With their seminal single, Van Gogh, the mesmeric Brisbane alternative outfit, The Immaculate Crows, led by the philosophically profound Bruce Neilsen, reflected the fractures in the torn soul of the tortured namesake artist while exhibiting an exposition of the complexities of self-discovery and the ease with which autonomy can become obscured.
Bruce Neilsen’s guitar work lights up the track, scintillating the dark alt-country aesthetic established by Jessica Shipley’s commanding vocals and Daphne Mae’s ethereal harmonies; Wayne Harvey’s garagey guitar licks introduce an additional dynamic to the arcanely genre-fluid tour de evocative force, which will be euphony to the ears of fans of Echo and the Bunnymen and Jefferson Airplane.
As a band that has navigated the highs and lows of the music scene since the early ’80s, The Immaculate Crows have continually evolved. Neilsen’s return to the scene in 2019 marked a revival of their creative output, now characterised by a collaborative dynamic within the collective which has released two albums to date with a third on the way.
The Immaculate Crows Said:
“The single was inspired by the tortured artist Vincent Van Gogh; as the single came to fruition, I integrated disparate themes of ageism, false friends and charlatans. The single is completely open to personal interpretation, but the main underpinning is a narrative of attempting to rediscover yourself through finding spirituality, a special someone or something and eventually ‘coming out of the wilderness’.”
Van Gogh is available on all major streaming platforms, including Spotify.
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Review by Amelia Vandergast
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