Browsing Tag

90s Pop

The genre alchemist James Urquhart is set to unleash his progressively prodigious hit, The Tearz and the Pain

The genre alchemist and one of the top producers in the UK, James Urquhart, drifted through a melodic menagerie of style in his latest single, The Tearz and the Pain, which is locked, loaded, and ready to drop an atom bomb of ingenuity onto the airwaves.

With all the hooky body-rocking flavour of 90s boyband pop in the deliciously infectious vein of the hit that announced Backstreet’s Back after a mellow 80s RnB opening sequence that Seal fans will give the seal of approval, Tearz and the Pain reaches its high-octane peak in a euphoric intersection of drum n bass before winding the track right down again.

The progressive prodigy left us arrested with every aural transgression and convinced us that labels will be hammering down the door to his professional studio, which he uses to produce his and other people’s hits. Previously, his music has been distributed by Hed Kandi and Let There Be House; there’s no telling who will pick him up next.

Follow James Urquhart on SoundCloud and Instagram to be the first to know when The Tearz and the Pain drops; with the soul it sonically unleashes, it is more than worth the wait.

Review by Amelia Vandergast

Spotlight Feature: Emilio Lanza embraced the moody future of pop while looking back in ‘Rearview Mirror’

For his latest single, Rearview Mirror, the Naples-born singer-songwriter Emilio Lanza darkened the doorstep of 90s boyband pop and weathered the torrid storm of heartbroken introspection.

With acoustic percussive fingerpicked guitar motifs scattered amongst the dark and reverberant moody pop sensibilities, Rearview Mirror is a triumph of evocative ingenuity for the way the light melodicism juxtaposes the harsher elements to sonically allude to the rollercoaster you’re forced onto when distance becomes definitive disconnection.

Careful to balance light and shade, Lanza, also instilled resilience into the release that will efficaciously embolden any hopeless romantics searching for hope; it is in Rearview Mirror by the visceral smorgasbord.

With over 2 million streams on Spotify and after receiving plaudits from the likes of Ed Sheeran and James Bay, Emilio Lanza has already conquered the world of pop; be a part of his legacy and delve into his latest elevated production.

Emilio Lanza Said:

“My song, Rearview Mirror, is a metaphor representing our past, nightmares, breakups or scary thoughts; it can be anything, but the message is positive, as reflected by the cover art depicting a sunset ahead and struggles in the rearview mirror. I wrote the song following the end of a six-year love story and other life hardships.”

Rearview Mirror will hit the airwaves on the 25th of August. Stream it on all major platforms via this link.

Review by Amelia Vandergast

Evie Lulu has launched her superlative sludge pop single, Adored

After earning her stripes as a music producer, the singer-songwriter, Evie Lulu, made her latest single, Adored, definitively her own. Beyond the similarities to Daughter and Warpaint, the lyrically-driven artist is exemplary in her determination to allow spilled ink to manifest as melodic triumphs that catch in your throat before they take up residence as a sludgy indie pop earworm you will always want to appease by giving her candidly kaleidoscopic soundscapes repeat attention.

Pop, rock, and grunge may be common ingredients in many modern-day amalgams, but the songstress who takes inspiration from Bon Iver, Kate Bush, The Sundays and Silverchair when orchestrating her reflectively uninhibited releases is in a league of her own. From the delicious distortion on the guitars to the vulnerability within the vibrato in the vocal lines, Adored is a bitter-sweet sonic dream, which is all too efficacious in its ability to hammer home the emotions expressed.

Adored hit the airwaves on March 1; hear it on Spotify.

Review by Amelia Vandergast

90s Nostalgia meets the future of house in the Freshcobar & Golden Girl Remix of ‘Missing’.

Freshcobar & Golden Girl gave the iconic 1994 hit, Missing by Everything But the Girl the house treatment in their entrancing new remix that is set to drop on all major platforms on April 28th. The indie guitars have been stripped-back to make room for the big beats, even bigger drops, and the colossal atmosphere that cloaks the remix drenches you in nostalgia while allowing you to simultaneously sample the future of house music.

The Missing Remix is the third single from the producer Freshcobar and the San Diego vocalist Golden Girl. Together, they reincarnated the 90s classic hit with far more intensity and fervour than the original contained, but the vocal mystique is right on brand. The deserts may have missed the rain, but my God, the dancefloors will have also missed this hit. Not all heroes wear capes, sometimes they’re reimagining and enlivening the soundtracks to our youth.

The remix will launch via NOS Recordings; check it out on SoundCloud.

Review by Amelia Vandergast

Dance-pop rock star Max Matthew went in heavy on the 90s nostalgia in ‘Want 2B Wanted’

What Peter Andre was to the 90s, Max Matthew is to 2023 in his oceanic funk-popped debut hit, Want 2B Wanted. Rather than just getting you in the mood, the bluesy guitars will flood your soul as the salacious serenade effortlessly establishes Max Matthew as one to watch, hit the dance floor to, and fall in love to.

With his nostalgic for the 90s debut on the airwaves, they’re smoother than ever and primed to accommodate more hits from the future rock star of dance-pop. Keep him on your radar.

Want 2B Wanted hit the airwaves on February 13th, soak in the euphoria by heading over to Spotify.

Review by Amelia Vandergast

Simona-Valentina compels her listeners to follow their dreams in her confessionally quaint country pop-rock single, Head Outta Washing Machine

London-based singer-songwriter and guitarist, Simona-Valentina, gave her listeners an intimate view into how her creative life began with her country-tinged pop-rock single, Head Outta Washing Machine, which officially released on October 22nd and spilt 90s nostalgia onto the airwaves.

With a similar snappy melody to Avril Lavinge’s game-changing earworm, Complicated, in the intro, along with a few nods to the 90s, Head Outta Washing Machine is an immersive unravelling of the singer-songwriter’s humble and adorable beginnings as a singer-songwriter. You only have to hit play to see how far she has come as an expressive advocator of following your dreams.

Head Outta Washing Machine is the 12th single released by Simona-Valentina after she made her debut with her single, Unspoken Love, in 2019. She’s also one-half of the acoustic duo SVRPoole, who are melodically enlivening the London music scene.

Here’s what Simona-Valentina had to say about her latest release:

“I used to sing with my head in the washing machine when I was around six years old. This is my genuine and retrospectively funny music story, and what I am basically confessing with this new song.

I was shy and introverted at that age, lacking the confidence and courage to sing in front of people; hence, the darkness and intimacy of singing with my head inside the washing machine appealed to me greatly.”

Listen to Head Outta Washing Machine on Spotify.

Follow Simona-Valentina on Facebook and Instagram

Review by Amelia Vandergast

Ruby Sue resisted the silence of alienation in her coming-of-age alt-rock debut album, The Need

The Riot Grrrl attitude is living vicariously through Ruby Sue’s debut album, The Need, but make no mistake, she is an icon of her own making. The true definition of punk is a little hazy these days, but if it doesn’t encompass an artist bringing classical strings into a visceral protest of alienation, what is even the point?

Usually, there is little resonance to be found in coming-of-age albums for anyone that isn’t… coming of age, but The Need extends a sense of compassion for the unheard that can stretch across the generations. Even at 32 years old, the singles, especially the title single, struck a raw note within me.

The sweet melodious temperament of Taylor Swift, the nostalgic comfort of Brandi Carlile and the protestive grungy furore of Courtney Love all fuse together to make The Need an LP that is as cathartic as it is anarchically emboldening. The Minneapolis singer-songwriter and multi-instrumentalist clearly has a natural talent when it comes to consoling expression with her lyricism that lays it all bare in true rock star fashion.

With some of the singles, such as the mostly instrumental Let Me Out, the violin and viola strings bring an extra edge of cutting emotion, ensuring that there’s no getting to the end of this LP until you’ve felt an unholy amount of empathy for anyone enduring the process of growing into adulthood in these times that can send you off-kilter in a single heartbeat.

In her own words, here is what Ruby Sue had to say about her debut album:

“During my gap year between high school and college last year, I was feeling lost and trying to find myself; I found music. I’ve always been a musician, but music was the only thing that felt right when everything else felt off. The lyrics and melodies rushed out of me like a burst dam.

The Need tells a true story of needing to be seen, heard and experience life. Growing up isn’t easy; it can feel daunting and lonely; the ultimate message is that if you feel the need to be seen, you are not alone.”

The Need is now available to stream on Spotify.

Follow Ruby Sue on Instagram and TikTok.

Review by Amelia Vandergast

Texan trio, Tough on Fridays take us through a tender transition in their indie pop track, Growing Pains

With hints of the Cranberries and other iconic 90s pop contemporaries, Tough on Fridays delivered nostalgia with a cinematic edge that could make their latest single, Growing Pains, the highlight of the OST for the next coming-of-age Hollywood blockbuster.

The momentously oceanic single is definitive proof that the Texan trio has come a long way from where they started five years ago as an angst-driven duo. Lauded for their energetic performances and acclaimed in their home state, it is only a matter of time before Tough on Fridays reach the heights they are destined for. Growing Pains is undoubtedly one of the finest testaments to their songwriting tenacity to date; getting carried away with the simple yet efficaciously magnetic chords is pretty much non-optional.

Tough on Fridays’ latest single, Growing Pains, is now available to stream on SoundCloud.

Review by Amelia Vandergast

Lucy Chan is soulfully cinematic in her latest single, Love Motion Picture

Lucy Chan shared a college fever dream in her latest soulfully cinematic pop track, Love Motion Picture, which runs with escapist references to 90s rom coms, hints of 80s synth pop and a modernist twist to the romanticism.

The 19-year-old singer-songwriter has been a hit with teen pop fans ever since her 2021 single, I Wonder, and her acclaim grows with every subsequent release. Taylor Swift would want to eat her heart out to the dreamy innocent melodicism of Love Motion Picture, We can’t wait to hear what the Australian artist resolvingly releases next.

Love Motion Picture is now available to stream via Spotify.

Review by Amelia Vandergast

Madam Who? invited you to ‘Reclaim Your Power’ with her 90s nostalgic pop-rock debut LP

The Eastern Shore, MD, USA-residing pop rock singer-songwriter Madam Who’s debut album, Reclaim Your Power, will undoubtedly be a soul-saver for anyone it catches in a vulnerable or transformative time.

With the rock reverence of Joan Jett, the zaniness of The B52s and the urban edge of Lizzo, the LP starts with the powerful title single, before You Are Not Alone brings in the 70s rock vibes and Goddess in Our Midst brings a little neo-soul into the mix.

Undoubtedly, one of the sweetest spots on the LP has to be Strange & Beautiful. The progressively enrapturing track hooks you in through an acoustic intro before building into an anthemic ballad which allows you to embrace your autonomy, idiosyncrasies and all.

Rarely do records hit the compassionate spot with the same efficacy as this LP. Madam Who? is a pop-rock diamond in the rough; there are few accolades she doesn’t deserve due to her overpowering sincerity and motivation to heal wounds that most women will experience in their lifetime.

Madam Who?’s notes on the album

“I wrote these songs as a form of therapy after I hit the most difficult time in my life – even more challenging than going through brain cancer. After being emotionally abused and abruptly discarded, I had to start my live over with little knowledge of who I was anymore. Before this destructive relationship, I pursued a music career, naturally, when it was over, I started writing again, with a focus on empowerment, not my life’s antagonists. The overall message is to be kind and love yourself.”

The Reclaim Your Power LP is now available to stream on Spotify.

Follow Madam Who? on Facebook & Instagram.

Review by Amelia Vandergast