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Best Music Blog for New Artists

Henry Bitzer’s ‘25th Hour’ Radiates Rapturous Soul and Swagger

Posted on 30 September 2024

Henry Bitzer’s standout single, 25th Hour, from his debut LP Skydive, delivers some of the swankiest sounds of 2024. The track is a testament to the solo artist’s knack for nostalgically leaning songwriting chops, which remain sharp even when held up against his musical heroes.

Any attempt to resist the euphoric energy of 25th Hour is futile; the rapturous euphony he coaxes from the keys showcases his comfort and charisma in crafting soulful soundscapes that simultaneously nod to the past and stride confidently into the future.

Blending blues, 70s pop rock, and a smattering of jazz, Bitzer conjures a unique sonic synthesis that defies easy categorisation. The seamless fusion of styles creates a distinctive sound that harks back to the golden era of rock without feeling stuck in the past. His ability to weave eclectic influences into a seamless tour de rapturous force ensures that his legacy is already carving itself a place in the annals of contemporary alternative music. It’s only a matter of time before major labels are vying for his signature.

At just 19, the Minnesota native has been compared to the likes of Elton John and Billy Joel for his magnetic stage presence and infectious melodies. Now a second-year student at Belmont University in Nashville, Bitzer has spent the last four years performing live across the U.S., honing his craft and building a loyal following.

Stream Henry Bitzer’s debut LP, Skydive, on Spotify now.

Review by Amelia Vandergast

Sticker – Making Mistakes: A Garage Grunge Anthem for the Fatally Fallible

Posted on 22 September 2024

Sticker’s debut single ‘Making Mistakes’ erupts as an explosive anthem for the perpetually remorseful and as a vindicating release for anyone haunted by the spectre of past missteps.

With its garage-grunge aesthetic sharply intersected by the electrifying surges of pop punk, the track from their debut EP, ‘Hello! My Name is Sticker’, cements the Nevada-based powerhouse as unreckonable evocateurs of caustic catharsis.

Formed in Las Vegas in 2019, Sticker, led by vocalist and guitarist Dennis Fija, alongside drummer Carlos Daniel Herrera and bassist Jacob Anthony Hennagir, the trio rapidly distinguished themselves in the Las Vegas circuit with a raw, fuzzy punk sound steeped in a plethora of influences. ‘Making Mistakes’ marries the nostalgic grit of Nirvana during their ‘Bleach’ era with the melodic poise of Smashing Pumpkins, layered with the contemporary edge of bands like Fidlar.

The track’s relentless energy and piercing lyrics provide a mirror to the soul, reflecting the tumult of self-criticism and the liberation found in acknowledging fallibility. It’s more than just music; it’s a frenzied, sonic purge of pent-up emotions, driven by dissonant chords, catchy melodies, and harsh vocals that challenge social norms and delve into the theme of unreciprocated emotions.

As the centrepiece of their EP, ‘Making Mistakes’ is the perfect introduction to Sticker’s gritty domain of rhythmic rebellion, proving that sometimes, the most profound reflections are found in the echoes of our errors.

Making Mistakes was officially released on September 8th; stream the single on Spotify now.

Review by Amelia Vandergast

Tune into Matt Sayers’ latest tender indie-folk transmission, Radio

Posted on 19 September 2024

In the intricate weave of indie folk, Matt Sayers’ single, Radio, is a razor-sharp cut above the rest. With its artful flourishes and aching eloquence, you’ll feel your soul tremble with the vibrato of his vocals as they sink the teeth of melancholy into melodies that come alive through enmeshing mellifluous rhythms with syncopated layers. There is a palpable tension between the fluid musical movements and the sharp edges of a mind in turmoil, reminiscent of Frightened Rabbit’s ability to sculpt pain into sonic beauty.

Sayers, hailing from England, channels the spirit of 70s Laurel Canyon legends like Jackson Browne and Joni Mitchell, while echoing modern folk influences such as Gregory Alan Isakov and Noah Gundersen. His lyrical journeys vignette life’s profound themes—from the ephemeral dance of existence in Dancing Girl to the quest for belonging in Jericho.

Radio itself is an affecting display of Sayers’ talent to distil torment into art. Needless to say, it’s as radio-ready as the songs that haunted him and inspired this masterpiece which marries lush reverie with the primal pain of a hopeless romantic cascading into despair.

Radio was officially released on September 5th; stream the single on SoundCloud.

Review by Amelia Vandergast

Bella Gate usurped Lorde in her introspectively arcane piano-driven indie ballad, The Death of an Icon

Posted on 18 September 2024

Bella Gate has ushered in her debut album ‘Gateway‘; a sonic anthology that promises an introspective journey mirrored in its poignant title. At 23, the London-based evocateur has evolved from a child prodigy to an artist with a mature, resonant voice, chronicling her odyssey from adolescence to adulthood with lyrical sincerity and a rich sonic palette.

‘The Death of an Icon’, an iridescent highlight from the album, offers a narrative steeped in personal revelation and artistic struggle. This single, draped in folk nuances and anchored by an ornate piano arrangement, gazes into the torment of an agoraphobic, creatively stifled protagonist. Whether reflecting Bella’s past selves or purely fictive, the track’s emotional gravity is undeniable.

Produced remotely by Jordan Round and polished by Geoff Pesche at Abbey Road, ‘Gateway’ spans a spectrum from balladic solemnity to buoyant folk, all the while maintaining an emotive coherence which eschews conventional hooks for lyrical imagery which pierces the soul and haunts long after the last note fades.

Forget Lorde, Bella Gate is reigning supreme in the sphere of introspectively stylised indie ballads.

Stream Bella Gate’s debut LP, Gateway, on Spotify.

Review by Amelia Vandergast

Wagner Gracciano became the definition of emotional depth in ‘I’m Here’

Posted on 17 September 2024

Wagner Gracciano’s single, I’m Here, from his sophomore album, The History of Mark Beck, is a veritable smorgasbord of stylistic influence and innovative substance which will transport rock fans back to an era when Chris Isaak dominated the airwaves.

With soul-drenched production, sensual RnB touches weave through a tight mesh of rock guitar lines, classic pop harmonies, and the shimmer of organ keys, creating a unique gospel of pop rock. As diverse as the track is, the seamless cohesion pulls everything together in a sublime display of genre fluidity.

‘I’m Here’ makes a bold statement of passion and dedication, showing that romance isn’t as dead as we perceive it to be as Gracciano exhibits his forte in transcending the confines of genre labels and creating utopias of euphonia with his songwriting. With each listen, there’s a deepened appreciation for the superlative arrangement and emotive depth that defines the track.

As a multi-talented guitarist, composer, and producer, Wagner Gracciano has spent over 25 years mastering his craft across genres such as progressive rock, blues rock, jazz, fusion, RnB, and heavy metal. The History of Mark Beck (2024) showcases his affectingly immersive lyricism and Grammy-worthy compositions, with guest appearances from Cleveland P. Jones, Carlos Zema, and Rachael Da Silva. Supported by world-class musicians such as Charles Judge, Michael Webb, and Adair Daufembach’s pristine production, Wagner’s vision is undeniably realised.

I’m Here is now available to stream with Wagner Gracciano’s sophomore LP, The History of Mark Beck on Spotify and all major platforms.

Review by Amelia Vandergast

Spotlight Feature: Will Sync injected depth into Deep House with his EDM club anthem, Take a Shot

Posted on 16 September 2024

With his latest hit, Take a Shot, Will Sync went beyond riding the waves of Deep House; he went against the current to emerge as an unreckonable force in the genre in the same sonically hedonic vein as David Guetta and Calvin Harris.

The UK-based EDM producer dropped a bomb of a track that takes all the familiar elements of the genre and fuses them with something undeniably more. From the first beat, the track hits hard with its signature bassline, drawing you into its relentless energy. Yet, it’s the layered textures that push Take a Shot to the forefront of the EDM scene, injecting a refreshing depth into deep house that will undoubtedly command the dancefloor.

Co-produced with Paul Stanborough, Take a Shot balances a unique vocal contrast that elevates the overall intensity of the song. The interplay between ethereal female vocals and the deeper, darker male vocals brings a fierce dynamic to the track. It’s a combination that pulls listeners into a world of feverish euphoria, while the tight production keeps the tension simmering just below the surface.

If you’re sick of hearing EDM heavy-hitters and chart pop hits on the dancefloor, lock into how he synthesises deep house with more mainstream dance elements to build a sound that is as focused on creating a danceable groove as it is on capturing a sense of reality—something Sync believes the club scene has been missing. It’s a move that’s already paying off, as evidenced by his rising star status, recognition from major names in the industry, and his growing catalogue of hits.

Stream Take a Shot on all major platforms, including Spotify.

Review by Amelia Vandergast

maxhauer – fifteen: Cerebrally Melodic Indie Pop

Posted on 12 September 2024

Maxhauer’s sophomore single, ‘fifteen’, sweeps listeners into an indie pop sphere of celestial fluidity and exhibits how the innovative artist has honed his sound after a promising 2023 debut to re-emerge with a melodically cerebral piece that cradles his vocals which are so light they become the oxygen you breathe as you follow the diaphanous progressions as they lead to gentle, ambient crescendos.

Positioned somewhere between the evocative expressions of Death Cab for Cutie and Elliott Smith, maxhauer channels the introspective spirit of these indie legends while marking his territory as the boygenius of a new era. His sophomore single reveals an artful orchestration, seamlessly weaving expansive, lush harmonies that paint a vivid scene of emotional intensity, satisfying those yearning for a more complex, emotionally dense soundscape.

Maxhauer, as a multi-talented producer and vocalist, will undoubtedly become revered for his unique ability to infuse the nuanced longing of adolescence into his music. His compositions are both a revolution and an evolution in the indie music scene, where plaintive vocals and expansive harmonies intertwine to create a sound that gnaws at the listener with its raw, poignant beauty.

After one hit, your rhythmic pulses will crave the emotive journey for the catharsis in the candour. Safe to say, he’s one for every indie fan’s radar.

Stream fifteen on Spotify now.

Review by Amelia Vandergast

Mars Playground carried an arsenal of earworm potential in his alt-pop hit, ‘S.O.S.’

Posted on 9 September 2024

Mars Playground, helmed by Chris Dixon, embarked on a bitter-sweet alt-pop exploration of angst and existential rumination with his latest track, “S.O.S.” The South Florida native melded the nostalgic beats of mid-2000s hip-hop with the crisp innovation of modern bedroom pop, set to the pace of hyper-pop while touching the raw nerve of pop-punk to craft a boldly original sonic profile worthy of drawing comparisons to the likes of Dominic Fike and Post Malone.

The icon of genre fusion synthesised trap’s rhythmic dynamism and indie’s subtle introspection to create a masterpiece of modern sound which oozes commercial potential. After initiating with percussive breaks that nod to the likes of Alexisonfire, the song subverts expectations with its euphonic pop aesthetics which envelop an emotional upheaval wrapped in a veneer of sticky-sweet melodies that cling relentlessly to memory.

As Mars Playground continues to chart a course towards critical acclaim, S.O.S. is yet another testament to the resonance of his boldly candid sound. The universal plea for solace amidst chaos sends a lifeline, woven with the threads of his vibrant, varied influences and the unvarnished truths of his journey.

S.O.S. hit the airwaves on August 28th; stream the single on Spotify now.

Review by Amelia Vandergast

Ignition of the New Hard Rock Era: ‘Thrillseekers’ by Juliet’s Not Dead

Posted on 9 September 2024

Juliet’s Not Dead, formerly known as Twister, blasted the UK rock circuit with ‘Thrillseekers‘, a formidable first release under their new moniker; the meteoric entry sets the stage for the hotly anticipated forthcoming LP which is being teased for an early 2025 release.

For anyone who has been following the Durham-hailing prodigal juggernauts, expect a seismic shift in their sonic signature with this release which unravels as an electrifying departure from their previous hits.

To juxtapose the scathed snarls of the straitjacket tight instrumental arrangement which pits growling basslines against distorted to the degree of aural debauchery guitars and frenetic pulse-pounding percussion, the vocals push sticky-sweet magnetism into the explosion of high-octane energy as they embed romanticism into the choruses which elevate the track into an anthem of visceral emotion.

Produced by the esteemed Romesh Dodangoda, the track not only kicks off a new chapter for the band but also sets a precedent for the genre itself. As ‘Thrillseekers’ paves the way for the upcoming album, Juliet’s Not Dead is poised to ascend to the ranks of hard rock royalty alongside bands like Florence Black, Massive Wagons and South of Salem. With a UK tour lined up this Autumn, the stage is set for Juliet’s Not Dead to conquer hearts and charts alike.

Thrillseekers took the airwaves by storm on August 30th; stream the single on Spotify and keep up to date with news of the upcoming LP from Juliet’s Not Dead via Facebook and Instagram.

Review by Amelia Vandergast

Mike37 transcended with the soul in his alt-hip-hop debut  LP, HOT AIR BALLOON

Posted on 7 September 2024

On September 6th, Mike37 made titanic waves by dropping his debut album, HOT AIR BALLOON. At the tender age of 17, the independent Milan-residing DJ, producer, vocalist and hip-hop & soul fusionist already has the chops to slice through genres and moods with the cultivated command of a veteran, which is affectingly exhibited in the vibe-driven 12-track LP.

The LP is a bold blend of soul and sharp-edged rap, straddling a dozen tracks that venture from intimate soul outpourings to spitfire spoken word, all dipped in the hallucinogenic haze of dreamy trap. Using hip-hop’s sonic playground for the foundation of the album didn’t get in the way of Mike37 casting the genre net wider into the domain of pop to implant pop hooks into his wavy hits which resound with seraphic semi-lucid euphonic euphoria.

To juxtapose the soul in the former and subsequent singles, the standout track, PUT YOUR CAMERA DOWN, throbs with aggressive synths and heavy 808s, setting the stage for Mike37’s incisive lyrics that slice through the superficial sheen of social media facades. Mike37 may have been a beat maker first, but this track is evidence of his command over metrically kinetic bars and his ability to lay bare a narrative that’s both raw and refined.

The album’s diversity is kicked up a notch with contributions from a variety of artists like Skyler, Uno Hype, Tiffany Evans, and Amy Fitz Doyley, each adding a distinct flavour to the mix without overshadowing Mike37’s own stylistic imprint.

Crafted in Italy’s Fiery Water Recordings Studio and given the final polish at Abbey Road by Alex Gordon, the technical execution of this album is nothing short of stellar. Every beat and note was engineered and destined to resonate.

Stream HOT AIR BALLOON on all major platforms, including Spotify.

Keep up to date with Mike37’s latest releases and news via Instagram and Facebook.

Review by Amelia Vandergast