rough around the edges, but it is still a shot to the heart for anyone who knows how it feels to constantly be rebuilding themselves from the ashes of their former lives with scant foresight over which path to push forward on at the crossroads.

Moonlit Night is now available to stream on YouTube.

Follow Joey Sherman on Facebook.

Review by Amelia Vandergast

Marc Ambrosia is over sentimentialism in his devilishly clever post-breakup single, Cold Shoulder

Posted on 16 October 2022

Born and raised New Jersey native Marc Ambrosia created the breakup track to end all others with his latest single, Cold Shoulder, which captures the sweetness of freedom in the spicey lyrics which go in the opposite direction of sentimentalising.

With resonantly devilish lines such as “Misery loves company, but I hate that you’re so close to me” and “too much of a good thing, was it any good at all? you can’t help but fall in love with his realist uninhibited candour.

With the same fiery energy of Pat Benatar’s Hit Me with Your Best Shot in the chorus, the intricately bluesy rock meets power pop single is a surefire way to pull anyone out of a self-pity pit. His lyricism is god-tier level, and his hooky instrumental loops aren’t far behind that celestial plateau.

Catch Cold Shoulder on SoundCloud and await the third LP, EDGE, which is set to drop on October 28th.

Review by Amelia Vandergast

Robin Lewis speaks for the malaised in his Waitsy Americana acoustic rock single, No Light

Posted on 26 May 2022

Armed with his trusty resonator guitar and Gibson 63, the BMI published folk singer-songwriter & producer, Robin Lewis, has released his Americana acoustic rock heartbreaker of a Waitsy release, No Light, taken from his moody and retrospective lockdown-born album, Everyone Has a Story.

No Light was compassionately composed for listeners all too accustomed to the days which become signified by malaise. In all sincerity, it imparts solace in the reminder that the sun sets on even the darkest of days. Lockdown releases may often get tarred with the same trite brush, but No Light will be resonant for years to come. It’s a stunning exposition of the collective state of our consciousness; now that we know the ‘new normal’ generally blows and there’s no putting the gloss back on the facade of our modern existence. We honestly couldn’t be more psyched to have Lewis on our radar. We’d advise that you reserve him space on yours.

No Light, taken from Robin Lewis’ album, Everyone Has a Story, was officially released on May 16th. You can check it out for yourselves by heading over to SoundCloud.

Review by Amelia Vandergast