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Music Blog for Indie Rock Fans

Post-Punk Pulsates Through Dissolved Girl’s Latest Alt-90s Spectral Sonic Shadow, I’m a Beast

Dissolved Girl is back for round three; the gloves are off, and teeth are bared in their latest single, I’m a Beast, which blasts past alt-90s pastiche and scathes the rhythmic pulses with killer hooks, sharp enough to tear through the monochromatically cold atmosphere of the release which aches for redemption.

Ornate gothic instrumentation carves its way through the production while the basslines pulsate with post-punk volition under the vocal lines which blend raw power with haunting vulnerability. If Garbage released this single at the zenith of their career, the spectrally sensuous soundscape would have darkened the top of the charts for weeks. We may be living in a new sonic epoch, but the London-based four-piece is unflinching in their determination to keep bands relevant in the modern music industry.

With their refined approach to bending minds through esoteric alchemy and their ability to linger in the psyche for long after the final shadowy note, it’s only a matter of time before they take the alt-music underground by storm.

I’m a Beast was officially released on June 14; stream the single on Spotify now.

Review by Amelia Vandergast

IST IST dominated the Manchester post-punk pantheon with their latest single, Repercussions

IST IST

Look at Manchester as a landscape and you’ll be confused by the claim that we do things differently here; the proverb only materialises through the mettle of sonic architects in the same trailblazing vein as IST IST.

Since their debut single, IST IST has been an unreckonable authentic force that has easily earned its place in the post-punk pantheon. With their latest single, Repercussions, taken from their fourth LP, Light a Bigger Fire, they emerge once again as an unextinguishable paragon of eminence.

From the first angular note that leads you into a neon-lit hedonic tour de force, you’re hooked into an exhilarant earworm that delivers scintillation and kinetic rhythmic propulsion by the smorgasbord.

By extrapolating the brooding vocal presence of Sisters of Mercy, the cerebral intensity of Magazine, the coruscating synths of Arcade Fire, and the menacingly pulse-pounding beats of Depeche Mode, and synthesising them into a cocktail that could only be stirred by their own hand, IST IST delivered a broodingly expansive testament to their cultivated fortitude.

Producer Joe Cross (Courteeners, Hurts) ensured that the single, which unravels as an exposition of how insidious thoughts can spill from the psyche into reality, becomes an invitation to liberate yourself from your introspective vexation – if only for the duration of the emancipating hit that surpasses ear candy and becomes an elixir for oppressive reflections.

Stream Repercussions on all major platforms, including Spotify, from June 6th.

Follow the band on Facebook, X, and Instagram.

Review by Amelia Vandergast

ARCTISKY became the Chris Isaak of his Generation with ‘Unreal Love’

ARCTISKY

ARCTISKY’s latest single, Unreal Love, is the smoothest slice of rock-fervoured seduction your rhythmic pulses have ever wrapped around.

Impassioned in the same vein as The National’s Trouble Will Find Me LP, the single, prised from the Maldives-born, Melbourne-based troubadour of slick soul’s debut album, Roots Vol. 1, is a tapestry of lush tonality, stitched with edges of indie pop, the passion of RnB, funk grooves, and rock roots which puts the singer-songwriter in the same league as Chris Isaak.

Your heartbeat will become the second most important rhythm coursing through you as soon as you immerse yourself in the authenticated hit which exhibits ARCTISKY as one of the most sincere revolutionists on the airwaves. With vocal harmonies that pour as deliciously as the mellifluous melodies that unravel as a confluence of ornate piano keys, reverb-swathed synths and soaring guitar lines over the propulsive rhythm, Unreal Love is as close to heaven as you will get on the airwaves.

Unreal Love will be available to stream on all major platforms with Roots Vol 1, including Spotify, from June 14.

Review by Amelia Vandergast

Dance in the spectral shadows of GETNER’s Irish folk fable of moonshine madness, Poitín

After a killer debut single, which posited GETNER as one of the most promising Mancunian rock n roll acts since Oasis, the four-piece fully embraced their Irish roots with their intoxicating tour de force of a sophomore single, Poitín.

Following an intro that allows you to imagine joining Oscar Wilde in an opium-scented den of iniquity, folk rock rancour insidiously riles up as GETNER as the vocals seductively reverberate through the devilish fable which narrates a tale of an old man in Emerald Isle’s rocky hills brewing moonshine during the prohibition era, inhaling the fumes and succumbing to the eerie spectral manifestations of his inebriated with disillusion mind.

It’s a darkly debauched slice of arcane reverie which doesn’t stop short of portraying a mind-altered protagonist. Poitín ensnares you within the metaphysical atmosphere, enabling you to slip back in time and alter your own mind with the hallucinatory vapour which GETNER efficaciously sonically visualised.

After hearing Poitín, Devil Went Down to Georgia is never going to hit the same ever again.

Poitín was officially released on May 31; stream the single on Spotify.

Review by Amelia Vandergast

AFTERDRIVE buried indie landfill under the immensity in their latest anthem, Gold Dust

AFTERDRIVE

The Ipswitch indie-rock breakthrough band, AFTERDRIVE, hit the wheel and blazed beyond contemporary trends with their latest single, leaving outfits in the vein of the 1975, M83, and The Neighbourhood in the ‘Gold Dust’ of their viscerally textured hit.

Ben Watts’ distinctive vocal inflections relentlessly hit raw nerves with the projections of vulnerability in the bitter-sweet release which embodies the band’s determination to bring small-town boredom blues to an international stage.

The instrumental evocative artillery shows little mercy; after showing melodic restraint within the verses, the choruses cascade into augmented alchemic chaos as the alt-indie-rock guitars construct walls of sounds to encase you within the brooding atmosphere of the intense narrative of affliction as the upbeat synths resonate as the last feign of hope in the outpour of ennui.

After their debut single, Stick Around, met critical acclaim and received regular airplay from BBC Introducing and more success was sealed with every subsequent release, we have no doubt that Gold Dust will seal the artist’s fate as one of the biggest names in the UK indie scene.

Gold Dust will be available to stream on all major platforms from June 7th. Discover ways to listen via the official AFTERDRIVE website.

Review by Amelia Vandergast

Matching Drapes reinvented Riot Grrrl with the infectious indie rock single, all my friends are (snakes)

If you attempted to temper your teenage angst by cranking up Jack of Jill, Bikini Kill, and Babes in Toyland, tune into the latest single, all my friends are (snakes), from the bratty resistance against misogyny, Matching Drapes.

Taken from the manslaughter EP, all my friends are (snakes) injects the modern reverberations of infectious indie rock into a 90s Riot Grrrl aesthetic, moving far past the mediocrity of uninspired pastiche.

As the basslines prowl, the overdriven guitars augment the single with a level of volition fitting for the tongue-in-cheek articulation of outrage as the vocals spit out the venom of fake friends. We all have them, yet, when the single was organically conceived from a jam session, Matching Drapes intended for the track to be an invitation to shed inhibition and imbibe in rhythmic hedonism.

The project by Berlin/Reykjavik band, comprising the two frontwomen Arndís Rán and Jacquie Hirt, started in 2023.  To record their debut EP, they were joined by Liam Harrison (lead guitar), Toby Savill (rhythm guitar), Niclas Liebling (Bass) and Adrian Lizarraga (drums). As a fully-fledged unreckonable force, they’re not a band you want to leave off your radar.

all my friends are (snakes) will be available to stream on all major platforms, including Spotify and Soundcloud, from May 31.

Review by Amelia Vandergast

The future of alt-rock arrived with Zegovia’s grungy punk-pierced protest, (It’s All Just) Noise

Imagine an immensely volatile lovechild of Dinosaur Jr and Pavement with punk proclivities, and you’ll get an idea of what Zegovia birthed with their latest single, (It’s All Just) Noise.

After the warm overdriven guitar chords swathe the pulsative drum rhythms with discordance in the intro, the rancour strips back as angular notes deliver intricately off-kilter melodies, creating a raw edgy aesthetic that speaks to how sharp Zegovia cut their teeth before they delivered the hook-rife controlled chaos in (It’s All Just) Noise.

So much more than your assimilative bubble of alt-90s nostalgia, Houston’s most inventively authentic alt-rock outfit rose up from the sludgy ennui of grunge, driven by the punk rock ferocity that is clearly running in their veins.

After feeling the full force of the visceralism in their latest release, it is evident that the four-piece’s determination to keep the pulse of rock beating in their rhythm won’t be in vain. Sleeping on a bed of nails would be easier than sleeping on Zegovia.

(It’s All Just) Noise arrived on the airwaves on May 24; stream the single on SoundCloud.

Review by Amelia Vandergast

Behind the Music: Out in Front Talks Hits, Heartbreak, and Hopes for the Future

In this exclusive interview with A&R Factory, Out in Front discuss the remarkable success of their debut single “Golden State” and their exciting new release, “Happy Graduation Day.” The band opens up about their unique songwriting process, the emotional inspirations behind their music, and the dynamic energy they bring to their latest track. As they navigate the challenges of adulthood and channel their experiences into their songs, Out in Front is rapidly emerging as a promising force in the music scene.

Out in Front, welcome to A&R Factory! Thanks for the opportunity to sit down with you ahead of the release of your sophomore single, Happy Graduation Day, but firstly, we can’t ignore how much of a worthy phenomenon your debut single, Golden State became. How did it feel to hit the ground running like an Olympian with the single? 

Hi guys! Thank you so much for having us! We are so excited with the response we have received after we released our first song “Golden State” and it makes us so happy to hear people are connecting to it and sharing their stories with us on social media. It is pretty cool to see and knowing this song has already helped people get through some tough situations is amazing to hear. “Golden State” is so special to us and we were so excited to have that one be the first out the gate.

Will Happy Graduation Day show us a different side of out in front? 

We think the “Golden State “fans should get ready for a different side for sure. “Happy Graduation Day” is lyrically similar and incredibly story-driven like “Golden State” but fans should get ready to jump up and down and lose themselves in this song.

What was the writing process like for Happy Graduation Day? 

Crazy enough, “Happy Graduation Day” was the first song we all wrote together as a band. This song came to be after Ryen’s dog sadly passed away and he went home and sat down with his bass and began to play to help him get through. Isaiah and Madie were hanging out when they received a new voice note from Ryen with one of the greatest hooks they had ever heard. In that moment they knew they had to turn it into something. After finishing the song, we took it to the amazing and talented Drew Allsbrook to record and mix and the insanely gifted guitarist Horrace Bray added his incredible touch to the song and “Happy Graduation Day” was born.

What inspired the single? 

After hearing about Ryen’s dog passing away and the incredible bass riff Ryen wrote soon after, the band hit the studio to begin crafting this song together. Isaiah, who is the drummer of the group, had the vision for the layout of the song and instantly knew the energy this song needed as he added heavy and jumpy beats on top of Ryen’s hooky riff.

Madie is the main melody and lyrical writer and wanted to craft lyrics that the whole band could relate to and what better thing to write about than the struggles of growing up.  All three of us are in our mid-twenties and know the pain of losing a dog when you get older, but there are also a lot of things that change as you enter adulthood as well. Student loans kick in after graduation, you experience heartbreak, relatives start passing away, and mental health and anxiety battles begin to kick in as you learn to navigate your way through the challenges that adulthood brings us. “Happy Graduation Day” is the anthem for the people who want to scream and jump around while singing about how growing up isn’t what it was all cracked out to be like we thought when we were younger.

Was Happy Graduation Day an easy choice for your sophomore release? 

Definitely an easy choice for us especially with all of the seniors graduating this June and we really wanted to surprise all of the new fans with a different side to Out in Front.

Clearly, you’re a band with immense synergy; how did you guys meet each other, and how long was it before you were sure you had a sound worth bringing to the airwaves? 

The story of how we all met definitely plays a huge part in our journey together as a band. Isaiah and Ryen met playing college tennis at Cal Lutheran and after graduating Isaiah began his coaching career at Braemar Country Club in Tarzana, CA. Madie went to college in Nashville, TN  studying Songwriting and Music Business and made her move to LA in August of 2022 where she also began working as a tennis coach at Braemar. It took 6 months for Isaiah and Madie to realize they were both musicians and decided one day to put down their rackets and jam in Isaiah’s garage together. They knew they had the start of something special.  Isaiah and Ryen tried forming a band while they were in college and Ryen always told Isaiah “If you can find someone who can actually sing, I’ll join a band”. Nothing stuck for the two of them in college but after graduation -and with us all working together at the same club – Ryen gets a call from Isaiah saying “I found a singer” and Out in Front was officially born.

Which artists are your biggest inspirations? 

All three of us have such different musical inspirations but we think it is what makes our sound so unique. You’ll find Isaiah going crazy on the drums playing along to metalcore band Amity Affliction, Ryen vibing out to Australian rock group Spacey Jane, while Madie grew up heavily inspired by the amazing lyrics and sounds from the English rock group Florence and The Machine.

Aside from other musicians, what inspires Out in Front? 

Besides listening to music, we are all inspired by our everyday life and events that happen in this world. Every lyric Madie writes is something her or the boys have been through and we believe the best songs are about real life situations that we go through. Writing music is therapy and we hope these songs we release into this world can be the listener’s therapy as well.

What else does the future have in store for Out in Front?

We cannot wait for all of the exciting things ahead. We want to play as many shows as we can and we hope to be able to go on tour someday soon to do just that. We have so many songs ready to be released and we cannot wait for this journey to continue! We appreciate all the support we have received so far and can’t wait for what’s next.

Listen to Out in Front on Spotify, and follow their journey on Instagram.

Interview by Amelia Vandergast

LuisG delivered a raw indie-rock shot of redemption with ‘Second Chances’

If you paired the pensive sting of The Verve with the euphonic consolation of Nada Surf’s most heart-wrenching hits and added the rugged heart-in-throat signature of Chris Cornell, you’d come incredibly close to what LuisG created for the title single of his debut LP, Second Chances.

The track finds a tender way of advocating for redemption. Though many of us operate as though we have only known wrong when it comes from the vindictiveness of others, Second Chances prises your mind open to the reality that we’re all leagues away from perfection. Through this vulnerable, confessionally powerful release, LuisG put his heart on the line; you can’t help but follow suit as you sink into the absolution of the melodies.

LuisG, with roots in indie rock, pop, emo, and folk, is increasingly renowned for filtering his powerful melodic style and evocative storytelling through a Southern Cali lens. Based in Las Cruces, NM, he has carved out a niche for himself in both online spaces and local circles. His journey, marked by reflective and personal songwriting, has seen a progression from his first single, Waves, in January 2022 to his debut EP, Somewhere to Call Home, later that year.

Second Chances is now available to stream on all major platforms, including Spotify.

Review by Amelia Vandergast

Softener became 21st century icons of indie grunge with their debut single, Brindle

The Fresno, California-based up-and-coming outfit, Softener, used grunge as a conduit for their intimate amenability in their alt-indie debut single, Brindle, which hit the airwaves on May 17.

The submissive lyricism revolves around a tender mantra of “I just wanna be your dog”; Iggy Pop may have popularised that desire, but Softener brought brand-new meaning to the iteration of intent by projecting a sweet declaration of surrender that you can’t help catching feelings for. The heartfelt vulnerability in the lyrics and vocal performance, paired with the grunge-infused instrumentation creates a consoling aural escape that you’ll always feel safe within the confines of.

Whatever they have in the pipeline for their sophomore release, we already have high hopes for; they set the bar high with the sludgy melodies that are sure to be music to the ears of any fans of Elliott Smith, Teenage Fanclub, Pavement, and Sparklehorse.

Stream the debut single from Softener on Spotify now.

Review by Amelia Vandergast