Browsing Tag

70s Folk

Emmett McGrath revisited 70s folk-pop with visual lyricism and achingly panoramic sonics in ‘Outlaw’

Cali singer-songwriter Emmett McGrath is a testament to the power of lyrical storytelling in his latest single, Outlaw. The orchestrally embellished 70s folk pop vignette is driven by Elton John-esque piano keys which let you feel the heart in every note and enlightened by McGrath’s intensely evocative harmonies that put him in the same league as Cat Stevens.

With lyrics as poignantly poetic as Paul Simon and Bob Dylan, it’s impossible not to feel like you’ve found a diamond in the rough with Outlaw; the way it sweeps you up in the tenderly orchestrated panorama as it traces the steps of a woman on the run towards refuge is a cinematic triumph.

Between his visual lyricism, ability to pay homage to the greats while staying true to his sonic blueprint and the lush reverberations of his sepia-tinged compositions, there’s no denying that Emmett McGrath has one of the most impactful voices in modern folk-pop.

Outlaw was officially released on November 2nd and is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

Tim Briggs – The Long Fall from Grace: A Folk-Rock Sanctuary for the Soul

After decades of carving out soul-stirring melodies across various genres and scenes, Tim Briggs converged all his experience into his latest triumph, The Long Fall from Grace LP.

The title single exhibits the raconteur’s evolution from an eager singer-songwriter in 70s Ohio to a revered figure on the folk rock and southern rock circuits. After years of touring the states and rubbing shoulders with the likes of Lynyrd Skynyrd and The Marshall Tucker Band, a southern rock grit was naturally embedded into his folk-rooted melodies as Briggs sharpened the emotive potency of his vocal harmonies and guitar licks.

The single ‘The Long Fall From Grace’ encapsulates Tim’s adeptness in suckering your soul into submission.  With every steady, sticky-sweet clash of the strings, you’re increasingly convinced your emotions are safe in the deft hands of the artist whose consolingly pure vocal lines enable him to become a confidant, someone to trust with your most visceral emotions.

While nostalgia may run deep in its veins, ‘The Long Fall From Grace’ stands leagues away from being a mere artifice of antiquity. With the natural breeze of 70s folk, the intimacy of college radio rock and the commercial appeal of Nada Surf, It is a modern classic, a testament to Tim Briggs’ enduring impact and artistic integrity.

Tim Briggs’ The Long Fall from Grace LP reached all major streaming platforms on October 27; stream it in full via Apple Music and Spotify.

Review by Amelia Vandergast

Mikey Wayne – Coming Home: A Cuttingly Flawless Folk Confession

Mikey Wayne’s latest single, Coming Home, stands out as a remarkable addition to the folk genre, exuding a sincerity that captivates from the first chord. This single, a confluence of Nashville country and Wayne’s Southern Californian and Alabaman influences, offers an intimate glimpse into the soul of its creator.

The song’s strength lies in its raw honesty and the profound way Wayne owns his imperfections. He eloquently expresses the nuances of a relationship’s push and pull, encapsulating the struggle and beauty of growth within a partnership. Lyrics such as “If you’ll have me baby, I’m coming home” cuts like a knife of resonance while the gentle tenacity in the acoustic guitar strings amplifies the precision of the incision by echoing the universal yearning for acceptance and love. He may not have spoken for us all word for word, but we can all find a piece of ourselves within the single.

The official music video for Coming Home, which was recorded in Echo Mountain Studios, premiered on YouTube on January 26th.

Review by Amelia Vandergast

Charlie Diamond’s Melodies Are Blowing in the Wind in His Latest Release, ‘New York’s Been Good to Me’

Charlie Diamond’s latest single, New York’s Been Good to Me, is a striking homage to the classic folk era, echoing the raw, unfiltered essence of Bob Dylan with its old-school production and soulful harmonica blows. Diamond, whose life reads like an adventure novel brings a unique authenticity to his music. His experiences, including hiking the Appalachia trail and musing in solitude, infuse his songwriting with a depth that resonates deeply.

The song paints a vivid, panoramic picture of New York City, reminiscent of Tom Waits’ wistful storytelling. Diamond’s lyrics and melody transport listeners to the bustling streets of the city, capturing the inviting yet overwhelming paradox of New York and portraying the city as a character in itself, whose acquaintance isn’t for the faint of introverted heart.

The singer-songwriter’s belief in his anachronistic reincarnation adds a layer of timelessness to the track which bridges decades for ample cross-generational appeal. If you lament living this timeline too, find ample solace by hitting play and taking a journey through the eyes of a troubadour who has lived a life as colourful and varied as the landscape he sings about in this nostalgic escapism-aiding release.

Stream New York’s Been Good to Me on YouTube.

Review by Amelia Vandergast

Oliver James Brooks synthesised contemporary sickness with the fever of the 70s in ‘Technologically Stoned.

https://bit.ly/OJB-TechnologicallyStoned-Video

To hold a mirror to the dystopic sickness of the day, the critically acclaimed Toronto singer-songwriter, Oliver James Brooks, lyrically narrated our iPhone co-dependency issues in stark contrast to the 70s fever of psych-folk timbres with his alt-folk-rock single, Technologically Stoned.

Illuminating the reality of the evolution of technology which is spurring the regression of society while orchestrating a lava lamp warm soundscape that consoles through the dusky hues couldn’t have been an easy feat; the resolving raconteur succeeded nonetheless.

The accompanying music video, shot on super 8mm film along the Humber River Valley, also acts as a compelling visual exposition of how the chokehold of our phones is blinding us to the natural beauty that is everywhere we turn. If any single is going to convince you to get your dopamine fix in a more organic way, it is Technologically Stoned; the organic and raw production leads by efficacious example.

Technologically Stoned was officially released on September 22; it will also feature in the artist’s third studio LP, A Little Long While, which will be available to stream on all major platforms from November 24.

Watch the official music video for Technologically Stone on YouTube now.

Review by Amelia Vandergast

Peppler lulled us into optimistic gratitude with his dream folk serenade, Blessed

Creating ample anticipation for his upcoming dream folk album releasing in early 2023, the acoustic folk artist Peppler exposed his old soul in his lead single, Blessed.

Entwining the warm vintage tones of 60s and 70s folk with a modern signature dream pop sound that only Peppler can call his own, Blessed is effortlessly efficacious in beckoning you into the beguiling grace of the release. Which needed no more than accordant acoustic guitars, a harmonica and Peppler’s consolingly dulcet tones to lull you into gratified catharsis.

Lyrically, Blessed optimistically reinforces the message that we are blessed within ourselves and that trust that it will all work out is never misplaced. It’s a simple message, but one worth reiterating, given our tendency to curse every downfall and diminish everything positive. Notably, artistically thriving within pure, simplistic minimalism is Peppler’s gift, one that he’s worked tirelessly to perfect after eight years of performing live and crafting albums with various projects.

Watch Blessed live from the G7 Recording Studio on YouTube.

Review by Amelia Vandergast

 

Bluebyrd weaved a timeless folk pop serenade with their latest single, Crystals

The Folk-pop visionary duo Bluebryd entwined modernism with an air of 70s and 80s folk in their latest single, Crystals, mused by a fragile soul traversing a chaotic world with spirituality as a guiding force.

With reminiscences of Ralph McTell and Richard Thompson and melodic echoes of Cash’s Ring of Fire, the lyrically delicate protest to unsettling times will undoubtedly resonate with anyone that has felt at a loss in the current climate of ennui and disillusion. It’s a touching serenade from the folk-pop duo, who are fresh from supporting The Christians and Ian McNabb; they have also been in regular rotation on UK and international radio, with over 200 plays across 2021 and 2022.

Crystals was officially released on October 3rd; check it out on Spotify.

Review by Amelia Vandergast

Gary Wight takes us to A House by a Beach in his accordantly sweet debut single.

‘A House by a Beach’ is the heart-wrenchingly soulful debut single by the up and coming North East of England hailing singer-songwriter Gary Wight.

Even though the debut falls into the 70s acoustic rock n roll camp, the artist’s inclination to incorporate genres from across the spectrum permits his sound to resound free from rock n roll cliché. Instead, he delivers unassimilated soul that won’t fail to pull you in through the folky affectionate lyrics and the ring of the accordantly picked guitar notes.

If Syd Barrett and Elliott Smith met in the middle, the aural result would be infinitely reminiscent of A House by a Beach.

A House by a beach is now available to stream on Spotify.

Review by Amelia Vandergast

The Far North makes compassion worth having with his debut album, Songs for Gentle Souls.

There are far too many things in this world that will tear away at the more affable side of mankind, but The Far North made compassion worth having with the release of their 2020 acoustic folk album, Songs for Gentle Souls.

The standout single, Branches, is a blues-folk serenade that all too efficaciously pulls you into the shimmering accordance of the minimalist soundscape that the 70s style folk-rock vocals soulfully resound within.

While you’d be forgiven for thinking that this sound manifested in Mississippi, The Far North is the solo project of singer-songwriter and guitarist Lee Wylding, hailing from Chester, England. His ethos as an artist is rooted in the roots of folk; his commitment to ensuring every lyric resonates shines through in Branches. We can’t wait to hear more from The Far North.

The Far North’s debut album is available to stream in full on Spotify.

Review by Amelia Vandergast

 

ELLSWORTH delivers 70s Americana escapism with ‘Potholes’.

ELLSWORTH

Oregon-born folk singer-songwriter ELLSWORTH’s latest single, Potholes, carries the same amount of soul as Jack Johnson’s consoling releases, the Americana escapism of Dylan’s records in the 70s and the same melancholic air that truthfully resides in us all from time to time.

The relatability in this façade-less dreamy feat of folky bluegrass indie sweetens the already choral tones. With lyrics such as ‘turn my body inside out, I shook it real hard, nothing fell out’ for your mind to devour, you’d have to be dead from the soul down not to feel something as you listen to Potholes weave through the stunningly composed progressions.

Check out ELLSWORTH on her website and Facebook.

Review by Amelia Vandergast