Browsing Tag

Acoustic Folk

Brian Berggoetz tenderly chases an ethereal spectre in his orchestral folk score, Just a Dream

Just a Dream is the latest orchestrally ornate single meticulously crafted by the Tucson, Arizona artist, Brian Berggoetz. While the acoustic guitar strings keep the orchestration humble, intimate and folky, the cinematic interplay between the cello and violin strings brings a profound sense of elegant refinement to the lyricism, which tenderly chases an ethereal spectre.

With his backing band, Brian Berggoetz has become a prominent fixture in the Tucson live circuit and beyond; his live shows, whether he’s opening for Reverend Horton Heat, Charlie Sexton and Chris Murphy or topping the bill, have a reputation for rendering audiences enraptured.

Original songwriting is just one of his talents in a vast repertoire; he also has an affinity for reimagining classical songs in his distinctive style, which balances euphonic decadence with the intense affability of folk rock to make classical overtones effortlessly accessible to a wide audience. If Eddie Vedder’s soundtrack for Into the Wild infused more orchestral strings, I’m not entirely convinced it would emanate the same delicate visceral mesmerism of Just a Dream.

Just a Dream is now available to stream on Spotify.

Review by Amelia Vandergast

The indie raconteur Zarko let it flow in his acoustic expedition to ‘River Town’

If you still revere Closing Time by Tom Waits as one of the best albums of all time, you’ll find the latest single, River Town, from the Serbian indie folk raconteur Zarko just as resolving in its acoustic rapture.

The instrumentals may be minimal, but that didn’t get in the way of the up-and-coming singer-songwriter when he put his masterful mind to painting a panoramic picture of barflies in a town which used to conjure brighter emotions. I’m sure we can all relate to the alienating sense of dejection that ebbs away at our ability to feel anything but numb. With River Town on the airwaves, the sensation feels infinitely less lonely.

On the basis of River Town alone, Zarko should be celebrating the same success as Amigo the Devil with his delectable brand of folk blues. For your own sake, pay the hit song a visit.

River Town was officially released on September 2nd; stream it on Spotify.

Review by Amelia Vandergast

Mark Ben Wilson is searching on the other side in his compassionately warm folk-pop single, Horizons

Some tracks allow you to fall in love with a three-minute experience; others allow you to develop a deep kinship with the artist through their inviting warmth. After listening to Mark Ben Wilson’s single, Horizons, it is safe to say that he puts his listeners in the latter camp with the evocative resonance in his guitar work that is only matched by the compassionate honey that drips from his vocal lines.

His humble yet highly assured approach to passionately pure acoustic folk-pop is intoxicating from the first melodic breath; as Horizons continues to unravel, you’re taken along for the emotive ride as he searches for meaning on the other side of the kind of storm that leaves you alone holding up an umbrella. It’s a stunning vignette that will easily enamour any fans of Ben Howard, John Butler and Fink.

Horizons will release along with Wilson’s LP, Roots & Wings on September 22nd. Stream it on SoundCloud.

Review by Amelia Vandergast

It’s ‘Gemini’ season in the latest blues folk single by Goldschatz

Genres are defied and the soul transcends in the latest dual-harmony-driven single, Gemini, from the duo Goldschatz. Despite Timothy Jaromir and Rykka hailing from Switzerland and Canada, respectively, nothing was lost in translation in the spiritually spirited acoustic blues-folk release, which teases the soul-affirming singles to come in the upcoming EP, TWIN FLAME.

Even if Father John Misty and Stevie Nicks joined melodic forces in a euphonic portal back to 70s blues, the alchemy wouldn’t sound as sweet as the synergy that breathes through the power couple’s sound, which has seen them become one of the hottest breakthrough artists in Switzerland.

Whether they’re gracing the airwaves or live music venues, Goldschatz never fails to make an impression when they share their poetic introspection over their timelessly enrapturing antidotes to ennui. If you need to reinvigorate your lust for life by exposing yourself to the potential magic of it, delve into their rich discography of soul-rendered singles.

Gemini officially released on September 1st; stream it on Spotify.

Review by Amelia Vandergast

Malcolm Duff brought us right back down to humble ground with his quiescent folk score, Leaving

https://soundcloud.com/user-883383372/leaving

Along with his paramour co-creator, Da Silva, the folk singer-songwriter Malcolm Duff reminded us why his sound is so unforgettable with his latest single, Leaving.

To do this feat of melancholically sweet folk justice, I’ll refrain from the tired Cohen comparisons and lean into the cinematic fluid grace of the orchestration that wouldn’t be out of place on the Wild at Heart soundtrack. The evocative movie script ending of a score entrenches you in its sentimentality, which alludes to how distance is as much of a state of mind as it is a matter of miles.

Some may say that searching for unconditional love is simply being in love with the idea of love itself, but Malcolm Duff put those romantic cynics to shame, by proving that only love can save us all. In a time when it is so easy to fixate on arbitrary notions of success, the gentle acoustic strings and breezy harmonica blows in Leaving will bring you right back down to humble ground.

Stream Leaving on SoundCloud now.

Review by Amelia Vandergast

Aayushi has released her captivatingly cosy ukulele-led lullaby, I Ran Out Into the Snowflakes, Laughing

Daringly opting to use a ukulele as the main melody driver in a single that encompasses the nostalgia sparked by Christmas paid off in spades for the Birmingham-based folk singer-songwriter, Aayushi in her latest single, I Ran Out Into the Snowflakes, Laughing. The artist’s background in poetry and literature also owed itself to the quiescent track, as Aayushi reclaimed the term ‘snowflake’ away from those who wish to abstract from the beauty of compassion and uniqueness.

The stripped-back sonics did little to detract from the disarmingly arrestive power of the cosy lo-fi lullaby, which rekindles the warmth of childhood Christmases in the snow while reminding us that, as autonomous adults, we get to choose how we reignite that magic.

Released on December 23rd, the quaint serenade quickly amassed ample attention, including placement on several staunchly followed Spotify playlists. It is a single her fans will undoubtedly turn to year after year to stave off the threat of festive melancholy.

I Ran Out Into the Snowflakes, Laughing is now available to stream on SoundCloud.

Review by Amelia Vandergast

Edinburgh’s premier indie-folk evocators Peaks & Valleys bid a sweet farewell in ‘Before We Go’

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Taken from the EP, How Far We Fell, the standout single, Before We Go, from the Edinburgh-based indie-folk outfit, Peaks & Valleys, is a lesson in romantically wistful meditation.

You will be inclined to lean into the cinematic work so deeply that you will be able to hear a pin drop between the mellifluous yet minimalist progressions which make the dual vocals the arresting centrepiece of this stunning serenade that wistfully anticipates departure.

The intimately entwined vocals carried as much harmonious chemistry as what you hear in Glen Hansard and Marketa Irglova’s collaborations, while the strikingly sonorous strings over the rugged timbre of the acoustic heighten the evocative potential in Before We Go to the nth degree. Colour us spellbound.

Before We Go will be available to stream from December 13th via SoundCloud.

Follow Peaks & Valleys on Facebook and Instagram.

Review by Amelia Vandergast

Peppler lulled us into optimistic gratitude with his dream folk serenade, Blessed

Creating ample anticipation for his upcoming dream folk album releasing in early 2023, the acoustic folk artist Peppler exposed his old soul in his lead single, Blessed.

Entwining the warm vintage tones of 60s and 70s folk with a modern signature dream pop sound that only Peppler can call his own, Blessed is effortlessly efficacious in beckoning you into the beguiling grace of the release. Which needed no more than accordant acoustic guitars, a harmonica and Peppler’s consolingly dulcet tones to lull you into gratified catharsis.

Lyrically, Blessed optimistically reinforces the message that we are blessed within ourselves and that trust that it will all work out is never misplaced. It’s a simple message, but one worth reiterating, given our tendency to curse every downfall and diminish everything positive. Notably, artistically thriving within pure, simplistic minimalism is Peppler’s gift, one that he’s worked tirelessly to perfect after eight years of performing live and crafting albums with various projects.

Watch Blessed live from the G7 Recording Studio on YouTube.

Review by Amelia Vandergast

 

Charlie Diamond is the last of the die-hard romantic dreamers in his latest serenade, The Star Studded Girl and the Sunset Kid

The Star Studded Girl and The Sunset Kid by Charlie Diamond

Armed with his harmonica, acoustic guitar and poetically romantic sensibility, the Connecticut folk singer-songwriter, Charlie Diamond, orchestrated the ultimate outpour of affection in his latest single, The Star Studded Girl and the Sunset Kid.

Released on September 5th, The Star Studded Girl and the Sunset Kid carries Bob Dylan-style overtones, with outlier dreamer candour as the affirmation of his artistic autonomy. With the almost spoken word versing of the lyrics, which takes you to breathtaking landscapes and even more arresting attests of passion, it’s the ultimate aural escapism for die-hard romantics.

The Star Studded Girl and the Sunset Kid is now available to stream and purchase on Bandcamp.

Review by Amelia Vandergast

Orlando indie-folk singer-songwriter Faae spoke for us all in her Anthropocene-conscious single, summer song

Ahead of the release of their debut EP themed around derealization and identity in this smouldering Anthropocene, the Orlando indie-folk artist, Faae, has shared her gracefully haunting single, summer song.

In their own words, summer song is “shining a light at the end of the world”, and heartbreakingly, the lyricism gets even more profound as it explores the mental ties that get taut and tormenting when we try to make positive moves. “it is hard to be better when there is no one to account for you” is a lyric not easily forgotten.

In the style of Phoebe Bridgers, Mitski and Daughter, the instrumentals confound the expressive and vulnerable nature of single with the raw, ragged and still sublime acoustic textures that anyone with a pulse will want to surrender to. I haven’t felt this excited about Indie folk since I discovered Big Thief. And I’m pretty sure I won’t be the only one utterly captivated by Faae.

summer song will officially release on July 2nd as part of the artist’s debut EP, rudolph. Check it out on SoundCloud and follow Faae on Instagram.

Review by Amelia Vandergast