Browsing Tag

Acoustic Folk

Sepia-Tinged Serenity: GOODTIME’s ‘Damsel Eyes’ Dances Between Tenderness and Nostalgia

GOODTIME

GOODTIME, a rising artist from New York City, affirmed his tonal mastery in his single, ‘Damsel Eyes’. The warmth bleeding from his guitar and the soul carried by his harmonies create a sonic landscape that lands somewhere between Nick Drake and Elliott Smith. He doesn’t just replicate indie folk’s past; he redefines it with a unique blend of traditional acoustic songwriting and atmospheric elements. His ability to seamlessly weave nostalgia with his signature ‘twisted lullabies’ invites listeners into soothing subversion that can easily become a sanctuary.

The haunting crescendos in ‘Damsel Eyes’, paired with the smoky sax lines, pull you deeper into its intimate atmosphere; with a melody akin to Oasis’ ‘Half the World Away’, the song nestles into an emotional place where beauty meets bittersweet reflection. It’s the kind of track that could make anyone misty-eyed, proving that GOODTIME has more than earned his place on the indie folk scene.

After tending to his creative spark as a percussionist at the age of 5, he earned more instrumental stripes at age 15 by self-teaching himself guitar, piano, bass, and banjo. Today, he crafts, produces, and mixes all his work from his home studio. After dedicating himself to his craft, his live performances have earned him a spot alongside artists such as Will Paquin and Dana & Alden, performing at iconic venues like The Bitter End and Mercury Lounge. Yet perceptibly, the best is yet to come for the lyrical lumiary.

Damsel Eyes will be available to stream on all major platforms, including Spotify, from October 25th.

Review by Amelia Vandergast

Noah Hamlin has unveiled a debut of panoramic Folk romanticism with ‘Bluebonnet Girl’

With a vocal timbre that would make any fans of Cohen, Cave or Dylan quiver at the knees, folk singer-songwriter, Noah Hamlin’s debut single, Bluebonnet Girl revisited old Americana roads while injecting fresh fervour into the folk genre.

The Austin, Texas-hailing troubadour’s artistic maturity belies his 23 years; with oceans of poetic depth in the lyrics which paint a vignette of panoramic landscapes which become the backdrop to a love story for the ages, sinking into the sepia hues of Bluebonnet Girl becomes an all-consuming sensory experience for the soul.

The finger-picked acoustic guitar notes, influenced by the likes of Townes Van Zandt, puts the romanticism into mellifluous motion, exhibiting Noah Hamlin as not just another artist entering the oversaturated folk genre, but a true purveyor of artistic ingenuity. After one hit, you will be stoked for the sophomore.

Bluebonnet Girl was released on August 18th; stream the single on Spotify now.

Review by Amelia Vandergast

Pure Notes & Deep Reflections: Ari Jacob Unfolds in ‘Feel It Coming’

Melbourne-based artist Ari Jacob, a singer, songwriter, pianist, and endlessly creative mind with a Bachelor’s in Music, has continued to explore and expand his artistic boundaries since his debut LP, Sink Without Drowning. After moving to Israel in 2017 to strengthen his spiritual ties and expand his creative horizons, Ari found his niche as the in-house composer for Israel Story, a role that took him across the US. His collaborations flourished, notably with Shay Parry in their band Shayari, leading to a rich period of artistic production, including over a hundred concerts and the album Economy of Heart.

His epoch of personal and creative growth has culminated in his sophomore LP, Son Called Moon, featuring the seminal single, Feel It Coming. The single serves as a narrative canvas, drawing parallels with The National’s I Am Easy to Find LP by filtering organic acoustic folk through an evocative indie lens. The tenderness within the lyrical, instrumental and vocal confluence echoes the reflectively profound nature of Glen Hansard as Ari taps into the essence of folk traditions, reinvigorating them for today’s audience.

His songwriting turns everyday details into affecting meditations, revealing the beauty others would be quick to disregard as immaterial matter. The minimalist instrumentals expand like a panorama, laying a foundation for vocals that nestle into the production with a delicate yet full-bodied serenity which attains a sublime lightness, embodying both vulnerability and polished artistry.

I couldn’t recommend a more apt record to discover the potential for depth and purity of modern folk through.

Stream Feel It Coming with Ari Jacob’s sophomore LP, Son Called Moon, on Spotify now.

Review by Amelia Vandergast

James Jarmusch – Rattlesnake Road

James Jarmusch

James Jarmusch’s unreleased single, Rattlesnake Road, presents a deep, narrative-driven journey wrapped in the gritty textures of blues and acoustic indie folk; there isn’t an epoch this single could reverberate through and sound out of place, affirming the singer-songwriter’s ability to rhythmically cradle modernism and traditionalism without tipping the balance either way.

Reminiscent of the evocative darkness found in Amigo the Devil’s murder folk sound print and the expressive depth characteristic of Kurt Vile, Rattlesnake Road seamlessly layers raw blues folk undertones with dark Americana-twanged vocals to forge a soundscape that transcends immersive. The melodies sonically transport you to the lawlessly enticing destination where the enigmatic singer-songwriter found his muse.

The track, which will shortly be available to stream, serves as an undeniable showcase of Jarmusch’s unique adeptness in painting vivid portraits with rhythmic brushstrokes; his devilishly magnetic command over tone and atmosphere presents him as a true folk troubadour.

Review by Amelia Vandergast

Entwine with Alba James’s folk-pop reverie, You Belong to Me

In their latest single, You Belong to Me, singer-songwriter and multi-instrumentalist Alba James equally exhibited their profound connection to music and nature. Hitting play opens a doorway to a portal of fantasy, constructed by a mind attuned to folk-tale reverie; in the same vein as Cosmo Sheldrake, James rhythmically renders naturalism into her productions, which also tap into the enduring appeal of Dodie and Sufjan Stevens.

Though the title of the single implies possession, the free-spirited energy that breezes throughout the production with the retrospection of affection acts as an unexpected contradiction. James’ arcanely serene vocal lines drift through the organic layers of instrumentation attesting to how integral giving room to breathe is in a world full of confines.

Despite their relatively fresh innings in the music industry, the French Sweden-residing folk-pop troubadour allowed their aural talents to blossom from a young age before releasing their debut single, One in a Million, in 2020. Since then, they’ve shared 13 singles and their critically acclaimed EP, Bedroom Walls ahead of You Belong to Me. Even though nothing is off lyrical limits, themes of ancient mythology, queer love and nature are the cornerstone of the artist’s inspiration.

The next time you feel the need to touch grass, just tune into her discography instead.

Stream the official music video for You Belong to Me which premiered on May 7th via YouTube.

Review by Amelia Vandergast

Belfast’s Fuar became the paragon of the loveable rogue in his folk debut, Leave the Light On

For his debut single, Leave the Light On, the Belfast-born-and-bred multi-instrumentalist Fuar put the faux Irish roots of Mumford & Sons to shame. If you want to get high on the fumes of authentic Irish folk, make Faur your dealer.

The infectiously upbeat acoustic folk anthem needed little more than his guitar chords, a solid backbeat and Faur’s naturally exhilarated charisma to drive the euphoria through the progressions of the hook-proliferated single which celebrates love and the ecstasy found in the sparks of connection.

With Faur’s affinity for punk giving Leave the Light On plenty of fiery rugged bite, he hasn’t just contributed to the rich tapestry of Irish folk music, he’s made his own matchless mark on the genre. With the promise of plenty more singles to come conflated with the commercial potential which courses through his debut, it is impossible not to anticipate Faur becoming one of the biggest breakthrough singer-songwriters in 2024. Watch this space.

Leave the Light On was officially released on March 16th; stream the single on Spotify.

Review by Amelia Vandergast

In Conversation with Phil Coomer: Unveiling the Healing Power of Love in Songwriting

https://www.youtube.com/watch?v=eNRKiL6PZT0

In an insightful interview with A&R Factory, Phil Coomer delved into the creative process behind his latest single, “All the Medicine I Need.” The song, born from a personal moment of realisation, transcends into a universal anthem about love’s healing power. Coomer shares how an injury and his girlfriend’s return sparked the song’s conception, highlighting love as the ultimate panacea. The interview also touches on influences like John Prine, the joy of songwriting, and themes in his upcoming album, offering a glimpse into Coomer’s artistic journey and the profound impact of relationships in his music.

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Can you tell us a little bit about your latest single, All the Medicine I Need?

“I tend to write about how I feel or how others feel and All The Medicine I Need does not vary from that methodology.  Because I had done a good job of injuring my left arm in the fall of 2023, I was looking for some kind of medicine that would help relieve the pain I was having in my arm.  I wasn’t having much luck but about that time my girlfriend came home from an extended trip abroad.  Her attention and caring made me forget all about the pain I was having.  I realized that she was all the medicine I needed.  When I was working on songs again, I thought that because I felt that way maybe others did too.  So, I started working on the song and it turned into being about the normal day in a regular person’s life and the restoration that tends to come when we are with our person our significant other.”

It’s such a great extension of the ‘love is a drug’ adage; was it difficult to transform the lyrics from a personal feeling to a universal sentiment? 

“Very quickly I realized that I could easily change the song from being about her and me to being for everyone.  The song is about any healing or restorative relationship.  He-her, her-her, him-him, parent-child, child-parent it always works no matter who sings to who.  It was as simple as changing “the girl” to “the one.”   I did talk to her about the change, and she said I should definitely change the lyrics so the song could speak to everyone’s feelings.  But she knows it’s her song.”

We love that the song started from a soulful epiphany and built from there; is that usually how your music comes to fruition?

“Yes, and I wish I could have epiphanies more often. I said earlier that I usually write about my feelings or the feelings of others. I don’t know why I’m wired that way.  Maybe others are too.  I was working on a song from a recent trip to NYC to the World Trade Center Memorial and to Strawberry Fields in Central Park the John Lennon Memorial and was just getting nowhere I was writing junk.  Finally, I decided to write from the perspective of a woman who had lost someone and to let her tell the story and It just flew out my mouth and onto the paper. It became, easy and natural yet different, wicked and soulful.  That song is called “Still Lives.”

Were there any particular artists who inspired the sound and style of the single?

“Yes, I think so. Musically to me it is very akin to a John Prine song in simplicity and matter of fact-ness.  There’s even a little Prine humor in the 1st verse line “and I guess elevators too”

What is the most rewarding aspect of the songwriting process for you?

“There is always some euphoria when you’ve framed in a new song and think it’s complete enough to play for someone else.  But I think a few months out when you’ve played the song in front of hundreds of people and it’s actually now part of you and there some sustained affection for the song that’s pretty nice too.”

How has your approach to songwriting evolved over the years, leading up to this release?

“I’d say that I moved more from writing the ballad or story of what occurred to the feeling or the impact the notion had on who is there or who found out and what it did to them.  It seems more endearing to me to show the effect of impact to us.”

You mentioned All the Medicine I Need will feature on your upcoming album; what other themes does the album explore?

“All The Medicine I Need is the first recording of the next project and a couple of the other songs are “Kissing Lessons” – written after seeing a bulletin board ad I came across at college.  Another song is called “Different Ride” which is what occurred to me when I’ve come across people who are still alive yet their fate is already written.”

Watch the official music video for Phil Coomer’s latest single, All the Medicine I Need, on YouTube.

Interview by Amelia Vandergast

Mikey Wayne – Coming Home: A Cuttingly Flawless Folk Confession

Mikey Wayne’s latest single, Coming Home, stands out as a remarkable addition to the folk genre, exuding a sincerity that captivates from the first chord. This single, a confluence of Nashville country and Wayne’s Southern Californian and Alabaman influences, offers an intimate glimpse into the soul of its creator.

The song’s strength lies in its raw honesty and the profound way Wayne owns his imperfections. He eloquently expresses the nuances of a relationship’s push and pull, encapsulating the struggle and beauty of growth within a partnership. Lyrics such as “If you’ll have me baby, I’m coming home” cuts like a knife of resonance while the gentle tenacity in the acoustic guitar strings amplifies the precision of the incision by echoing the universal yearning for acceptance and love. He may not have spoken for us all word for word, but we can all find a piece of ourselves within the single.

The official music video for Coming Home, which was recorded in Echo Mountain Studios, premiered on YouTube on January 26th.

Review by Amelia Vandergast

Tyler Street’s latest indie-folk confession, ‘Faith, Wisdom, You’, is spiritual poetry in melodic motion

Candid, confessional, and captivating in equal measure, the latest single, Faith, Wisdom, You, from the Dallas-born, Napa-based singer-songwriter Tyler Street is poetry in melodic motion.

After the raw yet euphonic timbre of the acoustic guitar strings, the up-and-coming luminary cuts straight to the crux of the lyrical essence of the single, which resonantly explores a melancholic exposition of an inability to control the tides of emotion. The gentle vocal performance provides a scintillating juxtaposition to the lyricism, which carries the admission of uncontrollable anger.

With hints of Frightened Rabbit and The National within the indie folk production fused with the soulful warmth of Jack Johnson and the emotional intimacy of Elliott Smith, Tyler Street cultivated his sonic style to complement his soulful aura, which echoes the self-awareness and mindfulness inspired by his spiritual awakening. Take notes of the Eckhart Tolle-esque introspection while losing yourself in the transcendence of the guitar notes as they’re artistically amplified by the presence of chamber strings.

Faith, Wisdom, You was officially released on December 21. Stream the single on Spotify.

Review by Amelia Vandergast

Jayacus rose from the ‘Wreckage’ in his indie folk-punk debut

With all the magnetism, poetry, and soul of an acoustic B-side by the Manic Street Preachers and all the brashy folk-punk intimacy of Neutral Milk Hotel, Wreckage is a deeply affecting debut from the UK-based indie folk singer-songwriter, Jayacus.

After living a life of loss, alienation, and despair, Jayacus has finally come into his artistic stride with Wreckage which shares the message of resilience and hope while delivering an affirmation that as long as you are still breathing, you have reason to keep your dreams alive and pursuing what ignites your passion.

Following a stint in hospital, Jayacus picked up his guitar and recorded Wreckage in his bedroom; here’s to hoping the sophomore release is already in the works.

Wreckage was officially released on October 20; stream it on all major platforms via this link.

Review by Amelia Vandergast