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Jenn DeSantis made waves in her latest alt-RnB single, splish splash

Jenn DeSantis is quickly becoming a name the music industry cannot ignore; her ability to shift boundaries and move her unique sonic edge into unchartered territory has established the self-produced pop singer-songwriter and keyboardist as one to watch as she works her way up the Billboard charts.

Her latest single, splish splash, is the perfect introduction to her consistently melody-centric genre-melding style. While some artists only succeed in being original, DeSantis allows each of her exuberantly bold hits to unravel as a creatively exhilarating feat of ingenuity.

By constructing her latest track with elements of leftfield electronica, pop, hip-hop and RnB and allowing her dominantly demure vocal lines to become a source of gravity in the experimentalism, you’ll be pushed headfirst into a scintillatingly unfamiliar aural universe, guided by the soul emanating from the fiery vocals.

In this year alone, the independent emerging artist sang the National Anthem for Monster Jam, performed at Pittsburgh Pride, and is set to perform at the Chicago West Loop Art Fest. Get her on your radar before she’s too big for it.

splish splash rippled onto the airwaves on August 18th; stream it on Spotify.

Review by Amelia Vandergast

The prodigal sons of classic rock, Torn Rhythms, strike again in ‘Stay With Me’

Proving that there is still capacity for creativity in classic rock is the critically acclaimed Virgina-hailing five-piece Torn Rhythms, with their latest melodic masterpiece, Stay with Me.

There are shimmering clean guitar tones by the smorgasbord in the rhythmically enrapturing single, which plunges you into a panoramically immersive narrative right from the first verse. If anyone was giving out black belts for songwriting chops, Torn Rhythms would be adorned with them for their ability to make their vignettes come to life in visceral colour.

Listening to their instrumental melodies meander with precisive purpose is as easy as breathing; as for the vocals, they’re just like honey. If you’re as reverent to the traditional style of songwriting away from beats and loops and also happen to have a penchant for The Byrds, Tom Petty and Bob Dylan, you’ll want to stick with Stay with Me.

Stream Stay With Me on Spotify.

Review by Amelia Vandergast

Interview: Dar.Ra opens up the Blood N Treasure on his much-awaited new EP

With a pure sound and meaningful lyrics abundant in each of his well-crafted tracks, London-based author, music writer, producer and remixer pioneer Dar.Ra kindly opened up his busy schedule to have a quick chat with us. Telling us more about the much-loved new EP Blood N Treasure, stories from the music world, and charting worldwide, he also kindly provides valuable advice for all musicians out there who want to be the best.

Llewelyn: We’re super excited to speak with you Dar.Ra. Firstly, how has your 2023 been so far and please tell our readers what it takes to be a successful musician in this stream-friendly world we live in.

Dar.Ra: The year has been flying by, I get up early, stay creative, try not to react to the global madness and meditate as much as possible. I think being successful in this industry is a measure of how you see success. I’ve been making music since the mid-1980s I got a job as a vocalist in a Reggae band called Bass Culture at 16 and went on the road to avoid working in a factory soldiering PCB boards. I think if you’re still going after that long and you’re still putting out good records then that’s success in my book.

Llewelyn: Secondly, let’s chat about your upcoming EP Blood N Treasure. Where did the process begin and what’s the vision behind the new project?

Dar.Ra: ‘No Time For Tears’ came first I wanted to do an epic ballad which moved around arrangement-wise and ended up with a 7-minute tour de force. It was inspired by the story of the last Russian Tsar and how the love they had for each other couldn’t be stopped by bullets that assassinated them. I believe we go on after this. I have experienced other dimensions through sleep paralysis, I know there is something else beyond this third-dimensional experience we call reality. When you ascend from your body and see yourself asleep you explore what your astral self can do which is beyond the physical experience. It’s happened quite a few times and each time it reminds me we are more than this body or ego or car we drive around in. ‘Cure For Jealousy’ came out of left field I had a jam going in C minor for a while and the lyric came into my head as I felt a pang of jealousy when some guy was chatting to my G friend in a club I was DJ ing at. I was being cool but I could feel that uncomfortable fear someone was trying to move in on my Goddess. I was jamming at home the next day and thought I wonder if there is a ‘Cure For Jealousy’. It’s a hard one to crack however much of a Zen master you think you are, it’s the universe’s way of testing you to say you’re not as cool as you think you are. The thing is when you’re too detached from people and things, the less you care about stuff like that, but when you’re connected to something its easy to get triggered when other people aren’t playing by the same rules. I’m still working on it and unless I go live in a cave and meditate all day and night I’m going to get triggered by people not showing respect for you or the things you care about. It’s hard to get the balance, but that’s why we are here on Earth to work through these things. The remixes for both tracks on the EP are equally awesome, both were done by Sri Lankan-born and based Viduala who also did ‘Lights’ which is one of my favourite tracks I’ve worked on to date and features on the ‘New Kinda Normal’ album.

Llewelyn: You are known worldwide for your music and the much-loved Kusha Deep Radio show. Do you still feel the rush of being on such an incredible show and what do you love most about what you do?

Dar.Ra: I go through stages with all things, sometimes I’m buzzing sometimes I’m chilled about things. I love putting together a killer set, be it Tech House or Reggae, when I hear tracks that take me to that next dimension, I’m diving in the deep end to get things rocking. If you’re happy though I’m happy. I’ve always been a crowd-pleaser when I’m out and about, I just want to see you having the best time of your life. I remember playing Camden Palace London in the 90s with my band Bliss I had a number 1 dance record called ‘New Dawn’ and we had 1500 people all unified and rising up as one, total love mixed with euphoria that’s what it’s always been about for me. It’s more than Music it’s a connection of human energy and when it ignites with Love the place explodes. If you come to a Dar.Ra / Kusha Deep show you’ll get what I mean.

Llewelyn: You’re known as one of the best writers in the game and have penned worldwide hits for various EMI and 21st Century Artists. What do you feel makes a truly great song and do you go into a different zone when writing or does it just flow when you want?

Dar.Ra: I think just being as real with what you’re channelling is key, not getting in the way of inspiration and letting it flow without censoring and editing it before you’ve let it flow out of you. There is this space that we can all go into when we silence our thoughts, it’s in that space where genius lies, where all ideas come from it’s a frequency or a universal matrix of vibrations. All ideas come from that silence. You never solve any challenge by thinking about it, it’s when you turn off from thoughts that the ideas flow. Think of any great idea, Tesla for instance would go into that space and feel the energy grid then find the alternating current for instance that makes your car work. He also understood the power of vibration and how to harness it to create endless energy. You can have anything you want you just need to know how to ask for it.

Llewelyn: Cure For Jealousy certainly has our attention. It’s ridiculously infectious and mega catchy (in a good way). Is this your favourite song off the new project and may you kindly provide the A&R Factory readers with some further insight into this terrific track?

Dar.Ra: It is a cool tune and one which I enjoyed making, once they are out I’m on to the next thing though writing the next thing of hearing a new melody in my head, I do not look back too much once they are mastered. It’s fun though to go back and re-learn how to play them if you have to do it live. Each track brings a new challenge and that’s what keeps me interested in making music. I remember meeting Debbie Harry when I was at Chrysalis and I remembered her Heart of Glass track and how Georgio Morroder, produced it and got vibed up on that live Disco/ Rock feel, and I just went down that road with it. It’s got a lot of flavours on the track which you are not hearing on a lot of tunes out at the moment. It’s real and all played live. I do not rely on loops, auto tune or AI to make music, it’s all 100 organic like a Veggie Stir Fry.

Llewelyn: Do you have any funny or wild stories you’re allowed to share from a past gig or a moment in your career that makes you laugh or cringe a little?

Dar.Ra: I played a gig in Queensland Australia in 2003 and the place had been used as a wake for a person who had died earlier in the afternoon. When we came on the coffin was standing on the side of the stage in the wings but you could see it every time you looked right. We just got on a rocked the place, everyone dancing and going off and the coffin was moving to the vibrations of us playing, I was praying it didn’t fall off the stand and the dude roll out into the crowd. That was a weird one. I wrote a book called ‘Road Tales’ (Darragh J Brady) about being on the road with all the crazy people I met from 1995 to 2007 who all had incredible life-changing experiences. It’s on Amazon and tells you more about that kind of intense but cool moments. It goes from the UK to Australia to America and Central America, worth a go if you’re looking for a good read. My other book is the ‘Night That Jimi Died’ which is about a girl who can channel the Spirit of Jimi Hendrix, she changes the world through using certain types of frequencies that alter people’s DNA in order to awaken them to the great takeover of human freedom from the powers that be. They both have 5-star reviews on Good Reads.

Llewelyn: Lastly, do you have any plans for the rest of 2023 and what exciting projects or shows are scheduled?

Dar.Ra: I’m recording some Audiobooks, producing a new album later this year and looking to leave England for pastures greener setting up a well-being centre which will hold music and yoga and meditation workshops. You will all be welcome!

Check out the video for the lead single Cure For Jealousy on YouTube.

Follow this experienced artist on all his adventures via IG.

Interview by Llewelyn Screen

Au-Turn unveiled a hypnotic reflection on the naive faith of youth with ‘Water Boatman’

Water Boatman is the quintessentially quaint saturated in delay sophomore single from Dolan Hewison’s solo project, Au-Turn. After working fretboard magic in the legendary outfit, New Fast Automatic Daffodils, Hewison has turned his attention to writing, playing, and recording his first solo work in 25 years, inspired by the stagnation of lockdowns and the purchase of a loop pedal and piano.

With angularly clever lead guitar work that effervesces in the same vein as Slowdive, a touch of Half-Man Half-Biscuit playful lyrical obscurity, and an experimental production style that almost resonates as a lo-fi extension of the style popularised by The Flaming Lips, and some spoken word verses to boot, Water Boatman is a vessel you will want to pour yourself into time and time again.

We’re officially stoked for the forthcoming Au-Turn debut LP, No.1, which is set to be unveiled on the 2nd of June.

Water Boatman is now available to stream on Spotify.

Review by Amelia Vandergast

Engaging Performance and Songwriting by AMADOUR

“Western Movie Dream” by AMADOUR is a captivating song that draws you in from the first warmup piano notes. The song is narrated in a Broadway theater style, which is a refreshing change from the typical cookie-cutter loops and chord progressions that dominate modern music. AMADOUR’s musical influences, including Queen, Dalida, Frank Sinatra, and the 1960s and 70s “golden era,” are evident in the instrumentation and harmonies of the song.

AMADOUR’s debut EP, WESTERN MOVIE DREAM, takes listeners on a dreamlike journey, exploring themes of love, young adulthood, and self-kindness. Through intricate piano flourishes and a crisp vocal delivery, AMADOUR creates a spacious soundscape that mirrors the endless desert expanse between reality and fantasy.

As a solo performer, AMADOUR channels voice and piano into a distinctive sound that showcases a breadth of musical influences. The lyrics of “Western Movie Dream” invite the listener to explore the complexities of genuine relationships in a digital world, defining home and making amends with loved ones.

AMADOUR was born in Sparks, Nevada, and has quickly become one of this generation’s most gifted pop singer/songwriters. With a style that draws from a variety of musical genres and influences, AMADOUR’s music is a breath of fresh air in a world of repetitive and formulaic pop songs.

Overall, “Western Movie Dream” by AMADOUR is a remarkable song that showcases the artist’s immense talent as a singer, songwriter, and pianist. The song’s Broadway-inspired style, intricate piano flourishes, and thoughtful lyrics make it a standout track that’s sure to captivate listeners. AMADOUR’s debut EP is a must-listen for anyone who appreciates innovative and engaging pop music.

Waifu Knows No Borders

“Waifu (Anime Bae)” by Jarard Kenneth is a captivating RnB slow jam with a unique blend of Japanese and English lyrics, which add a touch of authenticity to the anime-inspired theme. The song explores the complex relationship between an anime-loving gamer and his virtual partner, his “Waifu.”

The track has a classic RnB feel, with a smooth and sexy vibe that draws the listener in from the start. The bilingual lyrics paint a vivid picture of a young man who’s deeply in love with his “Waifu,” who is everything he desires in a partner. He sings, “You are my waifu / you are my anime bae / my 2D lover / You don’t have to be real / Just exist in my dreams.”

On the Spotify page for “Waifu (Anime Bae),” listeners can enjoy the song’s seamless blend of RnB and anime-inspired elements, which create a unique and exciting listening experience. The track’s production is top-notch, with a captivating beat that perfectly complements Jarard Kenneth’s smooth vocals. One thing that is absolutely worth mentioning is the fact that the backing track does not follow a simple loop-oriented approach but evolves exactly like what you’d expect from professional/seasoned musicians.

Overall, “Waifu (Anime Bae)” is a remarkable song that’s both playful and seductive, and the bilingual lyrics add an extra layer of depth to the anime-inspired theme. Jarard Kenneth’s smooth vocals and the song’s classic RnB feel make it a must-listen for anyone who appreciates a well-crafted love song with a modern twist.

Classical strings meet IDM in Momento’s transcendental orchestration, Sindalah

After their intense classical upbringing, the award-winning Canadian musicians, Jonathan Chan and Jan Bislin, combined their virtuosic forces to forge the genre-fluid outfit, Momento, to unleash a brand-new wave of IDM onto the airwaves.

The electric violins against the entrancingly rhythmic loops and synthesisers in their latest single, Sindalah, will indoctrinate you into a brand-new world of aural pleasure which you will want to visit time and time again for the fantasia created between the upbeat percussive flair and the Eastern strings which carve their way through the transcendent atmosphere.

In addition to touring the globe as a violin duo supporting the likes of John Legend, James Blunt, and Tim Minchin, Momento has also shone in the ever-prevalent digital arena; so far in this phase of their career, they have amassed almost one million streams on YouTube, and counting.

Sindalah is now available to stream via Spotify.

Review by Amelia Vandergast

On My Rooftop: Graztopia is the underrated storyteller the world needs to hear on Nocturnal Lullaby

Nocturnal Lullaby-Single by Graztopia

Looking deeply at the moon and showing us a mesmerizing vibe which is rather soothing on our creaking bones, Graztopia performs with so much love on this sleepless night conquering wonder called Nocturnal Lullaby.

Graztopia is an experienced and proudly original New York, USA-based 1-man-band/looper that loves to fuse alternative psychedelic folk, rock and jazz.

Drawing from a large repertoire of original songs mixed with unique renditions of cover songs, no setlist is ever the same, making every Graztopia show its own unique live experience. As a live-looping artist songs are often segued together creating a seamless improvisation/jams/soundscapes in between songs.” ~ Graztopia

Surging through with a natural sound which is totally authentic, Graztopia is one of the most spiritually aware musicians in the world. With lyrics to learn from and stories to enjoy for all ages, this is a truly top-tier release for the soulful who are looking for a new hero to believe in.

Nocturnal Lullaby from New York, USA-based 1-man-band Graztopia is one of those join-with-me anthems which are usually hidden in the underground. Showing us why he is so highly regarded, we find a simply exceptional single to delve deeply into as our hearts flutter in excitement.

With a delightful melody and wondering where the sleep is coming from, we find a cruising song which will make many tap their feet in unison.

Turn this up on Bandcamp.

Reviewed by Llewelyn Screen

Interview: Bella Moulden tells us all about her outstanding new single Wire

Chatting to us more about her striking new single Wire, Bella Moulden shows us all about her 80-synth-pop tone and her outstanding multi-instrumentalist lifestyle. Telling us more about her idols and watching proper MTV back in the day, this is a thrilling interview which will electrify and inspire many to reach their dreams.

Hello, there Bella. Please let us know where in the world you are from/based and how many instruments do you play?

I’m originally from Buffalo, NY and I currently live in Belmont, NC.

I play about 5 instruments—self-taught. Piano, Guitar, Bass, Ukulele, and Percussion. I have been playing piano and singing since I was 9.

Do you have any family members who got you involved in the music industry or how did you get the music bug?

I am the only one in my family that is involved with music. I am a strange anomaly. I can’t really tell you how I ended up involved with music, it really just happened. I think a lot of it could have been watching MTV when I was a kid, in the early 2000s they’d still play music videos and performances. I think that’s what inspired me really want to start doing music.

What inspired your retro style?

Sheesh, so many things. Austin Powers, Jimi Hendrix, Prince, Wendy, David Bowie and so many more. The 60s/70s/80s had the coolest fashion. It also helps that I have a natural afro.

Please tell us all about your new single Wire.

My new single, “Wire,” is about the electric feeling of falling in love. I wrote, produced, composed, and performed the song in its entirety. The sound was definitely inspired by the 80s, with the synth-pop and reverberated guitar solo.

What inspired you to use a 4/6 double-neck guitar for some parts of your shows and videos?

Before using a double-neck for some of my stuff, I would literally stack my guitars on top of each other, having two separate guitars hanging around my neck. It was ridiculously heavy and immobilizing. I wanted to transition over to different instruments at a faster rate, so at the time this seemed like the best option. It made me wonder if there was a double neck guitar with a bass, rather than a 12-string. A lot of searching and I found quite a few, it’s a rare design, but I immediately had to get one! It works great when I use my loop-station, as seen in many of my videos.

Please tell us all about SelfCare and the process behind it being well-known all over the world?

I wrote, “SelfCare,” back in 2021 in the car waiting for my mom in the grocery store. It was a tough time due to the pandemic. Between school, music, and working I was highly stressed out. I was burning out quite a lot. With that, I really wanted to hear a song that reminds me to take a break and that it’s okay to not be okay. I couldn’t find any at the time, though I’m sure there are tons! I ended up writing my own. When we got home from the store I immediately went into my room and started recording. On the ride home I already had the melody in my head. I wanted it to be simplistic. Something repetitive, similarly an affirmation. I wanted it to get stuck in my head.

It began to get traction on Tiktok a year later, earning over 50 million views and over 150 thousand videos. With that, it also is doing great on Spotify! I’m glad this song is doing well and that its point is getting across. Definitely, the perfect song to jam to in the morning while drinking coffee!

Last, is there anything, in particular, you wish to achieve in 2023?

This year, I wish to perform at more festivals!

Listen up on Spotify.

Interview by Llewelyn Screen

London indietronica artist Lily Juniper is anxiously auspicious in her narratively dreamy single, All Mine

After a successful debut in 2022, Lily Juniper enriched the London indie electronica scene with her dreamily dance-leaning sophomore single, All Mine.

The ethereally warm vocals inject as much soul into the production as the softly tensile looped progressions as they wrap the vibrant texture around the affectionately uncertain lyrics, which project the compulsion to solidify a relationship when it is in its early stages of romantic hesitation.

We’ve all been there, not wanting to go all in for fear our vulnerability will lead to our greatest fears. But there’s nothing bittersweet as this Four Tet and James Blake-ESQUE soundscape. All Mine is as rich as Musk in its artful beguile, making the deeply evocative context of romantically anxious edge all the more intoxicating while the indietronica poetry in motion is auspiciously unravelling.

Lily Juniper said:

“All Mine is a song about new love and the nervous energy that it brings, about seeing someone you like at a party and then going home alone, about overthinking everything you said and did, reading into every word and look. All of the best (and worst) moments that humans can experience.”

Stream All Mine via Spotify.

Connect with Lily Juniper on Twitter & Instagram

Review by Amelia Vandergast