Browsing Tag

50s

bleed moxie is the antithesis of Andrew Tate in his cinematically luxe alt-hip-hop track, women’s society

In a genre often marred by stereotypical portrayals, bleed moxie’s latest alt-hip-hop single, ‘women’s society’ is a refreshingly progressive deviation. Mitchel Paulson, under his latest persona, weaved a narrative that not only celebrates femininity but also challenges the listener to re-evaluate their perceptions and discriminations.

After an intro of 50s doo-wop and a touch of retro Hollywood glamour, the beat ushers into the dreamy-with-hazy-hues jazz-infused soundscape, which lays the perfect foundation for the emotionally charged rap bars. His verses are a poignant tribute to women, far removed from the objectifying rhetoric prevalent in much of contemporary hip-hop.

The track’s artfully nostalgic production juxtaposes sharply with its message, reminding us of a time when women were upheld with respect in society. This contrast is a sonically visualised commentary on the current socio-cultural climate, especially in the wake of incel movements led by figures like Andrew Tate. This track is not just vital; it’s a necessary step forward in the evolution of hip-hop.

bleed moxie, a chameleon in the music world, has evolved from the party-hard, emo-tinged innovator to the introspective, mature artist we hear today. His journey through various personas – from the Mox & J. Project to MJ FLAWS – has been a testament to his adaptability and depth as an artist.

women’s society was officially released on March 1st; stream the single on Spotify and SoundCloud.

Review by Amelia Vandergast

Tylar Smith dropped a nostalgia atom bomb with his retro jazz-pop hit, ONE MORE CHANCE

Get in the Doo Wop swing with Tylar Smith’s jazz-pop nostalgia atom bomb of a single, ONE MORE CHANCE. The award-winning Australian-born singer’s reverence for retro pop and old-fashioned soul, powerful vocal lines that could start a Rockabilly riot and his ability to spin a powerful narrative over his melodies that will hit your ears like candy has put him on the right path towards his dream of becoming an international recording artist.

With the timeless appeal of ONE MORE CHANCE and music fans increasing their proclivities towards nostalgia, the young artist, who started cutting his teeth in the music industry before his teens, is sure to make an ever-lasting impression with his debut EP, REMINISCENT, which has been crafted over the last 12 months in collaboration with a US Grammy-Nominated producer and songwriter.

ONE MORE CHANCE will reach the airwaves on September 29; hear it on SoundCloud.

Review by Amelia Vandergast

Bjorn Monnier has released his reggae-pop serenade, Samantha-Song

‘Samantha-Song’ is the latest reggae-infused pop serenade from the luminary artist Bjorn Monnier; the old-school crooning will send you swooning back to the 50s while the sun-bleached rhythms practically top up your vitamin D levels.

Whatever the secret to creating the perfect summer pop single is, Monnier discernibly knows about it, but we’re fairly convinced that it has plenty to do with his lyrical sincerity and conviction to pour himself into vocal performances entirely. The single soulfully explores how every exciting possibility leads to an infinite stream of uncertainty that often gets tainted by past experiences. If any single is going to convince you to delve into the unknown, it is this one.

Watch the official video for Samantha-Song by heading over to YouTube.

Review by Amelia Vandergast

Gabrielle Gore served an infectiously euphoric slice of Americana with her single, ‘My Mustang’.

Eighteen-year-old Oklahoma-hailing country singer-songwriter Gabrielle Gore already has 14-years of performative experience behind her, when it came to writing her latest single, My Mustang, she was primed to serve an infectiously euphoric slice of Americana.

With bluegrass folk meeting crawling rockabilly rhythms, and a few pop elements thrown in for good measure, My Mustang crosses genres while staying true to each style borrowed from. The distinction doesn’t end with the instrumentals either; the rich and resonant vocal projection brings a vibrant energy to the up-tempo track that will transport you to the heart of Nashville before the chorus hits.

My Mustang is now available to stream via SoundCloud. 

Review by Amelia Vandergast

Jack & Cherry delivered a dark folk rockabilly revival with their sophomore single ‘Moonchild’

Jack & Cherry

Berlin-based duo, Jack & Cherry, have released a hypnotic rockabilly revival with ‘Moonchild’; the first single to be released from their debut EP, ‘Roadkill Lullabies’.

Instrumentally, shimmering echoes follow the meandering guitar stretches that pay ode to the styles of Dire Straits. Lyrically, Moonchild will throw Chris Rea and Stevie Nicks reminiscences your way.

There may be plenty of dark imagery within the lyricism, but ultimately, Moonchild is a song that urges you towards self-acceptance. After we’ve all had so much spare time to spend with our anxiety and insecurity, plenty of people will find resonance through the lyrics which reflect the strength of your shadow side but remind you that you’re stronger still.

Any fans of Tiger Army, Hillbilly Moon Explosion and April March will definitely want to make room on their radar for Jack & Cherry. Their debut EP is due for release in late 2021.

Moonchild was released on March 26th, you can check it out for yourselves by heading over to SoundCloud.

Review by Amelia Vandergast

The High Gallery release ‘As Above So Below’

If some would make the distinction between rock’n’roll a being a retro, back beat driven guitar jive and rock as being the evolution of stolen blues riffs which became the core of a whole new world of music, The High Gallery may just be one of the missing links between the two definitions.

This San Diego outfit manage to blend whole chapters from the musical record, from the aforementioned jive beat to the 50’s surf guitar twang but they also reference melancholic 60’s pop and early 70’s psych. Throw in some brass for drama, bluesy slide guitar breaks, swelling Hammond washes and pulsing bass lines not to mention a vocal which would stand out in any era and you have less of a band and more of a music rollercoaster ride through the sonic history of the western hemisphere.