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Pop Music

As the trends in music evolve, as does the definition of pop music. Pop started as an abbreviation for popular; since the mid-20th-century, it has become the go-to term to define the music currently holding the most favour with the public. The evolving nature of pop makes it hard to pinpoint the pioneers; some say it all started when performers needed a catchy and memorable song in the Victorian area, while others say that pop began with the original crooners in the 30s.

The introduction of the pop music charts in 1952 allowed a cultural shift to form around music. It was at this point in history that teenagers became a massive target for the media. Before this new social reconstruction, there had been no in-between for children and adults. Just as it is now in the TikTok age, where teenagers can make an unknown artist go viral in minutes, teenagers effectively ran the music industry in the 50s too!

After Elvis Presley reigned supreme in the late 50s and early 60s, the Beatles dominated the charts for eight years until they disbanded in 1970. Throughout the 80s, synthpop took the pop limelight until the Boy Band era was born in the 90s. The selling power of East 17, Take That, Backstreet Boys and ‘N Sync gave Bob and Chris Herbert the idea to manufacture the world’s ultimate girl group; with the Spice Girls, they discernibly succeeded. After the Spice Girls topped the charts, more manufactured pop acts, such as Britney and Mariah Carey, started to surface. Manufacturing is still a massive part of the pop industry, but more and more pop artists are becoming brave enough to break the mould (think Billie Eilish, St. Vincent and Lorde).

Even though the pop charts are more diverse than ever, with Ed Sheeran sitting next to the Weeknd and Dua Lipa next to Tom Grennan, there are still common factors in their pop tracks. Today, most songs that fall into the pop category follow the extensively tried and tested pop formula. Generally speaking, pop tracks are 3 – 5 minutes in duration, use just one key, contains melodically lyrical soundbites that include the title, have a repeating chorus and keep to 4/4 time signatures. Repetition is quite literally key.

Unless it is a ballad or a stripped back acoustic number, pop tracks usually unfold to danceable tempos and rhythms to complement the lyrical hooks. Elements from every genre can be pulled into pop, the main ones being rock, RnB, hip hop, country, Latin and dance. Indie pop was a force to be reckoned with at the start of the millennium, but two decades in, it has lost its foothold to hip hop and RnB, which have become pop genres in of themselves.

Jamie Beth shines in the fading light of intimacy in her latest single, Streetlights

Imagine the space on the sonic continuum where the commercial potential of Taylor Swift, the raw sting of First Aid Kit and the vivid vignettes of Phoebe Bridgers meet; that is exactly where you will find Jamie Beth in her latest single, Streetlights.

The aching timbre of her ethereal Angel Olsen-esque vocal lines effortlessly complements the simple yet all-consumingly affecting instrumental arrangement as the singer-songwriter paints a narrative of bitter-sweet affection. The melancholic delivery of the scenery leaves you living and breathing the dwindling vestiges of intimacy shared in the vulnerably candid track, which exhibits how fearless the Newcastle-born, Liverpool-based luminary is when it comes to wearing her heart on her sleeve.

With plaudits from BBC Introducing and Amazing Radio, Jamie Beth isn’t just making an impression on the airwaves; the 19-year-old is well on the way to making an everlasting impact.

Streetlights was officially released on November 5th; stream the single on Spotify now.

Review by Amelia Vandergast

Photo by James Grant

Effy Wang: Bridging Dreamscapes and Beats in ‘Da Di Da La’

In her debut single, Da Di Da La, the up-and-coming alt-pop siren Effy Wang juxtaposed the etherealism of dream pop with the rhythmic momentum of EDM by doctoring a pulse-pounding backbeat into the arcane atmosphere of the soul-driven production.

The rush of emotions that each progression manifests couldn’t be more visceral; the way the diaphanous elements intersect with the rhythmic intensity will undoubtedly leave plenty desperate to hear more from the icon in the making who is no stranger to beguiling audiences with her live performances. Now, she’s set to take over the airwaves with her effortlessly distinctive sonic signature, which is scarp enough to etch her name into the legacy of alt-electro pop.

Da Di Da La was officially released on October 21; stream the single on all major platforms, including Spotify.

Review by Amelia Vandergast

SonicFluxx – Nomad: The Ultimate Synthscape for the New Generation of Wanderers

Blazing the same trail as Depeche Mode, The Human League and Pet Shop Boys, the independent breakthrough artist SonicFluxx exhibited his ability to craft neon-lit melodic hooks that pierce euphoria straight into the soul with his latest single and music video, Nomad.

With the 80s aesthetic incorporated into the synthscape and official video, Nomad is a retro-future odyssey of pure euphony; just one hit and you’ll be hooked on the earworm which celebrates the freedom of unchaining yourself from geographical anchors and giving into wanderlust.

By allowing his listeners to live vicariously through the eyes of a wanderer, SonicFluxx didn’t just explore the phenomenon of nomadic culture, he imbued it within every strobing synth-driven progression, attesting to the beauty of living by your own liberty.

Stream the official music video for Nomad on YouTube now.

Review by Amelia Vandergast

SonicFluxx Interview: Cosmic Inspiration and Artistic Evolution on Florida’s East Coast

In this A&R Factory interview, we speak with SonicFluxx, an artist shaped by a childhood amid the unique cultural and natural landscapes of Florida’s East Coast. SonicFluxx shares how experiences such as witnessing shuttle launches, growing up near Disney World, and being surrounded by 80s and 90s pop icons like Depeche Mode, Madonna, and Pet Shop Boys influenced his sound and vision. He reflects on his path from DJing to full-time music production in Los Angeles, alongside the challenges of adapting to social media in the modern music world. With new music on the horizon, SonicFluxx reveals a vision dedicated to using music as a healing force, ready to connect with listeners globally.

SonicFluxx, welcome to A&R Factory! Thanks for sitting down with us to discuss your career and your future ambitions. We’d love to know how your upbringing on Florida’s East Coast, among such iconic figures, influenced your sonic signature. 

Growing up in Central Florida in the 80’s and 90’s was a special time in our American history and I feel lucky to have experienced many things that most didn’t during that era.  Growing up next to Disney World taught me that music holds messages and meaning and that music can be the language that unites all.

I watched the Space Shuttle program firsthand and watched many shuttle launches from my backyard.  I learned at a young age that there was more than this world we are on and I found love in the stars and the universe.  I questioned my existence of this planet at a pretty young age and what my role was.  I grew up living five minutes from the beach – walking through the sand and understanding the concept that a speck of sand doesn’t make much, but a whole bunch of it creates a beautiful beach.

When you grow up and live in such a magical and inspirational place, I think it tends and fuels the creative fire within and ignites the spark that so many musicians and artists before me have experienced.

What was it about Depeche Mode, Madonna, and Pet Shop Boys that inspired you to light your own creative spark? 

I found deep inspiration with these three artists particularly because through their music, I learned that songs can have a message to invoke positive change in society.  Many artists feel a duty to use their voice as a platform to invoke political, cultural and societal change in the world and this is also what I wanted out of my own music and songwriting.  Aligning with the same beliefs as an artist also made me feel connected to the artist themselves in a way and I found this connection to be very special.

How has your relationship with music changed over the years?

I was born in a Southern Baptist Church, so I grew up singing traditional hymns on Sundays. I grew up extremely sheltered from what is called secular media in the religious tone.  My introduction to pop and dance music did not occur until my rebellious teen era, in which I would spend hours in FYE at the mall and listen to CDs.  I consumed every bit of pop culture I could at this point in my life.  I connected with dance music in a spiritual way that spiritual music never gave me.

I began to study and analyze what made a great song at this age.  I would have a knack for knowing what songs on an album would be the next single before it was released.  I turned this talent into songwriting.  I was a DJ in my early 20s and began producing remixes myself with Sony Acid Music Studio on a laptop I rented from Rent-A-Center.

I am a self-proclaimed pop and dance music lover.  I took pride in sharing new tracks with people and seeing their reactions when they loved it.  After many years of no music interaction other than consumption, I quit my job, quit college and moved to Los Angeles to pursue a music career full time.  I find myself enjoying creating music more than I enjoy listening to it myself.  However, don’t get me wrong, I still stan for a few artists new music!

Creatively, what came most easily to you, and what did you have to work hard to hone?

Melodies, hooks and songwriting came the easiest.  Most of my songs have been written in about three days – one song I wrote in 15 minutes.  I have a knack for hearing a beat and immediately hearing a melody in my head.  Then words come after that.  It’s a chaotic process I will admit, but it works for me.

Half of my lyrics aren’t even written down anywhere because songs are written so quickly.  ‘Nomad’, for example, was half written and I made up the rest of the lyrics in the studio on the spot.  My songs come from my life, my struggles and my heartache – it’s pretty easy to spill out currently.

What is challenging for me is creating social media content.  I am not good at picture taking, not quick to take pictures in settings and I find creating and thinking of social content does not come easy at all.  I am from the MySpace generation, so the new era of social media has definitely been the biggest challenge to overcome for me.

You mentioned a period of depression after focusing on your vocation as an astronomer; do you believe a lack of creative output is to blame for a lot of existential suffering in others?

Short answer: yes.  I believe that many people do not use the right side of their brain enough and invoke creativity in their lives.  I love that book reading and crocheting has made comebacks these days.  I think more people need to find that creative output to truly find peace.  As a child, we use this side of our brain so naturally and it’s a beautiful thing.  When we lose our sense of imagination and wonder, we can lose who we are and where we are going – Walt Disney taught me that and I still firmly believe in it.

Could you tell us more about your vision for your music going forward and any new directions you are exploring in your artistic journey?

When I started my music career full time, I said that if my music reached just one person and helped them, I’ve done my job.  Music is healing.  Music can be your remedy, as I sing in my song ‘Remedy’, which is a love letter to all my fans.  I have achieved this and now my goal is to take the same concept but go worldwide.

I am always writing new music and do have new music ready to go and am planning to release a deluxe edition of the album around February 2025.

Stream SonicFluxx on Spotify and discover more about the artist via their official website.

Interview by Amelia Vandergast

All James delivered an instant Christmas classic with the festive neo-classic pop reverie in ‘Best Time of Year’

All James

All James’ latest score, Best Time of Year, carves a niche in the Christmas music scene, an ambitious feat given the competition with time-honoured classics. Right from the outset, the classic strings strike an affecting chord, setting an emotionally heightened tone. As the track unfolds, All James’ affinity for Coldplay is apparent in the poignant minor key piano progressions, yet this influence never overshadows the ornate sublimity of the neo-classic pop production.

The artist’s accoladed musical project, renowned for blending pop with orchestral soundscapes, draws from a diverse palette of inspiration, juxtaposing the signatures of Hans Zimmer, Enya and Kodaline within a bedrock of cultivation that only years of blood, sweat and tears can construct. Best Time of Year is a testament to this rich influence, characterised by lush orchestral arrangements interwoven with contemporary pop nuances.

The single is a canvas of connectivity, inviting listeners to forget the commercialism often associated with the season and reconnect with its true meaning. James’ composition nudges you to rekindle a passion for the festive period’s magic, echoing the emotive power of iconic holiday scores like the closing sequence in ‘The Snowman’.

Best Time of Year will reach all major streaming platforms on November 1st; find your preferred way to listen via All James’ official website.

Follow the artist on Instagram and Facebook to stay up to date with their latest releases.

Review by Amelia Vandergast

Marlon Bianco went left of leftfield in his experimental electronic trip, Mad Man

Marlon Bianco’s latest single, ‘Mad Man,’ plays like an auditory hallucination; like peering through a drunken kaleidoscope, sounds and colours blend into a vivid sonic trip. Beginning with scratchy, trip-hop-adjacent beats, the track seamlessly evolves as Bianco’s dreamy, nostalgically textured vocals marry with the underlying rhythms.

It’s a sonic sculpture that etches itself into the mind, pulling you into the affirmation that insanity is infectious as elements of funk and jazz are weaved into a sublime lo-fi collage of sound.

Hazy summer nights may be behind us, but this psyched-to-the-nth-degree synth-driven odyssey from the Brighton-based aural polymath is here to stay. There’s no escaping the dreamy Avant Garde clutches of this release which forces you to live within its layers.

Mad Man will hit the airwaves on November 1st; stream the single on Spotify and follow Marlon Bianco on Instagram and Facebook.

Review by Amelia Vandergast

Keep your soul warm with Daniela Galasso’s slice of indie folk-pop reverie, Comfortable

Daniela Galasso

With an emotional richness and resonance that puts her in parallel to the most introspective works of First Aid Kit, Daniela Galasso, with her seminal single, Comfortable, radiates vulnerability and tonal warmth

Aside from the cinematic sonic sublimity, the real beauty of Comfortable resides in how the Italian-born, California-based singer-songwriter turns becoming comfortable in a relationship into something profoundly poetic. While so many people would perceive that as the moment the romance dies, Galasso flips the script with her ethereally tender, orchestrally scored single, allowing listeners to see comfort in a relationship as something just as sweet as the initial butterflies.

As an award-winning artist who has clearly mastered the art of textural alchemy within her productions, Galasso has stepped out of the shadows of her influences in the vein of Taylor Swift, Ellie Goulding and Imogen Heap and irrefutably come into her own through her installations of vulnerable reverie.

Comfortable will be available to stream on all major platforms from November 1st. Find your preferred way to listen via the artist’s official website.

Keep up to date with news of new releases from Daniela Galasso on Instagram and Facebook.

Review by Amelia Vandergast

Sofia Jade is nobody’s pawn in her sublimely stylised RnB Pop single

Sofia Jade’s new ambiently arresting RnB pop single, ‘Checkmate,’ delivers a mellow live lounge vibe as the London-based singer-songwriter sensuously stands her own ground on the romantic battleground.

With swathes of Lotharios making calculated moves in the game of love, countless individuals will feel the vindication spill from Checkmate, which the up-and-coming prodigy uses to declare she unapologetically refuses to be played.

Hailing from North London, 23-year-old Sofia Jade has crafted a unique and special story through her music. She found her voice at a young age but only started to pursue writing seriously during lockdown. In 2024, her sonic signature is honed to the nth degree and her lyrical depth is the sonic equivalent of the Grand Canyon.

The clever parables which explore manipulation in Checkmate are an undeniable attestation to Sofia Jade’s ability to heal through music. The track stands as a testament to her resilience and talent, marking her as a notable artist to watch in the RnB scene. Get her on your radar and watch her ascend from the underground.

Checkmate was officially released on October 4th; stream the single on all major platforms, including Spotify & YouTube.

Review by Amelia Vandergast

Lia Juno exhibited the pain of raw rumination in her alt-indie tour de force, Sight

Lia Juno

Ethereal alt-indie pop vocals meet cavernous guitar lines in Lia Juno’s intimately melancholic single, ‘Sight’, which deconstructs familiar tonality, tearing it down to the aural rubble before rebuilding a sonic landscape where sanctuary for the disillusioned resides.

Since unveiling her debut single, Fevering, earlier this year, the LA-based independent artist has made all the right waves; with her latest single she puts herself in the same league as Wolf Alice and Big Thief with the cerebral thematic nature of the manifesto of mournful rumination.

Building up from Pixies-esque artfully dramatic motifs to a blisteringly grungy crescendo of distorted guitars clashing in oscillation with the rhythm section, Sight ensures that if you have any pent-up emotions when you hit play, they’ll be obliterated by the impact of the track’s climax which you’ll want to feel the force of time after time.

Sight will be available to stream on all major platforms, including Spotify and SoundCloud, from October 30th.

Review by Amelia Vandergast

Aneyrah – Marmalade: A Sticky-Sweet Slice of RnB Pop Seduction

‘Marmalade’ by Australian artist Aneyrah is a scintillating blend of 90s RnB pop nostalgia and disco grooves, offering a sensuously provocative record that shimmers with an arcane aura.

As the earworm progresses,  Aneyrah’s soulfully indomitable vocals are wrapped around a solid rhythmic pulse that magnetises the senses with every beat. Given the sharpness of the irresistible pop hooks in Marmalade, it wouldn’t be surprising if Aneyrah shared a lineage with Kylie and Dannii Minogue.

Lyrically, the single explores the complexities of relationships that precariously hang in a passionately tormentative grey area; each verse is an ethereally fiery declaration of a heart navigating its way through ambiguous romantic territory.

With her ability to fully command a sticky-sweet melody, every glittering note counts in this lyrical confession of love and longing. We can’t wait to hear what follows from the iconic conduit of soul; she’s the full RnB pop package.

Marmalade hit the airwaves on October 1st; stream the single on Spotify now.

Review by Amelia Vandergast