Medieval Baebes bring the baroque with their tenth album ‘Prayers Of The Rosary’

After a career spanning 25 years Medieval Baebes return with this, their tenth album, and the first to feature solely original compositions. Recorded during the ‘wilderness months’ of a pandemic-lockdowned 2020, in the spiritual, legend-shrouded lodestone of Glastonbury, the twelve tracks on ‘Prayers Of The Rosary’ stylishly mix Christian liturgical plainsong with the Latin prayers of the rosary of the album’s title.

It’s a stunning piece of work. Beautiful, haunting vocal performances mix with traditional instruments such as lyres, ouds, and Chinese pipa, sitting alongside church bells, field-recorded nature sounds, and unusual additions such as bagpipes and even a hurdy gurdy. Composed and produced by founding member Katharine Blake and featuring the additional performances of multi-instrumentalists Michael J York (The Utopia Strong, Coil, Teleplasmiste) and Charlie Cawood (Anathema, Lost Crowns, Knifeworld), ‘Prayers Of The Rosary’ is at once meditative and uplifting, spiritual yet psychedelic, introspective yet buoyant. In a world of twenty-second soundbites, social media engagement analytics, and disposable everything, ‘Prayers Of The Rosary’ might just be the antidote we didn’t realise we needed all along.

‘Prayers Of The Rosary’ is available from Bandcamp from the 4th December; Find Medievel Baebes on Facebook and Instagram.

Review by Alex Holmes

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