Browsing Category

Pop Music Blog & Promotion

Pop Music

As the trends in music evolve, as does the definition of pop music. Pop started as an abbreviation for popular; since the mid-20th-century, it has become the go-to term to define the music currently holding the most favour with the public. The evolving nature of pop makes it hard to pinpoint the pioneers; some say it all started when performers needed a catchy and memorable song in the Victorian area, while others say that pop began with the original crooners in the 30s.

The introduction of the pop music charts in 1952 allowed a cultural shift to form around music. It was at this point in history that teenagers became a massive target for the media. Before this new social reconstruction, there had been no in-between for children and adults. Just as it is now in the TikTok age, where teenagers can make an unknown artist go viral in minutes, teenagers effectively ran the music industry in the 50s too!

After Elvis Presley reigned supreme in the late 50s and early 60s, the Beatles dominated the charts for eight years until they disbanded in 1970. Throughout the 80s, synthpop took the pop limelight until the Boy Band era was born in the 90s. The selling power of East 17, Take That, Backstreet Boys and ‘N Sync gave Bob and Chris Herbert the idea to manufacture the world’s ultimate girl group; with the Spice Girls, they discernibly succeeded. After the Spice Girls topped the charts, more manufactured pop acts, such as Britney and Mariah Carey, started to surface. Manufacturing is still a massive part of the pop industry, but more and more pop artists are becoming brave enough to break the mould (think Billie Eilish, St. Vincent and Lorde).

Even though the pop charts are more diverse than ever, with Ed Sheeran sitting next to the Weeknd and Dua Lipa next to Tom Grennan, there are still common factors in their pop tracks. Today, most songs that fall into the pop category follow the extensively tried and tested pop formula. Generally speaking, pop tracks are 3 – 5 minutes in duration, use just one key, contains melodically lyrical soundbites that include the title, have a repeating chorus and keep to 4/4 time signatures. Repetition is quite literally key.

Unless it is a ballad or a stripped back acoustic number, pop tracks usually unfold to danceable tempos and rhythms to complement the lyrical hooks. Elements from every genre can be pulled into pop, the main ones being rock, RnB, hip hop, country, Latin and dance. Indie pop was a force to be reckoned with at the start of the millennium, but two decades in, it has lost its foothold to hip hop and RnB, which have become pop genres in of themselves.

Garfield Mayor shredded inhibition with soul in his nu-disco pop hit, Foolish Feet

Hot on the blazing heels of his critically acclaimed single, Been Thinking, the British singer-songwriter Garfield Mayor, grooved the bar even higher with his lush self-produced summer anthem, Foolish Feet.

Knowing exactly how to command the mic with magnetic soul, Mayor ensures that being drawn into Foolish Feet hook, line and sinker is as obligatory as giving into the compulsive beat and surrendering to the melodies which reach the epitome of infectious fluidity.

Equally as sweet as the sonics which subvert the expectations of summer pop hits are the lyrics which tenderly implore the listener to throw away inhibition and self-consciousness. The lyric, “Who cares about cliches, let’s dance like the old days, we’re all the same species” exemplifies the essence of the single which advocates for living in the moment and casting aside self-preservation to make room for rhythm-led euphoria.

“I was the designated driver at a party. Get Lucky by Daft Punk started playing. I wanted to dance but it had been a while, and I was self-conscious… I went for it anyway, and I remembered how much I’d missed it. It reminded me what a valuable part of life dancing is.”

Coincidently, Foolish Feet is the perfect hit to get footloose with. The echoes of Nile Rodgers’ funked-up guitar and Daft Punk’s kinetic rhythms filtered through a vibe-driven nu-disco lens allow the release to hammer home the razor-sharp propensities of Mayor’s songwriting chops.

Foolish Feet hit the airwaves on August 9th; stream the single on all major platforms via this link.

Review by Amelia Vandergast

Bari Mcknight synthed away the pain of ephemeral affection in ‘SUMMER THINGS’

Two things are guaranteed every summer: swathes of stellar summer pop hits and the inevitable ashes of quick-to-burn romances. In his latest single, SUMMER THINGS, the independent artist, Bari Mcknight, brought one of the former and consoled casualties of the latter by fusing echoes of Afrobeat with catchy pop hooks, the soul of stylistically synth-driven RnB and a trappy beat, resulting in an irresistible earworm which is weighted in evocative realism, contrasting the dreamy etherealism of the track.

If the lingering sting of ephemeral affection is making the onslaught of autumn feel that much colder, SUMMER THINGS is the ultimate source of salvation. The echoes of The Weeknd’s aesthetic coursing through the neon-lit, synaesthesia-inducing production leaves enough room for Mcknight’s sonic signature which is scribing his legacy – one hit at a time.

It’s rare to find a pop track with the potential to dominate the charts while resonating with the sincerity of a diary entry, but that’s exactly what the New Jersey-residing independent artist achieved in SUMMER THINGS, which features on his latest album, Summer of Love; a curated anthology of laidback melodies and relatable narratives.

SUMMER THINGS dropped on August 2nd; stream the single on Spotify.

Review by Amelia Vandergast

Cincinnati icon of chameleonic pop, Catlea, has struck again with the affecting anthem, Crumbling

Cincinnati singer-songwriter and multi-instrumentalist Catlea is unreckonable in their mission to become one of the biggest pop sensations of their generation.

Their latest single, Crumbling, instantly arrests with emotionally weighted minor piano chords cradling the haunting with luminescence vocal lines before the single unravels as a synth-driven hit which sheds its dreamy etherealism to establish itself as an anthemic perennial pop earworm.

The lyrical exploration of the inevitability of not living up to unrealistic expectations in relationships where we only exist as an abstract idea and are expected to play out a role without being given a script is the ultimate consolation for anyone who has faced rejection after refusing to alter their autonomy.

The versatility in this track alone is enough to leave you in awe of Catlea’s ability to confidently command a myriad of genres and vocally match the sonic textures with unflinching ease; the rest of their discography is a larger attestation to their chameleonic cultivated skill.

As a precursor to the upcoming LP, Language Barrier, Crumbling, which was produced by Claudia Mills and features pianist Nick Tsang (Ed Sheeran, The Script, Lewis Capaldi), couldn’t set the anticipation any higher.

Crumbling euphonically cascaded onto the airwaves on August 2nd. Stream the single on Spotify now.

Review by Amelia Vandergast

Theo Lucas Shook Up Progressive House Pop with a Splash of Summer with ‘Sunset Martinis’

https://open.spotify.com/track/0BcTJYTOfAn7fpbDHfPZzA?si=9d44a85b8c6945b6

For his latest release, Sunset Martinis, the South London-based, Cypriot queer artist, Theo Lucas, hooked up with the multiplatinum DJ and producer, Lorenzo Cosi to drop the hedonistically hot EDM anthem of the summer.

By putting his own spin on progressive house with intersections of hyper-pop, Lucas crafted a track as intoxicating as the cocktail referenced in the title. The electrifying momentum seamlessly transitions into melodiously sensuous pre-choruses, efficaciously building intensity and anticipation before the bass drops, resulting in installations of pure euphoria.

The sticky-sweet vocal lines can sugar the pill of any hangover; by charging his vocal performance in the earworm with sincerity, it is clear that if Theo Lucas gets any hotter, he’s going to contribute to global warming.

In Sunset Martinis, Theo also embraces his queer identity and Cypriot roots, infusing them into his music with authentic flair as he lyrically compares his lover to Aphrodite, drawing on rich mythological imagery to celebrate love and beauty in its many forms.

So much more than a hit-maker, Theo Lucas is lighting a beacon for diversity and inclusion; his passion for advocacy shines through his work, which has seen him perform everywhere from London Pride to Westminster Abbey. Watch this proverbial space.

Sunset Martinis was officially released on August 15; stream the single now on Spotify.

Review by Amelia Vandergast

Behind the Music: An Interview with Rising Country Star Samantha Rae

In an exclusive interview with Samantha Rae, a name quickly becoming synonymous with contemporary country supremacy, we discuss her debut LP, The High Road, which has positioned her as an infectiously unreckonable force in the industry.

Samantha discusses her approach to maintaining emotional authenticity within her polished sound; we also gain insight into her collaborative dynamics with co-writer and manager Jay DellIsola, the creative challenges they navigate, and her vision for her burgeoning career.

Samantha Rae, it’s a pleasure to sit down with you after discovering your talent through your debut album, The High Road. The single, Gaslighter, was particularly infectious, how did you hone your superlative command over vocal hooks?

Thank y’all so much for your kind words and interest in The High Road! Gaslighter sits right in my vocal wheelhouse which helped us produce the way we originally envisioned it. We really wanted the chorus hook to pop so we set it up with a little rhythmic anticipation in the prechorus “I’d do anything for you”. This is a good example of how Jay and I construct our rhythmic textures. In the studio, we went through each lead vocal take again and again to find the one we loved the most. We really love this song and I am so happy with how it turned out!

You notably have a profound ability to keep the emotions raw in your polished productions, what’s your secret? 

Many others have probably said it better than me but I truly think if you write your own songs or create something lyrically that you’ve been through, or deeply relate to, then the truthfulness comes out on its own.

Have you found a formula for writing your singles or is each new track a new beast to tame? 

Just keep writing and creating what you love! No formula or secret button, although having a co-write partner like Jay has been critical to staying creative and energized to make your ideas and music come alive! Our songs are usually a product of our combined influences that span classic rock, mainstream radio pop, rhythm & blues and classic country. There’s usually a deeper personal meaning behind a lyric but we love that people relate to the lyrics based on their own life experiences.

What was the most gratifying aspect of creating your debut album?

Honestly, for me, it was when all the songs finally dropped and they were born into the world for people to enjoy! We also really love developing as artists and songwriters. There’s always something we’ve learned that we can apply to our new material.

How did you come to work with your creative partner and manager Jay DellIsola?

Jay and I have been friends and worked together for a long time, we played in bands together up in Boston where he played drums and I was the lead singer. Before this journey together, Jay always had a vision and would get things done with his passionate drive. He has always supported my talent and when we decided to spin up “Samantha Rae” as a solo artist, we knew we could create something special together. When we combine our song parts and creative ideas we end up with something that works well for us.

Undoubtedly, your fans will be desperate to hear when the next release will drop, what else do you have in store for 2024?

We definitely are always working to create for the fans and I’m sure they’ll see some behind-the-scenes and the making of The High Road album in the future 😉

We’re already writing a brand new batch of songs and we also have about a dozen on the shelf we really love that haven’t been released yet.

Will your forthcoming material be a continuation or a departure from your debut album? 

I would say mostly a continuation but as an artist, there’s always room for growth and a little movementMy pop-rock country roots are grounded and we’ve created a ‘sound‘ that we’re proud of. So if the fans love it as much as we do then we feel like we definitely have a winning recipe!

Stream Samantha Rae’s Highroad LP on Spotify now and keep track of her latest releases via Instagramand TikTok.

Interview by Amelia Vandergast

Jazz underpins electro-pop in NxC’s comeback track, Can’t Get You Out of My Head

From the province of Laguna, NxC, a dynamic pop duo, has re-emerged in the limelight with a comeback that dares to share a title with Kylie Minogue’s famed hit, Can’t Get You Out of My Head. It was a bold titular choice, but that’s nothing compared to the endlessly evolving innovation caged within the progressive anthem.

Nikki Culing and Cedric Patangan, who first harmonised in their high school choir and later in various local bands, entered uncharted territory with Can’t Get You Out of My Head which amalgamates the nostalgia of disco pop with the edge of synth sequences and the spontaneity of jazz, presenting a track as layered as their musical background.

After a brief hiatus after their initial single, Peach Fizz, NxC’s sound is more honed than ever. Their comeback initiates with a tease of classic house pop, swiftly morphing through a spectrum of sounds that defy simple categorisation. With Nikki’s euphorically infectious vocals and guitar alongside Cedric’s multifaceted mastery of keys and bass, the duo navigates through hyper-pop highs and rap-infused rhythms, making each transition a head-spinning hit of serotonin.

Every beat of Can’t Get You Out of My Head promises an adrenaline rush of sonic surprises – brace yourself before you hit play.

Can’t Get You Out of My Head hit the airwaves on August 10th; stream the single on Spotify.

Review by Amelia Vandergast

Spotlight Feature: Embrace the Chaos with the Visceral Visualisation of Emotional Discord in Dilly Dally Alley’s Electro Jazz Pop Attack, This Just In

Dilly Dally Alley

Fresh off the heels of their last single, Find Out, Minneapolis Indie-Pop jazz-adjacent collective, Dilly Dally Alley, led by the magnetic emissary of soul Sophia Spiegel, has unleashed their second single of the summerThis Just In.

Feeling deeply can often feel like a curse, yet, a proclivity towards heightened emotion only serves to sweeten the resonance in this incitement of an indie art pop riot, which feeds an abrasive electro pulse through John Carpenter-reminiscent synths, deliciously delirious reverb and distorted jazz-punk sax riffs capable of driving you to the brink of euphoria and beyond to experience a cathartic release from emotional turmoil.

The opening lyrics – “there was a sharpness in the land, sharpness in the beat, sharpness in your eyes, made me feel complete” – reflect the conflation of emotions and conflicts, perfectly matched by the avant-garde instrumentals that create a vivid, visceral, whirlwind of an experience which transcends sound.

You couldn’t ask for a more accurate mirror of the mental discordance that accompanies emotional dichotomies or for more blissful salvation from them.

This Just In will be available to stream on all major platforms, including Spotify, from August 23rd, ahead of Dilly Dally Alley’s sophomore LP, which will permeate the airwaves in January 2025.

Stay up to date with the latest releases from Dilly Dally Alley on Facebook and Instagram.

Review by Amelia Vandergast

Contemporary Christian artist, Krystal Dawn Land, struck the healing chord in ‘Strength Through the Tears’

Christian & Gospel artist, Krystal Dawn Land, permeated the pop scene with an orchestrally elevated, country-tinged, balladic attestation to how fortitude may be one of the most bitter-sweet forms of strength, yet it is by far the most empowering.

The evocative intensity of the crescendos paired with the sincerity of the arcane harmonies gives listeners all the faith and consolation they could ask for when days get dark. Even if you’re a far cry away from bolstering your soul in resilience, consider listening to Strength Through the Tears as the first step on your path to healing.

Prior to releasing this single, Krystal had spent two decades in an evangelistic gospel music ministry; she amassed her multi-instrumentalist stripes and honed her voice and songwriting talents at a young age sitting beside her Mom on an old Wurlitzer piano. Now as a successful contemporary Christian cross-over recording artist and worship leader, Krystal is living her passion of seeing people experience the love of God. Let love in and hit play.

Strength Through the Tears was officially released on August 1st; stream the single on Spotify now.

Review by Amelia Vandergast

Barry Slorridge – Why? Avant-Garde Whovian Electronica

Any artist who uses the vocalisations of an existential Dalek in their tracks is an icon in our book, and that’s just the tip of the ingenuity iceberg in Barry Slorridge’s slice of Whovian avant-garde electronica.

With Why? the UK-based composer, producer and multi-instrumentalist didn’t use his Bachelor’s Degree in Classical Composition by any conventional means; instead, he chose to score his cultivated composition chops into an installation of delicious discordance which reminisces with nuances of The Beatles and Kraftwerk.

The synth lines carry echoes of The Phobophobes, introducing a dark, reflective undertone, interwoven with kaleidoscopic effects, allowing distorted waves of psychedelia to cascade through the music. Meanwhile, sweet psych-pop harmonies offer a stark contrast to the monotonal menace of the Dalek samples.

The track epitomises revolutionary art, achieving a rare feat—it unsettles those comfortably ensconced in their auditory preferences while providing solace to those who find beauty in the bizarre. Once Slorridge finds his niche, he will be an unreckonable force in the alt-electronica scene; his ability to orchestrate sensory experiences which bend the mind and electrify the pulses is unparalleled.

Why? was officially released on August 5th; stream the single on YouTube now.

Review by Amelia Vandergast

Marc Ambrosia rivalled Against Me in his queer pop-punk anthem, We Are Who We Are

For anyone whose true identities are continuously obscured by lenses of prejudice and misconception, Marc Ambrosia’s riff-raw pop-punk anthem, We Are Who We Are, is the definitive cure.

With an augmented-with-frenetic-exhilaration chorus and endless mantras to adopt for authentic empowerment, it is impossible to resist the intoxicating energy in the release which proves that Marc Ambrosia is just as adept at producing high-octane rock hits as he is when it comes to producing perennial pop earworms. And yet, his versatility is only the start of his expansive cross-over appeal which can easily establish the New Jersey singer-songwriter as one of the most essential queer artists of his generation.

Ambrosia’s forthcoming album, Gay & Proud, is shaping up to be as iconic as Against Me!’s Transgender Dysphoria Blues LP. The same visceral punk as fuck energy runs within the liberatingly protestive anthem which attests to how embracing your autonomy and flying your own flag is one of the most revolutionary acts a human is capable of.

In his own words, Marc Ambrosia iterated “It’s a song about individuality and nonconformity. People like to make assumptions about other people’s identities and they’re usually wrong.”

We Are Who We Are was officially released on August 16; stream the single on SoundCloud and visit Marc Ambrosia’s official website for more information on his upcoming album which is due to drop on August 30.

Review by Amelia Vandergast