Browsing Tag

50s Pop

Tylar Smith dropped a nostalgia atom bomb with his retro jazz-pop hit, ONE MORE CHANCE

Posted on 29 September 2023

Get in the Doo Wop swing with Tylar Smith’s jazz-pop nostalgia atom bomb of a single, ONE MORE CHANCE. The award-winning Australian-born singer’s reverence for retro pop and old-fashioned soul, powerful vocal lines that could start a Rockabilly riot and his ability to spin a powerful narrative over his melodies that will hit your ears like candy has put him on the right path towards his dream of becoming an international recording artist.

With the timeless appeal of ONE MORE CHANCE and music fans increasing their proclivities towards nostalgia, the young artist, who started cutting his teeth in the music industry before his teens, is sure to make an ever-lasting impression with his debut EP, REMINISCENT, which has been crafted over the last 12 months in collaboration with a US Grammy-Nominated producer and songwriter.

ONE MORE CHANCE will reach the airwaves on September 29; hear it on SoundCloud.

Review by Amelia Vandergast

Brandon Amor crooned us onto a higher plateau with his indie-folk-pop serenade, 109 Days

Posted on 9 May 2023

Brandon Amor’s single, 109 Days, which concludes his LP, The Waltz of 109 Days, is a sonic odyssey; orchestrated by the dreamy layers of indie-folk-pop and waltz-y rhythmics under his 50s-style jazz crooning that almost makes a lullaby out of this sentimentally spacey outpour of intricately impassioned soul.

Any fans of Trudy and the Romance will be effortlessly swooned by the kaleidoscopic melodicism of the single that cushions his visceral vocal lines, which amplify in conviction until the track quiescently fades out on gentle guitar strings and birdsong.

I’m not one that believes that good artists always need to have an X-Factor-winning set of vocal cords, but when they complement such a stunning instrumental arrangement, it certainly takes the aural experience to the next transcendent level. It is safe to say that 109 Days will leave you on a higher plateau from the first hit, and believe me when I say you won’t be able to resist repeat spins.

109 Days will be available to stream from May 9th. Stream it on SoundCloud.

Review by Amelia Vandergast

Charlie O’Brien walks us through dreamy jazz pop nostalgia on ‘Ingrim Street’

Posted on 20 October 2022

Taken from his forthcoming fifth album, Fire and Foam, Charlie O’Brien’s mellow pop folk serenade, Ingrim Street, is a jazzy amble through sepia-tinged memories that allow you to revisit your own sentimental destinations of nostalgia.

His fifth album is Charlie O’Brien’s first departure from his trad Irish roots. The melodious ease of the dreamy soundscape has no obvious connotations of experimentalism through its delicious entrenchment in unbridled soul, noted through the lofty 50s pop vocals and the brass section, which came as a courtesy from the Mexico-hailing artists Luis Zautla and Alejandro Cristobal.

In a time of such rampant disillusion, records such as these are worth their weight in gold. We can’t wait to see where this album takes O’Brien and his achingly beautiful talent.

Ingrim Street will be available to stream from October 20th, along with the rest of his album, Fire and Foam. Catch it on SoundCloud.

Review by Amelia Vandergast

Andrea & Mud are a rocksteady cinematic vision in their honkytonk classic country single, A World Just You and Me

Posted on 13 September 2022

https://soundcloud.com/andreaandmud/a-world-just-you-and-me-master?in=andreaandmud/sets/institutionalized/s-2umq8RxPBvk&si=fb659af527954dcd83a60414667dcbde&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Slip away from the 21st century with the honkytonk classic country single, A World Just You and Me, by the alchemically alluring Atlanta-based duo Andrea & Mud.

With Setzer-esque winding guitars which resound around the custom-crafted surf-western motifs between trickling piano keys and percussion that was crafted to jive to, A World Just You and Me is a rocksteady cinematic vision which transcends nostalgia by moving into the future of retro.

While Andrea Colburn vocally brings the grace and beguile, Kyle ‘Mud’ Moseley’s baritone vocal soul aches with sincerity, despite the playful tone of the romantically spurred lyrics.

A World Just You and Me will be available to stream and download from September 13th. Catch it on Soundcloud.

Review by Amelia Vandergast

Slip away from the monochrome present-day with Georgia and the Vintage Youth’s single ‘Colour Blind’

Posted on 5 March 2021

We can’t fast-forward 2021, but we can escape it by delving into the past, Georgia and the Vintage Youth’s latest single ‘Colour Blind’ is the perfect aural TARDIS to jump into. While you’re consoled about the state of present-day, the comfort from the anachronistically styled soul will abstract you from it.

Anyone lucky enough to hear it will be able to better understand their own lockdown-inspired feelings after hearing Colour Blind. With lyrics as strong, meta and almost serendipitously astute as ‘I don’t wanna die, I’m just tired of feeling colour-blind’, Colour Blind isn’t a track which you can listen to half-heartedly.

Unlike many retro-inspired singles, Colour Blind isn’t a tea-stained faded photograph of the past. Georgia’s vocals carry the same grace as a 50s chanteuse. Sure, there’s a nod to Winehouse in her sound, but her sound stretches right back to the roots of dreamy blues pop. It’s the kind of track I could imagine Dolly Parton having on her playlists.

Colour Blind is available to stream via Spotify.

Review by Amelia Vandergast

Violette – Eos: Ukulele-led Retro Americana Pop

Posted on 1 January 2021

The very talented Violette Remington – daughter of a musical family from Orange County, California – is a 19-year-old singer-songwriter with a penchant for vintage dresses, rockabilly stylings, ukulele, and guitar. With ‘Eos’, her third single, she delivers a cute little slice of retro Americana set to ukulele, but the star of the show here truly is Violette’s voice; lilting, soaring, and sing-song, with maturity and timbre far belying her tender years, Violette’s delivery is clearly honed by her years performing in musical theatre and performing for friends and family.

Listing influences as diverse as Linda Ronstadt, Debbie Harry, and Aretha Franklin, and taking inspiration from the 1950’s rock ‘n’ roll scene and the 1960’s musical revolution, ‘Eos’ is an absolute delight, a touch of the unique and genuine in a world of carbon-copy dance-pop and manufactured X-Factor bands.

Check out ‘Eos’ on Spotify, and follow Violette on Facebook.

Review by Alex Holmes