Browsing Tag

80’s Pop

Nightcars are dancing by themselves in their indie-soul-pop-rock amalgam, On My Own

Posted on 9 June 2023
Nightcars

With swathes of sugar on the vocal lines as they soulfully cut across the angularly sharp guitars and scintillating synths, the latest single, On My Own, from the Venezuelan powerhouse, Nightcars, is a reinvention of 80s nostalgia you will undoubtedly want to savour.

Adding to the amalgamated mix of indie, soul, pop, and rock are the deep funk-carved groove pockets that give the addictively affectionate release a distinctive dimension, setting Nightcars easily apart from the indie landfill fray.

On My Own is Grammy-worthy for the lyric, “should I pop another pill or is this how I should feel”. In such an evocatively succinct capacity, Nightcars encapsulated how we over-medicate human emotion to stop ourselves from feeling anything at all. If you needed any inspiration to rawdog your heartbreak, there it is.

It comes as no surprise that the band’s former releases have enabled them to build an international fanbase. Away from the conflict and turmoil in Venezuela, Nightcars now safely reside in Madrid, where they are working on their upcoming third EP, Extended Play Vol. 3, which is set to release later this year.

On My Own will officially release on June 9th. Check it out on Spotify and the artist’s official website.

Review by Amelia Vandergast

Forget your ex, fixate on Good Time Locomotive’s debut new wave pop-rock hit, Lines of Symmetry

Posted on 13 May 2023

The London-hailing prodigal sons of jangly new wave pop-rock, Good Time Locomotive, put the silver lining on your last sanity stripper of a relationship with their debut single, Lines of Symmetry, which allowed them to more than stay true to their moniker.

If you thought that Stranger Things delivered a potent shot of 80s nostalgia, you’ll be wishing your hair was bigger from the first time the crooned-over chorus hits in Lines of Symmetry. This wholly relatable dance-worthy hit is the nearest thing to closure that most disenfranchised hopeless romantics out there will get; consider the absolute earworm of a melody as bonus material.

Good Time Locomotive may be a fresh-faced outfit, but it comprises a collective of seasoned musicians who have enough musical chops between them to officially dub themselves as a powerhouse. We can’t wait to roll with the emotional punches in their forthcoming EP, due for release this summer.

Lines of Symmetry will officially release on May 13; hear it on SoundCloud.

Review by Amelia Vandergast

Max LaMont captured the vibe of Hollywood in the summer with his latest single, The Last Day of June

Posted on 8 April 2023

LA alternative artist, Max LaMont, didn’t hang around bringing the summer vibes this year; his latest single, The Last Day of June, which traverses bitter-sweet teen romance tropes through an alt-bubble gum pop tonal palette, debuted on March 31.

Fans of The 1975 and the Weeknd won’t want to miss out on the intoxicating 80s RnB pop vibes that are superlatively synthesised in the intoxicating hit, which teases what is to come from his forthcoming EP.

The magnetically shy artist’s charisma is undoubtedly a major part of his appeal; everything he turns his talents to is raw and definitively the real sincere deal. Beyond his relatability lies his classically trained virtuosic flair; he is trained in operatic and musical theatre; as a result, he’s been in a myriad of live productions, including Oklahoma, La Boheme and MASS.

Stream The Last Day of June on Spotify.

Review by Amelia Vandergast

Ninali reached the pinnacle of ‘Smooth’ in her latest feat of jazzy soul pop nostalgia

Posted on 17 February 2023
Ninali

There was no forgetting Ninali after hearing her affectionately wanderlust track, Tokyo, which hit the airwaves at the end of 2022. To start 2023 with a sultry bang, she’s amalgamated a sentimentally demure cocktail of pop, jazz and RnB.

The mid-tempo piece, Smooth, was co-produced by the legendary producer M. Shanks, who also applied their deft touch to the tantalising timbres in Tokyo, which marked the first release for Ninali in over a decade.

With Smooth, sensuously 80s-nostalgia-soaked instrumentals swell and tropically groove around the aphoristically harmonised vocal lines, which simultaneously put you in the mood while facilitating the purer purpose of reminding you how sweet it is to meet someone that defines serendipity. It is worth falling in love just to fully appreciate this delicious track.

Smooth will officially release on February 17th. Hear it on all major platforms via this link.

Review by Amelia Vandergast

B!TEZ advocates uninhibited authenticity in her alt-pop hit, Be Like You

Posted on 17 February 2023
https://soundcloud.com/bitezhearts/be-like-you/s-x2BfzMy4Je3?si=5ef857d702054d8abca2db5663d4b746&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

It’s time to let the dust settle on the archaic records from New Order and The Stone Roses and lock into the viscerally fresh talent from Manchester-based artist and poet B!TEZ, who has been taking the rainy city by storm.

For her latest single, Be Like You, B!TEZ (Princess Arinola Adegbite) reinvented the 80s pop wheel with her afro-futuristic edge that is sharper than any papercut. The infectiously melodic earworm is a stellar hit based on the instrumentals alone. When the socially conscious lyrics are thrown onto the stabbing synth lines, it is impossible not to get wrapped up in the vindicating euphoria.

“The first single on Vintage Destiny is ‘Be Like You’. A self-love disco pop anthem integrating rock, and funk elements encouraging listeners to be their authentic “exceptional” selves despite living in a comparison-driven world.”

After finding influence from a broad range of artists, including Nina Simone, Mazzy Star, FKA Twigs and Bjork, the songstress carved out her niche and thrived in every arena she threw her multi-faceted talent into.

The multi-award-winning poet, filmmaker and BBC Words First artist has won Manchester Young Creative of the Year and been commissioned by Selfridges, the BBC and the University of Cambridge. In addition to performing in  Manchester’s most iconic venues, including Blues Kitchen, Soup and Band on the Wall. She’s definitely one to watch.

Honestly, I’m inspired by her after just one hit on Be Like You. Eat your heart out John Cooper Clarke.

Be Like You will officially release on February 17th. Hear it on SoundCloud.

Review by Amelia Vandergast

Transcend gravity with Marcus Liuzzi’s spacey 80s synth pop serenade, No One Better Than You

Posted on 30 January 2023

There was no forgetting Marcus Liuzzi after his lasciviously hooky 2022 single, 2 Night Stand. He’s swooned in with the Chris Isaak 80s vibes once more in his proclamation of enduring passion, No One Better Than You. The synthy, spacey pop tones push the single beyond the earth’s atmosphere, transcending gravity and every pop archetype that came before it.

No feeling quite matches the sensation of earnestly upholding someone as the reflection of perfection in your eyes – especially when their own self-image is dimmed with doubt, leaving you compelled to celebrate them to put back the shine in their tear-streaked aplomb.

“you feel as though you’re broken, you’re not the only one, you put your trust in someone else, and look what they’ve done” may just be the most compassionate lyric penned in the last decade.

Listen to No One Better Than You on Spotify.

Review by Amelia Vandergast

Umberto Bravo pulled the purity out of salaciousness with his sophomore synth-pop single, Sacred Sinner

Posted on 15 January 2023

Italian independent singer-songwriter and composer Umberto Bravo has unleashed his synthy sophomore single, Sacred Sinner, which modernises the 80s pop tonal palette with explorative vision and lavish layers of soul.

The mid-tempo ballad embellishes the 80s pop sound with gospel traditionalism through the vocals as the instrumentals push lush synth cords against consistently evolving guitars, which know just where to transfuse the gritty and transcendent tones to make the peaks and valleys of the emotional rollercoaster infinitely steeper.

Some view lust as a cardinal sin, but if anyone can make the case for the purity of salaciousness, it is Umberto Bravo in this carnally magnetic earworm that could rouse even the most sexually repressed puritans.

“Sacred Sinner is not a love song, let alone musical pornography. But it certainly goes against the traditional dynamic of the relationships of equality that exist between two people dealing with intimacy.”

Sacred Sinner was released on January 14th across all major streaming platforms, including Spotify.

Review by Amelia Vandergast

Krystal Scarlet attests that fantasies can come true in her euphonious pop hit, Wonderland.

Posted on 28 December 2022

London-based pop breakthrough artist, Krystal Scarlet, dropped in on the airwaves for the first time since her infectiously vindicating 2021 hit, Won’t Forget, with her new 80s-inspired single, Wonderland, on December 16th. The funky indie guitar chops pop around the snappy percussion and colourfully vibrant electronic synthetics create an uplifting earworm that all too easily takes you to the titular destination.

With pitch-perfect euphonious harmonies, Krystal Scarlet carries the Taylor Swift effect before coming into her own via the authentically indie grooves in the track that will leave you humming to the tune of the fantastical euphoria for days on end.

The track that celebrates the kind of love that can abstract you from your own daydream and take you somewhere even sweeter isn’t one that you can passively let pass you by. Obsession is non-optional.

Wonderland is now available to stream on Spotify.

Review by Amelia Vandergast

Lyfe created a disco fever endemic with the euphoric soul in his latest funk-pop single, Tonight

Posted on 16 December 2022
Lyfe

For his latest single, Tonight, the up-and-coming artist, Lyfe, served a potent cocktail of pop, funk, disco, and soul. Rather than evoking nostalgia from one era, the artist, who is dominating more and more of the metaverse with every subsequent release, simultaneously took us to the 60s, 70s and 80s in a dizzying feat of sonic time travel.

While you time-hop through the funk-chopped guitars, glistening piano glissandos and heady four-to-the-floor beat, Lyfe creates collaborative alchemy with the celestially timbered backing vocalists who pour a profound level of euphoric soul into the feverish with disco track.

Each song from Lyfe’s 20-track debut album has its own virtual world in the Metaverse. Before the debut LP, Lyfe founded YXY ODY Studios to create a series of NFT drops and The Odyssey Metaverse. He also deployed one of the biggest virtual concerts yet, with over 40,000 attendees.

Watch this space because Lyfe is about to revolutionise it.

Tonight will officially release on December 16th. Check it out on his official website.

Review by Amelia Vandergast

80s icon, Rocketball 007 has made a spacey comeback with his single, I Can’t Look at You Enough

Posted on 10 November 2022

Originally formed in the 80s and with multiple 7” records on the Punk Collector’s List, we’re stoked to have Rocketball 007’s latest single, I Can’t Look at You Enough, in our ears.

With a sound frequently assimilated yet rarely authenticated, the synth-driven, spacey-with-romanticism single would be right at home on the Wild at Heart soundtrack. Through the crooning into the reverb vocals and the scintillating retro analog synths, which stab right into the beating heart of the atmospheric release, it imparts ample neon synaesthesia. Any true 80s pop fans will want to jump on I Can’t Look at You Enough like cats on catnip. It isn’t every day that you get to revel in the real visceral deal.

I Can’t Look at You Enough is now on Spotify, and Rocketball 007’s entire discography is available to stream and purchase on Bandcamp.

Review by Amelia Vandergast