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The term ‘indie’ in the music industry has become so ambiguous it has practically become as subjective as the meaning of life. Whichever way it is defined, it is still a massive part of the music industry in the UK and across the globe.

Originally, indie referred to how an artist distributed their music. Over the decades, it became a catch-all term for artists sharing the same sonic off-kilter edge; and, of course, the same moody yet inexplicably cool aesthetic. Indie, as a genre, only came around as the result of experimental artists in the 70s wanting to bring a new sound to the airwaves; instead of solely hoping for commercial success after appeasing one of the major record labels.

Indie artists adopted punk ethos they started to push the boundaries of pop. Instead of commercialising their sound, they pushed it into post-punk, shoegaze, synthpop, Britpop, avant-garde, noise rock and dream pop arenas. For all that separates bands such as Sonic Youth, the Cure, The Smiths, The Stone Roses, Joy Division, Elliott Smith and Radiohead, there is still so much that ties them together, namely their attitudes and the loud discordant style.

Along with the bands, iconic venues such as the 100 Club in London, the Hacienda in Manchester, and King Tut’s Wah Wah Hut in Glasgow had a pivotal part to play in the traction of independent artists and music. New Indie labels, such as Rough Trade and Factory Records, were amongst the first record labels to truly embrace and encourage experimentalism and authenticity in the artists they scouted and signed – taking New Order and Joy Division as a prime example.

It may have been a while since there was an indie breakthrough act as successful as the Arctic Monkeys, but indie music has far from lost its resonance. Besides, Monkeys won over 42 awards and sold over 20 million records, so that’s going to take some beating, and they’re certainly not the only indie artists currently thriving.

The Welsh indie rock icons, the Manic Street Preachers, celebrated their first number 1 album in 23 years with the release of Ultra Vivid Lament in 2021. The Tarantino-Esque Liverpool outfit, Red Rum Club, released their debut album in 2019, and got to number 14 in the official album sales chart with their album, How to Steal the World, in 2021. Perhaps most impressively, the world’s first CryptoPunk rapper, Spottie Wifi, made just under $200k in album NFT sales in 90 seconds this year.

Under the Ephemeral Veil: DANIELA’s Sonic Resonance in ‘Waiting’

Posted on 26 November 2024

DANIELA’s latest indie RnB single, ‘Waiting,’ is as ethereal as slipping through a semi-lucid dream. The indie-tinged journey through stripped-back soul demands that listeners surrender to the seraphic sublimity of its dreamy atmosphere, which stands as an exhibition of DANIELA’s authentic to the nth-degree talent.

With every note, she demonstrates a masterful command over texture, tone, and melody, carefully curating each sonic element to immerse her audience into a vignette of dreamy, lovesick longing. The warmth of her vocal whispers serves as the gravitational core of the track, leaving the listener tantalised long after the music fades.

Originally from Italy and now enriching London’s diverse music scene, DANIELA draws inspiration from icons such as Amy Winehouse and Lana del Ray, weaving her rich, emotive vocals with contemporary production that hints at nostalgia. Her musical narrative is steeped in neo-soul, jazz, and Italian melodic influences, culminating in a distinct sonic signature.

With a background rich in performance—from London’s speakeasies to the jazz circuits of the Emirates—DANIELA has honed her craft on illustrious stages, contributing to her seasoned artistry. Her live performances resonate with the strength of her studio work, notably during standout gigs such as the WOW Festival at Southbank Centre, backing legends like Sister Sledge, and enamouring audiences in venues as diverse as the Grand Hyatt in Doha and the spirited bars of Soho and Shoreditch.

Waiting was officially released on November 15; stream the single on all major platforms, including Spotify.

Review by Amelia Vandergast

Candour cascades in John O’Brien’s acoustic folk-pop ballad, Can’t You See That It’s Me

Posted on 25 November 2024

With all the emotional intricacy of Buckley, the spacey etherealism of Bowie and ELO’s tender hits, and the all-encompassing soul of Tom Waits, John O’Brien’s latest single ‘Can’t You See That It’s Me’ pulls you into its evocative core.

The acoustic folk-pop ballad invites you to live vicariously within the lush layers of this stripped-back exposition of the heartache which ensues when romantic expectation forces us to feel as though we’ve fallen short despite giving our all to fulfil desire and sate our own.

if you don’t feel a cascade of emotion fall over you to the tune of John O’Brien wearing his heart on the acoustic guitar strings that drift into the euphonic atmosphere, you can probably consider your soul defunct.

As a performer, recording artist, and songwriter with over four decades of experience, O’Brien has graced stages worldwide—from the US to Madrid, Amsterdam, the Caribbean, Japan, Australia, and beyond. Equally as successful on the airwaves and radio waves, hits from his acclaimed LPs have amassed millions of Spotify streams, while his 2022 UK tour saw his hit ‘The Spider’s Love Web‘ climb to #2 on the UK radio charts.

Can’t You See That It’s Me was officially released on November 15; stream the single on all major platforms, including Spotify.

Review by Amelia Vandergast

FHMY – my blue heaven, featuring AQL; a shoegaze invitation to tonal nirvana

Posted on 23 November 2024

The Cairo-born artist, FHMY’s latest single ‘my blue heaven’, featuring AQL, fuses the tonal sublimity of shoegaze with the rhythmic intricacy of math rock, giving listeners a double dose of melancholic alchemy.

The undercurrents surge with an immense force of gravity, dragging you under the progressions as the vocal outpours of emotion oscillate and bleed into the production, allowing the evocative edge of the single to belie the abstract nature of the lyricism. Tumultuous yet as mellifluous as waves crashing onto the shore, ‘my blue heaven’ is the definition of a juxtaposing masterpiece.

FHMY could easily have entered the Hall of Fame pantheon alongside Smashing Pumpkins and My Bloody Valentine if he had entered the scene in the epoch when indie luminaries capable of tearing down the barriers to the soul while building immense walls of sound reigned supreme.

my blue heaven was officially released on November 15; stream the single on Spotify now.

Review by Amelia Vandergast

Saint Senara are harbingers of chaos in their Southern Gothic Blues Folk vignette,  There’s a Storm Coming

Posted on 23 November 2024

Saint Senara invoked a tempest in their latest single, ‘There’s a Storm Coming’. Following a hauntingly hymnal opening, this slice of American Gothic Folk Blues allows a surge of melody to break through the sonic overcast.

Imagine a soundtrack to a gritty southern drama, where each note and lyric wrestles rhythmically with the heavy, discordance-spilling guitars that pour over bluesy percussion, and you’ll get an idea of what Saint Senara delivered here as a departure from their celebrated debut and the well-received ‘Under My Skin EP’,

Teaming up with the innovative producer Lex Raymond at White Noise Studios in Weston-super-Mare, the band ventured into darker, moodier territories with There’s a Storm Coming, which repurposes whips and chains as percussion and projects spectral vocal lines which oscillate through the mix, underpinned by Andrew Bate’s Gretschy guitar alchemy.

This neo-noir blues release is a declaration of the band’s readiness to take on higher echelons of the music industry. Be a part of their ascent by immersing yourself in the panorama of tempestuous yet melodious chaos.

There’s a Storm Coming was officially released on November 15; stream the single on Spotify now.

Review by Amelia Vandergast

Shadows and Light: Sarah Shafey’s Grunge Resurgence in ‘Don’t Be Afraid of the Dark’

Posted on 22 November 2024

In her standout single, ‘Don’t Be Afraid of the Dark,’ the award-winning Canadian-Egyptian artist Sarah Shafey conjured a maelstrom of emotion and sound, marking a bold new chapter in the legacy alt-rock.

Infused with a hypnotic etherealism seamlessly married to the raw, sludgy aesthetics of grunge, Shafey’s latest single finished what Wolf Alice started. Her singular sonic footprint blazes a trail for a stylised resurgence, one that sinks swathes of substance into style and is layered with sonic transitions from the ferocious growl of grunge to the futuristic shimmer of synth-driven indie rock.

Her latest album ‘The Paper Bag Princess’, from which Don’t Be Afraid of the Dark was taken, draws from the empowering narrative of Robert Munsch’s children’s book, infusing her music with a feminist ethos that puts her in Kathleen Hanna’s lyrical league while vocally allowing her harmonies to drip Shirley Manson-esque seduction.

Shafey’s approach to this album—an eight-song manifesto melding personal revelation with a ’90s grunge backdrop—signals a defiant overturning of outdated norms. As she navigates through a soundscape crafted with chugging guitars and ethereal synths, Shafey not only redefines her musical identity but also challenges the listener to embrace a narrative of strength and self-discovery.

Don’t Be Afraid of the Dark was officially released on November 15th; stream the single on SoundCloud now.

Review by Amelia Vandergast

The Elegant Chasers is set to deliver a kaleidoscope of hope with their politically-charged Britpop-Grunge mash-up sophomore LP, To Live in Colour

Posted on 22 November 2024
The Elegant Chasers

The title track of To Live in Colour, the sophomore LP from The Elegant Chasers, is a vestige of sanctuary for those still searching for hope and resilience amid chaos.

As we sink ever deeper into a textbook definition of dystopia, the visceral fusion of grunge and Britpop, which rages with hook-rife rancour, is a livewire lifeline from an artist who has always sought solace in sound. With the hypersonically grungy hooks injecting adrenalised vindication into the mix, the one-man powerhouse beckons listeners into a tumult of nostalgia. Not to morosely reminisce on what is missed but to dare to fight against the backdrop of a disillusioned world after being reminded of the volition and connection we historically sourced from sonic redemption and calls to action.

Influenced by his own struggles, the track wrestles with darkness but refuses to succumb. The juxtaposition of anguish and upbeat, infectious melodies mirror the internal battle Maz faced growing up—bullying, trauma, and later, the hangover of rock ‘n’ roll’s recklessness.

With backing vocals from his daughters Penny and Phoebe and drums from the ever-present Lloyd “Keith Moon” Pritchard, the track taps into familial warmth and raw, gritty sound. Maz’s gift is to prove that while the world may be descending into madness, we can still choose to live in colour. The firestorm of sound that is To Live in Colour demands your attention and ensures you’ll never feel isolated in your apathy again.

The To Live in Colour LP will be available to stream on all major platforms, including Bandcamp, from December 6th. Connect with The Elegant Chasers on Instagram to stay up to date with news of the release.

Review by Amelia Vandergast

Sasha Sky found her place in a niche of style and grace with her indie RnB single, Outside of Us

Posted on 20 November 2024

Sasha Sky, a seraphically sublime soulstress emerging from County Durham, reached the epitome of sophistication with her indie RnB release, ‘Outside of Us’. As her lines weave through organically magnetic harmonies that embed the emotions of the lyrics into the listener’s psyche, the melodies carry just as much ease with their mellifluous loungey gentility.

With warm, distinctively embellished textures and intricately stacked layers that don’t merely sum to a whole but open a panorama of soulful experience, the track invites you to immerse in the colour and sincerity of its composition, grooving against your emotional impulses and leaving a lasting mark.

This single stands in stark contrast to the modern charts’ disregard for genuine grace as it vindicates the romantically scorned, showcasing Sasha as the embodiment of the refinement she portrays in her music.

Since beginning her music career during the 2021 lockdown, Sasha has drawn upon her lifelong love for music, songwriting, and poetry, a venture emboldened by her studies in Performing Arts and Music at New College Durham. This background honed her ability to weave sonic narratives that speak directly to the soul. As the crowning point of her career so far, Outside of Us is the perfect opportunity to introduce yourself to a superlative voice in contemporary indie RnB.

Outside of Us was officially released on November 7th and is now available to stream on all major platforms, including Spotify and SoundCloud.

Review by Amelia Vandergast

Blake Jubenville – The Sunsets: Horizons in Indie Alt-Country Harmony

Posted on 16 November 2024

At just 14, Blake Jubenville already has a hit-packed discography and a mastery of melody under his belt. His latest single, ‘The Sunsets’ amalgamates the rugged charm of country with indie sensibility, carving a unique niche in the contemporary music scene, reminiscent of the nostalgia found in the works of the Violent Femmes and the rhythmic narratives of Kurt Vile.

Blake’s ability to craft melodies that resonate with a seasoned artist’s flair is evident throughout ‘The Sunsets’. The single flows with swathes of commercial appeal yet retains a heartfelt authenticity that strays far away from cliché. His mature-beyond-his-years voice carries a gravity that sweeps up the atmosphere, turning every note into a panoramic vignette that pulls the listener in.

The authenticity permeates every syllable, making it impossible not to warm to the fledgling singer-songwriter and see the potential in his future.

Stream Blake Jubenville’s seminal single on all major platforms, including Spotify.

Review by Amelia Vandergast

Tim Briggs – The Long Fall from Grace: A Folk-Rock Sanctuary for the Soul

Posted on 12 November 2024

After decades of carving out soul-stirring melodies across various genres and scenes, Tim Briggs converged all his experience into his latest triumph, The Long Fall from Grace LP.

The title single exhibits the raconteur’s evolution from an eager singer-songwriter in 70s Ohio to a revered figure on the folk rock and southern rock circuits. After years of touring the states and rubbing shoulders with the likes of Lynyrd Skynyrd and The Marshall Tucker Band, a southern rock grit was naturally embedded into his folk-rooted melodies as Briggs sharpened the emotive potency of his vocal harmonies and guitar licks.

The single ‘The Long Fall From Grace’ encapsulates Tim’s adeptness in suckering your soul into submission.  With every steady, sticky-sweet clash of the strings, you’re increasingly convinced your emotions are safe in the deft hands of the artist whose consolingly pure vocal lines enable him to become a confidant, someone to trust with your most visceral emotions.

While nostalgia may run deep in its veins, ‘The Long Fall From Grace’ stands leagues away from being a mere artifice of antiquity. With the natural breeze of 70s folk, the intimacy of college radio rock and the commercial appeal of Nada Surf, It is a modern classic, a testament to Tim Briggs’ enduring impact and artistic integrity.

Tim Briggs’ The Long Fall from Grace LP reached all major streaming platforms on October 27; stream it in full via Apple Music and Spotify.

Review by Amelia Vandergast

Laura Mock took her listeners from poetic depth to ethereal heights in her standout single, Acadia

Posted on 11 November 2024

After two years of pouring her poetry, candour and sublimely affecting unique aura into her debut EP, home//body, the NYC-residing songstress, Laura Mock has finally unveiled one of the most sensuous sounds of 2024.

The standout single, Acadia, starts with tenderly warm piano chords which echo Nick Cave’s ‘Into My Arms’ before the single veers into stylistically seraphic easy listening territory and concludes following an arcane neo-classic folk pop crescendo which reaches the epitome of sonic serenity.

Despite the diaphanous propensities of each of the motifs in Acadia, the artfully composed, orchestrally laced progressions are strong enough to carry the weight of the heaviest souls as Mock uses the organic reverie within her vocal register to wrap you up within a vignette where naturalistic beauty resounds in equal measure to the divine nature of her talent.

Stream Laura Mock’s debut EP, home//body, on Spotify now.

Review by Amelia Vandergast