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Best Rock Music Blog

It is almost impossible to imagine Western society without the influence of rock n roll; the artists that became renowned as (rock)gods, the aesthetic, the culture that so many live and breathe, and of course, the music that became the soundtrack to our lives. Many of the greatest artists of all time are of some rock inclination; whether that be Buddy Holly, Nirvana, or The Rolling Stones – the charts simply wouldn’t be the same without the unpredictable and volatile genre.

Rock started to emerge in the 1940s through the masterful rhythm of Chuck Berry and his contemporaries. Twenty years later, The Rolling Stones became the true face of rock n roll as they advocated for sex-positive youthful rebellion; this controversy became synonymous with rock which took the genre to brand-new cultural heights. By the 70s, artists started to push rock music into heavier, darker territories. At the same time, hard rock and metal were behind conceived; Pink Floyd gave rock trippier, more progressive tendencies with their seminal album, Dark Side of the Moon. Another major move in alternative music happened in the 70s as punk artists, such as The Clash and The Sex Pistols extrapolated rock elements and fused them into their punk sound.

The 80s was the era for sleaze rock, indie rock and college rock bands, while the 90s delivered the grunge movement with Nirvana, Hole, Soundgarden and Pearl Jam chomping at the aggressive discordant bit. Mainstream rock artists from across the globe became part and parcel of the music industry at the start of the 90s, but with the death of Kurt Cobain, the popularity of alternative music took a nosedive – despite the best efforts of Limp Bizkit, Staind, Puddle of Mudd and The Red Hot Chilli Peppers.

In any definitive guide of the best rock bands of all time, the rock artists that made their debut in the 21st-century are few and far between. But regardless of how much you want to pull the plug on the life support of rock, it isn’t quite dead – yet. For irrefutable proof, you only need to consider Black Midi, Yungblud, Greta Van Fleet, Highly Suspect, The Snuts, and Dirty Honey, who are all bringing in the new wave of classic rock – in their own way.

Contemporary rock may not sound like it used to, but that is one way in which rock has remained consistent over the past eight decades – it never has sounded like it used to. Each new generation of artists has found room for expressive and experimental manoeuvre.

The Unbranded penned a riotous alt-90s love letter with ‘Novacaine’

If you’ve ever wondered what Dinosaur Jr would sound like with a bigger and louder sonic stature, find the answer in the high-octane riotous love letter to the alt-90s, penned through The Unbranded’s hit single Novacaine.

Once you let the impaled-with pop-punk-hooks earworm in, don’t expect it to depart any time soon. As the kinetically infectious chord progressions subjugate your rhythmic pulses into submission, the augmented-with-charisma vocal lines draw you further into the centre of the frenetic epitome of rebellion which spits in the face of anyone who wants to shunt people who don’t fit the mould of banality to the sidelines.

The track is a clarion call to all the outliers looking for permission to transform their idiosyncrasies into fuel for their empowered fire. Following in the footsteps of the likes of Social Distortion, The Unbranded and their motivation to inject spiritual awakenings into their music are an essential listen; just one hit, and you’ll want to join them at the vanguard as they smash down toxic social constructions.

Novacaine was officially released on March 15; stream the single on all major platforms via this link.

Review by Amelia Vandergast

Ren Ashfield and the Magicians – Geronimo: A One Way Track to Nirvana

Genre fluidity is one thing, genre sorcery is quite another; find the difference by delving into one of the seminal singles, Geronimo, from Ren Ashfield and the Magicians’ unmissable LP, Sonic Creations.

Starting with a groove which melds Motown-reminiscent basslines with gospel-esque bluesy shimmering organs before rock inclinations are licked into the production by the audaciously brashy guitars, Geronimo is a riot of alchemic ingenuity before the first chorus hits. You’ll know when it does; the synths kick up a frenetically dance-y 80s storm before psych folk elements entwine with them to lace the polyphonic aesthetics with organic elements for a truly mind-melting experience.

It took a talented vocalist to tame the sonic beast which is Geronimo, but Ren Ashfield’s naturally commanding vocal lines blazed across the unchartered territory with unfaltering ease, pulling you deeper into the production, ensuring that by the time the guitar solo starts to tear through the atmosphere, it will lead you to nirvana as it endlessly ascends.

Stream the Sonic Creations LP on Spotify now.

Review by Amelia Vandergast

Shred augmented annihilation in their hard-rock anthem, What They Say

Whoever said hell hath no fury like a woman scorned was proven a liar when Denmark’s prodigal sons of hard rock, Shred, unleashed their raging anthem, What They Say.

With an off-the-scale level of intensity to the hit that signifies the five-piece’s songwriting stripes, no one will be immune to the frenzied hook-rife volition when exposed to the single which goes beyond assimilating 80s-tinged hard rock and metal.

By leaning into the sonic influence of more contemporary bands including Foo Fighters and Avenged Sevenfold, and looking to more introspective artists for lyrical inspiration, Shred is one of the few hard rock outfits which goes beyond living up to rock and metal stereotypes.

They’re charting their own path through the razed ground of the hard rock landscape with the scintillating sustain on their monolithic guitars, the intuitively electrifying rhythm section, and the ensnaring vocals. Stefan Stimony knows exactly how to embody the emotional themes Shed’s profound lyricism exposits. If talk is cheap, What They Say is priceless.

What They Say will be available to stream on all major platforms, including Spotify, from March 29th.

Keep up to date with each new release and tour date via Facebook.

Review by Amelia Vandergast

Super Love – Tell Me: An Alt-Rock Rebellion of Societal Oblivion

Super Love, the dynamic husband-and-wife duo, has unleashed ‘Tell Me’, a single that picks up where Le Tigre left off by blending lo-fi synthetics with complex time signatures and brashly protestive indie rock guitars. It defies convention and expectation, inviting listeners into a perception-shifting atmosphere which vindicates anyone trying to find meaning in a post-truth society.

The song’s unusual 7/4 time signature, combined with classic rock instrumentation and synths, creates a unique earworm which will pull you into the unapologetic rebellion time and time again. The dual vocal lines add a layer of dynamism to the track. While Jared’s imploring tones seek sanctity in these tumultuous times, Constance brings fire and frustration, painting a lyrical vignette of our contemporary search for salvation and optimism amidst fears of collective oblivion.

‘Tell Me’ is a rare feat – a single that not only ticks all the sonic boxes but also connects profoundly on a lyrical level. Super Love’s ingenuity shines through in this release; their ‘autonomous indie’ style, influenced by the local vibes of New York City, incorporates elements from various sub-genres, including punk and jazz, while never attempting to stay within the confines of any style or sound.

Tell Me was officially released on March 29th; stream the single on SoundCloud.

Review by Amelia Vandergast

Mario Vayne – Electric: A High-Voltage Homage to 80s Rock

It may have been almost a year since we got hooked on Mario Vayne’s earworm, Baby, but there was no forgetting the rock virtuoso’s infectiously euphoric energy and charisma, which is just as visceral in his latest single, Electric.

After a tenderly melodic and choked-with-sunset-strip-atmospherics prelude, Electric riffs its way into a vibrant homage to the 80s, boldly asserting that the future of classic rock is charged with an exhilarating, new energy.

Following the success of his debut single which captivated over 200K Spotify listeners, ‘Electric’ is poised to ignite the airwaves in a similar vein. Vayne’s journey, from a shy child crafting songs at eleven to a dynamic frontman in the UK and Australia, culminates in this release. His hiatus during the grunge era only seems to have honed his craft, leading to this moment of resurgence.

‘Electric’ is a testament to Vayne’s belief in following his rock-licked heart. The track is a fusion of adrenalizing riffs and memorable hooks, all set against the backdrop of 80s iconography. Yet, it’s the sheer zeal and fervour that Vayne pours into his music that truly defines the song. The lyrics, more than just words, are mantras for living, weaving through the music and urging listeners to embrace a vibrant lust for life.

In an era where optimism can feel scarce, ‘Electric’ offers a potent reminder of rock’s unifying power. Mario Vayne’s name might have been synonymous with the rock legends of yesteryear had this track been released in their time. Today, it stands as a signal that the spirit of classic rock not only endures but evolves.

Electric was officially released on March 8th; stream the single on Spotify.

Review by Amelia Vandergast

The Show Goes On in Jesse Agan’s Broadway-Esque Pop-Rock Debut, Home

Jesse Agan’s debut single, Home, arrests with the same intensity of a Broadway tune, all of the lyrical affection of naturalism you would expect from a Vermont native, and guitar riffs that cut through the timelines to take you back to the rock-licked eras of the 60s, 70s and 80s.

The sense of soul in the release is effortless to surrender to, exhibiting a sure sign of Agan’s charisma and command; you instantly feel safe in his aural presence, knowing that whichever avenue his progressive revelation of a debut single leads you down, you’ll be enveloped in the sanctifying alchemy of the retro arrangements filtered through modern production. Ironically, with Home, he delivered all the sanctuary of home, whatever that means for you.

Agan’s ethos of creating hook-centric and vocally forward releases after finding a scintillatingly stirring and passionate formula for his releases is sure to see him go far in the music industry that is crying out for authentic talent and artists unafraid to take audaciously vulnerable leaps with their music.

Home was officially released on March 14th; stream the single on Spotify.

Review by Amelia Vandergast

Tuto Tribe – Magnetize: A Samba Reggae Pop Symphony of Serotonin

Southampton’s Tuto Tribe, a five-piece, multi-national samba rock band, has crafted a stunning symphony of serotonin with their latest single, ‘Magnetize’. The samba reggae-pop song, the band’s first foray into English lyricism music, is a masterclass in blending world music with pop sensibilities.

The band, born in 2022 and led by the effervescent Brazilian, Tuto, draws from a diverse palette of influences, including Jorge Ben, The Doors, and Manu Chao. Their sound is a modern, bright Brazilian-inspired concoction, with catchy hooks and rhythms influenced by samba, rock, Jamaican music, and jazz.

The reggae rhythms in ‘Magnetize’ wrap around the pop hooks seamlessly, while the vocals, sincere and soulful, spill love and light by the smorgasbord. The single showcases Tuto Tribe’s infectiously sunny disposition, burning as bright as a supernova, refreshing your lust for life and highlighting the beauty within sexual connections. With ‘Magnetize’ as a playlist staple, slipping into a feel-good groove becomes effortless.

Every instrumental element in the arrangement breeds an atmosphere of organic euphoria. The horn stabs, intricately eclectic guitars, and jazzy percussive fills create the perfect platform for the impassioned soul in the vocals to breathe through.

Lyrically, ‘Magnetize’ is a lesson in musical purity, as pure as the act of making love itself. It’s a testament to the band’s ability to create a sound that is both unique and universally appealing; it is a holiday you never realised you were going on.

Magnetize was officially released on March 22nd; stream the single on Spotify.

Review by Amelia Vandergast

Ipecac took an egalitarian approach to affection with their queer rock anthem, Everyone Deserves Love

Ipecac’s latest single, “Everyone Deserves Love,” is a potent blend of vintage 70s rock warmth and modern, hook-driven intensity, reminiscent of The Hives’ recent work. Formed in 2017, the band comprises four best friends: Isabella Osborne (vocals), Kanyon Dickerson (drums), Tayte Eubanks (bass), and Ariadnee “Rodnee” Ziady (guitar). Their synergy is palpable, crafting a sound that’s both a nod to British metal’s golden era and a reflection of contemporary rock’s emotional depth.

This track is a bold statement against the rising tide of homophobia and queerphobia. In a world increasingly divided, “Everyone Deserves Love” emerges as a queer rock anthem, a protest song that resonates with the urgency of our times. The lyrics are a clever, poignant exploration of the struggle for a prejudice-free existence, striking a chord that even the most hardened sceptics with faces redder than their MAGA hats might find hard to dismiss.

The song’s structure is a masterclass in dynamic contrast. After a riotous journey through face-melting riffs and a throbbing rhythm section, the track halts for an acapella oration – a powerful, unadorned plea for acceptance and love. This moment of vulnerability only amplifies the impact when Ipecac dives back into the fray with even more ferocity.

In essence, “Everyone Deserves Love” is a rallying cry for unity and understanding, wrapped in a package of exhilarating rock music. Ipecac has not only captured the spirit of their 70s and 80s influences but has also channelled their introspective lyricism into a message that is both timely and timeless.

Everyone Deserves Love is now available to stream on Spotify.

Review by Amelia Vandergast

Jenna Louise started a riot of affectionate fervour in her pop-rock hit, You’re Still the One

Harmonising in the middle ground between Kelly Clarkson, Avril Lavigne and Paramore, Jenna Louise’s latest fire-branded pop-punk anthem, You’re Still the One, is a riot of affectionate fervour, which proves that few people love harder or are as uninhibited with their candour as the UK-based singer-songwriter.

Released ahead of her debut LP, My Journey, which had been five years in the making before its launch on March 4th, You’re Still the One is the perfect introduction to Jenna Louise’s hook-rife sonic signature that will be scribing through your mind for long after the high-octane hit has faded to a close following the augmented magnetic energy that she keeps a tight rhythmic leash on throughout the production.

The Springsteen-esque riffs that frequently decorate the track with rock-licked euphoria tie the earworm together and bring even more power to the release which reveres romantic connections that prove even after you’ve weathered storms and hit the rocks, passion doesn’t need to falter.

You’re Still the One is now available to stream on Spotify.

Review by Amelia Vandergast

Psychosomatik amplified a high-octane alt-rock revelation with their latest release, Slow Motion

Slow Motion by Psychosomatik

Psychosomatik’s latest single, ‘Slow Motion‘, erupts from the speakers with a ferocity that belies its title. This Miami-based rock duo, Edison and Noah, have distilled their diverse universe of influences into a potent mix of alt-rock, psych-rock, and progressive elements, culminating in a track that’s both a nod to rock’s rich history and a bold step into its future.

From the first chord, ‘Slow Motion’ ignites a sense of nostalgia, reminiscent of Led Zeppelin’s rhythmic allure and the Black Keys’ mastery of reinvented rock. Yet, Psychosomatik’s sound is unmistakably their own. The track is a masterclass in controlled chaos, weaving the slick, seductive elements of Velvet Revolver with a grungy, prog edge.

‘Slow Motion’ is a journey through the duo’s “personal hell”, a character study born from a dark, troubled winter. The track’s power lies in its raw, unfiltered emotion; the unholy release will leave you praying at the altar of the ingenuity of the duo. With every groove, you’re inseparably combined from the momentum as it ebbs and flows, pummelling you down into the grungy depths before bringing you up with the soaring riffs and vocal lines.

Slow Motion dropped on March 13; stream and purchase the single on Bandcamp.

Review by Amelia Vandergast