Browsing Tag

80’s Pop

Al Coffey became sad boy synth-pop royalty with his latest single, I Get Sad

Posted on 4 October 2024

The UK’s most evocative icon of queer sad boy synth-pop, Al Coffey, overloaded the airwaves with mesmeric melancholy with his latest single, I Get Sad. Each vocal note reverberantly hums as it drips honey over the nostalgia-soaked synth hooks that take you back to the 80s via a route never taken.

Imagine the chord progressions of Nick Cave fused with a Chris Isaak-esque atmosphere lit up by the neon lights of The Midnight and The Weeknd, and you’ll be close to getting an idea of how much of a sanctuary I Get Sad delivers as it runs through the reprise, ‘I get sad and you’re the reason why”.

Just as sharp as Josh Savage’s hits, I Get Sad is the ultimate attestation to Al Coffey’s ability to paint striking vignettes with his synth strokes. With his mission to make 2024 his breakthrough year, now is the time to transplant the affecting ingenuity of Al Coffey on your radar. Following the release of I Get Sad, there are teasings of live performances and more hits in the pipeline.

Stream I Get Sad on Spotify now.

Review by Amelia Vandergast

Arlo Boe ignited a dark electro-pop inferno of infatuation and insanity with ‘Manic’

Posted on 30 September 2024

In her fiercest pop hit to date, Manic, the trailblazing siren Arlo Boe delivered a veritable earworm that could devour a dancefloor. With EDM pop aesthetics, which are as dark as they are kinetic, the electrifying anthem adrenalizes as it empowers listeners who are tired of tempering their manic proclivities when it comes to obsessive infatuation.

There are nods to Lady Gaga in her ‘The Fame’ era in the scathing spoken word increments which interrupt the Goldfrapp-esque production, which harks back to the 00s pop era while simultaneously flirting with the energy and euphoria of 80s pop. Yet, Manic is so much more than a revisitation of pop’s past; Arlo Boe ensured that her latest single won’t be out of place on contemporary pop playlists.

Arlo says, “I have always been fascinated by obsessive loves and the way people can just form these intense infatuations overnight. My favourite movie is Gone Girl and after I wrote this all I could think of was Amy Dunne, this is what semi-inspired the video which I planned, shot, and edited myself. I love the troupe of “If I can’t have you, no one can” … in an entertainment sense of course!”

Manic stormed the airwaves on September 27; stream the single on Spotify now or watch the official music video on YouTube.

Review by Amelia Vandergast

Laptop Singers captured the quintessence of Swedish Pop with ‘Scandinavian Home’

Posted on 4 September 2024

Laptop Singers synthesised the rhythmically hooked quintessence of Swedish Pop into their latest album, The Battle for the Future of Pop. If the soul-scintillating track, Scandinavian Home, is anything to go by, the battle has already been won and Laptop Singers are sitting pretty at the helm of the genre.

By fusing the perpetually stylistic sonic signature of Kraftwerk and the chilly chromatics of Covenant into a perennial dance-pop earworm with post-punk-esque guitars, a pulse-pounding beat and vocals that make you want to melt through the flawlessly pitched seraphic harmonies, Laptop Singers carved out one of the most affecting pop anthems of 2024 with Scandinavian Home.

There’s absolutely nothing guilty about this funk and groove-slicked in all the right places from the Swedish brother duo, Per and Lars Andersson; it’s edgy enough to be a hit in the indie and alt-scene while giving mainstream pop fans all the dance-worthy euphony they could possibly ask for.

Scandinavian Home is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

Bask in the euphoric rays of Ami Leigh’s 80s synth pop allegory of love, You Give Me Such a Feeling

Posted on 22 June 2024

Trying to predict Ami Leigh’s next move is as futile as mapping out a dreamscape; the County Durham-based singer, songwriter and multi-instrumentalist’s perpetually fluid sonic signature is always in flux. Her latest single, You Give Me Such a Feeling, captures the chameleonic songstress at her most unflinchingly amorous.

While her discography may already be an arsenal of hits that play with light and shade, with some tracks that linger in the darkness before locking into the warmth of heartfelt sentiment, You Give Me Such a Feeling swims in ethereal dream pop bliss, leaving you under no illusion of the sincerity of the release.

The Cure’s influence echoes in the opening guitar lines, before the lush with 80s synth-pop nostalgia melodies ebb and flow beneath Ami Leigh’s tender-to-the-heartstrings harmonies. As soon as you slip into the serene escapism of You Give Me Such a Feeling, it will be hard to know where your emotions end and Ami Leigh’s start.

Instead of relying on the British weather to bring sun-soaked serotonin, make this single a playlist staple and get your fill of iridescent euphoria.

You Give Me Such a Feeling was officially released on June 14; stream the single on Spotify and YouTube.

Review by Amelia Vandergast

Lose your head and your heartbreak on the dancefloor with Sam Macdonald’s nu-disco hit, I Wanted More

Posted on 2 June 2024

80s synth pop vicariously lives and breathes through Sam Macdonald’s latest nu-disco hit, I Wanted More, which is a testament to the artist and producer’s cultivated talent, honed while studying music production at Leeds Conservatoire.

Hit play and be force-fed ear candy through the synthesis of the rhythmically compulsive disco grooves and the 80s Madonna-esque vocals that don’t stop at soaring above the production; the passion within them wraps around the track like an incandescent aura you will want to bask in time and time again.

The euphoria within the fiery neon-lit tour de force, which finds a vindicating way to address the dejection of not being able to meet unrealistic romantic expectations ensures that anyone who has been burnt by that particular old flame before will be able to lose their head and heartbreak on the dancefloor with this flawless hit.

I Wanted More was officially released on May 10th and is now available to stream on Spotify.

Review by Amelia Vandergast

Pearl Poet – At the End of the World: Apocaloptimist Electro Pop

Posted on 1 June 2024
At the End Of the World by Pearl Poet

If the end of the world is nigh, we may as well follow the human proclivity to romanticise tragedy; there’s no better track to look at the apocalypse through an affectionate lens than the latest single, At the End of the World, by the Floridian producer duo, Pearl Poet. The pangs of euphoria as soon as you immerse yourself in the nu-disco landscape of melody, sincerity and harmony could turn up the heat in the bitterest soul.

As the lyrics and effect-imbued vocals euphonise on a thin line between existentialism and exuberance, the thematic duality of At the End of the World will take the reigns of your rhythmic and emotional impulses; relinquish control and you’ll find yourself in the safe hands of a gifted duo of apocaloptimist electro-pop producers.

The 80s pop aesthetic may continuously be revisited in 2024, but few artists are better placed to modernise the lush neon-lit synthetics as Pearl Poet. Wherever their creative journey takes them next, we want to be there for it.

At the End of the World will be available to stream on all major platforms from May 31. Stream and purchase the single now on Bandcamp.

Review by Amelia Vandergast

Marcus Liuzzi is the last of the great romantics in ‘Right Whatever’s Wrong’

Posted on 22 May 2024

Marcus Liuzzi’s latest standout single, Right Whatever’s Wrong, teases the soul with flawless feel-good finesse by sprinkling layers of spacey Ziggy Stardust over kinetic drumbeats; the fluidity of the intricate laid-back grooves behind the nostalgia of the 80s synths are just as rhythmically compelling as the infectious beats in the Stone Roses signature sound. Paired with the soulful crooning vocal lines, Right Whatever’s Wrong efficaciously embodies the warmth of the sensation of finding perfection in someone that obliges you to never do them wrong or let them down.

Liuzzi, perhaps the last of the great romantics, crafted an atmosphere where the soaring 70s rock guitar riff tears through the euphony towards an ardent outro, giving the track another sweetly exhilarant dynamic. This colourful prism of a pop-rock hit ensures anyone who delves in will feel the full force of the earworm.

Influenced by the likes of the Beatles, ELO, Queen, Pink Floyd, and David Bowie, Liuzzi finds perpetual inspiration in themes of love, hope and peace; his latest single is a scintillatingly soulful amalgamation of his diverse influences, making Right Whatever’s Wrong a testament to his passion and artistry. Dive into this track and let it sweep you into its vibrant, nostalgic embrace.

Right Whatever’s Wrong hit the airwaves on May 10th, stream the single on Spotify.

Review by Amelia Vandergast

Leon Tikas – Beauty Queen: A Modern RnB-Tinged Echo of Iconic Pop Nostalgia

Posted on 13 March 2024

Leon Tikas stepped into the spotlight with ‘Beauty Queen‘, a standout track from his debut EP ‘Egoist‘, which masterfully nods to the pop greats while smouldering in smoothly stylised RnB innovation.

If Michael Jackson debuted Billie Jean in 2024 while falling in line with contemporary trends set by the likes of The Weeknd, the cult hit would carry the same hypnotically textured magnetism of Beauty Queen, which does far more than scratch at the surface of superficiality while proving that beauty is more than skin deep.

The seamless interplay between the effect-laden vocals and reverb-drenched instrumentals delivers a modernised 80s pop aesthetic, seamlessly integrated with a solid trap-esque backbeat. Tikas doesn’t just replicate the past; he reinterprets it, adding his own innovative touch to a familiar sound.

For fans of the genre, ‘Beauty Queen’ is not just a track to enjoy but a signal of the exciting direction RnB Pop is headed, with Leon Tikas at the forefront. Join him at the vanguard and hit play.

The Egoist EP is now available to stream on Spotify.

Review by Amelia Vandergast

TALK IN CODE injected modernism into the euphonic aura of the 80s with their indie synthpop hit, Something of Nothing

Posted on 2 March 2024

TALK IN CODE’s latest single, Something of Nothing, is effortless to translate. The Swindon-based fourpiece injected modernism into the euphonic aura of the 80s to deliver a perennial pop earworm that will hook you into its core as it laments on people who can’t fight the compulsion to clamour over drama.

As the nostalgically retro synths cascade around the angular indie jangle-pop guitars, the vocals that flow with the new wave of pop pull you deeper into the anthemics of the rhythmically bolstered track that moves beyond stylistic influence.

If you’re sick of wading through the landfill of contemporary indie pop that now monolithically towers over what we had to contend with in the 90s, the cultivation of Something of Nothing will allow you to remember how it feels to get truly excited by a new outfit – you won’t be alone. TALK IN CODE has garnered swathes of critical acclaim from BBC Introducing, Q Music and Amazing Radio to supplement the fervour from their loyal fanbase.

After gracing over 500 playlists and racking up 300k streams across streaming platforms, indie ensembles don’t come much more promising than TALK IN CODE. If you got caught up in The 1975 hype, find a new obsession by hitting play on Something of Nothing.

Something of Nothing will be available to stream on all major streaming platforms, including Spotify, from March 1st.

Review by Amelia Vandergast

Jessie Berkshires – Enough: An Ethereal Synth-Soaked Lesson in Self-Discovery

Posted on 29 February 2024

Jessie Berkshires’ latest single, Enough, is a masterful blend of alt-pop finesse and 80s nostalgia, wrapped in a neon glow of modernity and soulful conviction. The single opens with Berkshires’ ethereal harmonies which weightlessly drift across the stabbing synth lines.

The intro’s melodic foundation sets the stage for a rhythmically compelling backbeat that kicks against the rest of the reverb-swathed instrumentation to create an immersive experience reminiscent of a neon-drenched dreamscape.

Berkshires’ vocal delivery is a study in artful beguile, echoing the haunting allure of Kate Bush. Her voice, a serene yet strident force, weaves through the track, delivering catharsis and conviction with equal measure. The lyrics, a poignant reflection on independence and empowerment, resonate with a poetic clarity that strikes at the heart.

The track’s production is a deft mix of contemporary magnetism and retro charm. Imagine pouring Warpaint’s style into The Human League’s mould, and you’re close to the unique cocktail that is ‘Enough’. It’s a sound that’s as deliciously poured as it is thoughtfully concocted.

In ‘Enough’, Jessie Berkshires offers a lesson in how to blend past and present, pain and hope, into a track that’s as empowering as it is enchanting.

Enough arrived on the airwaves on February 16. Stream the single on Spotify.

Review by Amelia Vandergast