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Best Rock Music Blog

It is almost impossible to imagine Western society without the influence of rock n roll; the artists that became renowned as (rock)gods, the aesthetic, the culture that so many live and breathe, and of course, the music that became the soundtrack to our lives. Many of the greatest artists of all time are of some rock inclination; whether that be Buddy Holly, Nirvana, or The Rolling Stones – the charts simply wouldn’t be the same without the unpredictable and volatile genre.

Rock started to emerge in the 1940s through the masterful rhythm of Chuck Berry and his contemporaries. Twenty years later, The Rolling Stones became the true face of rock n roll as they advocated for sex-positive youthful rebellion; this controversy became synonymous with rock which took the genre to brand-new cultural heights. By the 70s, artists started to push rock music into heavier, darker territories. At the same time, hard rock and metal were behind conceived; Pink Floyd gave rock trippier, more progressive tendencies with their seminal album, Dark Side of the Moon. Another major move in alternative music happened in the 70s as punk artists, such as The Clash and The Sex Pistols extrapolated rock elements and fused them into their punk sound.

The 80s was the era for sleaze rock, indie rock and college rock bands, while the 90s delivered the grunge movement with Nirvana, Hole, Soundgarden and Pearl Jam chomping at the aggressive discordant bit. Mainstream rock artists from across the globe became part and parcel of the music industry at the start of the 90s, but with the death of Kurt Cobain, the popularity of alternative music took a nosedive – despite the best efforts of Limp Bizkit, Staind, Puddle of Mudd and The Red Hot Chilli Peppers.

In any definitive guide of the best rock bands of all time, the rock artists that made their debut in the 21st-century are few and far between. But regardless of how much you want to pull the plug on the life support of rock, it isn’t quite dead – yet. For irrefutable proof, you only need to consider Black Midi, Yungblud, Greta Van Fleet, Highly Suspect, The Snuts, and Dirty Honey, who are all bringing in the new wave of classic rock – in their own way.

Contemporary rock may not sound like it used to, but that is one way in which rock has remained consistent over the past eight decades – it never has sounded like it used to. Each new generation of artists has found room for expressive and experimental manoeuvre.

Slip away from material reality with the artfully nostalgic escapism in Gaud’s seminal release, Prose for the Cradle

With Prose for the Cradle, the prodigal sons of New England, Gaud, defied temporal boundaries, transporting listeners into a dreamscape where the lines between past and present are synthesised into a seraphic sonic sensation.

Taken from the LP The Singer, the track evokes an ambiguous era of melodic rock, yet resists the urge to be pinned down by any particular moment in music history. Instead, it invites you into a space where emotion takes precedence over all else, allowing you to lose yourself in its all-consuming and consoling atmosphere.

The production carries all the hallmarks of a time when songwriters poured every drop of their hearts and souls into their craft. The melodies, artful and ascending, intertwine beautifully with percussion that feels almost like an additional pulse in your body, leaving your own heartbeat to take a backseat. Gaud’s vocal delivery is nothing short of hypnotic, wrapping you in a vignette where material reality fades away and only the sound remains.

For fans of Father John Misty’s songwriting chops, Prose for the Cradle will undoubtedly strike a chord. Its poignant cuts will leave a lasting impression, sticking to your synapses with a tenacity that makes the track impossible to shake.

Prose for the Cradle is now available to stream on Spotify with Gaud’s LP, The Singer.

Review by Amelia Vandergast

Honkytonk echoes the unspoken in The Stone Hill All-Stars’ seminal single, What I Left Unsaid

If their latest standout release, What I Left Unsaid, is anything to go by, The Stone Hill All-Stars more than live up to their moniker. The band may have borrowed from the blues in their honkytonk country folk-rock track, but the aural escapade is anything but mournful; the track exhilarates as it pulses with a liveliness that’s downright infectious, supported by the band’s unmistakable charisma.

Hailing from Baltimore’s music scene, the members of The Stone Hill All-Stars originally played with notable groups such as Two Legs, Mambo Combo, and The Polkats. Together, as a powerhouse, they traverse a smorgasbord of genres, adding depth, vigour and devil-may-care soul wherever they see fit.

With the production quality throwing back to the timbres of college radio rock nostalgia, image-evoking folk tales running through the lyrics and the confluence of crying harmonicas, blazing horns, fiddles flaring and guitars amplified through old tube amps, the band constructed a solid sonic foundation that celebrates musical roots while forging new expressive pathways.

Through their craft, The Stone Hill All-Stars pay homage to their diverse influences while offering and distinct take on what modern folk-rock can be.

What I Left Unsaid is now available to stream with the Wednesday in Winter LP on Spotify.

Review by Amelia Vandergast

Joe Pallotta immortalised the fallen in his piano-driven hard rock ballad, Tears for the Titan

Feed The Fire by Joe Pallotta

In his latest hard rock hit, ‘Tears for the Titan’, San Francisco’s Joe Pallotta tackled the vast expanse of grief with an eloquent precision that almost defies belief. Putting into lyrics what few can weave into words, following the loss of a loved one, he sonically visualised how mourning can tear at the fabric of our being, leaving us frayed, disillusioned, and helplessly out of sync with a world that persists in the wake of tragedy.

The piano rock ballad pits minor key piano melodies against soaring guitar lines and a gothic aesthetic reminiscent of the Sisters of Mercy, pulling listeners deep into the atmosphere of the piece. Pallotta’s vocals echo the soulful vigour of rock legends such as Twisted Sister, Poison and Whitesnake, blending seamlessly with orchestral crescendos which rise and fall with invitations to find consolation that you’re never as alone in your grief as you think you are.

As much as Tears for the Titan is palpably a cathartic outlet for Pallotta, within the jagged shards of agony are commiserations to anyone else who has loved and lost.

 As Pallotta continues to expand his reach, aiming to touch as many souls as possible with his music, ‘Tears for the Titan’ serves as an affecting reminder of his ability to convert raw, unfiltered emotion into a soul-gripping alt-rock experience. To explore more of Joe Pallotta’s emotionally rich and resonant artistry, visit his collection at joepallotta.bandcamp.com.

Review by Amelia Vandergast

ARCTISKY – My Relief: Romance & Raw Alt-Rock Ingenuity

With his latest single, My Relief, the soul conduit ARCTISKY orchestrated an alt-rock single that resonates with the romantic intensity of the 80s while pulsating with contemporary vitality and standing as a testament to his worthiness of the highest industry accolades.

From the Maldives to Melbourne, ARCTISKY channelled a voice so warm it could thaw the coldest souls into a sonic landscape which weaves swoon-worthy melodies that suspend in the air and pirouette through the world-class production.

My Relief is a flawless fusion, serenading listeners with vocals reminiscent of Bryan Adams, and orchestral crescendos that ensure your heartstrings are inseparably combined with each progression. To subvert the arcane accordance, a surprising shift comes with the middle eight; gruff, voicemail-esque tones akin to Tom Waits introduce a jarring yet brilliantly conceived contrast, showcasing ARCTISKY’s determination to boldly assert his sonic identity.

Safe to say, the track is one of 2024’s most emotionally impactful releases. If you want the burdens stripped for your soul, sink in.

My Relief debuted and salved the airwaves on September 6th; stream the single on SoundCloud and Spotify.

Review by Amelia Vandergast

SugarFüt – Mirrors: Where UK Alt-Rock Hits Its Peak Power

In their sophomore release, Mirrors, the UK’s most promising emerging powerhouse, SugarFüt, reasserted dominance on the alt-rock scene with a kinetic anthem of sheer visceral innovation.

If you’re still mourning the loss of She Burns Red after they disbanded, this Hull-based four-piece is here to fill the void with a sound that is veritably their own. With scuzzy alt-rock riffs and chameleonic progressions, which splices the frenetic with the melodic Mirrors defies predictability. Just as you start to recognise pop-punk echoes, SugarFüt storms into fresh territory with each progression, pushing boundaries with every bar, leaving heads in a subverted spin.

Vocally, the track oscillates between imploring vulnerability in the verses and soaring dynamism in the chorus, seamlessly transitioning to illuminate the emotive depth of the timbre and the dualistic pull of Jack Moxon’s vocals. When paired with the interstellar peaks of their guitar-driven crescendos, Mirrors is enough to leave your heart in your throat. SugarFüt’s ability to riff with the same fevered energy as Thee Oh Sees while capturing the immersive melodicism of Jimmy Eat World’s Futures era creates an addictive earworm which demands repeat attention.

Formed in Kingston-Upon-Hull in 2023, SugarFüt brings together frontman Jack Moxon, drummer Calvin Casey (formerly of Kira Mac), bassist Rory Myers, and guitarist Dave Measom. Their collective history in the Hull music scene and shared love for rock, pop, and punk culminates in an auditory assault that blends raw, emotionally charged vocals with gritty riffs, pulsating basslines, and thunderous drums.

By the time their debut album drops, they’ll be one of the hottest acts on the UK rock circuit. Keep them on your radar.

Mirrors was officially released on August 16 and is now available to stream on Spotify.

Review by Amelia Vandergast

La Need Machine signed, sealed and delivered unsurmountable scintillation with their indie power pop hit, The Mountain

La Need Machine’s latest hit, The Mountain, is sharp enough to etch its melodies into the soul and sweet enough in its indie power pop proclivities to give you a sugar rush.

With roots deeply embedded in the fertile grounds of Seattle’s eclectic music scene, the band fuses the raw energy of new-wave punk with the introspective depth of indie rock and the soulful rhythms of Americana, resulting in a major indie paradigm shift that you will want to be a part of.

At the core of The Mountain are the emotionally ethereal vocal lines, crafted to strike at the heart in synergy with orchestral crescendos that allow the lyrics to come alive as a sonic narrative which you will want to read time and time again.

Behind the music, La Need Machine stands committed to making a social impact by channelling significant portions of their proceeds to causes like The Trevor Project and Doctors Without Borders. This blend of activism and artistry is reflective of their influences, drawing parallels with the societal contributions of bands like U2 and The Clash.

With members like Elise and Brian sharing lead vocals, supported by a full ensemble La Need Machine’s sound is as layered as their influences. From Eddie Cochran’s early rock to the defiant chords of Generation X, each influence stitches into The Mountain.

With over 15,000 Spotify listeners and climbing, La Need Machine isn’t just on the rise; they’re crafting a legacy that will prove to be as timeless as their sound; hit play and be a part of it.

The Mountain hit the airwaves on August 16th; stream the single on Spotify now.

Review by Amelia Vandergast

Ignition of the New Hard Rock Era: ‘Thrillseekers’ by Juliet’s Not Dead

Juliet’s Not Dead, formerly known as Twister, blasted the UK rock circuit with ‘Thrillseekers‘, a formidable first release under their new moniker; the meteoric entry sets the stage for the hotly anticipated forthcoming LP which is being teased for an early 2025 release.

For anyone who has been following the Durham-hailing prodigal juggernauts, expect a seismic shift in their sonic signature with this release which unravels as an electrifying departure from their previous hits.

To juxtapose the scathed snarls of the straitjacket tight instrumental arrangement which pits growling basslines against distorted to the degree of aural debauchery guitars and frenetic pulse-pounding percussion, the vocals push sticky-sweet magnetism into the explosion of high-octane energy as they embed romanticism into the choruses which elevate the track into an anthem of visceral emotion.

Produced by the esteemed Romesh Dodangoda, the track not only kicks off a new chapter for the band but also sets a precedent for the genre itself. As ‘Thrillseekers’ paves the way for the upcoming album, Juliet’s Not Dead is poised to ascend to the ranks of hard rock royalty alongside bands like Florence Black, Massive Wagons and South of Salem. With a UK tour lined up this Autumn, the stage is set for Juliet’s Not Dead to conquer hearts and charts alike.

Thrillseekers took the airwaves by storm on August 30th; stream the single on Spotify and keep up to date with news of the upcoming LP from Juliet’s Not Dead via Facebook and Instagram.

Review by Amelia Vandergast

Swirling Smoke and String Mastery in Peter Trappen’s ‘Cottonmouth Blues’

https://soundcloud.com/pete-trappen/cottonmouth-blues

Peter Trappen, with his four decades of experience and a Grammy nod under his belt, became a blues mesmerist with his latest single, Cottonmouth Blues.

The atmosphere of a blues bar unfurls through the release as Trappen’s textured Jim Morrison and Jimmy Buffet-esque croons drape over the guitar progressions which testify to his intuitive connection with his fretboard and his ability to materialise seductive echoes of alchemy with his notes.

Reminiscent of Eric Clapton’s and Mark Knopfler’s deft grooves, the guitars are an aphrodisiac to the rhythmic pulses as they introduce the sound and soul of a man who has soaked in the flavours of Motown, Memphis Soul, and Chicago Blues. The Epiphone Les Paul through a cranked Fender Blues Jr. ensures every note is a reverent whisper to blues’ storied past and a bold statement in its ongoing evolution.

The backing instrumentation, featuring stalwarts like Paul Hirsh on keys and Martin Ditcham on drums, complements Trappen’s work perfectly, making every moment of the track resonate with bluesy purity.

Stream Cottonmouth Blues on SoundCloud now and follow Peter Trappen on Facebook.

Review by Amelia Vandergast

Mercy Vibe alchemically occupied the rock scene with her instrumental track, Peaceful Med

Mercy Vibe may be a nascent presence on the rock scene, but her seminal instrumental single, Peaceful Med, established her as an artist worthy of adoration.

The Midwest-originating artist’s background in traversing genres and her adventurous approach to music production pull through with veracity in this track, which subverts conventional guitar-led instrumental pieces by defying expectations with cultivated use of special effects. You could hear a pin drop in the production which creates a palpable tension and anticipation for each successive note.

Mercy Vibe doesn’t just set a mood with her work, she commands it with the guitars which act as a narrative force in the expansive sonic space. Yet, it is the percussion that truly energises the track, delivering bursts of intensity that ensure the listener’s engagement never wanes.

With Peaceful Med, Mercy Vibe made it clear she is here to innovate and inspire. Save a space on your radar for her future releases which are in the pipeline.

Stream Peaceful Med on YouTube now.

Review by Amelia Vandergast

Denim Dan is in the borderlands between optimism and pensive resignation in the folky 60s psych-pop single, ‘Guess I’ll Be Alright’

Denim Dan

The invitation to celebrate Denim Dan’s 25th Anniversary (1994 – 2024) is the hottest sonic ticket on the airwaves. The commemorative LP compilates some of the biggest hits from the band’s seven studio album legacy, including 3AM, Don’t Throw it Away, Let Your Love Fall Down on Me (Too) and Down By the River Bend Flow.

Every release earned its coveted space on the expansive double album, yet potentially none more so than the quintessential kaleidoscope of eccentric nostalgia, Guess I’ll Be Alright. After a smoky 60s psych-pop overture, the single unravels in Denim Dan’s signature folk troubadour style, which permits his vocals to flood the mix over the cosmically swanky melodies.

Few artists dare to lyrically roam in the grey area between pensive resignation and optimism, yet Denim Dan boldly ventured over unchartered emotional territory to sonically visualise a relatable sensation of suffering a blow to the soul but looking ahead with jaded self-assurance that wounds will eventually heal.

Following the release of Denim Dan’s 25th Anniversary (1994 – 2024), Denim Dan is starting a new chapter with a new album in the pipeline and set to drop in November 2024.

The anniversary album will be available to stream on all platforms, including Spotify, from September 2nd.

Review by Amelia Vandergast